(Uda) Il dandismo nella storia della cultura

Cultura Italo-Giapponese : Annali del Centro Studi e Ricerche dell'Università di Tokyo in Firenze, 2006

Letture Classensi, 2022

Agalma. Rivista di studi culturali e di estetica, 2017

Dandyism or the Greatness without Convictions. This essay revolves around the aesthetic rebellion towards existence and society emerging from the dandy lifestyle. The dandy pursues everyday - though never declining into the "ordinary" - a way of life that can be defined in terms of "greatness without convictions" ("grandeur sans convictions", as Charles Baudelaire wrote). "Greatness", but of a particular kind from which the dandy emerges as the "king" of the inorganic against nature, of the "historiettes" against History, of futility against utility, and of the enigmatic elegance against banality. Keywords: dandyism, aesthetic rebellion, Baudelaire, futility, greatness

Annalice Del Vecchio de Lima, 2019

RIASSUNTO: Questo articolo analizza la presenza del Dante-personaggio della Divina Commedia, di Dante Alighieri, specificamente nella prima parte dell'opera, quella dell'Inferno. Opera autodiegetica, la Commedia è narrata in prima persona dal personaggio, il quale coincide con il narratore e l'autore, il poeta toscano Dante Alighieri. Distinguere il Dante-personaggio, quello che affronta il viaggio oltremondano attraverso i regni di Inferno, Purgatorio e Paradiso, e il Dante-narratore di tale avventura è un compito necessario per capire diversi aspetti dell'opera. Parole-chiavi: Dante Alighieri; Divina Commedia; Dante-personaggio. ABSTRACT: This article analyzes the presence of character-Dante in Dante Alighieri's Divine Commedy, focusing on its first part, which is the Hell. As an autodiegetic work, the Commedy is narrated in first person by the character who coincides with narrator and author. Differentiating character-Dante, who faces the journey throughout the reigns of Hell, Purgatory and Paradise, and narrator-Dante is important to understand the various aspects of the work.

M. DAVID - A. MELEGA, “Cultura del monogramma nelle religioni misteriche della Tarda Antichità”, in Scritture nascoste, scritture invisibili, a cura di A. Campus, S. Marchesini e P. Poccetti, Verona – Roma 2020, pp. 105-118 , 2020

The monogram in Late Antiquity. Since the beginning of the IV century AD the monogram - as a symbol of the identity of a religious expression -appears as a fundamental component in the evolution of the forms of communication in a multicultural society. The great diffusion of Mithraism between the III and IV centuries AD is witnessed by the many places of worship, but also by the rich epigraphic and sculptural materials found so far. In the case of Ostia, the city with the highest number of mithraea in an urban context, the widespread presence of Mithraic signs and symbols can be recognized even outside the places specifically dedicated to the rites of this religious expression. The case studies presented here are investigated in relation to those known in other religious contexts, particularly in Christian ones.

Giornale critico della filosofia italiana, 2021

in P. Poirrier, A. Arcangeli (eds), La storia culturale: una svolta nella storiografia mondiale? , QuiEdit, Verona, p. 161-182; rev.It.edn of L’histoire culturelle en Italie, in P. Poirrier (ed.), L’Histoire culturelle: un “tournant mondial” dans l’historiographie?, Ed.Univ. de Dijon, 2008, p. 41-50, 2010

La prima rassegna sulla storia culturale quale indirizzo recente di studi, così come si presenta in diversi paesi