Este trabajo pretende analizar los textos en prosa de Juan Larrea publicados en la revista Favora... more Este trabajo pretende analizar los textos en prosa de Juan Larrea publicados en la revista Favorables París Poema (1926). Antes de ello se contextualiza el proceso de creación de la propia revista, su repercusión y su desaparición, prestando especial atención a la correspondencia entre Juan Larrea y Gerardo Diego.
This paper aims to analyse the prose by Juan Larrea which have been published in the avant-garde magazine “Favorables París Poema” (1926). Before the previously mentioned analysis, the essay will contextualize not only the making process of this magazine but also its impact and his disappearance, focusing specially on the correspondence between Juan Larrea and Gerardo Diego.
Este trabajo pretende analizar los textos en prosa de Juan Larrea publicados en la revista Favora... more Este trabajo pretende analizar los textos en prosa de Juan Larrea publicados en la revista Favorables París Poema (1926). Antes de ello se contextualiza el proceso de creación de la propia revista, su repercusión y su desaparición, prestando especial atención a la correspondencia entre Juan Larrea y Gerardo Diego.
This paper aims to analyse the prose by Juan Larrea which have been published in the avant-garde magazine “Favorables París Poema” (1926). Before the previously mentioned analysis, the essay will contextualize not only the making process of this magazine but also its impact and his disappearance, focusing specially on the correspondence between Juan Larrea and Gerardo Diego.
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Papers by Javier Yániz
This paper aims to analyse the prose by Juan Larrea which have been published in the avant-garde magazine “Favorables París Poema” (1926). Before the previously mentioned analysis, the essay will contextualize not only the making process of this magazine but also its impact and his disappearance, focusing specially on the correspondence between Juan Larrea and Gerardo Diego.
This paper aims to analyse the prose by Juan Larrea which have been published in the avant-garde magazine “Favorables París Poema” (1926). Before the previously mentioned analysis, the essay will contextualize not only the making process of this magazine but also its impact and his disappearance, focusing specially on the correspondence between Juan Larrea and Gerardo Diego.