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2017, Umberto Eco in His Own Words
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7 pages
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The article provides an analysis of Umberto Eco's concept of semiotic threshold and a commentary to Eco's statement, " there is non-semiotic territory since there are phenomena that cannot be taken as sign-functions" (A Theory of Semiotics, 1976: 6). The concepts of lower semiotic threshold zone, upper semiotic threshold, and epistemological threshold are analysed.
Sign Systems Studies
The "semiotic threshold" is U. Eco's metaphor of the borderline between the world of semiosis and the nonsemiotic world and hence also between semiotics and its neighboring disciplines. The paper examines Eco's threshold in comparison to the views of semiosis and semiotics of C. S. Peirce. While Eco follows the structuralist tradition, postulating the conventionality of signs as the main criterion of semiosis, Peirce has a much broader concept of semiosis, which is not restricted to phenomena of culture but includes many processes in nature. Whereas Eco arrives at the conclusion that biological processes, such as the ones within the immune system, cannot be included in the program of semiotic research, Peirce's broader defmition of semiosis has meanwhile become thefoundation of semiotic studies in biology and medicine and hence in biosemiotics and medical semiotics.
Biosemiotics, 2017
The present article is framed within the biosemiotic glossary project as a way to address common terminology within biosemiotic research. The glossary integrates the view of the members of the biosemiotic community through a standard survey and a literature review. The concept of 'semiotic threshold' was first introduced by Umberto Eco, defining it as a boundary between semiotic and non-semiotic areas. We review here the concept of 'semiotic threshold', first describing its denotation within semiotics via an examination on the history of the concept, its synonyms, antonyms, etymology, usage in other languages and context in which it is used. Then we present a general overview of the survey among researchers, analyzing the difference in responses for the concept of 'lower semiotic threshold' and related concepts. From the answers we also review the difference between the general usage of 'semiotic threshold' versus its specific use within biosemiotics, and attempt to make a general synthesis of the concept taking into account what we have learned from the survey and the literature review.
The present text tries to elaborate some of the theoretical principles which potentially lead towards defining semiotic approaches. My aim is to establish as much as possible clear-cut limits to semiotic theory. Starting from the communicational processes, my aim is to explain encoding external reality intoa new one in the case of the linguistic field, as well as to overcome semiotics' exactness (in the field of arts). The questions to which I try to answer are for instance Saussurian dichotomy (its objectivity and subjectivity nature), and its practical implications to semiotics. I shall as well try to use an example through a semiotics of passions, (through the example of Shakespeare's Romeo and Juliet, and Prokofiev's Romeo and Juliet) as a tool to contributing to the signification process.
Publication of a translation of the text of Umberto Eco's talk given in honour of Giorgio Prodi in 1988.
DEGRES-REVUE DE SYNTHESE A ORIENTATION SEMIOLOGIQUE, 2024
It is fascinating to observe the evolution of semiotics, which was once considered a passing trend but has now matured into a multifaceted discipline with significant interactions across various fields. The fact that semiotics, focusing on interpreting all types of signs and elucidating their production processes and underlying motivations, has reached this stage is not surprising. Semiotics, which initially interacted with literary studies to develop itself, test its limits, and put forward a systematic and reliable analytical reasoning model, today interacts with various fields of science. Due to this characteristic, semiotics is an interdisciplinary, transdisciplinary, and even a meta-disciplinary domain or an intermediary sphere. However, despite the passage of decades, it is evident that there is still no clear definition of what semiotics is. Therefore, there will be no clear idea about what semiotics is not when it is not known what it is. This quite confusing dialectic has been in existence for a long time. Whether this situation regarding the definition of semiotics is a unique qualitative feature of semiotics or a blurring of ideas caused by different types of views is debatable. This situation of semiotics has the potential to be the subject of discussion in many more studies in different contexts. In the first part of this study, a discussion on the identity of semiotics will be made. The discussion will elucidate whether semiotics is amid an identity crisis and its reasons. In the second part, the interaction of semiotics with other knowledge domains, the role of this interaction in determining its boundaries will be discussed in the context of some descriptive features used for it, and an evaluation will be made on the general situation that emerged in the conclusion.
Journal of Pragmatics, 2003
At last, Daniel Chandler's Semiotics for Beginners is not only available on the Internet (schttp://www.aber.ac.uk/media/Documents/S4B/), but also as a textbook, titled Semiotics:-The Basics. The book aims at providing an overview of the main questions, theories, and methods of semiotics, especially for beginners. The introduction, however, is not only designed to serve the needs of undergraduate students. Other than the very popular 'classical' introduction into semiotics by Umberto Eco (1994), which leads the reader into the author's universe of signs, other than Ju¨rgen Trabant's successful introduction to semiotics with a strong emphasis on linguistics (Trabant, 1996), and also other than Scho¨nrich's recent introduction into Peircean semiotics (Scho¨nrich, 1999), which addresses the more specialised postgraduate students of philosophy, Chandler's textbook is a very appropriate source of information for students of a whole range of subjects such as literature, linguistics, media studies, cultural studies, discourse studies, and the like, and for anyone interested in getting a quick state of the art overview of present day semiotics. This has been a desideratum for a long time. The book is well written and up to date, without unnecessary verbosity and jargon, and yet reflecting the complexity of the field and its problems. The author takes the view of structuralist semiotics with a clear preference for the approach of critical discourse analysis, but he also includes other viewpoints such as poststructuralist perspectives. Thereby, he presents a plurality of approaches, without trying to harmonise them into a synthesis that proves to be problematical, as in so many other introductions, nor does he confuse the reader with too many controversies, which leave especially the beginner at loss. The composition of the book is clearly arranged and easy to understand. It begins with outlining the main areas of semiotic work and gives a brief summary of its history since Saussure and Peirce. It then presents the two canonical sign models of Saussure and Peirce, including their respective terminology and their adaptations by some other theorists. The author refers to analogous approaches, and discusses some critical objections. For instance, he points at a possible analogy between Michail Bachtin's model of dialogue und Peirce's model of signs (p. 34), mentions the relevance of Saussure for Lacan (p. 28) und quotes Derrida's objection against Saussure's phonocentrism (pp. 51 f.).
Jornal Internacional de Estudos em Educação Matemática, 2020
That language is essential to the human nature has never been doubted. However, nowadays it becomes more and more obvious that language is not enough to characterize our destinations, because the relationship between nature and society seem essential when reflecting on the development or destination of humanity. Starting from the belief that semiotics provides the basis of a new conceptualization and understanding of humanity in its relations to nature as well as within the context of social history this paper tries to introduce some related semiotic concepts and provide basic orientations for further research in the philosophy of science as well as cognitive theory. Keywords: Saussure. Peirce. Semiotics. Complementarity of intension and extension. Resumo Que a linguagem é essencial para a natureza humana jamais foi posta em dúvida. No entanto, atualmente torna-se cada vez mais evidente que a linguagem não é suficiente para caracterizar nossos destinos, pois a relação entre natu...
2020
At present many scholars deeply interested in 1semiotics are concerned with artistic literature, as it supplies with the necessary material for semiotic observations and theoretical conclusions. There are numerous investigations on the semiotics of Literature, accentuating on the point of view that Literature is one of the subjects of semiotic studies (see: Muka ovsky, 1978; Todorov, 1983a, 355-369; Todorov, 1983b, 350-354; Khrapchenko, 1987, 278310; Barthes, 1988, 166-172; Nida, 1991). Literary semiotics is very much spoken about nowadays, presenting a lot of researches revealing the dubious problems of styling and creating images in Literature. The phrases “narrative semiotics”, “literary semiotics”, “semiotics of literature” are widely spread in them, though not yet being vividly defined, as to the scope of their global capacity. The Italian writer and scholar Umberto Eco is a very outstanding specialist in this sphere, whose concepts are considered to be the basis for clarifying...
SHORT COURSE of GENERAL SEMIOTICS, 2022
My first book on semiotics was published in Moscow in 1992; it was called "Language as a Sign System". After that, I wrote and published many books and articles, trying to understand the intricacies of semiotics and highlight its main characteristics. Over time, some of my views have undergone metamorphoses, and I have adjusted my earlier statements to express new formulations. Now, on the threshold of my 95th birthday, I want to sum up my vacillations and doubts in a short concluding essay, which seems to me worthy of attention. Whether this is really so, is for the readers to judge. I want to say a few words about what general semiotics means. De facto, semiotics originated in ancient Greece and Rome − no science or craft can exist without its own signs. But only at the end of the 19th century did a movement arise for the creation of semiotics that would formulate general principles for all branches of this science. In contrast to particular semiotics, such science can be called general semiotics.
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