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2018, Clinical Case Reports and Reviews
Newsclick, 2024
The report from the Prime Minsters Economic Advisory Council has issued a report of rising Muslim population and declining Hindu population. What is the truth?
2022
This unique volume focuses on religion and spirituality, along with rituals, practices and symbols, discussed and analysed from a semiotic perspective. It covers both cognitive and social dimensions of religious practices and beliefs, various aspects of spirituality, multiple forms of representation, as well as spheres of religious beliefs and practices. The volume is an outcome of the Signum-Idea-Verbum-Opus project initiated by Umberto Eco’s keynote address during his visit at the University of Łódź in 2015. More theoretical insights and further explorations into contemporary semiosphere can be found in Current Perspectives in Semiotics: Signs, Signification and Communication and Current Perspectives in Semiotics: Texts, Genres and Representations, published by Peter Lang.
Power and Distribution Transformers, 2021
Zurück zur Wurzel Struktur, Funktion und Semantik der Wurzel im Indogermanischen, 2022
In this paper, I discuss basic valency in the ancient IE languages, and its relation with the PIE voice system. I show that the middle voice played a role in the anticausative alternation, and suggest that this was the original function of voice alternation. Before that, the distribution of active and middle verbs was arguably lexical. The paper is organized as follows. In sec. 2 I discuss basic valency as defined in NICHOLS/PETERSON/BARNES 2004, and its connection with the anticausative alternation. Then I review the data from ancient IE languages, and show how their basic valency can be defined (sec. 3). In sec. 4 I discuss the relation between valency, the anticausative alternation, and lexical aspect, and in sec. 5 I show how the anticausative alternation and lexical aspect relate with the IE middle voice. Sec. 6 contains the conclusion
Journal Of Institute Of Economic Development And Social Researches, 2018
Liderlik, insanların birlikte yaşamaya başladıkları günden beri var olan ve niteliği her zaman merakla araştırılan önemli bir konu olmuştur. Günümüzde her alanda hızlı değişimlerin yaşanması, teknolojinin sürekli gelişim göstermesi, bireylerin bilgi seviyesinin artması ve sosyo-ekonomik gelişmelerin süreklilik arz etmesi yeni yönetim anlayışlarının ortaya çıkmasına neden olmuştur. Değişen yönetim anlayışları ile birlikte liderlik yaklaşımları da değişim göstermekte olup ortaya yeni yaklaşımlar çıkmaktadır. Bu nedenle, tarih boyunca araştırmacılar etkili liderliği tanımlamak için çok çaba sarf etmiş ve birçok yaklaşım geliştirmiştir. Literatürde hem geleneksel liderlik yaklaşımları hem de modern liderlik yaklaşımlarıyla ilgili birçok çalışma bulunmaktadır. Ancak hızlı bir değişim ve dönüşümünün yaşandığı günümüzde, yönetim alanında da yaşanan değişimler ile birlikte geleneksel liderlik yaklaşımları etkisini kaybetmeye başlamış ve bunun sonucunda modern liderlik yaklaşımları önem kazanmaya başlamıştır. Bu bağlamda çalışmanın amacı, yaşanan değişim ve gelişmelere paralel olarak liderlik kavramını açıklamak ve günün ihtiyaç ve taleplerine daha çok cevap verebilen modern liderlik yaklaşımlarını inceleyerek yazına katkıda bulunmaktır.
Since the mid-1990s, scholars active in North America and the United Kingdom have pioneered the integration of masculinity studies into the art history of the twentieth century. In Italy, however, the exploration of the male gender from a historical perspective has taken longer to gain purchase in academia. As a result, art historians have thus far hesitated to engage with the insights offered by the research conducted within this area of study. This article seeks to remedy this lacuna, aiming to open new vistas onto topics that currently occupy a blind spot in the history of Italian art. In particular, the analysis concentrates on the counterculture of the 1960s and 1970s as a social space that, for all its foibles and unresolved contradictions, allowed for a collective critique of what sociologist Raewyn Connell has defined as "hegemonic masculinities". Conceptual tools derived from gender and masculinity studies are here deployed in order to shed light on the work of two artists deeply influenced by 1970's countercultural milieus, Gianfranco Baruchello and Pablo Echaurren, as well as the architect/ designer Ettore Sottsass, who shared with them a pronounced interest in, and a sustained dialogue with, countercultural groups, especially in the 1960s. Through a focus on the motif of domesticity (in its material and imaginary dimensions) and a careful examination of the visual, medial and intellectual environments within which these three men operated-from 1977 fanzines to Rosso and from the Beat generation to the gay movement-this research will highlight semantic strategies, intellectual shifts, differences and similarities in the work of three artists whose production partly responded to the powerful and unsettling emergence of the second wave of feminism.
European Journal of Archaeology, 2017
Acta Poloniae Historica 92 (2005), 2005
Americas Conference on Information Systems Proceedings, 2024
La iglesia de San Polo de Salamanca, 2024
Revista Chilena De Derecho, 2001
Journal of the Association for Research in Otolaryngology : JARO, 2014
Nanle Shalom, 2024
Золотоордынское обозрение, 2024
Saitta P., Caspanello A. (2024) Governare localmente attraverso la crisi. «Populismo urbano» e movimenti sociali nella pandemia. In: Meridiana, 109, 1, pp. 189-215., 2024