FINDS REPORTED TO THE PORTABLE
ANTIQUITIES SCHEME IN 2012–2013
LAURA BURNETT, SOMERSET FINDS LIAISON OFFICER
INTRODUCTION
In 2012 and 2013 a total of 3,762 finds from
Somerset1 were recorded by the Portable Antiquities
Scheme (PAS) in 2,198 records. This included
several small Roman coin hoards, which it is hoped
will be published separately.
•
•
•
The recorded finds were of all periods from the
Palaeolithic to c. AD 1900, with the following
breakdown, based on number of records rather
than objects2: Palaeolithic: <1%, Mesolithic: 2%,
Neolithic: 6%, Bronze Age: 1%, Iron Age: <1%,
Roman: 36%, Early-Medieval: 1%, Medieval:
17%, Post-Medieval: 33%, and Modern: <1%.
2% were of unknown period 3.
They were made from a range of materials:
metal: 86% (of which copper alloys 73%),
pottery: 4%, and worked stone: 9%.
Most finds were discovered whilst metal
detecting (89%), some as ‘eyes only’ surface
finds; others were discovered by people out
walking, gardening or as other chance finds.
Many other finds examined by the Somerset Finds
Liaison Officer and colleagues were not recorded
– generally finds that post-date AD 1700. Those
described below are a selection that are significant,
either nationally or locally. Complete records of all
finds recorded, with colour photographs, can be
viewed on the PAS online database: finds.org.uk/
database.
Fig. 1 Sickle from Chewton Mendip
which also has use-blunting and some later damage
on the other edge. The proximal end is complete
but the distal end is snapped (although it thins to
this point so it is not clear how much was lost). It is
heavily re-patinated and iron stained. It is 101.6mm
by 38.8mm, 11.8mm thick and weighs 55.32 grams.
Drawing by R.M.A. Trevarthen who suggests (pers.
comm. 2012) this is a possible Neolithic or Early
Bronze Age sickle based in the very marked useblunting of one edge, typical for tools used to cut
grasses, which have a high silica content.
PRINCIPAL FINDS
Neolithic or Early Bronze Age sickle from
Chewton Mendip (SOM-92BAE2)
Knapped flint tool, probably a sickle (Fig. 1)
formed from a very large secondary blade dating
to c. 4000-1500 BC. The piece has long, parallel,
semi-abrupt retouch on both faces along one edge
Fig. 2 Pin from Portbury
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Bronze Age dress pin from Portbury
(GLO-439E61)
Cast copper-alloy Picardy pin (Fig. 2) dating to
the ‘Ornament horizon’ period of the late Taunton
or early Penard phase of the later Middle Bronze
Age, approximately 1400-1250 BC. The pin head
is globular with a hollow terminal with crimped
edges. Immediately behind the head the shaft
narrows, before expanding into a central swelling
decorated with a series of transverse grooves. After
the swelling a small loop protrudes from the side.
The rest of the shaft is undecorated. The tip has
been bent at a right angle. It is now 170mm long,
6mm in diameter and weighs 22.11 grams.
These large and highly decorative pins would be
displayed on an external garment such as a cloak.
They are found in Britain and across the north
European plain but are rare, particularly complete
examples such as this.
Fig. 3 Jar or bowl sherd from Woolavington
is very similar to the illustrated examples P245
and P261 (Rouillard 1987, 211-212). This form of
pottery is now dated to the 4th to the 1st century BC.
Fig. 4 Capricorn figurine from Burrington
Roman figurine in the shape of a capricornus
from Burrington (SWYOR-29B362)
A large cast copper-alloy figurine (Fig. 4) in the
shape of a capricornus, with a goat’s foreparts and
fish’s tail. It is finely moulded with details such as
the hair and scales picked out with incised lines.
The figurine appears to be complete apart from the
horns, with no sign of attachments that would have
fixed it to a larger item. The raised foreleg may have
rested on a globe in a pose seen on coins and other
iconography. It is 250mm by 38mm and 88mm tall
and weighs 886 grams.
The capricornus is associated with Augustus
(31 BC – AD 14) and military units founded by
him, such as the Legio II Augusta. Augustus
was conceived in under the sign of Capricorn
and adopted its associations as ruler of the West.
Acquired by the Museum of Somerset (103/2012).
Iron Age Glastonbury Ware jar or bowl sherd
from Woolavington (SOM-5E3915)
The rim sherd (Fig. 3) is upright, slightly everted
and rounded. Both surfaces are smoothed. It is
decorated externally with curved lines creating a
swag like pattern around the circumference of the
vessel. The space between and under the curves is
shaded with oblique lines. This decorative band
is finished with two parallel lines underneath the
swags. The fabric is quartz tempered, fired to a
dark brown and fits into the Meare Fabric Group 1
(Rouillard 1987, 183). Too little of the rim remains
to calculate the original diameter. It weighs 21.78
grams.
This form of decoration has been categorised as
‘Decorative Group B – Curvilinear’ and this sherd
Fig. 5 Brooch from Somerton
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Roman zoomorphic plate brooch from
Somerton (SOM-7ED8B2)
A copper-alloy brooch in the shape of a two-headed
sea monster of Feugère’s type 29a5 (Fig. 5) dating
to around the 2nd century AD. The creature has a
curved L-shaped body with its main head looking
backwards. The tip of the tail is shaped into another
head, facing the first. Both heads have small crests
and gaping mouths with punched eyes. It has curved
legs front and back and a triangular projection, like
a fishtail, on the tail. On the body and triangular
projection are cells containing red and decayed
light green enamel. On the back are the remains of
a hinged pin. It is 40.1 mm by 25.3mm and 9.3mm
thick; it weighs 8.27 grams.
This is one of the best preserved and possibly
only complete example known of this rare form of
brooch. A broken example of this type can be found
illustrated in Hattatt (2000, 363; no. 1417), with
other examples listed by Feugère (1985, 400-401)
from various findspots in northwest Europe.
pers. comm.) comments: “The precise shape isn’t
paralleled in any other of the few appliqués known,
but they are all very variable both in shape and in
details of decoration”. Most known hanging bowls
are from the eastern side of England but this may
be an accident of survival. There is a distinctly
Celtic influence in their decoration and it has been
suggested they were produced in Northern Britain
(Geake 1999, 1).
Fig. 7 Strap-end from Mudford
Early Medieval strap-end from Mudford
(SOM-9ABAE0)5
Fig. 6 Hanging bowl appliqué from
Chewton Mendip
Early Medieval hanging bowl appliqué from
Chewton Mendip (SOM-7F2A01)
Copper-alloy zoomorphic appliqué, probably
of 7th century date in the form of two animals
with the animals’ eyes and open jaws at each end
and interlaced bodies in the centre (Fig. 6). The
recessed cells on the bodies, jaws and eyes contain
decayed remains of red enamel with some cream
surface corrosion product. The appliqué is curved
slightly from damage or to fit the bowl. It is 24.7mm
by 14.3mm and 1.9mm thick; it weighs 3.30 grams.
The appliqué would have been soldered to
the side of a hanging bowl. Dr H. Geake (2012
Cast copper-alloy tongue shaped strap-end of
Thomas (2004) Class E, Type 4 with Borre style
decoration dating to the late 9th to mid 10th century
AD (Fig. 7). On the front is a raised interlaced
design with paired lines making a complicated knot
pattern around a central concave sided rectangle
which extends at its lower edge into three points.
The back is plain. The straight upper edge was
originally split at the top with a gap between for
the strap. Only the front survives with three holes
containing traces of iron rivets. It is 40.9mm by
25.3mm and 2.4mm thick; it weighs 9.24 grams.
Borre style strap-ends are rare in Britain and very
rare in the South West. Dr J. Kershaw (2012 pers.
comm.) has pointed out the strong similarity to an
example from Wharram Percy (Stamper and Croft
2000, fig. 61; no. 22), where the central rectangle is
more clearly the body of an animal and the interlace
its limbs. She suggests the Mudford example was
made in England in an Anglo-Scandinavian setting.
Donated by the finder to the Museum of Somerset
(33/2012).
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Fig. 8 Penny of William I from near Frome
Fig. 10 Papal bulla from Cheddon Fitzpaine
Medieval papal bulla from Cheddon Fitzpaine
(SOM-FBA501)
Fig. 9 Coin hoard from Stogumber
Two Medieval coin hoards from near Frome
(SOM-918335, Treasure case 2013 T77) and
Stogumber (SOM-773215, Treasure case 2012
T200)
Two very small but interesting ‘hoards’ were
reported in 2012-13. SOM-918335 consisted of two
pennies of William I of the Two Stars type, North
845 (1994, 191), one minted by Ægelric at Hereford
(Fig. 8) and one by Godwine at Winchester. These
are rare coins and the first was the first known
example of this type issued by this moneyer (Dr M.
Allen 2013 pers. comm.). It is hoped they will go on
display at Frome Museum.
SOM-7732156 was a group of four pennies of
William I found squashed together and badly
distorted (Fig. 9); only two could be partially
identified. Both were of the Two Sceptres type,
North 844 (1994, 191), one minted Ælnoth at
Shaftesbury. Again this was the first coin of this
type known for this moneyer at this mint. Acquired
by the Museum of Somerset (104/2012).
A disc shaped lead bulla (seal) of Pope Paul II
(r. AD 1464-1471) (Fig. 10). On the obverse St
Paul, holding a sword, and St Peter, holding keys,
sit on thrones flanking a cross on a globe. On the
reverse Paul II is enthroned left of centre, flanked
by cardinals and with his flock kneeling in prayer
in the lower right. Down the centre of the reverse is
a scar where the thread, which previously attached
the bulla to the document, has been ripped out. It is
41.6mm by 38.7mm, 6.3mm thick and weighs 58.65
grams.
Bullae were attached to papal bulls, documents
issued by the pope to grant or confirm rights or
benefits and convey orders. Bulla design is highly
conservative with the same basic design of the
heads of Sts Paul and Peter on one side and the
pope’s name on the other used from the start of the
Medieval period until today. Paul II was the only
pope to commission a different and more elaborate
design, of which this is the sole example out of over
300 bulla recorded nationally by the PAS. Acquired
by the Museum of Somerset (2/2014).
Fig. 11 Buckle from Hinton St. George
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Medieval buckle from Hinton St. George
(SOM-38E745, Treasure case 2012 T842)
Silver double looped buckle frame with pin (Fig. 11).
The frame is unusual in form with a separate pin bar
and strap bar. The elaborate pin bar has two curled
out pieces flanking the pin constriction. The front
is decorated with incised lines and stamped motifs
apart from the plain strap bar both flanked by lobed
kings. On the back are marks from casting the piece
in a cuttlebone, a common technique in the late
Medieval period. The frame is 27.5mm by 32.3mm
and 2.7mm thick; it weighs 9.25 grams in total.
The form is difficult to parallel precisely in
Britain. Broadly similar but plainer copper-alloy
examples are known and given a later Medieval
date (such as Egan 2007, 94). Parallels in silver are
found on the Continent dated to the 13th century
(Beyrou 2000, 214; fig. 145, no. 8) or to before AD
1250 (Fingerlin 1971, 218; (fig. 336). Acquired by
the Museum of Somerset (5/2014).
Two Medieval forgers’ moulds from Faulkland
(SOM-0EC771 and SOM-0DF054)
These two rectangular two-part moulds are for
a halfpenny (Fig. 12), probably of Edward III
(AD 1327-1377) and a halfgroat of Henry VI (Fig.
13) of the Rosette-Mascle type dating to AD 14271430. The lead-alloy moulds both have long channels
for casting and the halfpenny mould has alignment
marks on the side. The halfpenny mould parts are
46.8 mm long, 20.2mm wide, 6.9mm thick and they
weigh 75.75 grams in total. The halfgroat mould
parts are 99.2mm long, 37.3mm wide and 11.8mm
thick and they weigh 726 grams in total.
These appear to be contemporary forgers’
moulds, but their use is problematic. It would not
be possible to cast base silver or copper forgeries in
them as the moulds would melt on contact with the
hotter metal. If they are a high-tin lead mix it may
be possible to cast pure lead forgeries for silvering
or cliché forgeries with silver sheet outers and
lead inners. Making wax blanks for the lost wax
process is possible but shrinkage of clay moulds
used in the process would be problematic. It is
hoped the moulds’ compositions will be analysed
and examined for traces of what was cast in them,
which may resolve these questions.
Fig. 12 Halfpenny coin mould from Faulkland
Fig. 14 Hornpipe from North Cadbury
Medieval or Post Medieval hornpipe from
North Cadbury (SOM-17C1D5)7
Fig. 13 Halfgroat coin mould from Faulkland
End-blown hornpipe made from antler, with seven
finger holes down the front (Fig. 14). The hornpipe
is broken at the end and the separate mouth piece,
which may have held a reed, is missing. There is a
thumb rest on the back. It is now 148.0mm long,
10.2mm in diameter at the head and 22.7mm by
16.8mm at the foot; it weighs 10.77 grams.
Similar horns, with three holes, are known from
an 11th to 12th century context from London (Keily
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2011, fig. 61) and from 13th and 14th century contexts
in Poland (Tamboer 2000, figs. 56 and 57). The
Polish examples also have evidence for separate
mouth pieces. Later, post-medieval examples are
also known (Dr I. Riddler 2013 and Dr G. Lawson
2014 pers. comms.). Such fragile pieces in organic
material do not survive often and the use of antler is
unusual as most are in horn or wood.
Fig. 16 Half-unite of Charles I from Priston
Post Medieval half unite of Charles I from
Priston (WILT-852CB5)
Fig. 15 Cloth seal from Wellington
Post Medieval cloth seal from Wellington
(SOM-9F1A10)
Incomplete lead-alloy seal for cloth made in
Tiverton, Devon (Fig. 15). About two thirds of one
of the pair of discs survives with its central stud
on the back. The other disc and the rectangular
tab that joined the pair are missing. The disc is
stamped with a merchant’s mark of a human foot
over an elongated 4 with an F below the toes and
an unclear S under the heel. The outer border and
legend is mostly missing; the remaining part reads:
[...]RIDG[...]. It is 22.2mm by 19.1mm and 2.3mm
thick including the stub, it weighs 4.35 grams.
P. Cannon (2012 pers. comm.) identified this
seal as one of a series with this merchant’s mark,
which belonged to Samuel Foote (d. AD 1691), a
significant merchant in Tiverton. Examples are
known which, like this, bear his mark but name his
son-in-law Robert Burridge or grandson Samuel
Burridge. Cloth seals were used to indicate the
cloth’s standard, length, whether duty had been
paid and, as in this case, which firm made and dyed
the cloth. They stayed on the cloth until it was used.
Examples of this seal are known from Holland and
Germany but this may be the first recorded from
this country.
A gold half-unite dating to AD 1643, North 2395
(1991, 175). This coin (Fig. 16) was minted during
the Civil War at Thomas Bushell’s mint, Oxford.
Its reverse legend combines Psalm lxviii. 1 with
a Latin translation of Charles’s declaration at
Wellington in 1642: that he would “preserve the
Protestant religion, the known laws of the land, and
the just privileges and freedom of Parliament.” The
coin has been bent in two places and pierced from
the obverse. It is 27.7 mm in diameter, 0.6 mm thick
and weighs 4.5 grams.
‘Crooked’ coins bent in this way are common in
the 17th and 18th centuries. Often referred to as ‘love
tokens’, they were also used as good luck charms
and offerings. Piercing allowed the coin to be worn
or sewn to clothing. The choice of this specific coin
may suggest this was a token or charm used for
its political or religious association with the king,
later declared a martyr by Catholics, rather than
romantically. GLO-20BE01 from Hemington is a
copper-alloy mass produced medallion of Charles
I, possibly used in the same way (Lewis 2013, 390391; fig. 2).
Endnotes
1
2
3
4
The figures given are for the historic county of
Somerset including North Somerset and Bath and
North East Somerset.
This under represents flint and pottery and periods
when these are heavily represented.
Mostly material such as lead weights or metal working
debris that are inherently hard to date out of context.
Included in Lewis 2013a and Worrell and Pearce
(2013, 369-372)
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5
6
7
Included in Lewis 2013a
Included in Naylor 2013, 265 and Allen et al 2013, 274,
no.93.
Included in Geake 2013, 272.
Acknowledgements
Some of these finds were initially identified and
recorded by my PAS colleagues: Rob Webley,
Kurt Adams, Richard Henry, and Alice Forward. I
would like to thank them for allowing me to publish
descriptions based on their initial records. Thanks
are due to those experts who have commented on
specific finds, as referenced in the text, and Rob
Webley commented helpfully on the whole. Thanks
are also due to all who volunteered their finds for
recording in these years.
Bibliography
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2013’, British Numismatic Journal, 83, 263-75.
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Egan, G., 2007. ‘Later medieval non-ferrous metalwork
and evidence for metal working AD 1010-1100 to
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Egan (eds), Meols: The Archaeology of the North West
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