Il Mulino - Rivisteweb
Roberta Sassatelli
Taming bodies, alluring affects
(doi: 10.1423/85548)
Rassegna Italiana di Sociologia (ISSN 0486-0349)
Fascicolo 4, ottobre-dicembre 2016
Ente di afferenza:
Università statale di Milano (unimi)
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TAVOLA ROTONDA
The Quantified Self
Roundtable on and with Deborah Lupton
discutono
Anthony King, Federico Neresini, Roberta Sassatelli,
Deborah Lupton
The collective self
by ANTHONY KING
In The Quantified Self, Deborah Lupton explores a fascinating,
important and potentially disturbing aspect of contemporary existence;
the proliferation of digitalized micro-technologies which track, record
and monitor individual performance and activity. One of the more
remarkable developments in the last two decades has been the appearance of easily affordable devices, like mobile phones, watches or GPS
trackers, which plot the location, speeds, motions and, sometimes the
bodily functions, of their users.
Lupton is absolutely right to draw our attention to these remarkable
apparatus and their potential effect on our personal agency and our
self-identities. Lupton documents five modes of digitalized tracking:
«private (confined to individuals’ consensual and personal objectives),
pushed (where the initiative for self-tracking comes from an external
agent), communal (which involves sharing personal information with
other), imposed (which involves the imposition of self-tracking practices
upon individuals by other actors and agencies) and exploited (where
people’s personal data are used or repurposed for the managerial,
commercial or research benefits of others)» (Lupton 2016, 142). The
last two are particularly significant for Lupton notes the connection
between the rise of digitalized tracking technologies and an emergent
neo-liberal order.
On this account, micro-sensors of the self do not offer the liberation, which they claim, but on the contrary aim to generate the kind
of subordinate and monitored self whose performances accord with the
interest of global capital and attendant states. She shows how in many
cases these devices allow multinational companies and governments to
record and, in some cases, even predict behaviour. Here Lupton is
performing an important service. Her work brings Elias’ concept of
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Anthony King, Federico Neresini, Roberta Sassatelli, Deborah Lupton
the civilizing thesis, the Frankfurt School’s argument about the culture
industry and Foucault’s idea of the panopticon into the XXI century to
show how new configurations of power have re-constituted the self, often
accentuating control over the apparently ever more affluent and free
consumers. She documents a surprising new form of modern bondage.
In mapping this new self, Lupton aims, of course, to contribute to
contemporary currents in social theory and above all to the growing
concern with non-human artefacts and entities and with the rise of
«human-non-human assemblages». The theoretical orientation of this
book is, therefore, very much in line with Bruno Latour’s ActorNetwork Theory and, more recently, with Celia Lury’s concept of the
prosthetic self (1997). In this emergent paradigm, Durkheim’s work
on the collective is seen as increasingly obsolete; indeed, Latour has
sought to institute Gabriel Tarde as the true father of a digital, XXI
century sociology (Latour et al. 2012; Latour and Lepinay 2009; Latour
2010; 2005; 2002). On this account, the self is not a product of social
conditioning alone; individual agency is not generated purely out of
the human collective, an interactional force generated between people.
Rather agency is a contingent construction in which individuals utilize
and, indeed, fuse with available «actants» – artefacts, things, technologies – to produce distinctive kinds of performances. On this account,
things have equal status with human agents and are able to channel,
augment or even constitute social action. Digitalised micro-technologies
facilitate the emergence of «new hybrid beings»: «Several different
types of assemblage are configured via the interaction of humans and
non-humans. One such assemblage is the human-body-device-sensorsoftware-data configuration that is generated when people use a digital
device to monitor and measure their physical activity» (Lupton 2016,
40). Even more strikingly: «Humans have become nodes in the Internet
of things» (ibidem, 136). Lupton avoids the charge of technological
determinism here by arguing that, while digitalized artefacts have the
potential to transform human agency, these assemblages are always
contingent and open-ended: «An important element of sociomaterial
studies is the acknowledgement that the assemblages that come together
when humans and nonhumans interact are fragile and open to change»
(ibidem, 75). Humans and digital artefacts mutually accommodate and
«afford» each other.
There is little doubting the relevance and perceptiveness of Lupton’s work. She has presciently identified developments which are of
immediate importance to sociology today. It is also clear that, unlike
some of the scholars she cites, she is careful about attributions of
causality and she always avoids determinism. Nevertheless, despite the
evident merits of her work, it is possible to employ her analysis as a
starting point to consider whether these new digital micro-technologies
for all their innovativeness are as ontologically novel as Lupton and
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other seems to presume and, above all, whether they mark a new era
of social agency. Without in any way detracting from Lupton’s work,
some skepticism might be appropriate about the revolutionary implications of digital technology for the ontology of the self.
A brief examination of elementary human tool-use might help us
avoid hyperbole here and, to this end, it may be worth considering
one of the most famous western artworks: namely, Michelangelo’s David.
Naturally, the statue is based on a Middle Eastern Bronze Age myth.
It does not depict a real historical person. Yet, the sublime figure of
David illustrates an important point about human agency and tooluse. Unlike, his heavily armoured opponent, Michelangelo’s David is
naked. He is armed only with a small strap of leather, his sling, which
he clasps by his waist in his right hand while his left hand, resting
on his shoulder, cradles the small pebble which will ultimately slay
Goliath. Yet, David’s agency is transformed by the simplest piece of
technology; a belt of leather and a stone. He is able to kill even the
mightiest enemy at range as a result of this device. Michelango’s point,
of course, is that the truly transformative capacity of the human being
resides in rationality, understanding and virtue, as opposed to the dull
bestiality of Goliath; humans are self-transcending beings. With the aid
of the very smallest artefacts, they can transform themselves and their
agency through their intelligence and bravery.
David is a Biblical figure of dubious veracity. Yet, documented
examples of primitive warfare demonstrate the same point – if rather
more prosaically. From the earliest hunter-gathers to Napoleon Chagnon’s
Yanomamo in Brazil, human tribes-people have killed each other very
effectively armed with nothing more than stick and stones. Yet, fashioned
into weapons, these sticks and stones have multiplied the lethality of
bare, un-accommodated humans so that they can kill in numbers and
at ranges which would be impossible with their naked hands. In spite
of their almost miraculous powers, the digital micro-technologies which
Lupton analyses are ultimately only the latest version of the universal
human capacity to make and use tools to extrapolate and multiply their
agency. Digital technologies empower just as David’s sling and stone
did. It would seem unwise to draw an ontological distinction here
between the Bronze Age David and the XXI century app user, even
though the remarkable capacity of digital micro-technology is recognized.
Lupton focuses of course, not primarily, on forms of technology
which extend human agency but rather those which monitor and record
it. Again, there is little doubt that the data-collecting capacity of contemporary digital technology is unique. It is able to record individual
activity with a hitherto un-dreamt of precision and scale. Yet, once again,
caution is required. In medieval Europe, penitent Christians, monks,
nuns and priests used to use rosaries to count out their prayers. They
could absolve their sins and cleanse their souls by praying. Penitence
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was thoroughly and accurately quantified and the good Christian self
was constituted through this recorded performance. Even today, Catholic priests absolve the sins of their congregation during Confession by
recommending a specific number of prayers a day. Quantified penance
is not restricted to the Christian tradition. In Buddhism, prayer wheels
serve a similar function, recording the soul’s submission; each cycle of
the wheel brings the individual closer to Nirvana.
Clearly, in each of these cases, the cultural context and the meaning of the religious practices are quite different to the XXI century
consumer; the kind of agency generated – what is expected of and
by members of a devout community – is distinctive. Yet, the watches
which now record the number of paces which an individual has taken
in a day – and therefore recording their «fitness» – seem to constitute
a secular equivalent of these long-established traditions of religious
mortification. Just like the prayer wheel, the pace-recorder or, indeed,
heart monitor assess and affirm individual virtue, ranking each in a
social hierarchy of worthiness. Recording repetitious action is deeply
ingrained human activity which does not require digital technology.
Aligning today’s micro-technologies of the self with prayer wheels and rosaries opens up an alternative sociological perspective on
contemporary digital devices. Like increasing numbers of sociologists
today and influenced by Latour’s later actor network theory, Lupton
adopts a broadly individualist position on these new technologies. For
her, the individual self is constituted by its private interaction with
technology. This interaction is certainly «fragile and open to change».
The self is not determined and constituted by the technology. It is a
mutual process of accommodation, generating human-non-human agency.
Nevertheless, the individual is the node in a web of things, attaching
itself to and being attached to artefacts.
Yet, it is not clear that viewing selfhood from such an individualist
perspective is optimal. When individuals use digital devices to monitor
themselves, they are not creating a unique and independent self-hood
for themselves. On the contrary, these devices explicitly draw the
individuals who use them into a collective of practitioners who are
unified by common reference data. They employ the measurements and
standards provided by the devices and utilized by other users to judge
themselves. The popular app Strava is used by communities of cyclists
to rank themselves each other on their daily rides. They award each
other «kudos» points for fast rides. In other words, the decisive relation
for the digital technology user is not with the apparatus itself – that is
only a medium – but rather with other humans users who determine
the significance and status of the results obtained by their devices.
Lupton herself notes that as a result of these new artefacts notions
of privacy have changed and that personal data is normally displayed
on social media. Digital micro-technologies are only meaningful, there-
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fore, insofar as they connect the individual into a community of fellow
users who rank, affirm or criticize performances. The data only become socially meaningful insofar at it is shared and users develop their
selfhood only in relation to this audience of fellow-users. Individuals
cannot know the significance of the data for their own performance
without being able to compare themselves with others. In themselves,
performances are arbitrary and meaningless; they are triangulated and
significant only against other users and other performances. As Wittgenstein noted in a situation of individual rule-following – or totally
personalized digital-data following – no one would know what constituted following a rule. In such a situation, anything would pass as
following or rule – or, indeed, not following a rule. The data, which
was being recorded, could be taken to mean anything about the self.
Moreover, in many cases, although the web theoretically creates an
infinitely anonymous community, in practice, studies of the web show
that users are clustered into communities, the core members of which
actually know each other personally. Face-to-face contacts between genuine acquaintances, colleagues and friends provide the embodied and
moral point of reference by which each is judged. The cyclists who use
Strava are normally grouped into clubs, the members of whom know
each other very well and cycle together weekly. Digital technologies
of the self rely upon human users forming themselves into recognizable – and recognized – social groups. These social groups ultimately
bequeath a sense of self-hood to other users by reference to their
documented performances; they are rated as good or bad, normal or
abnormal selves. In this way they are constituted as social agents and
motivated to act appropriately.
The social community has not in any way been displaced by a
«human-non-human assemblage»; the distinctively human social collective
remains always at the heart of the process, morally, practically and
ontologically. Users collectively decide how to use technology and what
its significance is for their relationships, their communities and their
shared practices. Of course, the social practices and the morphology
of the social groups in which humans are now engaged are empirically
distinctive; they are often globalized and transnationalised – or localized in quite new ways. Sociologists have to plot this uniqueness with
the greatest care – while also recognize the ontologically continuity of
human social existence.
If the true reference point of even the most sophisticated digital
technologies is other human beings and the community of users in
general, then in opposition to Latour et al. assertation that Durkheim
is dead, his account of the self discussed in The Elementary Forms
of the Religious Life remains a valuable and important resource for
understanding new digital technology. There, in his celebrated chapter
on the soul, Durkheim outlines a sociology of selfhood. The self, on
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this account, is not an intrinsic property of the person nor is agency
generated by individuals simply acquiring new properties through by
their use of things. Rather, individual self-hood is a property of the
group, donated to the individual by fellow group members. The soul
is understood to be a small piece of the totem – the sacred mana
invested with power by the clan – broken up and ingested by the
individual during the effervescence of the ritual: «the soul is nothing
other than the totemic principle incarnate in each individual» (Durkheim
1976, 248). Having participated in the ritual and been recognized as
a member of the clan, aborigines are expected to act in certain ways
prescribed by the totem, which they have internalized: «the individual
soul is only a portion of the collective soul of the group» (ibidem,
264). Above all, they are expected to help and cooperate with other
clanspeople who they regard as special. Their «soul» (selfhood) demands that they behave morally and they are assumed to have a soul
insofar as they behave in line with group norms. Individuals’ sense of
selfhood is dependent upon their status within the group and their
relationships to others. It is a referential and relative property not
an intrinsic essential one. Instructively, physical objects, which act as
badges of group membership, are often employed to denote selfhood.
Tribespeople actually understand certain objects to possess their soul and
to direct their actions. The existence of objectified souls in primitive
social groups seems to be ontologically and functionally comparable
with iphones, digital watches and other micro-devices which link their
users into their social networks, telling them what they should do and
be. In both cases, we are dealing with memory machines of social
membership which have a moral purpose.
Lupton has a refined sociological eye. She has perceptively identified the proliferation of new forms of technology and she is right to
be concerned with their social implications. Her discussion of these
new technologies is replete with interest; not least she recognize the
insidious political implications of these apparently liberating technology. There is much to admire here then. However, at certain points,
Lupton is perhaps over-impressed by new digital micro-technologies.
Empirically they are extraordinary. Yet, in sociological terms, they do
not represent a profound ontological transformation. On the contrary,
they are employed by communities of users whose basic methods of
group formation, maintenance and membership is little different from
aboriginal tribespeople using sticks, stones and animal skins to survive.
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The hyprid assemblages of self-tracking practices
by FEDERICO NERESINI
Devices for monitoring, measuring, and recording individual data
devoted to orienting behaviours have been available for a long time:
clocks and scales represent two paradigmatic examples, but it would
be possible to list many others, such as thermometers, school reports,
a wide range of tests, just to mention a few. But, if the quantification
of the self is not a novelty, the development of digital technologies
has introduced radical transformations in these practices, making the
processes faster, expanding the possibilities of monitoring, making
data available both to their producers (i.e. those to whom they are
referring) and to other people with whom they are shared. Before the
era of digital societies, collection and recording of data about bodily
functions and individual activities were, on the one hand, realized
less accurately and less frequently (manually on paper or on a PC),
and, on the other hand, delegated to experts and to institutions, and
therefore hardly accessible to their producers. So, it is thanks to the
digital technologies currently available that self-tracking – as maintained
by Deborah Lupton (2016, 2) – «involves practices in which people
knowingly and purposively collect information about themselves, which
they then review and consider applying to the conduct of their lives».
The self-tracking practices derive then from the combination of
three actions (monitoring, measuring and recording) performed by a
subject who is pursuing a goal, using digital technologies which allow
them to collect, register and visualize data more easily and quickly
than in the past. These data are often shared, mainly on the web, so
that they can also be utilized by others with different aims compared
to those of the initial subject (ibidem, 4). Framing in this perspective
the self-tracking cultures, Lupton can show both the features they
have in common with pre-existing practices, and the new aspects
which turn them into an innovation, and into an interesting object for
sociological inquiry. As a consequence, her reflection aims to examine
«the influences, discourses, technologies, power relations and systems
of thought that contribute to the phenomenon of self-tracking, the
ways in which this phenomenon is spreading from the private realm
into diverse social domains, and the implications of the self-tracking
phenomenon for the politics of personal data, data practices and data
materialisations» (ibidem, 1).
Thus, there emerges already from the first pages one of the main
virtues of Lupton’s work: to show very clearly that the innovation
represented by the digital technologies for self-tracking is grafted on
and is able to grow thanks to pre-existing practices (what is called
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«pen and paper self-tracking»). This could appear trivial, but that is
not the case, especially in a social context – like ours – in which
technology is usually regarded as a magic apparition and interpreted
within a linear model, perfectly summarized by the motto of the Chicago World Expo 1933 «Science finds, industry applies, man adapts».
As it is well-known, the linear model of innovation looks indeed at
the technological novelty in terms of an isolated episode which bursts
into everyday life, transforming it suddenly. Thus it conceals the fact
that innovation can emerge and proliferate only within the social context of everyday life: we cannot have the digital self-tracking without
the «pen and paper self-tracking». Observed from this perspective, it
becomes also clear that self-tracking actively contributes to the success
of digital technologies at large, for example pushing the diffusion of
smartphones through the self-tracking apps, and therefore being at the
same time an effect and a cause of their affirmation.
Nonetheless, the definition of self-tracking adopted by Lupton seems to suggest a focus on the subject and on her/his conscious action
that orients the following analysis, favouring a perspective from the
individual to the collective («from the private realm into diverse social
domains»), so that the opposite ends up staying in the background.
This emphasis on the subjects could be the reason why the reflection
developed throughout the book tends to recognize only occasionally
the agency of the technological artefacts used by the self-trackers, i.e.
their direct involvement in the construction and maintenance of the
wide range of assemblages within which the self-tracking practices take
shape and succeed (ibidem, 40-41). Lupton seems therefore to offer
few elements to better understand how much the simple existence of
self-tracking devices and their modus operandi are decisive both for their
diffusion and for orienting the practices in which they are implied in
one way rather than another. In other words, it is not easy to grasp
the active participation of the technological artefacts in the context
of those assemblages, even if Lupton does point out the «vitality» of
data ceaselessly produced by the self-tracking practices «by virtue of
the fact that they circulate, enact new forms of knowledge and are
purposed and repurposed in many different ways. In other words they
have their own social lives, which are quite independent of the humans
who originally generated them» (ibidem, 5). But still, on this occasion,
assigning a pre-eminent role to the human actors tends to overshadow
that of the technological artefacts.
Another relevant aspect that goes along with the argument proposed by Lupton concerns self-tracking as a further expression of the
increasing interest in the body – if not even a real obsession – which
marks out late modern societies, and therefore as an expression of the
peculiar body-identity nexus we can observe within them. It is not by
chance that the study recently conducted in Finland by Ruckenstein is
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cited, from which it emerges that self-tracking is attractive particularly
among those «who were already regular exercisers or had an interest
in monitoring technologies […], as they already had a predisposition
to monitoring, measuring and comparing and wanted to be challenged
by their biometric data» (ibidem, 34-35). From this point of view, it
could be interesting to interpret self-tracking as a contemporary form
of inner-worldly asceticism, according to the classical Weberian definition. Lupton herself, after all, seems to suggest in some passages this
possibility, for example when she states that «in a world in which
risks and threats appear to be ever present, the certainties promised
by the intense monitoring of the self-tracker may be interpreted as a
means of containing risk and controlling the vagaries of fate to some
extent» (ibidem, 77).
In Weberian theory, indeed, the disciplined and methodical conduct
of life, which reaches its acme in Calvinistic puritanism, is pursued with
«the purpose of overcoming the status naturae, to free man from the
power of irrational impulses and his dependence on the world and on
nature. It attempted to subject man to the supremacy of a purposeful
will, to bring his actions under constant self-control with a careful
consideration of their ethical consequences» (Weber 1920, 118-119).
It would not be too hazardous to imagine that, if Max Weber were
living now, he would have identified self-tracking as a perfect example
of rationalization of the human body through technological means, an
attempt to overcome the «natural» limits through an awareness never
seen before and made possible by the development of technoscience.
Therefore, as well as the Weberian inner-worldly ascetic having the goal
of achieving a methodical control over his conduct of life, the selftracker depicted by Lupton (2016, 82) is looking for an «entrepreneurial
self-optimisation» and for «self-knowledge as a means to achieve it».
Weber, of course, recognizes the relevance of the inner-worldly
asceticism mainly as a cultural root of modern capitalism, while his
reflections seem less explicitly oriented toward the comprehension of its
ethical consequences for the bodily dimension of the modern subjectivity. Anyway, also taking into account what has been suggested by
Bryan Turner (1984), this Weberian intuition can be fruitfully linked to
Michel Foucault’s analysis of modern knowledge as power able to be
exercised through the discipline of the body and of the diffusion of a
«consumption ethic» which results in «calculating hedonistic choices»
(ibidem, 18). The «rationalization of desire» – citing Turner once again
– realized by the self-tracking via the increasing accumulation of data
and of knowledge concerning the body represents, therefore, the turning
from the extra-world to the inner-world asceticism, a transformation to
which corresponds the passage from working on the body as a means
to working on the body as a goal.
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Making reference to Weber gives also the opportunity to stress
another aspect highlighted by Lupton: the reflexivity of the late modern
condition and the relative consequence – apparently paradoxical – by
which the same reflexivity, on the one hand, produces an increasing
knowledge about society and individuals and, on the other hand, derives from this knowledge more and more uncertainty. This is what
happens also in regard to the body and its relationship to identity,
both because the power of technoscience – as already pointed out by
Weber – is not useful for the problem of meaning, and because the
continuous exercise of reflexivity increases the feeling of being «inadequate», reminding each of us of the constant exposure to the risk «of
failing to acquire the shape and form one wished to acquire, whatever
that form might have been; […] failing to stay flexible and ready to
assume shapes at will, to be simultaneously pliable clay and accomplished sculptor» (Bauman 1995, 112). The possibility for the subject
to have full control of her/his life and body turns out to be hence
unreachable: the illusion of having it at hand turns quite easily into
the disappointing awareness that this control moves ever just a little bit
further away with respect to the real possibilities of the subject. Such
awareness could be regarded as another element, together with others
described by Lupton, useful for understanding why many self-trackers
give up, even if they had embraced this practice with great enthusiasm.
This apparent paradox is fuelled, furthermore, by the effects
stemming from the technological artefacts used within the self-tracking
assemblages. Thus, the idealized control over the body that the selftrackers try to achieve finds another limit in the control that the devices
exert over utilizers themselves, so that they realize both the risk of
becoming «addicted» (Lupton 2016, 80) and the effects produced by
the «numbers» over their minds and moods. Here we find another
contradiction that it would be interesting to analyse in greater depth,
for instance exploring the relationship between the idea of «reactivity»
to measures proposed by Wendy Espeland and Michael Sauders (2007)
and the affordance deriving from the agency of the technological
artefacts. What is reported by Lupton suggests such a direction of
inquiry, especially when she observes one self-tracker’s experience that
«[i]nstead of the pleasure of eating or preparing food, Williams found
that he was focusing on how better to shape his eating practices to
suit the apps» (ibidem, 81).
Lupton’s book still offers many other insights to be discussed, beyond
those already addressed. Among these, I would like to consider two
more. First, another contradiction is suggested, that between, on the
one hand, the flattening in the categorization of the variety of social
life and individual experiences as a consequence of quantification, and,
on the other hand, the creativity demonstrated by the self-trackers when
they are using devices, when they are managing and visualizing their
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data (ibidem, 109-110). This opposition raises a question which can
be framed as follows: to what extent do the scripts and the agency
of artefacts leave freedom of action and interpretation by the persons
using them in self-tracking practices? Such a question could be usefully
addressed by considering the dichotomy proposed by Bruno Latour
(2005, 39) between «intermediaries» and «mediators», where the first
are defined as «what transports meaning or force without transformations» so that «defining its inputs is enough to define its outputs»; on
the contrary, «mediators transform, translate, distort, and modify the
meaning of the elements they are supposed to carry». Hence, if the
assemblages which allow the self-tracking practices are observed assuming the prevalence of intermediaries, then the contradiction described
by Lupton still remains unsolved; but if self-trackers and their devices
are considered as mediators – i.e. actors capable of agency – then the
contradiction becomes only apparent. In this perspective, Actor-Network
Theory could strengthen even more what Lupton (2016, 40) suggests
in saying that «several different types of assemblage are configured via
the interactions of humans and digital nonhumans».
Second, Lupton stresses that self-tracking can also be interpreted
as a process of prosumption on online platforms and apps, and therefore it «can be viewed as a form of work». Tracking too produces
data that become «a commercial benefit of other actors and agencies»
(ibidem, 118).This recalls the debate that recently has been aroused by
the proposal for a «universal digital income», to be regarded as a redistributive measure of the digital labour realized by the subjects – often
unwittingly – acting merely as web-users (Cardon and Casilli 2015).
The argument on which the proposal relies seems to be quite simple:
since each web-user produces data which can be transformed in value
by others, why don’t we grant to the web-users – i.e. all citizens – the
possibility of sharing such profit in the form of a «universal citizenship
income»? It would be a duty for the State, of course, to ensure this
redistributive measure through a tax levy on companies that exploit
the data produced by web-users. Self-tracking clearly belongs to the
whole range of practices which could legitimize the creation of such a
citizenship income based on web activities, showing very clearly the full
integration of digital technologies in everyday life, their naturalization
which makes them a taken-for-granted participant in our networks of
interaction. In this perspective, self-tracking represents a relevant instance of a broader transformation, which changes digital technologies
from the condition of a means for accessing citizenship rights to that
of a basic element of those rights as a constitutive element of social
interaction and subjective identity.
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Taming bodies, alluring affects
by ROBERTA SASSATELLI
Knowledge of oneself is precious in many cultural traditions. We
may consider that its modern Western rendering is germane to selfsurveillance and discipline. As such, it is inevitably intertwined with
power, and indeed with action rather than mere speculation. As Michel
Foucault (1982) has shown, self-surveillance is a fundamental mode
of subjectification – both as we become subject to identification and
as we become subjects of it, actively taking part in various forms of
self-governance and self-monitoring. He individuates modernity fundamentally ambivalent nature in such a duality: we are both subjected
and subjects, obliged – as it were – to become subjects for ourselves
and the others via self-objectification and the ceaseless application of
disciplinary techniques to ourselves. This fundamental dynamic has
taken various shapes. Disciplinary institutions of the onset of modernity, like the prison or the psychiatric hospital, where dominated by
public concerns for the population as a whole, they were typically
state marshalled. In consumer capitalism, these institutions have left
room to commercial disciplinary institutions, such as the fitness center,
which are organized around individual consumers’ desires and increasing
individualization (Sassatelli, 2016). Today, digital technologies, notably
self-monitoring apps, represent perhaps a third wave in such long term
process, with portable devices installing disciplinary technologies directly
onto the individual body, and with embodied subjects all the more
vigilant and willing to submit what were once perceived as personal,
and even sacred, provinces of themselves (health, body performance
and affects) to self-monitoring quantification.
Individualization and medicalization accompany the historical trek
of self-surveillance. Together they form an analytical triangle which has
been central to Deborah Lupton’s scholarship (i.e. see Lupton 1995;
2013). A distinguished sociologist who has long specialized on bodies
and health, in her new book The Quantified Self, Lupton (2016) works through the many facets of self-tracing technologies by offering a
plethora of detailed and nuanced examples. This is very timely: the
book not only reads well, it also offers a first systematization which
allows the reader to navigate in a complex ever-changing field addressing a fascinating list of phenomena initially driven by companies
such Amazon, Apple, Samsung e Google. Bodies or better, embodied
selves, are clearly invested by self-tracking technologies, their boundaries and visualizations re-worked, the relation between self and body
re-organized, the singularity of the body itself is placed into question,
new ways of forming communities are established, new forms of diffuse
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control marshalled. Such phenomena arguably need a shift in perspective. More than ever we can now say, with Georg Simmel (1950), that
to start from the individual is just one amongst the choices available
to sociologists in their heuristic repertoires. The relational moment –
how self relates to self, to artefact and to others – becomes a fertile
starting point: thematizing relationships becomes a way to consider
the shaping of subjectivity as «what is individual is not necessarily
subjective» (Simmel 2010, 120). This is a broad dynamic in consumer
capitalism, as authors such as Arlie Hochschild (2012), have noticed: we
increasingly use impersonal means and devices to reach personal goals
in the affective domain and we work hard in order to re-appropriate
these means and devices largely by re-working on what they offer us
to enhance relationships with others and the communities we form as
well ourselves, our feelings and bodies. Sociologists are thus invited to
think again how they consider the individual, the subjective, the intersubjective and, indeed, how do they stand in relation to objectified
forms of culture.
While in pre-digital times, the human body had been invested with
forms of bureaucratization that might have solicited physical resistance
and struggle on the part of the disciplined subject, here instrumentality and discipline become, I like to suggest, softer: taming bodies by
enticing subjective affects. Interestingly, Lupton discusses the example
of Morris, who holds a blog about what may be called a total camera experiment: in the blog he uses and comments on six months of
automatic snapshots taken via a mini-camera clipped onto his clothes
throughout the day. Lupton reports that Morris has felt less lost in
the city, less anonymous and more part of a community through his
blog and his reflection on the systematic visual monitoring of his
days. For Lupton (2016, 111-2) his narratives «are affective responses
to everyday interactions, responses based on the interpretation of the
content of images», they show that self-monitoring can go well beyond
rationalization, counting or numbers; on the contrary people may «respond emotionally to the data they generate from self-tracking». If the
quantified self is also first and foremost a feeling embodied self, the
very value of the embodied self is established via its narrativization,
increased reflexivity, shared documentation: the creation of an ever
more self-possessed identity which projects coherence and awareness.
Authenticity is in this case the discovery and maintenance of continuity,
of controlled positioning, of documented self-placement that deploys
context (and selected others) as witness of one’s own reality. While
I do not find this in sharp discontinuity with the way the modern
self has established itself around the notion of autonomy, we may
ask whether a new form of reflexivity is developing, and how does
it stand in relation to the very modern ideal of individual autonomy
which entailed a relatively self-contained self.
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In an earlier paper, Lupton (2013) discussed the links between the
therapeutic ethic and the development of new self-tracking technologies
noting that the vast majority of the literature tends to have triumphant
accents, placing emphasis on the potential for empowerment for all,
allowing them to take responsibility on their bodies. Already in that
paper, Lupton instead shows that self-tracking or the quantified self
do have ambivalent potentials.
New self-tracking technologies solicit not only issues of autonomy
but also of equality and access. The diffusion of self-tracking devices
has invested the human embodied self, working through desire in
what appears a free, liberated market for those who can. And as a
famous advertisement recalls, «you» – i.e. all of you – «can do it!».
However, how available are these technologies to the whole of the
population? Reflexive individualization which sustains the increasing
offer and demand for self-controlling devices, is unevenly distributed
across the social structure in the Global West, as Piere Bourdieu and
others have recalled. And even more so if we consider the entire globe. These technologies and communities are, presently, quite uneven
in terms of access, and upcoming research should in fact focus on
this issue to consider the varieties of subjectivities which are going
to populate our future social world. Lupton offers some elements to
evaluate the different outcomes of modes of self-monitoring in terms of
empowerment – these are partly function of the corresponding public
and the relations established thereof. She notes, as many sociologists
have in the past, that communitarian publics seem to offer more scope
to active subjectivity than centrally controlled publics yet the question
is how broad and inclusive such communities can be, or, conversely,
how chosen and privileged their members? Are we witnessing the
emergence of a communitarian democracy or the consolidation of a
community-based digitally sophisticated aristocracy? As it is well known,
when trying to look at self-disciplinary techniques of an empowering
variety, Foucault (1984) turned to ancient Greece, where practicing the
self was not at all for everyone, but only for the noble, male citizen.
On the contrary, centrally controlled publics are often mass publics,
uniting different generations, citizen and migrants. Studies about these
media have however shown that, contrary to the fears of the Frankfurt
School, creativity and even reflexivity accompanied the fruition of radio
and television. There, like with digital media, the support of immediate
interaction communities is fundamental. More generally we need to
consider generational divides. In countries like Italy, we know riches are
concentrated in the hands of the older generations. Yet digital literacy
is not. And this will be of the essence for participation in potentially
empowering digital communities. Perhaps having more money is the
only way the elder can survive the new digital age and they will trade
it off to subsist rather than rule.
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Much of the argument of the book concerns the plasticity of the
embodied self, begging the question of the role of social science into
the cyberculture of plasticity. Over two decades ago, Donna Haraway’s
(1991) work ventured on the terrain of «cyborgs». Such reflections have
now become widespread. In Haraway, the «cyborg», as a «hybrid of
machine and organism», is at the same time a «creature of reality» and
a «creature of fiction», an «imaginative resource». As such, it worked
as political platform to rethink the boundaries between the artificial
and the organic. The utopia is with us now. Commanding work on the
self, on the capacity to translate feelings and perceptions into structured
technical quantities assisted by a shared vocabulary, subjects learn to
consider their body not as it looks or feels through the language of
ordinary life, but through ever more sophisticated indicators (typically
coming from the disciplinary regions of medicine and psychotherapy).
In their speaking before and despite us (Goffman 1963), bodies maintained something of the sacred. Something which could not be pinned
down and escaped our will. Disenchantment has proceeded hand in
hand with the development of self-monitoring technologies which are
able to instruct the consumer on how to create spontaneity, boost fun,
produce collective effervescence. The reader is left to wonder whether
they are indeed part of a (social-scientific) self-fulfilling prophecy, the
mundane technical incarnation of a sociological eye which has long
told us that we are first and foremost moldable, the result of how we
organize practice through material and symbolic devices.
As suggested, the growing trend towards self-monitoring through
technological means does create a space to start thinking of human
bodies in ways that cast doubt on how we have long considered individuality, naturality and spontaneity. It would be easy to cry for jet
another epochal turn in consumer capitalism and subjectivity formation.
Lupton is more cautiously careful, and suggests both continuities and
discontinuities. As she reckons the monitoring and the quantification of
aspects one’s body and self are not new: «[p]eople have been recording
their habits and health-related metrics for millennia, as part of attempts
at self-reflection and self-improvement» (2016, 9). Digital technologies
and the creation of online communities with the possibility of sharing
data online about one’s own bodies, performances, feelings, experiences
are on the contrary «indisputably new». Websites such as the homonymous The quantified self (http://quantifiedself.com/) do represent an
important novelty, a meeting point between consumers, experts and
producers on a model which, for example, furthers what had already
been developed by fitness platforms. Their services – which offer apps
spanning from sleep, mood, fitness, goals, social relations, etc. – invite
consumers not just to monitor themselves but also to participate as
producers of knowledge, and effectively become «prosumers» (Ritzer
2010). The gianus-faced nature of prosumption could not be clearer to
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Lupton. As she reckons, it is the value of the data that prosumption
produces which «explains why services such as social media platforms
and apps are offered for free» (Lupton 2016, 43). The collection of
such big data increments the power of the collector, while changing
the contours of property rights and enlarging the commodity frontier in
the global information economy. And this is so whatever added value
to the consumer they may provide – be it «support for the changes»
one wishes to make, or «becoming more aware» of one’s own capacities and desieres (Lupton 2016, 77). I guess the lesson we learned
from Foucault, that we can always resist, but we can’t resist all, is
very clear here. One may use quantification to run against insurance
companies or demand new welfare options, yet «self-tracking becomes
performative» (ibidem, 113): it tames embodied subjects through their
capacities and feelings.
To conclude, let’s take a step back. Lupton indicates that her
work should be read on the backdrop of the current debate on the
bureaucratization of late-modern subjectivity. The instrumentalization of
the body and its bureaucratization is evident: the conversion of performances, experiences and capacities in numbers makes bodies, their
activities and feelings more readable and comparable and therefore –
so we hope or fear – more controllable and changeable. Subjects are
told that it is possible, normal and moral to take responsibility for
their bodies and that this can, indeed, be both a technical and a fun
matter. The link to broader trends in consumer capitalism, such as
healthism and performative body self-surveillance, is apparent. Since a
few decades, consumer capitalist societies have been described as inviting
individuals to joyfully take responsibility for their bodies and to invest
in body maintenance and enhancement in order to increase efficiency
and perform culturally appropriate self-presentation. The body has long
been said to become the «visible carrier of the self» (Featherstone
1991), the finest «consumer object» subject to endless triumphant,
commercially mediated rediscovery (Baudrillard 1992). Much emphasis
has thus be placed on purposive individual stylization of oneself and
one’s own body through consumer devices and services addressing the
surface of the body (cosmetics, surgery), its depth (fitness, exercise)
and its foremost inner dimension (psychotherapy, coaching). In this
vein, Anthony Giddens (1991) is well known to have offered a view
of commercial individualization which revolves on the notion of «body
projects»: the idea that in late or high modernity the self becomes a
reflexive and secular project which works on ever refined level of body
presentation. The embodied self may be felt as a commodity itself,
with «self-actualisation [being] packaged and distributed according to
market criteria» (ibidem, 198). In this vein, the quantified self is just
the last incarnation of the bureaucratization self of consumer capitalism.
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811
For all their emphasis on individuality, self-tracking devices need
to be normalized to work properly. Here we get to an important set
of issues, indeed. Just like in fitness training we do find a long tail of
exercise and fitness enthusiasts that border on fitness addiction, there
are signal that self-tracking apps may produce quite addictive results.
This is essential and could be the subject of further exploration. Indeed,
self-awareness of one’s own attachment to a practice, service, gadget, or
else, is no salvation. On the contrary, it has been recognized as one of
the diagnostic features for addiction in exercise and eating disorders.
Of course, the issue here is not to draw a clear line between committed self-trackers and addicts. It is rather to show that the quantified
self is not, and must not be, predicated on unconditional increases,
uncontrollable willpower, and untamed advantages. It is rather conditional to self-governed appropriation, which does require the validation
of a community or a social network. The technical reveals itself once
again as a poor substitute for relations, individual autonomy being a
performance that is accomplished with the support of a community
which is always in the making.
Response: cohabiting with our lively data
by DEBORAH LUPTON
I thank Anthony King, Federico Nersini and Roberta Sassatelli for
their generous comments about The Quantified Self, and for stimulating
me to think further about the topics and theories I addressed in the
book. I am not the only social researcher to find the phenomenon of
digital self-tracking (often referred to as «the quantified self») intriguing. All of a sudden, the sociological and anthropological literature on
self-tracking is rapidly expanding. This is because self-tracking is at
the crux of many of the classic areas of investigation of these disciplines (self and social identities, community, social institutions, power
relations, politics, government, embodiment) yet involves very new
digital technologies, the impact of which on human lives has yet to
be fully explored. Some of the questions and issues my interlocutors
raise work to provide further depth to current sociological thinking
on self-tracking, including incorporating some theorists, like Durkheim,
Simmel, Goffman and Weber, who are not mentioned in the book or
by many other social researchers working on analysing self-tracking.
The key issue that Anthony King raises is that of whether the
new digital technologies to which I refer in the book are distinctively
different in enhancing the capacities of human bodies. He provides
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Anthony King, Federico Neresini, Roberta Sassatelli, Deborah Lupton
the example of humans using objects as sticks and stones as effective
weapons in warfare to argue that humans have always interacted with
nonhumans to extend the possibilities of their bodies. I have no quibble
with this. Indeed, I note in early pages of the book that self-tracking
is not a new practice. Humans have collected details about themselves
and used this information to reflect on their lives since ancient times.
While these details may simply have been committed to memory, the
use of pen-and-paper, as in writing journals, diaries or simply lists,
is a time-honoured method of self-monitoring. I do attempt to show
in the book, however, that there are several key differences between
these older forms of technological use and contemporary forms that
have major implications for how people are understanding themselves,
their bodies and their communities; and beyond this, how institutions
are learning about people and exploiting this knowledge.
One difference is that digital devices for self-tracking offer the opportunity to greatly expand the possible data points that people can
collect about themselves, and they often do this automatically, requiring
little-or-no human intervention. Another is that technologies such as apps
and wearable devices or smartphones provide feedback to self-trackers
in the form of nudges, alerts or notifications. Unlike a paper journal,
technologies such as the app on one’s smartphone or tablet computer,
a wearable device or a smartwatch give feedback in the form of text
messages, sounds or haptic sensations (vibrations or buzzes). They are
responsive and directly interventionist technologies, in other words, that
«talk back» to users, providing support, motivation, encouragement –
or even nagging or admonitions. Thus, for example, the Apple Watch
includes a movement sensor that automatically monitors how much
its wearer has sat, stood up, moved around or exercised. The Apple
Watch website describes the watch as «a faithful sidekick… it even
congratulates you for a job well done». The Watch also admonishes
the user: if it senses that the user has not moved in the past hour, she
or he is delivered a «time to stand» message (using both sound and
text) and haptic notification (vibration). Apple represents the Watch
as taking the place of a personal trainer in providing these kinds of
support, encouragement, motivation and feedback.
To disagree with King, I do not argue that self-tracking technologies
are mostly focused on monitoring and recording human agency rather
than extending it. Many self-trackers use these technologies precisely
because they understand them as facilitating agency. A further aspect of
self-tracking I wanted to emphasise in the book is the ways in which
people attempt to use it to establish a sense of control over their
lives and to perform a certain ethical kind of selfhood: the rational,
entrepreneurial, self-responsible citizen. This is not in itself a new idea,
of course. Its provenance can be traced back to the ancients and then
to Christian concepts of the importance of controlling and disciplining
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the body. In the book I employ Foucauldian theory in outlining the
intersections of technologies of the self and government established
in the promotion and performance of this ideal citizen. Both Nersini
and Sassatelli draw attention to Weberian theories of rationalization
and bureaucratization in further highlighting these elements of selftracking. Self-tracking discourses often do evoke a rationalized form of
consumption that also encourages the generation of a productive and
virtuous worker. The tacit underpinnings of the morality of Protestantism established by Weber are clearly evident in self-tracking technology
developers’ and enthusiasts’ support of the value of self-knowledge and
self-reflection in the interests of improving the self.
Another new aspect of contemporary digital self-tracking technologies is that drawing on machine-learning capabilities and algorithmic
manipulations, these technologies can create unique knowledges about
their subjects, and use these knowledges to make predictions. They
reflect not only what people have done, but infer what they (or others
like them) might do in the future. Federico Nersini suggests that more
research and theorising could be undertaken on how the technological
artefacts that human use for self-tracking shape, constrain or promote
certain forms of action. He draws on Latour’s work in proposing using the concept of mediators, or technologies that modify or translate
meanings of the elements they carry, to extend the ideas about the
sociomaterial nature of self-tracking assemblages I propose in the book.
This is indeed an interesting question, particularly in relation, for example, to how algorithms and data materialisations work to translate
the material about humans that is collected from self-tracking devices,
rendering this material into particular forms of digital data assemblages.
I appreciate King’s observations about how Durkheim might be
employed in theorising the social elements of self-tracking in relation
to shared or collective identities. There is much to further consider
in terms of how the distributed forms of selfhood documented by
self-tracking activities and other ways of interacting online can shape
and influence not only how people think of themselves, but also how
they situate themselves in relation to others, and how others perceive
them. Sociologists need to start thinking about and theorising the aggregated identities that big data configure and what the implications
of these aggregated identities are. What could Durkheimian theory
begin to contribute to understanding the movements and entanglements
between small data and big data?
Beyond these issues of selfhood and shared identity are questions
about how internet developers and companies – and particularly the
empires of Google, Apple, Facebook and Amazon – come to shape
identity profiles and use these profiles for their own purposes. It is
often proposed that these and other internet companies that collect
and algorithmically manipulate people’s personal information know more
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Anthony King, Federico Neresini, Roberta Sassatelli, Deborah Lupton
about people than they know about themselves. The data they collect
and manipulate reflect a certain version of people back to themselves.
In many cases, these digital data identities are created and used in
various ways, often without people’s knowledge. As such, these digital
data assemblages have their own social lives that can shape people’s
life chances and opportunities. Where Durkheim theorises identity as
a shared property of the small social group of which people are a
part, in response to self-tracking we may need to start to see some
forms of identity as a shared property of the internet empires and the
multifarious industries that are profiting from the harvesting of the
personal information traces that people leave whenever they are using
digital technologies. It is the internet empires that may now possess
people’s souls – and profit from them.
As I emphasise in the book, the biovalue of the information generated from digital self-tracking technologies is a new property of personal
data. Small data – the details people configure about themselves when
engaging in digital self-tracking – inevitably become big data if they
are transmitted to the computing cloud. Once they are transmitted to
the cloud, people lose control over their information, and these details
become subject to reuse and repurposing by potentially many actors
and agencies. These data can be combined and recombined with not
only other people’s data but also with other personal data generated
by the same individual, to create ever-more detailed profiles about
these individuals. These data assemblages can tell many stories about
people; stories that they may not want others to know. Details about
one’s self and one’s body that were remembered or written down,
confessed and recorded using the rosary beads to which King refers,
or even entered into spreadsheets on one’s computer, did not possess
this vitality. They remained static, hidden from view, under the full
control and possession of their owner.
It is for these reasons that I have suggested elsewhere that in
theorising the ontology of personal data assemblages we might draw on
Donna Haraway’s concept of companion species. I argue that personal
data assemblages, like Haraway’s companion species (for example, pet
dogs), live alongside humans and co-evolve with them. They are hybrids
of human and nonhuman, nature and culture. Our lively digital data
assemblages can tell us narratives about ourselves, but they always are
inevitably only partial and sometimes misleading in emphasising some
aspects of our selves over others. Self-trackers may struggle with recognising how these data assemblages relate to their bodies and selves.
They may find the stories these assemblages tell to be convincing and
satisfying, but may also respond to them with boredom, frustration,
shame, guilt or disappointment. Living alongside these assemblages can
be challenging and difficult.
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815
Where to from here? Since completing The Quantified Self, my
research interests in self-tracking have moved towards empirical work.
I have developed a research program that I have entitled Living Digital
Data, which builds on the conceptual bases established in the book
to examine the ways in which people engage in self-tracking and how
they respond to the data that they generate. Inspired by new materialism and non-representational methodologies, in some of these projects
I am attempting to focus less on discourses and more on practices,
habits and routines. One such project focuses on cyclists who monitor
their trips using digital devices. As well as interviews with participants
about their practices, it involves video-recording them preparing for
their trips (including the participants showing how they attach selftracking devices to their bicycles or their bodies) and undertaking their
cycling journeys. Drawing on the digital sensory ethnographic methods
developed by one of the collaborators on this project, Sarah Pink, this
method was developed as a way of observing what people do as well
as talking to them about what they do. Here a self-tracking device (a
mini-action camera attached to the cyclist’s helmet) worked also as a
research device. There is much more work to do as well in understanding the phenomenology of people’s encounters with their personal
digital data assemblages. As part of the Living Digital Data program,
I have also developed the concept of «data sense» to encapsulate the
entanglements of human senses, digital sensors and the process of human
sense-making that takes place when people generate personal data and
incorporate them into their lives. The term «living digital data» is an
attempt to acknowledge both the liveliness of digital data assemblages
and the experiences of living with and alongside these assemblages.
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