Land Art's Fragile State

You are in a helicopter in rural Nevada, the desert stretching beneath you.

ECLAS 2019: Lessons from the past, visions for the future, 2019

Exhibition Notes: Entering the Landscape, 2018

Extended curatorial text for Entering The Landscape at Plug In Institute of Contemporary Art, Fall 2017 featuring artists Pia Arke, Laakkuluk Williamson Bathory, Jaime Black, Lori Blondeau, A.K. Burns, The Ephemerals, Melissa General, Rebecca Horn, Katherine Hubbard, Maria Hupfield, Simone Jones, Tau Lewis, Amy Malbeuf, Meryl McMaster, Ana Mendieta, Natalie Purschwitz, Dominique Rey, Jamie Ross, Xaviera Simmons, Ming Wong, Alize Zorlutuna

Journal of Landscape Architecture, 2016

At nearly 40 yrs from its onset, an overview of the movement, and observations on its relevance for today's environmental concerns.

A number of designers and academics, all notable for their innovative approach to landscape architecture, were asked to choose an image that has shaped their landscape imagination over the last thirty years. It could be their own or from another artist or designer. It might have been instrumental in defining the design process of a significant project. It may have been important in suggesting a method or direction for research or practice. Or, it may have had resonance throughout their landscape career. The collection is necessarily heterogeneous. Texts and images together encapsulate a range of particularly landscape architectural considera- tions in content, method, and purpose; a lexicon arising both from looking at images and making them.

Critique d’art, 2008

Why we need a critical perspective on landscape as heritage. In Pettenati G., ed. Landscape as Heritage: international critical perspectives. Earthscan-Routledge, 2023