Religious fashion

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If It's Hip, It's Here (Archives): Gaultier Makes Fashion A Religious Experience. His S/S 2007 Haute Couture Collection. Haute Couture Hair, Jean Paul Gaultier Haute Couture, Paul Gaultier Spring, The Fashion Spot, Japanese Street Fashion, Fashion Line, Paul Gaultier, Kpop Outfits, Historical Fashion

Fashion designer Jean Paul Gaultier's Spring/Summer 2007 haute couture collection introduced at Paris Couture Week clearly borrowed heavily from art and religion. The stunning gowns, headgear, shoes --even hair and makeup styling are an homage to the Virgin Mary and religious art. below: Early christian art depicting Madonna and Child; clearly Gaultier's inspiration His newest collection has a fabulous Byzantine feel and the 'halos' around his models are reminiscent of early depictions of…

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Izabel Goulart in Sign From Lilith That Anne Has Religious Morals After All - 3 Sensual Fashion Editorials | Art Exhibits - Anne of Carversville Women's News Vogue Brazil, Izabel Goulart, Philip Treacy, Editorial Art, Anna Dello Russo, Gareth Pugh, House Of Holland, Vogue Japan, Emilio Pucci

Good Goddess! Lilith is in a total tizzy today, knowing that yours truly is in deep doodoo with the religious right today after publishing the names and New Mexico government bios w/contact info of those 10 virtuous Republican women legislators in New Mexico who decided to make it a felony for vic

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the small Apse Gallery, located in front of the Medieval Europe Gallery. In here is one of my favourite pieces. This is Jean Paul Gautier's Ex-Voto gown from his Spring/Summer collection in 2007. From afar the dress looks like a blend of fashion and armour. It is covered with copper and silver plates with the images of saints and angels, as well as different bodies parts hammered into the metal. The delicate grey tulle drapes down from the sleev Runway Moodboard, Sin Eater, Religious Fashion, Silver Plates, Fashion Exhibition, Paul Gaultier Spring, Heavenly Bodies, Medieval Europe, Costume Institute

The Byzantine Galleries focus on designers who were influenced by Sacred Spaces; the interior of Cathedrals and churches, and who brought elements from those spaces into the garments. The dresses are paired with fragments of floor mosaics from the 5th century as well as pieces of Byzantine jewellery and silverware. The mannequins each stand high aloft of tall plinths. The dresses are still clearly visible and yet are somewhat separated from the historical art along the walls.

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