PP Periodica Polytechnica
Civil Engineering
61(1), pp. 66–74, 2017
DOI: 10.3311/PPci.9038
Creative Commons Attribution b
research article
Colour of Stone Slabs under Different
Standard Illuminations
Ákos Antal1*, Péter Görög2, Ádám László Veres1, Petra Balla1
Ákos Török2
Received 20-01-2016; accepted 08-03-2016
Abstract
Spectral measurements have been carried out on polished stone
slabs to show the accuracy of theoretical colorimetric calculations on perceptual differences of color appearance under
various standard illuminations. Effects of the different spectral
characteristics of the light source on colorization of the samples have been also studied to analyze the changes of color
sensation on the samples in connection with the changes on the
type of the illuminating source. Solar light (Standard Illuminant D65), basic incandescent source (Standard Illuminant A)
and a basic luorescent source (Standard Illuminant F11) have
been tested on Tardos red limestone, Siklós green limestone,
Carrara white and gray marbles and diorite samples. Colorizing effects of the examined illuminations are compared to
Standard Illuminant E – the theoretically perfect white source.
Keywords
colour appearance, colour difference, limestone, marble,
diorite
1
Department of Mechatronics, Optics and Engineering Informatics
Budapest University of Technology and Economics
H-1521 Budapest, P.O.B. 91, Hungary
2
Department of Engineering Geology and Geotechnics
Budapest University of Technology and Economics
H-1521 Budapest, P.O.B. 91, Hungary
*
Corresponding author, e-mail: antalakos@antalakos.hu
66
Period. Polytech. Civil Eng.
1 Introduction
Stone slabs are frequently used for cladding outside and
inside buildings. From architectural point of view the most
important parameters for design of natural stone cladding are
the optical properties of stone slabs. The appearance and optical properties can be controlled by naked eye according to
Eurocode EN1469. More recently, Zamora-Mestre et al. [1]
introduced a new method for the optical quality control, which
measures the optical appearance of the slabs by image processing software. It helps to avoid the visual anomalies of the stone
slabs, but the appearance of the cladding depends on the actual
light conditions. The external cladding looks different under
sunshine and in cloudy weather conditions. When the cladding
is placed inside a building the artiicial lighting of the interior
should be synchronized with the optical properties of the stone
slabs. The present paper describes the optical appearance of
different stone slabs under different lighting conditions. The
main goal of this study is to give an advice how to select a stone
slab based on colour difference or chroma when different types
and different intensity of illuminations are applied.
The spectroscopy can be used for studying the variations in
colour of stone slabs under different artiicial lights. It is also a
useful tool to measure the grade of weathering as it is described
for granitic rocks by Nagano and Nakashima [2].
Different types of limestones, marble and diorite are commonly used for cladding both for indoor and outdoor. Natural
and aesthetic appearance and outstanding durability of these
stones make them perfect to create durable and spectacular
coating even on large surface areas.
However, appearance is strongly related to the applied illumination. From sunlight to the wide range of luorescent and
incandescent sources, the spectral power distribution of the
incoming light varies between wide boarders – and consequently the colour sensation provided by the cladding material
can vary heavily under different illuminations.
Furthermore, analysing these effects is not always easy and
straightforward. Only complex theoretical colorimetric calculations can be applied during the design phase of an object,
real “on-site” measurements are usually problematic before the
Á. Antal, P. Görög, Á. L. Veres, P. Balla, Á. Török
implementation. Regarding to the heavily theoretical nature
of these calculations, it is reasonable to show the accuracy of
them. Therefore simulated environments were created for the
samples, to describe the theoretically considered conditions in
real life and compare the two different sets of data – theoretical
versus direct, “life-like” measurements.
It is also reasonable to compare the stability of the chromatic characteristic of the samples under different illuminations. Thus, the differences in colorization and chroma against
the theoretically perfect white illumination (Illuminant E) were
compared. These calculations can show which sample has
the most illuminant independent chromatic characteristic, i.e.
which stone slab visual appearance is the most similar under
differently illuminated environments.
2 Methodology
2.1 Measurement setup
Colorimetric calculations were made based on the spectral
intensity distribution of the light relected from the measured
surfaces., Several types of colour coordinates were calculated
– directly from the XYZ coordinates, or – the ones represented
in the corresponding colour spaces – e.g. in CIE L*a*b* [3].
Spectral relectance measurements were made on all of the
samples to get their “relative” – illumination independent –
relection spectra. This raw data gives the possibility to calculate the appearance of the samples under different standard illuminations in a theoretical way. A Konica Minolta CM-2500d
handheld spectrometer was used to collect the absolute spectral
data. The measurements were carried out with a 2° wide aperture, in 45° measurement coniguration, and the data was processed with the scattering components included.
The “absolute” spectral relectance of the samples under different standard illuminations [4] was also measured. The aim
was to record the spectral data directly relected from the surfaces – to simulate the behaviour of the samples during a standard visual inspection, and to make a comparison between theoretically calculated values and the results of the corresponding
real measurements. A Gretag Machbet Colour Box was used
to produce D65 (similar to solar light), Illuminant A (typical
incandescent source) and TL84 (typical luorescent source) [5]
spectra (Fig. 1). The reference spectral data for both illuminations were recorded on a BaSO4 covered white etalon.
Colour of Stone Slabs under Different Illuminations
Fig. 1 Measured spectra of the applied sources
These illuminations represent a good general approximation
for the usual outdoor light, and the two commonly used indoor
light source families [6]. Standardized forms of their spectral
characteristics are also available – these data were used for the
theoretical calculation (Fig. 2).
Fig. 2 Standardized spectra of the applied illuminations
A Konica Minolta CS-1000 spectroradiometer camera was
used to record the relected spectral data. This device uses a
calibrated standard photography objective lens to collect the
incoming light from the measurement area (1° wide) and therefore makes it possible to adjust the exact position and relative
size of it.
The inspected samples were placed inside the Colour box
on a rotatable holder. The illumination came from the topside
of the box, and the rotatable holder was set to ensure 45° angle
of incidence. The spectroradiometer camera was placed 120
cm away from the centre of the sample, and the height of the
instrument was set to be on the same level with the measured
specimen.
The target-instrument distance – consequently the measurement area of the CS-1000 instrument – was selected to cover a
reasonably large region on the measured sample surface with
the measurement area (Fig. 3).
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Fig. 3 Measurement area
Ten measurements were carried out under both illuminations on all of the samples – with constant repositioning of the
measurement area. The collected spectral data were used to calculate x and y, and L* a* b* values for further analysis.
2.2 Calibration of the instruments
Two different types of spectral measurements were carried
out: one for the pure relectance spectra of the samples; and
one for the “life-like” absolute relectance, which included the
characteristics of the illuminating source as well. These two
methods required different calibration processes.
The illumination independent relection spectra measurement is a relative measurement, which means the measured
spectral data is given from nanometer to nanometer as a percentage of the instrument’s built-in illuminating source’s spectral characteristic. To record the pure spectra of the source as
a reference, a white calibration is required from time to time.
To calibrate the instrument, a nearly-perfectly relective white
reference surface is needed with very lat spectral characteristic through the whole measurement range. This is usually a
small BaSO4 covered disk, which is a standard accessory of
the instrument.
Handheld spectrophotometers like the Konica Minolta CM2500d are usually also able to do a dark calibration, which is
for eliminating the dark noise of their detector. In our case,
both white and dark calibrations were done before the measurements – to get the best possible accuracy.
The absolute relectance measurement however does not
require such calibrations. Since this process is a direct measurement the light relected directly from the measured surface
contains all of the necessary information – no further processing required.
68
Period. Polytech. Civil Eng.
The accuracy of the instrument is guarantied with a calibration to a standard source. With the Konica Minolta CS-1000,
two different type of calibration is possible – wavelength
calibration, and level calibration. The former is to adjust the
measurement data (taken with the use of the standard source)
alongside the wavelength axis to match with the data preloaded
(practically based on the documentation of the standard source).
The same stands for the level calibration, but in this case the
intensity values are matched to calibrate the data on the vertical axis. We used the CS-1000 in absolute mode with factory
calibration, with which the vertical axis represented spectral
2
radiance in [ W/m sr nm ].
However, the absolute radiometric values were available,
we did not use such data for any kind of calculations – just to
represent the measured spectra. Since color data is independent
from the intensity of the illumination it is indifferent from the
colorimetric point of view in our case. The software calculates
X, Y and Z coordinates directly, and we used these data instead
of calculating these values from the spectral data manually.
This method gives a more life-like comparison between fully
calculated and purely measured data.
2.3 Description of the applied colour systems
The quantitative representation of colour data is always
a challenge – due to the subjective nature of human colour
vision. However, there are few perceptually evident fundaments, which help to create generally usable systems to mathematically characterize the colour sensations. Some of these
systems are standardized by the International Commission on
Illumination (CIE), and commonly used in colour science.
Most of the commonly used colour spaces are based on the
CIE 1969 trichromatic system also known as the reined CIE
XYZ space for 10° observer – which is an adjusted version of
the irst standardized approximation of colour perception. This
system is based on the trichromatic behaviour of colour vision,
and formed with a series of colour matching experiments,
where the participants had to adjust the intensity of three perceptually independent monochromatic light sources until the
sense of the mixture of the three primary colours are match
with a dedicated monochromatic light.
With the repentance of this match – from one monochromatic
stimulus to another – through the complete visible spectrum,
three sets of colour matching functions [7] where presented –
r ( λ ) , g ( λ ) and b ( λ ) (Fig. 4). Since r ( λ ) , g ( λ ) and
b ( λ ) functions have negative values at some section of the
visible spectra, it is reasonable to transform them to positive
values only. This transformation provides x ( λ ) , y ( λ ) and
z ( λ ) functions (Fig. 5).
Á. Antal, P. Görög, Á. L. Veres, P. Balla, Á. Török
Fig. 4 r ( λ ) , g ( λ ) and b ( λ ) CMFs
Fig. 6 xy chromaticity diagram
Fig. 5 x ( λ ) , y ( λ ) and z ( λ ) CMFs
As it is described before under subchapter 2.3, X, Y and Z
reined tristimulus values are calculated as the integral of the
corresponding colour matching functions – x ( λ ) , y ( λ ) and
z ( λ ) – multiplied by the spectral intensity distribution of the
light stimulus to inspect.
However, X, Y and Z values represents a 3D space and
describes a dedicated stimulus completely, it is not easy to
imagine, or show the colour data directly with them. X, Y and
Z are absolute values, containing not only colour related, but
intensity information as well – which we are usually not interested in. To get a better option to represent colours, it is reasonable to give a normalized version of the tristimulus values – the
x, y and z chromaticity coordinates.
x=
X
X +Y + Z
(1)
x=
Y
X +Y + Z
(2)
z=
Z
X +Y + Z
(3)
The x and y coordinates forms the chromaticity diagram
of the CIE 1969 trichromatic system, which is unequivocal
enough to represent colour data (Fig. 6).
Colour of Stone Slabs under Different Illuminations
Since the XYZ space is a very basic approximation of the colour vision – uses only the trichromatic phenomenon, as a hooking point to the neural basis of vision – there are a few derived
colour systems developed during the last century. One of these
reined colour spaces is the CIE L*a*b* space. CIE L*a*b* is
based on the XYZ space and can be created with a linear transformation of it – as it is shown before under subchapter 2.3.
CIE L*a*b* can be adjusted to represent colours under different illuminations more accurately than XYZ. Furthermore,
the white point of the space for a dedicated illumination always
takes place at the origin.
L*a*b* is a more advanced model from the psychophysical
point of view as well. Beside the trichromat nature of human
colour vision, L*a*b* represents a deeper level of neurology of
the human visual system – the opponent channels. L* is refers
to lightness, a* represents red colour stimuli towards its positive direction and green colour stimuli towards the negative
direction, the positive direction of the b* coordinate points
towards yellow stimuli, and the negative side points to the
direction of blue stimuli (Fig. 7).
Fig. 7 L*a*b* color space
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69
There is another important difference between XYZ and
L*a*b*. Just like most of the colour spaces, XYZ and L*a*b*
are represent visible colours as a Euclidian space – however, an
ideal colour space would be a Riemann-like one. This phenomenon entails that both XYZ and L*a*b* are nonlinear spaces
from the practical point of view [8].
The main aim of the transformation to L*a*b* is to decreases
the nonlinearities of the colour space compared to XZY, therefore distances between two different point of the L*a*b* space
represents real perceptual colour differences much better. Consequently, it is reasonable to calculate ΔE colour differences [9]
in L*a*b* spaces – to predict, analyse or simply show quantitative differences between different colour stimuli.
to use to get white object data. Illuminant E is the theoretically
perfect white source, with even characteristics on all wavelengths; therefore Xn, Yn and Zn values are both equals to 1.
L∗ = 116 f (Y / Yn ) − 16
(9)
a ∗ = 200 f ( X / X n ) − f (Y / Yn )
(10)
b∗ = 200 f (Y / Yn ) − f ( Z / Z n )
(11)
Where
1/ 3
f ( X / Xn ) = ( X / Xn )
if
2.4 Calculating colour data
The measured relative spectral data contains only the relectance characteristic of the sample. To get exact colorimetric
data under a speciied illumination a spectral characteristic of
the light source used should be taken into consideration. To do
so, the spectral power distributions (SPD) of the source and the
sample have to be combined in the following way
Φ λ ( λ ) = Rs ( λ ) Els ( λ )
(4)
Where Els ( λ ) is the SPD of the selected standard illumination and Rs ( λ ) is the SPD of the investigated sample.
Once the calculated absolute relectance spectra is available,
X, Y and Z tristimulus values for the CIE 1969 10° standard
colorimetric observer can be calculated with the following steps
( X / X n ) > ( 24 / 116)
(12)
3
1/ 3
f ( X / X n ) = (841 / 108)( X / X n ) + 16 / 116
if f ( X / X n ) ≤ ( 24 / 116 )
3
(13)
1/ 3
f (Y / Yn ) = (Y / Yn )
if
(14)
(Y / Yn ) > ( 24 / 116)
3
1/ 3
f (Y / Yn ) = (841 / 108)(Y / Yn ) + 16 / 116
if f (Y / Yn ) ≤ ( 24 / 116 )
(15)
3
1/ 3
f ( Z / Zn ) = ( Z / Zn )
if
( Z / Z n ) > ( 24 / 116)
(16)
3
1/ 3
x ( λ ) 0.341080 0.189145 0.387529 r ( λ )
y ( λ ) = 0.139058 0.837460 0.073160 g ( λ ) (5)
0
0.039553 0.026200 b ( λ )
z ( λ )
X = 683.6∫
780 nm
380 nm
Y = 683.6∫
780 nm
Z = 683.6∫
780 nm
380 nm
380 nm
Φλ (λ ) x (λ ) d λ
(6)
Φλ (λ ) y (λ ) d λ
(7)
Φλ (λ ) z (λ ) d λ
(8)
if f ( Z / Z n ) ≤ ( 24 / 116 )
Period. Polytech. Civil Eng.
(17)
3
In the L*a*b* space it is possible to calculate chromatic
and colorization differences as Euclidian distances between
two points – representing two different colour sensations. The
equations for ΔE (total colour difference) and ΔC (Chroma difference) are the following.
∆E ∗ =
Where r ( λ ) , g ( λ ) and b ( λ ) are the experimental colour
matching functions (CMFs), ( ) , y ( λ ) and z ( λ ) are the
CMFs of the CIE 1969 10° standard colorimetric observer.
In this way, both the directly measured and a calculated X,
Y and Z values are available. To calculate the L*a*b* coordinates, the Xn, Yn and Zn coordinates for the speciied white
object is also needed. To analyse all of the investigated illuminations alongside each other, Illuminant E is the perfect choice
70
f ( Z / Z n ) = (841 / 108)( Z / Z n ) + 16 / 116
∗ 2
∗ 2
∗ 2
( ∆L ) + ( ∆a ) + ( ∆b )
∆C ∗ = C1∗ − C2∗ =
∗ 2
1
∗ 2
1
(a ) + (b )
−
∗ 2
2
(18)
∗ 2
2
(a ) + (b )
(19)
3 Materials
Stone slabs of ive different rock types were investigated:
Tardos red limestone, Siklós green limestone, a white and a
grey marble from Carrara, and grey diorite from Italy. All studied stone slabs were polished, having the same surface inish
(Fig. 8).
Á. Antal, P. Görög, Á. L. Veres, P. Balla, Á. Török
The Tardos red limestone is a very common dimension
stone in the Carpathian Region. This Jurassic limestone has
been exploited from the Roman period in Gerecse Mountains,
North Hungary having various shades of red colour (Fig. 8,
S29, S30, S31).
It was commonly termed as “red marble” of Hungary [10].
The red colour and aesthetics made this stone as one of the
favorite dimension stones of Roman period and medieval kings
of Hungary [11]. One example is the red “marble” fountain in
the Castle of Visegrád which was made from this stone during
the reign of King Matthias [11]. It has been also used at other
sites such as the cathedral of Nitra [12].
The Siklós “green” limestone is quarried in the Villány
Mountains, South Hungary. It represents thick bedded cemented
limestones of Middle Triassic Zuhánya Limestone Formation
(Fig 8. S 1377). This popular limestone shows great variety
in colour, the most common types are the brownish-grey, grey
slightly greenish ones. There are irregular mottles in the matrix
having slightly lighter colour as a rule, i.e. pale yellow to pinkish mottles also occur. Besides the mottles of centimetre to 45
cm in size, brachiopods are also common [13]. Dolomitization
occurs in micritic mottles and also along issures representing
several phases of dolomite formation [14]. The physical properties of the Siklós green limestone were described in [13]. The
uniaxial compressive strength is 80 MPa, but after 25 freezethaw cycles it is reduced by 37%. Hence, it is no frost resistant,
but can be used only for inner cladding.
The Carrara Marble one of the most famous dimension and
ornamental stone of the world. In the medieval architecture
mainly it was used in Europe in the Italian region, but nowadays it can be found all over the world [15]. Carrara marble is
still used in large quantities in modern buildings (in Mekka at
mosques, Opera House in Oslo). Rosso et al. [16] investigated
the energy-eficiently of white marble used as facing stones on
the facade of a new building in New York. The properties of the
Carrara marble were described and studied in details. Karaca
et al. [17] studied the micro-fabric; the grain properties and
the grain boundaries of different types of marbles. Cardani and
Meda [18] measured the lextural strength of the Carrara marble, while Leiss and Weiss [19] evaluated the fabric anisotropy
and the thermal induced degradation.
In this paper two different types of Carrara marbles were
studied a white one (Fig. 8, S56) and a grey one (Fig. 8, S55).
The white one is micro-crystalline with fairly homogenous
micro-fabric. The grey marble of Carrara was described in
detail by means of petrographic methods by Borghi [20].
The diorite is an intermediate plutonic rock, with prevailing
minerals of plagioclase and pyroxene. The studied slab represents a dark grey variety, which has the darkest colour compared to the other specimens (Fig. 8, S861).
Colour of Stone Slabs under Different Illuminations
Fig. 8 Investigated stone slabs
(S29-S31: Tardos red limestone; S32: white Carrara marble; S55-S56: grey
Carrara marble; S861: diorite; S1377: Siklós greenlimestone)
The samples can be divided into two different groups based
on their visual appearance. The measured relectance spectra of
the stones coincide with this grouping.
The spectra of the three red limestones are nearly identical.
The greenish grey limestone has a bit different relection characteristic, but clearly its between the other three samples (Fig. 9).
Fig. 9 Relection spectra of red Tardos limestones (S29, S30, S31) and
greenish grey Zuhánya limestone (S1377)
The white marble from Carrara has a much higher relexion
value than the grey marble, but the spectra of the grey Carrara marble is more lat. Diorite is much less relective than
the other samples, but its lat characteristic clearly its into this
group (Fig. 10).
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Fig. 10 Relection spectra of white marble (S32), grey Carrara marble (S55),
white Carrara marble (S56) and grey diorite (S861)
4 Results
Comparison between the directly measured and calculated x
and y chromaticity coordinates shows that the theoretically calculated data is accurate enough even for complex simulations.
Fig. 11 and Fig. 12 show the two different dataset alongside
each other for samples S29, S30 and S31 in the xy chromaticity
diagram. It is clearly visible that the calculated and measured
points are perfectly lapping each other for illumination D65,
and the points are relatively close for Illuminant A as well.
However, for F11 the separation between the measured and
calculated data requires some explanations.
Fig. 11 xy chromaticity data for S29, S30 and S31
If we compare the theoretical spectra of the F11 standard
illumination, and the measured data from the same source, the
distributions are noticeably different (Fig. 13). The height of
the two main peaks of the spectra shows an opposite trend,
therefore the total energy distribution of the measured spectra
shifts towards the higher wavelength region compared to the
theoretical one.
72
Period. Polytech. Civil Eng.
Fig. 12 Magniied xy chromaticity data for S29, S30 and S31
under the applied illuminations. Filled symbols: measured data;
Open symbols: theoretical data
Á. Antal, P. Görög, Á. L. Veres, P. Balla, Á. Török
Fig. 13 Measured spectra of the applied sources
(F11s theoretical, F11 measured spectra)
Tardos red limestone samples - S29, S30 and S31 - relect more
red lights thus the colorization effect of the applied illumination
is more sensitive to differences in the higher spectral ranges. This
difference explains the shift of the xy chromaticity data.
According to the colour difference calculations the white
coloured stone slabs (S32, S55 and S56) the marble specimens, have different results than the other rock materials. The
DeltaChroma and the DeltaE values of these white coloured
specimens are higher than the other stones under all the three
different lighting conditions. Only the DeltaChroma value of
the white marble (S32) is smaller than that of the diorite (S861)
under D65 illumination. The results of the three marble specimens, one white and two grey shows, that the little differences
can be also perceived with this method. Mainly the grey ones
have smaller DeltaChroma and DelteE values.
The red coloured specimens have lower DeltaChroma and
DeltaE values - the lowest values related to the dark grey diorite. The red and grey limestones gave almost the same results. It
is interesting that the values of the dark greenish grey Zuhánya
limestone, is a little bit higher than the one of Tardos red limestone. Between the three Tardos red limestone specimens it is
also possible to see slight differences – mainly under Illumiant
A, and Illuminant F11 (Fig. 14, Fig. 15 and Fig. 16).
Fig. 14 ΔE and |ΔC| under Illuminant D65 compared to Illuminant E
(S32-S861 represent no. of tested stone slabs – see Fig. 8)
Colour of Stone Slabs under Different Illuminations
Fig. 15 ΔE and |ΔC| under Illuminant A compared to Illuminant E
(S32-S861 represent no. of tested stone slabs – see Fig. 8)
Fig. 16 ΔE and |ΔC| under Illuminant F11 compared to Illuminant E
(S32-S861 represent no. of tested stone slabs – see Fig. 8)
5 Conclusions
Eight polished rock slabs representing ive main lithologies
were studied under different artiicial lighting conditions to
quantify colour differences and visual appearance of stone slabs.
According to the results of the calculations and the spectral
measurements it is possible to divide the different stone materials by using colour spectra. In addition the applied method is
capable to recognize changes in the colour of the stone slabs
under different lighting conditions.
The ive different dimension stones (two types of limestones, two types of marbles and a diorite) can be divided
into two main colour classes: the light and the darker stones.
The classiication depicts signiicant differences between the
spectral properties of very light marbles and the other darker
stones. Within the group of darker stones marked differences
were measured: Tardos red limestone and Siklós green limestone form one subgroup, while diorite represents another one.
Consequently, this method can be used to classify not only the
stones with high differences in colour, but it is also applicable to identify the slight differences in colour. With this colour
measurement it was possible to recognize the slight difference
between the three red Tardos limestone specimens.
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The application of colour spectra measurements provides an
additional tool for synchronizing the colour of the stone slabs
with the applied lighting conditions. It is possible to use it as a
design the colour effect of a stone slab with knowing the spectral properties of it.
Acknowledgement
The inancial support of National Research, Development
and Innovation (NKFI) Fund (K 116532) is appreciated.
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