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2018, 台灣切片 想像式前衛:1960s的電影實驗 Taiwan Spectrum Imagining the Avant-Garde: Film Experiments of the 1960s
訪談時間:2017年12月28日 訪談地點:漢聲巷 訪問者:張世倫 出自:台灣切片 想像式前衛:1960s的電影實驗 / Taiwan Spectrum Imagining the Avant-Garde: Film Experiments of the 1960s
2016
2013 年9、10 月間,中國國家主席習近平利用訪問中亞四國與印尼的機會,分別提出建設「絲綢之路經濟帶」與「21 世紀海上絲綢之路」的構想。而這樣的戰略意圖到底是如同中國外長王毅所強調的「不是地緣工具……不能用冷戰思維看待」,亦或是如解放軍少將喬良所稱「是跟美國戰略東移的一次對沖」。事實上,中國崛起在國際認知上,從來就沒有一致的認知,是否將會因經濟實力的變遷,而衝擊當前國際秩序,原本就在不同學派認知的爭議中劇烈衝撞。攤開地緣戰略地圖,如此大規模的跨區域戰略布局,不可能僅止於經濟、貿易、通商等低位階的安排,而不去調動高位階的國際政治與權力結構關係。因此,如何觀察這樣一個戰略安排的本質,如何理解其中的權力轉換,如何思考崛起中國在歐亞世界島的權力位置,而如此龐大的跨區域整合、鉅額的投資需求,複雜的權力重組,將會帶來的是無限美好的發展藍圖,亦或是新一輪冷戰的再起,基本上都是本文所關切,而亟欲思考、解決的議題。透過戰略局勢的地緣觀察,筆者認為,地緣的本質不變性與變動性,恰正可以提供超越意識形態認知的一條思維途徑。
Evolutionary Progress in Science, Technology, Engineering, Arts, and Mathematics (STEAM), 2020
Tsao, Hung-ping (2020). The Color Purple of Taiwan Politics. In: Evolutionary Progress in Science, Technology, Engineering, Arts, and Mathematics (STEAM) , Wang, Lawrence K. and Tsao, Hung-ping (editors). Volume 2, Number 10, October 2020; 285 pages. Lenox Institute Press, Newtonville, NY, 12128-0405, USA. No. STEAM-VOL2-NUM10-OCT2020; ISBN 978-0-9890870-3-2; http://dx.doi.org/10.17613/s16r-c655 . ..........ABSTRACT: This collection of one thousand articles sidetracks the democratic progression in Taiwan for the period between 1996 and 2013. Most of the articles were published in The World Journal and each reflected spontaneously the complexity of the political, economical and cultural facades of Taiwan, Hong Kong and China. ...........KEYWORDS: Taiwan, Politics, Thousand articles, World Journal, Political, economical and cultural facades, Hong Kong, China
2013
How did people in the Han (漢) Dynasty project their attachment to and imagination of hometown? What does this “hometown”refer to? These are the two questions which this thesis wants to ask. This thesis especially emphasizes the political context which personal feelings depend on and tries to explore how people in the Han Dynasty removed themselves from the indulgence and restraint of homesickness. How did an individual still keep different ways of emotional expression while sharing the same homesick atmosphere? The exhibition of these differences is called agency in this thesis. Chapter One explores how Liu Bang(劉邦) and Xiang Yu(項羽) felt homesick and their different relations and reactions to“hometown” according to the examples of choosing capital cities. What is involved includes not only emotional aspects but political calculations and rational reasoning. The two’s every decision was to seek for a balance between attachment with hometown and political calculations. In addition, th...
2016
Of regular script calligraphy styles from the Tang Dynasty, the style of Yan Zhen-qing (709-785) became one of the most highly regarded styles by later scholars. For centuries, " Yan style " was seen as a climax of Tang Dynasty regular script, and his work has had a wide and profound effect on Chinese calligraphy ever since. However, Tang Dynasty calligraphy critics did not place much value on Yan style, and they did not think of Yan Zhen-qing as a great calligrapher. This phenomenon is difficult to understand. The main aim of this paper is to further investigate the above-mentioned observation of Yan's lack of popularity in the Tang dynasty. The conclusions are as follows: 1. There are only ten extant genuine works of Yan Zhen-qing's regular script calligraphy, including Wang-lin Mu Zhi "Wang Lin's Epitaph", Duo-bao-ta Bei "Prabhutaratna Pagoda Stele",Yan Qin-li Bei " Stele for Yan Qin-li" and others. All other works are either co...
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