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BACKGROUND The automatic prediction of emotional content in music is nowadays a growing area of interest. Several algorithms have been developed to retrieve music features and computational models using these features are continuously being created in order to predict music emotional content.
2021
The task of classifying emotions within a musical track has received widespread attention within the Music Information Retrieval (MIR) community. Music emotion recognition has traditionally relied on the use of acoustic features, verbal features, and metadata-based filtering. The role of musical prosody remains under-explored despite several studies demonstrating a strong connection between prosody and emotion. In this study, we restrict the input of traditional machine learning algorithms to the features of musical prosody. Furthermore, our proposed approach builds upon the prior by classifying emotions under an expanded emotional taxonomy, using the Geneva Wheel of Emotion. We utilize a methodology for individual data collection from vocalists, and personal ground truth labeling by the artist themselves. We found that traditional machine learning algorithms when limited to the features of musical prosody (1) achieve high accuracies for a single singer, (2) maintain high accuracy w...
Frontiers in Human Neuroscience, 2009
IEEE Transactions on Affective Computing, 2020
Music as a form of art is intentionally composed to be emotionally expressive. The emotional features of music are invaluable for music indexing and recommendation. In this paper we present a cross-comparison of automatic emotional analysis of music. We created a public dataset of Creative Commons licensed songs. Using valence and arousal model, the songs were annotated both in terms of the emotions that were expressed by the whole excerpt and dynamically with 1 Hz temporal resolution. Each song received 10 annotations on Amazon Mechanical Turk and the annotations were averaged to form a ground truth. Four different systems from three teams and the organizers were employed to tackle this problem in an open challenge. We compare their performances and discuss the best practices. While the effect of a larger feature set was not very apparent in the static emotion estimation, the combination of a comprehensive feature set and a recurrent neural network that models temporal dependencies has largely outperformed the other proposed methods for dynamic music emotion estimation.
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