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University College London
Development Planning Unit (DPU)
Building & Urban Design in Development
(BUDD) - MSc Programme
TRAJECTORIES IN
COLLISION
Creative occupations as manifestations of
throwntogetherness
Supervised by:
Giovanna Astolfo
Giorgio Talocci
Laia García Fernández
Dina Mneimneh
Finlay Evans
María José Gonzales
London, UK.
May, 2024.
Jiayi Luo
Surabhi Surve
Bo Yu
Zhangqi Xiong
This work is dedicated to all the trajectories we encountered in São Paulo, to
those who shared their time and stories with a group of strangers from London.
We deeply appreciate everyone from the MSTC and MTST movements, and all
their partners and allies who gave us insight into their collective struggle.
Additionally, we extend our gratitude to FESPSP, our facilitators, and Glenda,
who helped us immensely with the language barrier. We also thank our
professors, who faced the first year of this research alongside us, a project we
hope will continue to prove fruitful and have a positive impact. Finally, we thank
our cohort and the DAP students; without them, our time and learning in Brazil
would not have been the same.
TABLE OF
CONTENTS
DISCOVERING SÃO PAULO
6. GUIDING QUESTIONS��������������������������������������������������������������������42
6.1. REFLECTING ON OUR ROLE IN SÃO PAULO������������������������������44
7. ADDRESSING OUR QUESTIONS�����������������������������������������������������46
7.1. WHAT IS THE ACTUAL ROLE OF CREATIVE OCCUPATIONS? ������46
7.2. WHICH ARE THE TRAJECTORIES IN THIS CONTEXT OF
THROWNTOGETHERNESS?������������������������������������������������������60
OBSERVED TRAJECTORIES������������������������������������������������������ 60
LIST OF FIGURES
ACRONYMS
SUNDAY LUNCH��������������������������������������������������������������������� 64
7.3. MAIN QUESTION: WHAT IS THE LEGACY OF CREATIVE
OCCUPATIONS & TRAJECTORIES IN A CONTEXT OF
THROWNTOGETHERNESS?������������������������������������������������������68
7.4. REFLECTING ON THE POSSIBILITIES OF AN INTERVENTION�������69
GLOSSARY
EXECUTIVE SUMMARY
INTRODUCTION
1. SETTING THE RESEARCH���������������������������������������������������������������16
BUILDING OUR FRAMEWORK
CREATING SPACES OF COLLISION
8. CREATING SPACES FOR TRAJECTORIES TO COLLIDE �������������������������72
8.1. INTERVENTION 1: “PLAYING BY PHASES”����������������������������������74
INSPIRATION�������������������������������������������������������������������������� 74
GENERAL DESCRIPTION��������������������������������������������������������� 74
PHASE 1��������������������������������������������������������������������������������� 76
PHASE 2��������������������������������������������������������������������������������� 80
2. DEFINING CONCEPTS�������������������������������������������������������������������20
PHASE 3��������������������������������������������������������������������������������� 82
2.1. THROWNTOGETHERNESS������������������������������������������������������� 20
8.2. INTERVENTION 2: “RECIPE BOOK OF TRAJECTORIES”���������������84
2.2. LEGACY���������������������������������������������������������������������������������� 21
INSPIRATION���������������������������������������������������������������������������84
2.3. CREATIVE OCCUPATIONS�������������������������������������������������������� 22
GENERAL DESCRIPTION����������������������������������������������������������84
2.4. MECHANISMS OF PROTECTION����������������������������������������������� 23
INTERVENTION A���������������������������������������������������������������������86
3. CURRENT CONTEXT����������������������������������������������������������������������24
INTERVENTION B���������������������������������������������������������������������87
3.1. ORGANIZING IN THE CITY�������������������������������������������������������� 24
INTERVENTION C���������������������������������������������������������������������88
3.2. LINKAGES & PARCERIAS���������������������������������������������������������26
INTERVENTIONS A, B & C���������������������������������������������������������89
3.3. THE PROCESS OF TOGETHERNESS����������������������������������������� 28
4. THE MAKING & REMAKING OF THROWN-TOGETHERNESS���������������30
5. MOVEMENTS, MIGRATIONS AND DISPLACEMENTS���������������������������36
FINAL THOUGHTS
REFERENCES
LIST OF
FIGURES
F. 1. Districts in São Paulo City Center.��������������������������������������������������������24
F. 26. Shared Laundry at the Lélia Gonzalez�������������������������������������������������57
F. 2. Occupations in the city������������������������������������������������������������������������25
F. 27. Creative practices at the Ocupação 9 de Julho������������������������������������58
F. 3. Map of linkages & parcerias����������������������������������������������������������������� 27
F. 28. Sunday Lunch�����������������������������������������������������������������������������������59
F. 4. The process of occupation�������������������������������������������������������������������29
F. 29. Colliding trajectories in the Occupation���������������������������������������������61
F. 5. The making & remaking of throwntogetherness�������������������������������������31
F. 30. Identified links of trajectories in the Occupations and Movements�������63
F. 6. International Migrant populations & displaced to Brazil�������������������������36
F. 31. Sunday Lunch Activities at the Ocupação 9 de Julho����������������������������65
F. 8. Origin of foreigners residing in Brasil from 2005 onwards.����������������������37
F. 32. Sunday lunch activity�������������������������������������������������������������������������66
F. 7. Map of movements, migrations & displacements����������������������������������37
F. 33. Sunday Lunch Activity: Open Question and Responses�����������������������66
F. 9. Internal Migrations to São Paulo (in number of immigrants)������������������38
F. 34. Sunday Lunch Activities at the Ocupação 9 de Julho����������������������������67
F. 10. Do you know that we’re infinite?���������������������������������������������������������39
F. 35. Intervention One: Phase One: Car Park Conversion ����������������������������76
F. 11. Initial approach to engagement (pre São Paulo) - activities and
planning��������������������������������������������������������������������������������������������44
F. 36. Intervention One: Phase One: Mapping the Radius of Recognition��������77
F. 12. Perspective Sketch of the Ocupação 9 de Julho�����������������������������������46
F. 38. Intervention in Occupation next to praça Ouvidor Pachêco e Silva, 102 79
F. 13. Community Garden at the Ocupação 9 de Julho����������������������������������48
F. 39. Intervention One: Phase One: Intervention in Occupation at R.
Conselheiro Crispiniano, 370�������������������������������������������������������������79
F. 14. Composting Area at the Ocupação 9 de Julho�������������������������������������48
F. 40. Intervention One: Phase Two: Opening up the Staircase����������������������80
F. 15. Old Sealed Entrance at the Ocupação 9 de Julho ��������������������������������49
F. 41. Intervention One: Phase Three: Connecting Both Accesses of the Site �82
F. 16. Sunday Lunch Open Kitchen at the Ocupação 9 de Julho���������������������50
F. 42. Intervention One: opening the playground�������������������������������������������83
F. 17. Sunday Lunch at the Ocupação 9 de Julho������������������������������������������50
F. 43. Intervention Two: Phase One: Sharing recipes amongst members of
occupation and organisers of kitchen ������������������������������������������������86
F. 18. Sunday Lunch at the Ocupação 9 de Julho������������������������������������������51
F. 19. A Perspective Sketch of the Lélia Gonzalez������������������������������������������52
F. 20. Community Kitchen at the Lélia Gonzalez ������������������������������������������54
F. 44. Intervention Two: Phase Two: Sharing recipes at Sunday Luncha and
Community Workshops���������������������������������������������������������������������87
F. 21. Community Kitchen at the Lélia Gonzalez�������������������������������������������54
F. 45. Intervention Two: Phase Three: Sharing Recipes and Documenting
them in a Magazine with Artists����������������������������������������������������������88
F. 22. Kitchen Space at the Lélia Gonzalez���������������������������������������������������55
F. 46. Intervention Two: Envisioned Reognition, Outreach and Impact�����������89
F. 23. Medicinal Herb Garden at the Lélia Gonzalez��������������������������������������56
F. 47. Intervention Two: Magazine “Recipe Book of Trajectories” �������������������90
F. 24. Kitchen Garden at the Lélia Gonzalez��������������������������������������������������56
GLOSSARY
ACRONYMS
CECASUL
Centro de Cidadania e Ação
Social Zona Sul
MSTLV
Movimento Sem Teto do Centro
MSTRN
South Zone Citizenship and Social Action Center
CMP
FLM
Homeless Movement of the Center
Movimento Sem Teto Lutar e Viver
COZINHA DA OCUPAÇÃO 9 DE JULHO
Homeless Movement Fight and Live
KITCHEN OF THE JULY 9 OCCUPATION
Movimento Sem Teto da Região
Norte
Northern Region Homeless Movement
MSTRU
Frente de Luta por Moradia
Movimento Sem Teto do Centro
Movimento Sem Teto pelo
Reforma Urbana
Homeless Movement for Urban Reform
Housing Struggle Front Center Homeless
Movement
MTST
FOMMAESP Fórum de Moradia e Meio-
Ambiente do Estado de São
PauloSocial Zona Sul
POVO EM
ACAO
Associacão Povo Em Ação
MMC
Movimento de Moradia do Centro
PSOL
Partido Socialismo e Liberdade
MMCR
União dos Movimentos de
Moradia de São Paulo
PT
Partido dos Trabalhadores
Movimento de Moradia de Jardim
Ipanema
TNG
Movimento de Moradia Terra de
Nossa Gente
Movimento de Moradia da Luta
por Justiça
ULC
Movimento dos Trabalhadores
rurais Sem Terra
UMM
Movimento Sem Teto do Centro
UMMSP
Refugees and Homeless Immigrants
Center Housing Movement
Project of political, academic, and professional
articulation for research and action on housing
conditions and grassroots technical assistance
initiatives, which consists of professionals and
students.
MINHA CASA MINHA VIDA
Ministry of Housing social program which
subsidized financing to families for the
production of urban housing units.
Housing Struggle Front Center Homeless
The Workers’ Party
Unificação das Lutas de Cortiço
Unification of the Cortiço Fights
Housing Movement of the Struggle for Justice
MY HOUSE MY LIFE
PARCERIA
(Portuguese) Parcerias are mutually beneficial
agreements between two or more parties, with
shared responsibilities at various levels. They
are collaborative relationships between entities
working together to achieve common goals
through an agreement on the division of tasks.
PARTNERSHIP
União dos Movimentos de
Moradia
Union of Housing Movements
Landless Rural Workers’ Movement
MSTC
PEABIRU
Land of Our People Housing Movement
Jardim Ipanema Housing Movement
MST
SOLIDARITY KITCHEN
People In Action Association
Union of Housing Movements of São Paulo
MMLJ
A social initiative run by the MTST, designed to
provide free meals to combat hunger and food
insecurity. It operates by setting up community
kitchens in various locations and is staffed by
volunteers.
Homeless Workers’ Movements
Grupo Refugiados e Imigrantes
Sem Teto
MMJI
COZINHA SOLIDARIA
Movimentos dos Trabalhadores
Sem Teto
São Paulo State Housing and
Environment ForumSocial South Zone
GRIST
Community kitchen in São Paulo, part of MSTC,
offering meals and social programs to support
low-income residents and raise awareness
about housing issues.
Homeless Movement in the Center
União dos Moradias Movmentos
de São Paulo
Union of Housing Movements of São
Paulo
10
11
EXECUTIVE
SUMMARY
The report ‘Collisions and Trajectories:
Creative Occupations as Manifestation of
Throwntogetherness’ outlines a research
study on the housing movements and
occupations in São Paulo, guided by
the concept of ‘throwntogetherness’ as
conceptualized by Doreen Massey. The
study focuses on how these occupations
illustrate the collision of diverse trajectories
and examines the creative practices within
these communities, highlighting their ongoing
struggles for legitimization and recognition.
and creative strategies employed by the
occupants to navigate their socio-political
challenges. The study also reveals the
intersection of various social, economic,
and political trajectories, and how they all
support the cause of social housing while
collectively building the legacy of these
occupations.
It is this legacy that translates into visibility,
both for the movement, exposing it to
the outside world- and the visibility of
individual stories. Where trajectories collide
in the occupation, they encourage and
co-create new creative displays, products,
and artforms, which ultimately go beyond
trajectories to represent the occupation.
These creative processes encourage new
visitors, occupants and interactions to keep
fulfilling this cycle of visibility. This process
The research was followed by an overseas
practice engagement to São Paulo, from
April 22 to April 30, where the Ocupação
9 de Julho (under MSTC) and Ocupação
Lélia Gonzalez (under MTST) were the main
scenarios of study. Key findings from these
visits reveal the community dynamics,
12
The second intervention is a recipe book
of trajectories: an amalgamation of stories
and memories from the kitchens, to learn
from, contribute to, and share with the wider
community.
builds legitimisation and protection to
the public eye against criminalisation,
continuing to build a legacy of creative
occupations and trajectories.
The report suggests strategies to aid in
the legitimisation of these struggles,
emphasising their importance in the
broader urban landscape of São Paulo,
through spaces of collision. The first
strategy suggests a phase-wise opening of
the second entrance to the Ocupação 9
de Julho, a proposal already in discussion
within the occupation. This intervention
suggests the creation of a playground for
children and takes a step further in aiding
both visibility and legitimacy by bringing
in a new demographic. Moreover, the
intervention proposes the repicability and
considers the impact in a city scale.
These interventions aim to bolster the
recognition of the housing struggle and
ensuring their contributions to São Paulo’s
urban fabric are both acknowledged and
sustained.
13
INTRODUCTION
Source: Author (2024).
1.SETTING THE
RESEARCH
In Brazil’s divided economic context, housing
occupations have emerged as key strongholds
in the struggle towards equitable housing rights
and conditions. Providing a roof under which
people from throughout Brazil and beyond
collide, occupations have often become vessels
of creativity. These creative occupations,
emboldened by the collective pursuit of
visibility and recognition, are places where
individual stories, talents and skills- political,
culinary or audiovisual- are celebrated. Where
uncertainty prompts the come-and-go of
trajectories, constantly making and remaking
the ‘throwntogetherness’ of the occupations. In
these collective environments, the importance
of individual trajectories colliding is heightened,
each considered paramount to the pursuit of
visibility.
occupation has profound positive effects on the
legitimisation of the occupation and the people
who live in it. It is hoped that this recognition will
trigger conversations with municipal authorities
and prompt the process of legalisation.
Our objectives seek to complement these
missions, contributing to a field which seeks to
destigmatize occupations and their inhabitants,
further visibilising the struggle for housing in
Brazil’s divided context.
Our analysis seeks to bring attention to the
importance of colliding individual trajectories
in the occupation’s collective environment,
while exploring how the alignment and
disalignment of trajectories contributes to
the process of legalisation. Following this,
we suggest two interventions intending to
further celebrate these individual trajectories,
internal or external to the occupations, through
spatial and non-spatial means. These expand
on the occupations existing structures to
provide new methods of visibility while seeking
to incrementally reinforce the process of
legalisation.
One place where this pursuit of visibility is
particularly evident is in our study site, the
9 de Julho occupation. Expanding on this
need for visibility, the site acts as an interface
between the missions, objectives and realities
of MSTC occupations and the public. Exposing
the creative aspects of its occupants, the
interaction between the public and the
Source: Author (2024).
16
17
BUILDING OUR
FRAMEWORK
2.DEFINING
CONCEPTS
2.1. THROWNTOGETHERNESS
2.2. LEGACY
Doreen Massey (2005) defines
“throwntogetherness” as the making of urban
society in spaces where people different from
one another in terms of ethnicity, religion, class,
sexuality, gender, age and disability, are, due to a
series of circumstances and events, obligated to
co-inhabit.
“It is what I am calling space
as the dimension of multiple
trajectories, a simultaneity
of stories-so-far. Space as the
dimension of a multiplicity of
durations”
These events of “throwntogetherness”
are the product of the different conflictive
contexts where people come from: migration,
displacement, escaping domestic violence,
looking for a better life, or the search of
acceptance of one’s identity (Fincher, 2022).
(Massey, p. 24, 2005)
One of the main characteristics of this
“throwntogetherness” is the process of
trajectories (life stories) colliding with each
other, where each person is a trajectory, who’s
path gets moulded when colliding with other
trajectories, in this case, by the process of
relating to others (Massey, 2005). Is in this
process of collision where exchanges occur,
linkages, share of knowledges and capabilties
amid the hostility and the struggle. These
interactions and collisions are the ones
responsible for making a “space” into a “place”.
struggle and reiterative need to legitimize the
concept of being “thrown” acquires more value.
The process of being “thrown” includes the
initiators of the displacement, while highlighting
the moment different individuals are assembled
in one space. The act of being “together”
then, becomes performed in a violent and
unwelcoming, constantly criminalized scenario.
Building upon Massey’s theories, Ruth Fincher
(2022) states how in this context of constant
20
Considering this definition of
“throwntogetherness,” we sought to explore
what goes beyond it: its legacy, and what it
contributes to the movement, the people, and
the city. Trajectories colliding in space emerge
from a multiplicity of durations, and thus, the
legacy of these trajectories also becomes part
of this non-temporality.
the collective effort. Moreover, a legacy is what
each person, each member of the movements,
builds for themselves , for their future and what
they leave for the movement.
In a context of multiple trajectories, legacies
become multiple as well, reflecting the diverse
backgrounds, identities, and objectives
involved. Legacy thus becomes both an
individual and a collective outcome. These
legacies become timeless and endless, as
some are being built in the present, some were
built in the past, and others continue to evolve.
Legacy can be depicted through contributions,
values, or cultural significance attributed to
these myriad collisions. In a context like this,
legacies are the reflection of the exchange of
knowledge, of mutual learning, the result of
21
2.3. CREATIVE OCCUPATIONS
2.4. MECHANISMS OF PROTECTION
The concept of creative occupations is derived
from the notion of creative destruction. Joseph
Schumpeter describes creative destruction
from an economic perspective as a “process
of industrial mutation that revolutionizes the
economic structure from within, destroying the
old one and creating a new one” (Schumpeter,
1945).
Creative occupations can be seen in two main
practices: (a) adaptive reuse, which repurposes
existing structures, and (b) ongoing occupation,
where spaces are continually redefined and
recreated to meet evolving needs.
CREATIVE DESTRUCTION
The way in which creative occupations evolve
within the context of movements demonstrates
that, beyond fostering collectivity, they also
serve as mechanisms of protection.
Consequently, creative occupations become
crucial tools for making the movements visible,
asserting their presence, and validating their
cause to the exterior, facing criminalisation,
ending stigmas and creating alliances.
The constant criminalization of these
movements in the public eye asks for an
ongoing struggle for legitimization.
(SCHUMPETER, 1945)
Creative destruction refers to the economic
process where supply does not merely meet
demand but instead creates a pull for more
demand or alters the nature of demands,
ultimately necessitating new systems to
ensure functionality. In this context, creative
THROWNoccupations address the mismatch between
TOGETHERNESS
available supplies (such
as housing) and
unmet demands. Driven by(MASSEY,
necessity,2005)
creative
occupations involve practices that repurpose
abandoned spaces to create homes.
Destroy what exists
exists-totobuild
buildsomething
somethingnew
new
Where "equilibrium is not the end "
CREATIVE
OCCUPATIONS
These occupations
do more
thansociety
providein spaces of
Making
of urban
shelter; they sustain the‘conflicting
essence oftrajectories’
a home
by fostering practices that facilitate collective
living, ease the convergence of various
trajectories, and ensure
continual
This the
diverse
mixing evolution
of residents
throwntogether
makes &are
remakes
of these spaces. Creative
occupations
these the
contemporary
city.
practices that offer the safety,
security, and
familiarity that a home requires.
22
Re-use the built-to
buildaahome
home
built to build
Create and Recreate Uses
Creative Occupation as
1. Adaptive Reuse
2. Where
where the
the roof
roof is
is not
not the
the end
endgoal
goalof the
2.
occupation,
but
constantly
create
the
of
occupation, but the constant creation of
occupation
with
creative
practices
collectivity within it by certain practices:
creative occupations
23
3.CURRENT
CONTEXT
3.1. ORGANIZING IN THE CITY
RESIDENCIAL CAMBRIDGE
F. 1. Districts in São Paulo City Center.
Source: Author (2024).
The development of this research is situated in
the historic center of São Paulo, specifically in
the districts of República and Sé.
The city centre deteriorated as the rich were
given more transport options to commute
into the city. While this area became a hub for
transport, many of its former residents moved to
neighbourhoods in the west of the city (Nakano
et al, 2004). Additionally, the cost of land and
prices made the centre difficult for other groups
of the population to inhabit, as it became
impossible to afford the prices. As a result, the
centre became depopulated with a large number
of uninhabited or underutilized buildings. It is in
this context that the occupations were born.
sought to assert their Right to the City (as
outlined in the Brazilian Constitution). Thus, the
center is being populated by buildings occupied
by social movements such as MTST, MSTC,
MMCR, among others.
The housing deficit and difficulties in affording
housing gave rise to social movements that
The existence of occupations in the city
represents a constant struggle for legitimacy and
Ownership
Ownership of
of occupied
occupied properties
properties
Ownership
of occupied properties
31%
69%
31% of occupied properties
69%
Ownership
31%
69%
Private
Private31%
Private
Private
69%
0
Occupations
Occupations with
with immigrant
immigrant population
population
Occupations
with immigrant population
58%
42%
58%with
42%
withinternational
immigrant population
Occupations
immigrant
population
58%
42%
Yes
No
Yes
No 42%
58%
Yes
No
Yes time occupied by the property
No
The
The time occupied by the property
The
time occupied
by the property
13%
43%
37%
13%time occupied
43% by the property
37%
The
<1
year
1-543%
years
5-10
years
13%
37%
<1
year
1-5 years
5-10
years
13%
43%
37%
<1 year
1-5 years
5-10
years
<1 year
1-5
years
Occupations
belonging
5-10 years
movements
Occupations belonging to
to movements
Occupations
belonging to movements
43%
57%
43%belonging to movements
57%
Occupations
43%
57%
Yes
No
Yes
No
43%
57%
Yes
No
Yes
No of
Occupations
for
number
Occupations for number
of floors
floors
Occupations
for number of21%
floors 18%
10%
43%
10%
43%
Occupations
for number of21%
floors 18%
10%
43%
21%
18%
<2
3-5
6-10
11-15
<2
3-5
6-10
11-15
10%
43%
21%
18%
<2
3-5
6-10
11-15
<2
3-5
6-10
11-15
100
200
300
400
500m
F. 2. Occupations in the city
Source: By Author, adapted from Bosmans et al. (2016)
Unbuilt (Green space / Open)
7%
7%
10<7%
years
10< years
10<7%
years
10< years
Vacant / abandoned buildings
MSTC buildings
MSTC + MMCR buildings
Other movements
Cozinha solidaria Sé - MTST
8%
8%
8%
15<
15<
8%
15<
15<
San
Paulo,
Paulo,
2018)
2018)
Paulo,
nan
Paulo,
2018)
2018)
24
formalization as a function of social housing. So
far, only “Residencial Cambridge” has obtained
the official title of housing, allowing its residents
to have the right to property ownership. This is
what many aim for through the consolidation of
the network of occupations in the city.
Public
Public
Public
Public
(11 in total in São Paulo)
Source: Prefeitura de São Paulo (2018)
25
Ivanes “Neti” Araújo
MSTRU
Movimentos dos Trabalhadores Sem Teto
Created in 1997
MMJI
Movimento de Moradia
Jardim Ipanema
Prestes Maia
Elet
TNG
Ocupação Mauá Motel
237 families
Lord Palace Hotel
326 families
S FROM THE PERIPHERY
NT
CECASUL
MSTRN
Movimento Sem Teto Regia Norte
Josélia Martins
Edma/Adeliv
FOMAESP
Fórum de Moradia e Meio
Ambiente do Estado de São Paulo
The universe of occupations
in São Paulo includes a variety
of groups that play specific
roles in the fight. On one hand,
there are the movements
themselves, within which there
are many variables and political
affinities. These are crucial,
especially in a country where
political polarization is so extreme.
MSTLV
Movimento Sem Teto Lutar e
Vencer
Created in 2003
Geni Monteiro
Leader & lawyer
Manoel del Rio
Jomarina/Antonia
Followed refurbishment project
Hotel Cambridge
170 families
Sem-Teto pela Reforma Urbana
Leader
Carmen Silva
Movimento Centro - Norte
MSTC
Movimento Quintais e Cortiços da
Região da Mooca
Ocupação São
Francisco
30 families
CMP
Central de Movimentos Populares
Grupo Refugiados e Imigrantes
Sem Teto (GRIST)
Ocupação Casarão
24 families
Caixa Econômica Federal
Building
inspection
State-owned Brazilian
financial service
Civil defense
Public tenders for
refurbishments and
technical advice
Coordination of
security parameters
RETROFIT AND M
AIN
Rede Moradia Associação
Peabiru
Project of political, academic, and professional articulation for
research and action on Housing conditions and grassroots
Technical Assistance initiatives.
Professionals & Students
Engineers, Architects
Ocupação
Caetano Pinto
Projetech
Ocupação Ocupação
Rio Branco Iparanga
30 families
Technical assistance &
implementation
Ocupação
José Bonifacio,137
Ocupação 9 de Julho
124 families
Carla Caffé
Architect and art director
Part of
On the other hand, there are
academia and professionals who
are responsible for the processes of
research and retrofit. Social networks and
media representations also play an important
role, functioning externally but also from within
the occupations. Finally, economic actors and
means of access to formalization are important
pieces in the journey towards affordable
housing.
Petitions for changing
the abandoned
buildings to “social
housing” condition
Coordinate to
make the
approved
buildings for
occupation part
of their MCMV
program.
Subsidized financing to families
for the production of urban
housing units (Social
Development Fund)
Proffessionals
Associação de Mutirões
Artivistas
Ocupação
José Bonifacio, 237
100 families
Movimento Sem Teto do Centro
Created in 2001
Cozinha
Ocupação
9 de Julho
LQBTQIA+ community
Municipality
MMCR
Movimento De Moradia
Central e Regional
(Central and Regional
Housing Movement)
Felicia Mendas
Movimento de Moradia da Zona Norte
Cidade de São Paulo
“Security and
control
inspections”
FLM
Frente da Luta pela Moradia
Support / Organization /
Legal advice / Decision-making
Programa
MINHA CASA MINHA VIDA
“Entidades”
UMMSP
União dos Movimentos de Moradia
de São Paulo
Created in 1987
Formed by
some
dissidents
ty
from UMMSP
y at the par
militanc
trong
s
a
e
Hav
María
Associacäo Povo eiim Açǎo
Ministério das Cidades
Lula da Silva’s affiliated
party
Ocupação Lelia Gonzalez
Joana Nunes
Ocupação
São João
Terra Nossa Gente
POVO EM AÇÃO
Partido Socialismo e
Liberdade (PSOL)
Partido dos Trabalhadors
Cozinha Solidaria
Cecasul Centro de
Cidadania e Ação Social Sul
EC
to the p
arty
MMC
Movimento de Moradia do Centro
Created in 1997
Leader
Guilherme Boulos
Antonia Ferreira
SOCIAL
MOV
EME
NT
S
MOV
EM
E
Movimento de Moradia de
Luta por Justicia
Affilia
ted
NANCE
TE
The construction of bonds
and alliances in the process
of “throwntogetherness” is
crucial for the survival of the
movements. It is through
these bonds that spaces
are created to provide
visibility and legitimacy to
the movements and their
struggles.
MMLJ
MTST
Movimento Sem Teto pela
Reforma Urbana
SOCI
AL &
3.2. LINKAGES &
PARCERIAS
S
ENT
M
E
OV
M
RS
OMIC ACTO
ON
HO
US
IN
G
ITICAL ACTO
POL
RS
Escola Cidade
Associação escola da Cidade
Became important partners in 2014.
Promoting visualization, recognition
and new projects inside the associated
buildings with MSTC.
Eliana Caffé
Film director
“ERA O HOTEL CAMBRIDGE”
Movie / documentary
Created public recognition and
acknowledgment of the housing and
occupations situation
RESENTATION
P
E
R
E
R
M E DIA &
F. 3. Map of linkages & parcerias
Source: Bosmans & Beukelaer (2016)
26
27
CONTINUE TO ACTIVELY
PARTICIPATE IN THE MOVEMENTS
1
NEW MEMBERS
2
NEW
BEGINNING
3
BASE GROUP
This groups work in
assemblies
PRINCIPLE OF THE
MOVEMENT
POSSIBILITY
1
Starting from here,
new members are
able to:
New members get
taught the importance
of active participation
and the basics of
“collectivity” and its
importance to the
movement.
4
5
6
PARTICIPATE OF A
“DIA DE FESTA”
The day in which the
movement(s) occupy a
building.
RECRUITMENT OF
MEMBERS
REGISTRATION AND
PEDAGOGICAL PHASE ON
THE PROCESS OF
OCCUPATION
8
7
Collection of personal data
of the people that will
paticipate from the “Dia de
Festa”.
ART. 182. PARAGRAPH 4
“The public authorities are empowered to require the owner of underutilized or unusd urban
property its proper utilization [...] under the penalty of expropiation”
Base groups are linked to a
movement. Some movements
use one of their buildings as
headquarters
&
meeting
points.
RAISE THE COMPLAINT TO THE
GOVERNMENT - MUNICIPALITY
IDENTIFY AN UNUSED
BUILDING
“DIA DE FESTA”
All of the members are
organized to be ready for the
occupation
day.
The
organization
includes
transport,
tools,
basic
resources such as water and
food, among others.
PROCESS OF OCCUPATION
3.3. THE PROCESS OF
TOGETHERNESS
THE GOVERNMENT
CHECKS THE CASE AND
WORKS ON ITS DECISION
Joining a movement is the very first step
to becoming part of an occupation. This is
essential for further participation. From this
initial point, the education of the collective
and learning about their rights is crucial. In this
way, members are trained by the movements,
advised, and engage in group discussions where
they learn about the future steps as members
of the movement. From this stage, depending
on their level of participation, new members
can become part of an occupation either by
participating in the “Dia de Festa” or by waiting
to obtain a place in one of the occupations while
continuing their role as active members.
THE FIRST 5 DAYS
11
RECOGNISING THE SPACE
1. The first 48h are crucial to know if the occupation is succesful
or not. During these 2 days, people wait to know if they get
evicted by the police. In parallel, the frontline becomes their
defense from the outside.
Law n. 4.132 (10/09/1962).
“Defines
cases
of
expropiation for social
interests and establishes its
application”.
10
9
THOSE WHO ENTER & THE
FRONTLINE
THE NIGHT OF
THE “FESTA”
Just a group of people gets to
come inside of the building,
while the others become a
frontline that will eventually
face the police in case of
eviction.
2. The next 3 days are a window to secure themselves in the
building. If they have not been evicted, is it very likely that they
will not get evicted later on.
POSSIBLE
OUTCOMES
THE CASE RAISED ON
EXPROPIATION IS
CHECKED BY THE
AUTHORITIES
it gets checked if it can be
social
housing.
The
propietary of the building can
either arrive to an agreement
with the occupants or have
their building as a social
building.
A
Recognising the building
and its inner spaces.
Looking at the possibilities
for organizing and dividing
spaces.
12
13
TYDING, ORGANIZING
AND CLEANING UP
They organize into
maintenance teams.
THE FIRST THING TO
ESTABLISH
A place to cook or provide
food.
This marks the initial point where trajectories
collide and collective struggle becomes evident:
the right to decent housing and everything it
entails: education, well-being, health, among
others.
14
TOTAL COLLECTIVITY
DURING THE FIRST DAYS
During the first days many of
the spaces become of
common use.
15
16
FORMATION OF
MAINTENANCE TEAMS
Teams that are in charge of
plumbing, sewege system,
electricty, structure or safety
in the building.
ELECTION OF HOUSES
ACCORDING TO THE SIZE
OF FAMILIES
QUALIFIED
UNTIL THEY CAN
BE PART OF AN
OCCUPATION
(WAITING FOR
THEIR TURN UNTIL
THERE IS A SPOT)
It was possible to get to an
agreement
with
the
propietary or it was possible
to execute the expropiation.
B
PRACTICALITIES
Being aware of any updates of the
acts, the evolution of the
movements and a change in the
agenda.
This process represents one of the earliest
expressions of “throwntogetherness,” where the
struggle continues even for those who do not
become part of the occupation. This ongoing
battle highlights the resilience and solidarity of
the movement, emphasizing that the fight for
rights and recognition persists regardless of
individual participation in the occupation.
NOT QUALIFIED
It was not possible to get to an
agreement
with
the
propietary or they changed
the use of the building.
COMMITMENTS
WITH THE
MOVEMENT
COMISSIONS
19
A MEDIATOR PER FLOOR
28
PEDAGOGICAL
DUTIES
Members get different types of
classes, from history, politics,
among other topics that relate to
popular education, rights, class
struggle and citizenship.
“Pedagogy of oppressed” (Freire,
1968)
18
WEEKLY
MEETINGS
THE OCCUPANTS OF THE
BUILDING GET EVICTED
17
POSSIBILITY
2
GET THE KEY OF
THEIR
APPARTMENTS
F. 4. The process of occupation
Source: Author (2024) adapted from Bùe (2021); Caffé (2019)
29
4.THE MAKING
& REMAKING
OF THROWNTOGETHERNESS
Indigenous
population
& colonial
governance
International
displacements
& migration
1600-1800s
1600s
1500s
and before
1600s
Portuguese settlers brought
sugar-based plantation economy to
northeast Brazil, accompanied by
colonisation and slavery.
Brazil was inhabited by an
estimated 11 million indigenous
people, from over 2000 tribes
1600s-1888
Over the next 4 centuries, Brazil
imported more than four million
enslaved individuals from Africa
until 1888, which marked the
abolishment of slavery.
relations. This can be seen in the placemaking
of Brazil as collisions in the timeline reveal the
‘throwntogetherness’ (D. Massey, 2005) that
render the cities of Brazil.
The mapping of timeline here is an attempt to
capture the local and international diversity
that collides in the city of São Paulo through
centuries of trade, enslavement, commercial
agriculture, industrialization, political stability or
instability, violence, housing opportunities and
through migrations of hope.
30
Local migrations &
public policies
The making, unmaking, and remaking of Brazil
is a canvas of atemporal timelines that run
parallel yet also collide, sometimes incidentally,
but mostly systematically and politically. These
collisions of trajectories are central to Massey’s
understanding of space and place. Massey
argues that individual trajectories are not
isolated but are interwoven, and in the process
of interweaving they transform ‘a space’ into
‘a place’- by producing specific and unique
outcomes- that distinguish it from other places,
often rooted in its history, culture, and social
early to mid 1900s
1891
early-1900s
1930s
De-Africanize Brazil presented a
racialised idea of recreating
Brazil in Europe’s image,
transforming the economy
from slave to wage labour. This
was accompanied by
guaranteed religious freedom,
restricting Africans from
migrating and encouraging
Japanese migrants.
Industrialisation, technological
advancements and Brazil’s policies
stirred mass migration especially
from the Middle East and Asia
where economies were not growing
at the same pace
More than 2.6 million immigrants entered Brazil between
1890 and 1919, arriving from
more than 60 countries.
urbanisation- in gradual progression
early-1900s
Coffee cultivation São Paulo instigated
mass-immigration from Europe. Italians, Portuguese, Spanish, Germans
and Eastern Europeans arrived, with
further immigrants from Japan and
Lebanon in the early 1900s.
1930s
By the 1930s, São Paulo’s
growth was based on internal
migration from the northeast
and the interior of the state.
1934
Established immigration quotas
based on nationality and similar
racially discriminatory immigration acts from the United States.
1940s
In 1940 the city had a population
of about 1.3 million people,
while its immediate suburbs
maintained over 100,000
people.
F. 5. The making & remaking of throwntogetherness
Source: Wejsa & Lesser (2018); Skop et. Al. (2006); Survival Interational (n.d)
31
1967
1950-1980
Indigenous
population
& colonial
governance
1950-1960
Suez Crisis and Rise of Arab Nationalism
International
displacements
& migration
1942-1945
1946
• WWII posed restrictions on
trans-oceanic travels bringing
down migration to Brazil
• Following the end of WWII,
coffee economy started to decline
Local migrations &
public policies
New Constitution
(Fourth Republic of Brazil)
No significant change to immigration policies, but modifications to
position on global refugees
1950s
In the 1950's, the city of São Paulo was going through substantial
changes in all the planes of urban coexistence and was acquiring the
definite character of a metropolis. As from the post-war period, the
world's major cities underwent processes that redefined urban
functions and attracted more immigrants
32
1951
Brazil becomes a Member State of
the United Nations High Commissioner for Refugees (UNHCR)
• In 1954, Brazil received some
40,000 Europeans seeking
refuge
1960s
By 1960, the population of São
Paulo had tripled and that of the
near suburbs was about six times
larger; moreover, a second ring of
suburbs had developed with a population approaching 300,000
1985
1953-1963
End of Dictatorship
• Displacement caused by US Mili- • Around 20,000 Koreans entered
Paraguay and Bolivia (cheap
tary Occupation of Okinawavisas), half of them moved to
nearly 55,000 Okinawans settled
Brazil
in Brazil
• Chinese Immigrants due to
Brazil- China commercial rela1962 saw expropiation for
tions
social interest: Promote Just
Distribution of Property or to
Condition its use for Social
Wellbeing as stated in Article
147 of the Federal Constitution
End of Dictatorship
• Immigration policies shift- Legalisation programs for unregistered immigrants in 1980,
1988, 1998 and 2008
• New Constitution granting
Right to the City, Housing, Education, Transportation.....
1970-1990
By 1970, many Koreans and Bolivians had immigrated to the city. A
high degree of assimilation existed among the different ethnic communities, which are dispersed across São Paulo. Many well-to-do immigrants started to have their own social clubs.
Post Military
Dictatorship Reforms
1985
1970-1980
• Registration of more than 100,000
migrants including 40,000 from
Bolivia and nearly 25,000 from
China
• Significant numbers from Lebanon, Korea, Peru
1990-2000
Population growth continues as the city reaches its territorial and administrative limits. The urban spurge in São Paulo has not been fully
assimilated by planners and citizens –as well as the property market.
33
Indigenous
population
& colonial
governance
International
displacements
& migration
2001
2017
Estatuto da Cidade (City Statute)
• Importance of citizen
participation in decision making
processes
• Recognizes social function of
property
Local migrations &
public policies
early 2000s
2012 elections
The city, at its limits of absorbing the
influx of population, began to face a
lack of housing, jobs, and essential
services, leading to increased pressure
on infrastructure and a decline in the
quality of life for its residents
34
The 2012 elections were marked by
urban themes which, until that time,
had been left in the background during
political disputes. The São Paulo electorate showed a will to engage with the
most direct issues (such as mobility,
pollution and housing) which were decisive in the outcome of the elections�
As of 2017, nearly 736,000
registered immigrants lived in
Brazil (thousands of households
exist without formal
documentation)
2020-today
• Brazil hosted about 300,000 Venezuelan migrants and refugees.
• 150,000-200,000 Haitians residing in Brazil
(registered numbers for both remain
far less on paper)
Brazil continues to absorb immigrants from all
over the world, and the cities continue to
become crowded, putting a strain on resources
and infrastructure, and presenting challenges
in maintaining sustainable urban development.
2014 Masterplan
“The main purpose of the new Master
Plan is to humanize and re-balance São
Paulo, bringing housing and jobs closer
together and addressing socio-territorial inequalities.”
(2014 Masterplan, PMSP-no date)
With developments following the new masterplan in addition to the infrastructure
that already existed, ‘properties’ soon became overvalued, and were deserted.
Currently São Paulo currently has almost 600,000 unoccupied properties. Ironically much of São Paulo’s homeless population and its empty properties are
located in the same physical space: the city’s geographical centre
35
5.MOVEMENTS,
MIGRATIONS AND
DISPLACEMENTS
colonisation
Brazil- China
“rebuild the image”
commercial relations
de-Africanize Brazil
natural
hazards
humanitarian crisis
economic crisis
climate refugees
“migrate to the west”
Latin American cities
to São Paulo
0
500
1000km
go to Bolivia/ Paraguay
to enter Brazil
slave trade
cheap wage-labour
YEARS POPULATION
1960 - 69 200,000
10,000 - 11,814
1950 - 59 620,000
8,001 - 10,000
1940 - 49 100,000
4,001 - 8,000
1930 - 39 300,000
2,001 - 4,000
1920 - 29 840,000
1,001 - 2,000
The map demonstrates the multitude of
trajectories that made their way, either by will
or by force, to Brazil, contributing to its diverse
fabric.
1910 - 19 820,000
1900 - 99 620,000
1890 - 99 1,200,000
1880 - 89 420,000
F. 6. International Migrant populations & displaced to Brazil
Source: Levy (1974)
36
Year
Number of Immigrants
101 - 1,000
1960-69
200,000
1950-59
620,000
no legal records
1940-49
100,000
1930-39
840,000
F. 8. Origin of foreigners residing1920-29
in Brasil from 2005 onwards.
820,000
1910-19
Source: Levy (1974)
620,000
1900-99
Immigrant Arrivals between 1880-1970
1,200,000
1890-99
420,000
1880-89
2 - 100
37
F. 7. Map of movements, migrations & displacements
Source: Maria Stella Ferreira Levy, "O Papel da Migração Internacional
Source: Author (2024).
functions and attracted more immigrants
Internal Migrations to São Paulo
(in number of immigrants)
Liberdade
Piaui
232,000-250,000
250,000-500,000
500,000-750,000
750,000-1,000,000
1,000,000-2,500,000
Ceara
Paraiba
Pernambuco
Alagoas
Source: Skop, E., Peters, P. A., Amaral, E. F., Potter,
J. E., & Fusco, W. (2006). Chain migration and
residential segregation of internal migrants in the
metropolitan area of São Paulo, Brazil
Sergipe
Bahia
Minas
Gerais
0
São Paulo
500km
Parana
F. 9. Internal Migrations to São Paulo
(in number of immigrants)
The country’s internal movements reveal
a significant migration trend from the
northern regions to São Paulo, particularly
from states such as Bahia, Pernambuco, and
Minas Gerais. This migration is largely driven by
the better economic opportunities available in
São Paulo.
Source: Author (2024) adapted from Skop., E,. et Al (2006)
QUANTITY OF POPULATION
232,000 - 250,000
250,000 - 500,000
500,000 - 750,000
750,000 - 1,000,000
1,000,000 - 2,500,000
F. 10. Do you know that we’re infinite?
Source: Cepero (2024).
38
39
DISCOVERING
SÃO PAULO
6.GUIDING
QUESTIONS
tra
jec
OCUPAÇÃO
s
torie
individual legacies
collective legacies
s
orie
t
c
e
traj
Throwntogetherness
Creative
Occupations
traje
ctorie
s
OUTPUT
INPUTS
Political backgrounds
Changed practices
Personal identities
New aspirations
Home cultures
Personal goals
Customs
Legacies
Main question :
Even though the group had defined two subquestions to help develop our main question,
the field experience in São Paulo adapted and
reshaped these questions to align with the
actual reality. The entire process in São Paulo
highlighted the critical role of manifestation
and self-visibility in the movements’ quest
for legitimization, especially in response to
persistent criminalization.
This understanding underscores the significance
of creative occupations in the journey toward
visibility and the crucial role of evolving
trajectories in shaping these practices.
Consequently, we refined our sub-questions to
incorporate insights gained from our interactions
in São Paulo, ensuring they address both the
importance of creative occupations, dynamic
nature of the movements’ practices and the
trajectories of life involved in every possible way
to the movements.
42
Q1.
What is the legacy of creative occupations &
trajectories in a context of throwntogetherness?
According to what we saw in São Paulo...
1.1
What is the role of creative occupations in the context of
ocupações?
1.2
Which are the trajectories in this context of
throwntogetherness?
43
6.1. REFLECTING ON OUR ROLE IN SÃO PAULO
On arrival in São Paulo, we became aware of
the importance of flexibility in our engagement
strategies. While many participatory
engagement exercises aimed at understanding
individuals and collective experiences within
and beyond the occupation were planned (Fig.
10), the fast-changing situation regarding
engagement stressed this need for flexibility.
difficult. Nonetheless, this only emphasized the
importance of listening keenly to all the people
who voiced their trajectories within the site,
paying keen attention to the details and where
collisions had occurred. While our planned
engagement consisted of interpersonal
conversations, storytelling and cognitive
mapping, just through listening and asking
questions we were nonetheless able to piece
together how thrown-togetherness occurs
within the occupations.
Considering our position as outsiders, it was
perhaps inevitable that engagement would be
F. 11. Initial approach to engagement (pre São Paulo) - activities and planning
Source: Author (2024).
44
45
7.ADDRESSING
OUR
QUESTIONS
1 COMMUNITY GARDEN
Dona Irene
2
COMPOST PROCESS
Don Ivanildo
3
GALERIA RE-OCUPA
3
PUBLIC ART
MANIFESTATIONS
4
EATING OUTDOORS
4
PERFORMANCES
4
SPORTS
5
6
SOLIDARITY WITH
COMMUNITIES IN NEED
7
1
7.1. WHAT IS THE
ACTUAL ROLE OF CREATIVE
OCCUPATIONS?
2
The field experience provided us with a deeper
understanding of the practices employed by the
Movements and the people within them. We
gained insight into who the individuals involved
were, the purposes behind their practices, and
their stories (see Fig. XX). Ocupação 9 de Julho
exemplifies a unique approach to creating
creative practices. Beyond serving as a home,
the ocupação also functions as a Cultural
Center, fostering a wide array of collective
practices and offering public accessibility to
both participants and external visitors.
7
7
4
7
6
These identified practices led us to recognize
three key aspects:
3
1
Creative occupations cannot exist
without people, cannot exist without
names, without trajectories.
2
Creative practices are used as ways of
manifesting & reinforcing collectivity
MERCHANDISING
Ocupação 9
de Julho
MSTC - São Paulo
3
Carmen Silva
Creative practices are a way of
visibilising and legitimising the
Movement
F. 12. Perspective Sketch of the Ocupação 9 de Julho
6
COOKING TOGETHER
Source: By Author. Based on Caffé. Et al. (2019)
46
47
SUNDAY LUNCHES
F. 13. Community Garden at the Ocupação 9 de Julho
F. 14. Composting Area at the Ocupação 9 de Julho
F. 15. Old Sealed Entrance at the Ocupação 9 de Julho
Source: By Author.
Source: By Author.
Source: By Author.
48
49
F. 16. Sunday Lunch Open Kitchen at the Ocupação 9 de Julho
F. 17. Sunday Lunch at the Ocupação 9 de Julho
F. 18. Sunday Lunch at the Ocupação 9 de Julho
Source: By Author (2024).
Source: By Author (2024).
Source: By Author (2024).
50
51
Ocupação Lélia Gonzalez, established in 2022,
houses over 200 families and has developed a
distinct type of organization due to its unique
context. Unlike 9 de Julho, Lélia Gonzalez
occupies an open space in Santo André, which
subjects it to various climatic conditions.
to adjust to its specific conditions highlights the
flexibility and resilience of these communities
while facing a diversity of challenges.
The layout of the area demands a distribution by
blocks, where each area has its own common
spaces: communitche kitchen and service
areas. This adaptation to its environment
illustrates how different contexts require varied
practices of collectivity. The occupation’s ability
6
4
5
5
COZINHA COLETIVA
6
AREA FOR WEEKLY MEETINGS
VISIBILISING THROUGH
SOCIAL MEDIA
4
COLLECTIVE USES
COMMUNITY GARDEN
2
MEDICAL COMMUNITY
GARDEN
3
1
2
3
FLEXIBLE SPACES FOR
EVENTS & CELEBRATIONS
Ocupação Lélia
Gonzalez
MTST - Santo André
Joana Nunes
1
F. 19. A Perspective Sketch of the Lélia Gonzalez
Source: By Author (2024).
52
53
F. 20. Community Kitchen at the Lélia Gonzalez
F. 21. Community Kitchen at the Lélia Gonzalez
F. 22. Kitchen Space at the Lélia Gonzalez
Source: By Author.
Source: Ocupação Lélia Gonzalez (2024)
Source: By Author (2024).
54
55
F. 23. Medicinal Herb Garden at the Lélia Gonzalez
F. 24. Kitchen Garden at the Lélia Gonzalez
F. 26. Shared Laundry at the Lélia Gonzalez
Source: By Author (2024).
Source: Ocupação Lélia Gonzalez (2024)
Source: By Author (2024).
56
57
To summarise, creative occupations act as
mechanisms of protection and tools of constant
legitimization for the movement towards
housing.
Utilising these talents for the benefit of the
collective, these creative means provide
visibility beyond the walls of the occupation. To
the neighbourhood, to São Paulo and beyond.
Unionising the individual trajectories which have
collided within it, creative occupation visibilises
the talents of the people it shelters. Be it vocal,
culinary, political or artistic talent, creative
occupations encourage the visibility of these
individual trajectories.
Creative occupation associates the collectivity
of creative people and their talents with the
collective struggle to be seen- socially and
legally. Such actions prioritise and reinforce
collectivism over individualism.
VISIBILITY towards the
outside world
Creative occupations as
Mechanisms of
protection & tools of
constant legitimisation
Tools to manifest and
reinforce COLLECTIVITY
inside the occupations
VISIBILITY towards
individual trajectories
F. 27. Creative practices at the Ocupação 9 de Julho
F. 28. Sunday Lunch
Source: Author (2024).
Source: Author (2024).
58
59
eviction
discrimination
formalised housing
rooflesness
homeownership
born into
7.2. WHICH ARE THE
TRAJECTORIES IN THIS CONTEXT
OF THROWNTOGETHERNESS?
job stability
domestic
violence
“It is precisely that diversity
that unites us, that social
technology, that exchange
of kowledges (...)”
The significance of diverse actors in the process
of being thrown together and living collectively is
profound, as their trajectories become crucial to
the movements. Each unique story contributes
something new to the movement and its cause.
OCCUPATION
visitor
previous occupation
born into
Carmen Silva (2024)
The occupations demonstrate that they serve as
a convergence point for many trajectories. These
include experiences of eviction, internal or external
displacement, and violence, as well as those who
have not experienced homelessness but have
become allies of the movements and causes.
militante
Some trajectories have transitioned from the
occupations to homeownership, yet continue to
remain crucial allies to the movement.
political
representation
activism
north-south
inner migration
not connecting
with collectivity
rooflesness
roofed
academia
rural-urban inner
migration
F. 29. Colliding trajectories in the Occupation
Source: Author (2024).
OBSERVED TRAJECTORIES
rooflessness
occupation
discrimination
rooflessness
occupation
born into
rooflessness
occupation
immigrant
rooflessness
occupation
victim of violence
rooflessness
occupation
internal migrant
rooflessness
occupation
eviction
occupation
formalisation
homeownership
occupation
stability
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occupation
activism
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occupation
roofed
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volunteer
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occupation
60
homeownership
The significance of diverse actors in the process
of being thrown together and living collectively
is profound, as their trajectories become
crucial to the movements. Each unique story
contributes something new to the movement
and its cause. The occupations demonstrate
that they serve as a convergence point for
many trajectories, encompassing experiences
of eviction, internal or external displacement,
and violence, as well as those who have
not experienced homelessness but have
become allies of the movements and causes.
Some trajectories have transitioned from the
occupations to homeownership, yet continue to
remain integral to the movement.
Indeed, these dynamics can be visualized
accordingly. Numerous paths converge within
the occupation, facilitating the valuable
transmission of culture, perspectives, and
knowledge—what Carmen described as “social
technologies.” Each face, each personality, and
each individual we engaged with revealed their
own trajectories, forming a complex collage of
individual paths interwoven in the collective
pursuit of formalized housing. Regardless
of their backgrounds, the convergence
of trajectories within occupations forges
connections among all involved, creating a rich
tapestry of shared experiences and mutual
support.
61
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62
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activism
roofed
Source: Author (2024).
occupation
homeownership homeownership
63
occupation
Resident. Ice Cream Vendor,
Student Studying Medicine.
SUNDAY LUNCH
She lives in the ocupação 9 de Julho.
Participates in the Sunday Lunches by
selling icre cream. She previously lived in
a temporary housing in the city center but
due to the living conditions and costs, she
moved to the ocupação. She is a medicine
student now.
how frequented are the Sunday lunches by a
huge diversity of people living in São Paulo,
many coming from different places of the
country, others Paulistas and others members of
other occupations.
On Sunday 28th April, we attended a
Sunday lunch at the 9 de Julho occupation.
This proved once more how important the
creative occupations and practices are for
the collision of trajectories, legacies and a
further visibilisation and legitimisation of the
movements.
The collective kitchen in 9 de Julho has been
running since 2017, opening every Sunday,
gathering people for more than just food, but
creating a programme containing concerts,
workshops, and many other activities that
support the movement’s visibility. All of these
act as protection against eviction and the
criminalisation of housing movements through
guaranteeing the support of a large section of
society.
F. 31. Sunday Lunch Activities at the Ocupação 9 de Julho
Source: By Author (2024).
During the activity, we immersed ourselves in
feeling the space and interacting with people,
while posing the question “What is your story?”.
Visitor. Fashion Designer.
Resident. Product Designer.
Fashion designer from the north of Brazil
and currently working for a menswear
brand in São Paulo. He comes to sunday
lunch because he likes meeting people
and getting inspiration.
He lives in the 9 de Julho Occupation and
is a main designer of MSTC cultural and
creative products. He likes to use the
elements of MSTC and to explore new and
natural materials in his design.
This led to conversations where we got to
understand more of their stories and realized
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65
Response 2
“I am 26, I came to São Paulo to study
when I was 17 to study. I am from
Capixaba.”
F. 32. Sunday lunch activity
Source: Author (2024).
Response 1
“I was born in the mountains, I grew
up in the Atlantic forest. Abundant life,
but without access to study and work, I
came to SP to study, I intend to return
to the Atlantic.”
F. 34. Sunday Lunch Activities at the Ocupação 9 de Julho
Source: By Author (2024).
Response 3
“I am a son of a solo mother, retired
skater, nutritionist and Paulista. I
come here because I like to meet
people and know new foods”.
F. 33. Sunday Lunch Activity: Open Question and Responses
Source: By Author (2024).
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67
7.3. MAIN QUESTION: WHAT IS THE LEGACY OF CREATIVE
OCCUPATIONS & TRAJECTORIES IN A CONTEXT OF
THROWNTOGETHERNESS?
While considering the design of strategies
to increase the visibility of occupations and
emphasize the importance of trajectories
within them, our positionality as academics
was constantly considered. There was a
mutual recognition that we as academics
too collide within the occupation, but we
collide in a way that is largely absent from
the struggle for housing rights in Brazil.
legacies
trajectories
the occupation
TIME
Ultimately, the legacy of creative occupations
and trajectories culminate in visibility for the
occupation. Visibility both for the movement,
exposing it to the outside world- and the
visibility of individual stories, promoting intraoccupation solidarity.
7.4. REFLECTING ON THE
POSSIBILITIES OF AN INTERVENTION
intend to reflect on our roles as outsiders
colliding with the occupation. Nonetheless,
from our observations, insights, and
interactions, key consideration is given to
the actions, emotions, and trajectories of
those who struggle every day within these
spaces. We embrace their vocabularies,
ideas, and principles, while intending to
respectfully incorporate these into our
strategies.
As such, we carry with us our privileges
of coming from a colonial institution and
Equally, creative occupations and trajectories
are demonstrably interlinked. It is impossible
for this form of creative occupations to occur
without the creative people who occupy it.
Where trajectories collide in the occupation,
they encourage and co-create new creative
displays, products and artforms, which
ultimately go beyond trajectories to represent
the occupation. These creative processes
encourage new visitors, occupants and
interactions to keep fulfilling this cycle
of visibility, building legitimisation and
protection, continuing to build a legacy of
creative occupations and trajectories.
The legacy of these colliding talents and
creative forms is a cycle of visibility that
continuously positively reinforces multiple
facets of the occupation. They provide
security to the tenure of occupants by
providing services beyond this community
extending to residents. Moreover, they
provide visibility to politicians and the media,
presenting an (unfortunately necessary)
human face for the occupation.
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69
CREATING SPACES
OF COLLISION
Source: By Author (2024).
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71
8.CREATING
SPACES FOR
TRAJECTORIES
TO COLLIDE
HOW ARE THE INTERVENTIONS STRUCTURED?
INTERVENTION
1
: “PLAYING BY PHASES”
PHASES OF INTERVENTION
PHASE
1
PHASE
STRATEGIES
In this way, the proposal aims, through various
means and on different scales, to leave a legacy
in both the learning from individual trajectories
and the legitimization of the movements and
their occupations.
PHASE
3
OCCUPATION AS A THOROUGHFARE
SCALES OF
INTERVENTION
MEDIUM
ZOOM IN
The overall proposal aims to encourage the
collision of these trajectories, which have
proven to be crucial for the development of
the movements. It seeks to continue raising
awareness and to strengthen the existing bonds
within the occupations and among the allies.
2
BUILDING THE STAIRS
CAR PARK CONVERSION
How people influence or are
directly influenced by the
intervention?
ZOOM OUT
The intended use of the
intervention in the immediate
vicinity of the occupation or in a
short term period of time.
How the intervention intends
to increase visibility on a
city-scale?
Recognizing the city impact and
possibilities for replicability
Designing possible scenarios
PROPOSAL
Creating opportunities for spaces (virtual or physical) of
collision of trajectories
INTERVENTION
2
: “RECIPE BOOK OF TRAJECTORIES”
TYPES OF INTERVENTION
OBJECTIVES
INTERVENTION
A
VISIBILITY
towards individual
trajectories
Tools to manifest
VISIBILITY towards
and reinforce
the outside world
COLLECTIVITY inside
the occupations
COLLECTIVITY
within different
movements and
members
Accompany the
occupations’
LEGALISATION
process
BY
1
INTERVENTION
: “Playing by phases”
INTERVENTION
2
STRATEGIES
WITHIN THE OCCUPATION
INTERVENTION
B
SUNDAY LUNCHES
INTERVENTION
SCALES OF
INTERVENTION
ZOOM IN
MEDIUM
How people influence or are directly
influenced by the intervention?
The intended use of the intervention
in the process of interaction with
other occupations
: “Recipe book of trajectories”
ZOOM OUT
How the intervention intends to increase visibility on a city-scale?
72
C
SOLIDARITY KITCHENS
73
8.1. INTERVENTION 1: “PLAYING BY PHASES”
INSPIRATION
GENERAL DESCRIPTION
The intervention is inspired by Dona Carmen
Silva’s proposal of opening the Ocupação 9 de
Julho, connecting Aveida 9 de Julho with Rua
Alvaro de Carvalho.
The intervention consists of the construction of
a “playground” that is developed incrementally.
We consider the playground to be an element
that includes children and adults, residents and
the external public.
The intervention “Playing by Phases” seeks to
accompany this process,
which involves opening
the occupation’s walls and
incrementally creating active
spaces that allow for:
•
•
According to our
observations in the
area, the existence
of play spaces
Gradual development
where the
occupation’s
residents can
feel comfortable,
especially regarding
privacy.
An adaptation process where both residents
and the external public can gradually
become accustomed to interaction
processes.
•
A process that also supports the small
“achievements” of the movement, which
aim to achieve full legalization and
ownership of the property.
1
PHASE
2
PHASE
3
Process of opening of the thoroughfare
Opening up the parking space
for visitors and transforming
it in a playful interaction for
kids and adults alike.
The second stage would
be the improvement of the
connection between the
existing cultural courtyard
space and the new
playground.
The third stage allows a
walking route across the two
entrances of the site, allowing
connections and collisions
throughout.
Small victories, recognitions & legalisation
for children is scarce,
so a space of this type allows for the creation of
bonds among people of different ages.
A project with the potential for constant
change.
•
PHASE
formalisation of
workshops
recognition of the
Re-Ocupa Gallery
retrofit of the
building
visibility
legitimisation
On one hand, it promotes the cultural and
artistic side of the area, and on the other, it
offers a safe recreational space where diverse
trajectories can converge. The dynamic
playground becomes the physical space where
these trajectories collide, as people interact
with each other, whether they pass through the
area or go directly to it.
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improving the
infrastructure
total formalisation
of the occupation
?
PHASE
While advocating for the phased strategy, we
recognise that the implementation of these
strategies may come with certain trade-offs
for the residents of the occupation. Indeed,
in phase one, there is the suggestion for
decreased parking space to accommodate
the playground. This may result in some
residents needing to park beyond the confines
of the car park.
1
PARTIAL CAR PARK CONVERSION
the playground as a milestone
ACKNOWLEDGEMENTS
total formalisation
of the occupation
ZOOM IN
MEDIUM
Bahia ribbons allow for each participant to make
their trajectory visible, writing their recipes,
stories, inspirations, and connections on the
Bahia ribbon. These ribbons, representing
people’s trajectories together allow for a greater
visualisation of the collectivity of the struggle
in occupations. This parallels the symbolic
shelters of the Lelia Gonzales occupation.
On a neighbourhood level, the playground and
the Bahia ribbons will continue the positive
legacy of 9 de Julho in changing perceptions of
occupations. The playground will encourage
neighbours from around the occupation to visit,
not for cultural purposes or activism, but out of
the necessity of a safe place for kids to play.
physical ‘collision’ with trajectories, as people
can interact with them as they pass through/
into the site.
This invites new trajectories into the
site and exposes them to the many
stories that present themselves
on each ribbon. This
creates a
People within the occupation, particularly
parents and children will have better access
to an area specifically designed for them. This
playful intervention which a co-design process
will give ownership over will enable a stronger
place for children in the occupation.
F. 35. Intervention One: Phase One: Car Park Conversion
Source: By Author.
F. 36. Intervention One: Phase One: Mapping the Radius of Recognition
Source: By Author (2024).
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77
?
Equally, access to this space will not be
limited to residents, but rather open to the
public as an interface between the occupation
and its surrounds. This has implications on the
privacy and intimacy of the site for residents.
This tends to be a recurring theme in terms
of the negative repercussions arising from
opening up the site. While residents are able
to benefit from the visibility generated and the
subsequent contributions to the legalisation
process- public access reduces residents’
ability to feel ownership over the space. This
would also warrant considerations about
safety and security in the space. While the
current confines of the site allow a safe space
for children to play, public access may reduce
parents confidence in allowing their children
out in the courtyard and playground.
ZOOM OUT
Looking towards a wider implication, the Bahia
ribbons represent a colourful intervention that
is easily replicable beyond the confounds of 9
de Julho. Under the instruction of 9 de Julho, it is
easy for these to extend to other occupations to
bring further levels of visibility in each of these
places.
There is the possibility for this type of installation
to transcend the physical and become part
of the online realm for further visibility. A
digital scan of each Bahia ribbon allows
for further acknowledgement and visibility
through a different platform. This extends the
opportunities for visibility far
beyond the local and
neighbourhood
levels.
Akin to the symbolic shelters of the Lelia
Gonzalez occupation, the Bahia
ribbons can be projects which
interconnect occupations,
creating networks where
people can be more
aware of people’s
struggles
between
ACKNOWLEDGEMENTS
1
F. 38. Intervention in Occupation next to praça Ouvidor
Pachêco e Silva, 102
Source: By Author.
Use of the occupations or the public
spaces next to occupations for visbilising
the interventions
2
occupations,
thereby inhibiting
potentials for communication and
allowing for greater co-creation between
occupations.
Source: By Author.
F. 39. Intervention One: Phase One: Intervention in Occupation at R. Conselheiro Crispiniano, 370
Source: By Author.
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79
PHASE
2
BUILDING THE STAIRS
ZOOM IN
legal recognition of
the playground
total formalisation
of the occupation
Better connections between the existing site and
the spatial intervention- plays both a physical
bridging role but also a symbolic role of reducing
barriers to play, to histories, to connectivity,
but also to legalisation. The stairs themselves
provide new canvases for murals and expression
which are throughout the site.
The verticality of the stairs increases visibility
from 9 de Julho itself and presents further
opportunities for alternative ideas of occupation
to occur on these steps. Our proposal- largely
through the playground and elements of play,
would incorporate slides and climbing walls into
this to continue to change perceptions of the
site and provide places for children.
MEDIUM
ZOOM OUT
By this point it is hoped that the playground
would be established within the neighbourhood
as a good place to come with children. We
intend for stage two to exacerbate the good
intentions of the first stage, and hopefully
have legal recognition of the playground by
the government. This would parallel with the
community garden as a recognized site of urban
agriculture by the government. Therefore, any
additions to this playground would be well
received and further contribute to visibility
amongst parents, particularly through word-ofmouth, social media content etc.
The stairs would be architecturally significant
for São Paulo and bring attention to the
creative use of space. The innovative design
elements can attract attention and begin to
make the occupation a landmark in the city.
This novel project thereby can attract media
interest, akin to those seen in the creative
responses to geography in places such as
Medellin.
The legal recognition of the playground as
a space for play raises the profile of MSTC
occupations and thereby acts as a method of
protection from eviction.
On Sundays, the use of these stairs would
open the site to visitors from both edges.
People would be able to come
from the 9 de Julho side, via
the playground and the
Bahia ribbons. This
would enable
greater access
and bring new
demographics
to the Sunday
events.
These stairs would function as improved
access to the car park and would be less
steep and more accessible than the current
existing stairs. They can double as a relaxing
place in the evening, maintaining the trees
which frame the site.
F. 40. Intervention One: Phase Two:
Opening up the Staircase
Source: By Author.
80
81
?
PHASE
The idea of opening the site also comes with
consideration of the extent of the proposed
thoroughfare’s public access. For example, is it
public for 24 hours of the day? Would military
police be responsible for the areas policing or
contracted/activist security? Where would be
off limits for the public or resident exclusive?
We acknowledge that these are key questions
that should be discussed in-depth alongside
the feelings of residents', as the phases of the
strategy are undertaken.
3
OCCUPATION AS A THOROUGHFARE
ZOOM IN
legal recognition of
the thoroughfare
as a public street
total formalisation
of the occupation
The creation of a thoroughfare through the
site will bring opportunities for enhanced
connectivity between its two sides. Utilising
the new stairs, residents of the occupation will
be more able to utilise the entrance onto 9 de
Julho while maintaining the symbolic blocked
entryway that exists at the front of the building.
The thoroughfare, proposed initially by Carmen
Silva, opens the opportunity for increased
visibility into life in the occupation, contributing
to a change in perception away from the fortified
image occupations may have.
MEDIUM
ZOOM OUT
At the medium scale, the thoroughfare would be
beneficial to the surrounding neighbourhoods
as a safe cut-through between the avenues the
9 de Julho occupation is positioned between.
This would draw parallels with the surrounding
private developments which have limited access
to non-residents.
The opening of the site represents a first for
occupations. This intervention seeks to collide
with the formalisation/legalisation of the housing
within the 9 de Julho occupation. A public route
symbolises openness and equitable spaces, and
can be useful
for demonstrating
what occupations are like on a municipal level,
despite their locality.
The successful integration of this walking path
through the site can influence policy within
other occupations, and tests out a model for
alternative forms of occupation, whereby the
public is welcomed to enter.
This integrates the occupation into the urban
fabric of the neighbourhood and becomes a
part of the day-to-day for many in the area. This
normalization can lead to greater acceptance
and support from the broader community
and the municipality. It parallels other routes,
including the R. Avanhandava, as a product of
the community and public access.
This would bring more attention to local crafts,
the kitchen and shop, as the public would be
able to walk through the site and see many
of these composite parts of the occupation.
This increased visibility can lead to economic
opportunities for the residents of the occupation
including street vendors and community
enterprises.
Inhabitants of the occupation would be
able to maintain
continued
ownership
over what is seen by
passers through, in terms
of the decoration and routing.
F. 41. Intervention One: Phase Three: Connecting Both Accesses of the Site
Source: By Author.
F. 42. Intervention
One: opening the
playground
Source: By Author.
82
ACKNOWLEDGEMENTS
83
8.2. INTERVENTION 2: “RECIPE BOOK OF TRAJECTORIES”
INSPIRATION
GENERAL DESCRIPTION
The role of community kitchens proves to be
crucial in fostering a sense of collectivity. From
the very beginning of the occupation, food
distribution points and communal cooking pots
became essential not only for their practical
purposes but also as moments of unity and
support. The act of cooking transformed into an
event where both culinary knowledge and life
experiences were shared.
The “Recipe Book of Trajectories” is not just
about a product but a process through which
situations of solidarity, learning, knowledge
exchange, and new relationships are generated.
It is a process in which the stories behind the
recipes, the trajectories, and the experiences
are known, interpreted through narration and
drawings.
The compilation of the Magazine seeks to find
recipes that are shared during Sunday lunches
at the Ocupação 9 de Julho, by the various
solidarity kitchens in different movements in
São Paulo, as well as by the members of the
movements themselves.
It became evident that each recipe carried
a story, from the origins of the ingredients to
the hands and interactions that brought the
dish to life. Additionally, the Sunday lunches
highlighted the significance of understanding
the provenance of the ingredients and the dishes
themselves, allowing us to explore foreign
cuisines and regional dishes from various parts
of Brazil. This insight inspired the creation of a
“Recipe Book of Trajectories.”
The intervention is captured in a magazine,
which allows the recipes and stories to be
renewed periodically, taking into account new
members of the occupations.
INTERVENTION
A
INTERVENTION
B
C
Simultaneous processes
The first intervention refers
to the sharing of recipes
between the members of the
occupations & the people
in charge of the building’s
kitchens.
new magazine
issue
The second intervention refers
to the invitation of interactions
and workshops at the Sunday
Lunch at the Ocupacao 9 de
Julho.
The third intervention refers
to the sharing of recipes and
stories between the Cozinhas
Solidárias (MTST) in the city.
compilation of
material
learning through interactions
sharing stories
capturing stories
visibility / destigmatisation
84
INTERVENTION
85
publication
?
INTERVENTION
A
INTERVENTION
WITHIN THE OCCUPATION
ACKNOWLEDGEMENTS
We hope for these events and workshops
remain flexible to the diverse population
inhabiting the occupations and Movements.
Story telling and painting are activities that
should include children, young and old people,
all genders, all being able to contribute in
different ways.
B
SUNDAY LUNCH AND COMMUNITY WORKSHOPS
ZOOM IN
MEDIUM
ZOOM IN
The first intervention aims to create moments
where, using the existing spaces in the
occupations, members can share their recipes
through storytelling. At the same time, certain
people from the group can be chosen to
interpret the illustrations, be the artists, while
others narrate their stories and recipes.
On a further scale, this compilation of stories
and recipes per occupation also aims to expand
among occupations. In this way, meeting points
are created between different occupations,
even between different movements, in order to
generate workshops accompanied by drawings
and narrations.
Additionally, these activities and meeting
points can occur between the residents of the
occupations and the people who work in the
kitchens of each of these. In many cases, those
who work in the kitchens will also be residents.
The expansion of the activity across different
movements and occupations is sought as it
allows for parallel and similar stories of struggle
to be found.
Sunday lunches are ideal moments to share
recipes with the outside public who visit this
event. Furthermore, in an event where there
is already visibility towards the movement
and its actions, these types of activities will
have even more visibility, especially with the
outside public. Each visitor is able to share
their experiences in the kitchen and recipes,
alongside the people from the occupation or
even among themselves. It could also be about
their favorite dishes at Sunday lunches.
F. 43. Intervention Two: Phase One: Sharing recipes amongst members of occupation and organisers of kitchen
Source: By Author.
86
F. 44. Intervention Two: Phase Two: Sharing recipes at Sunday Luncha and Community Workshops
Source: By Author.
87
INTERVENTION
C
INTERVENTIONS
COZINHA SOLIDARIA
A, B & C
ZOOM IN
MEDIUM
ZOOM OUT
The third intervention aims to promote
interaction and exchange within the Cozinha
Solidaria. This involves not only the people who
work in them, the volunteers, and coordinators,
but also the outside public who eats there. The
type of interactions that occur during these
moments may differ from those at Sunday
lunches, as in many cases, they involve diners
who go frequently and with whom there is likely
already an established connection.
On a medium scale, the aim is for different
stories and recipes to be exchanged in common
spaces among the various Cozinhas solidarias
of São Paulo. This also opens up the possibility
not only of learning about new trajectories but
also of creating moments of connection and
even activities such as competitions between
kitchens or outdoor events.
On a larger scale, the three interventions come
together to compile all the material, narratives,
and drawings created by members, residents,
volunteers, and the public involved in the
occupations and movements. The aim at this
scale is to publish a magazine twice a year,
continually updated with new stories, new
members, and new visitors.
1. During the Sunday Lunch, much like the cups
used as merchandise, the magazine can be
distributed at a very low cost.
2. It can also be made available at kiosks and
sales points to the general public.
3. Finally, it should be distributed for free among
the occupations, ensuring that everyone can
see the results of their work, their stories, and
those of others within the occupations.
The distribution of these magazines can operate
in several ways:
F. 45. Intervention Two: Phase Three: Sharing Recipes and
Documenting them in a Magazine with Artists
Source: By Author.
F. 46. Intervention Two: Envisioned Reognition, Outreach and Impact
Source: By Author.
88
89
F. 47. Intervention Two: Magazine “Recipe Book of Trajectories”
Source: By Author (2024).
90
91
FINAL THOUGHTS
Source: Pérez (2024).
92
93
In the highly politicised context of occupations,
the pursuit of visibility and legitimisation has
forged a collective wherein each individual
trajectory is valued. Wherein every collision of
talent- of history- of trajectory- is underpinned
by the political struggle for rights, and every
act on behalf of the individual is an act laden
with activism for the cause. As demonstrated,
this has manifested itself in a multitude of
creative ways, acting profoundly as methods
of protection from the authorities, enabling
the survival of the occupations by justifying
an alternative viewpoint of these spaces.
These creative occupations have manifested
themselves as spaces of artistic and political
sanctuary from the outside world, albeit
containers for the perpetual struggle for housing
rights. The occupations are essential in the
advocacy for housing formalisation, bringing
vital attention to Brazilians’ constitutional right
to housing by highlighting of its occupants’
trajectories, skills and talents.
Throughout the entire experience, the crucial
role played by creative occupations as
mechanisms of collectivity, resistance, and
visibility became clear. Their legacy, fully
embedded in life trajectories, becomes part
of the process of seeking legitimacy for the
movement.
Seeking to continue this legacy, the
interventions proposed allow for the
messages of the movement to transcend
the occupations limited influence in the São
Paulo downtown area, to expand the capacities
of MSTC’s visibility making to a much higher
level. The simple interventions of a playground
and a recipe book really begin to subvert the
expectations of what an occupation is or can
be. It continues a long legacy of the 9 de Julho
occupation of pushing these boundaries,
bringing newcomers to the movement physically
and politically. The interventions propose
an interscalarity that allows the smaller
expressions to have a larger implication to a city
level.
The entire OPE experience demonstrated the
great importance of flexibility and adaptability
during the work of urban practitioners. Thus, the
initial approaches that were set from London
laid the foundations for our initial guidelines;
however, they had to be adapted and, in some
cases, replaced by other ways of approaching
conversations.
Occupations will inevitably remain
spaces of continued collision- spaces of
throwntogetherness. Nevertheless, how
collision manifests as activism and creative
occupation of space will continue to evolve
as new trajectories bring new perspectives.
Indeed, these are spaces where togetherness is
constantly made and remade again.
94
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