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2020, An essay over "The picture of Dorian Gray".
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An essay over "The picture of Dorian Gray".Pater’s aestheticism and Wilde’s Preface to the novel; Wilde’s ambiguous positon.
This thesis aims to show how the conflict between art and morality is portrayed in Oscar Wilde’s The Picture of Dorian Gray. It will explore this conflict in general terms, how it is rooted in the values of Victorian society, and how artists of the time reacted to it. In what way the different moral and artistic views of Wilde’s mentors, John Ruskin and Walter Pater, influenced his views, and how his aesthetic principles represented in his critical essays are portrayed in his single novel, The Picture of Dorian Gray. Finally, this thesis will introduce the literary reception of the moral issues of Oscar Wilde’s writings.
The Picture of Dorian Gray is a book which tells the story of a young man's, that is Dorian's, growing old not in his physical appearance but from a portrait made by his close friend, Basil. It is the story of a body-soul disturbance. His soul grows old day by day represented in his portrait, whereas his body remains young as he has always been. Lord Henry Wotton examines the portrait of Dorian Gray and discusses Dorian with Basil Hallward and he makes Dorian realize his incredible beauty, as a result Dorian wishes painting's aging instead of him. A month later, Dorian falls in love with Sibyl Vane. But he breaks up with Sibyl because her acting is terrible now. Sibyl cannot stand this and she kills herself and a cruel expression appears on the picture of Dorian. He hides the painting. He reads a novel and this novel has an incredible impact on Dorian after which he indulges himself in sensual and immoral activities. Years later, Dorian shows Basil the transformed painting but kills him because of Basil's horrified response. Dorian goes Alan Campbell and he blackmails him as he wants to dispose Basil's body. James Vane, brother of Sibyl Vane, recognizes Dorian in a opium den and he threatens Dorian. Weeks later, James Vane is killed when he is stalking Dorian. Dorian stabs the painting to destroy it and dies as a result. "Nothing can cure the soul but the senses, just as nothing can cure the senses but the soul." (21) These words spoken by Lord Henry in The Picture of Dorian Gray explain what I want to show in this paper. The Picture of Dorian Gray is a novel that has various aspects which
A focus on Oscar Wilde's contribution to the Aesthetic Movement and the impact of Aesthetic ideasin his only novel The Picture of Dorian Gray. In this paper, the function of art and the fatality of Aestheticism are analysed and discussed.
Department of English Language and Literature British Cultural Studies Programme Master's Thesis Ankara, 2018 v ACKNOWLEDGEMENTS First and foremost, I would like to express my deepest gratitude to my supervisor Asst.
HUMANITAS - Uluslararası Sosyal Bilimler Dergisi, 2021
Current research paper performs focused textual analysis of themes and characters of the novel The Picture of Dorian Gray by Oscar Wilde intertwining the study with pertinent references to details of the author's biography thus providing essential critical insights. Peculiarity of the paper lays with it considering the novel to encompass two distinct juxtaposed genres: an autobiography (decadent values) and a parable (moral values). By synthetically combining them, the author at the same time conveys superiority of idealized artistic aesthetic worldview of reality (at times superseding conventional morality) while reinforcing fundamental if naïve good nature of humanity with both of them engaged in (endless) struggle for the reader's soul against the suffocating reality of hypocritical society.
Journal of Adaptation in Film & Performance, 2009
Look at the portrait of a man in black, by Titian. .. . There is a tongue in that eye, a brain beneath that forehead. It is still; but the hand seems to have been just placed on its side; it does not turn its head, but it looks towards you to ask, whether you recognise it or not? It was there to meet me, after an interval of years, as if I had parted with it the instant before. Its keen, steadfast glance staggered me like a blow. It was the samehow was I altered!-William Hazlitt 1 In speaking of portraits, there is never much to say.-William Thackeray 2
English Literature, 2022
This paper aims at tracing a link between early literary works, namely via French Décadence, the notion of Art for Art's Sake and the trope of doubleness, concepts that intertwine both independent self-assertion and the defeat of Man by Nature as these come to be represented in Oscar Wilde's The Picture of Dorian Gray (1890). The dialogue between coeval aesthetical movements and the complexity of such an oeuvre unveils instances of undeniable influence; on the other hand, it also ascertains the uniqueness of Wilde's provocative take on beauty and life.
Theory and Practice in Language Studies, 2014
Wilde's complete adherence to aestheticism led him to write beautifully but maybe without any stress on the significance of morality. His only novel The Picture of Dorian Gray reveals his philosophy of aestheticism in both art and life. The standpoint of 'beauty' dominates the novel in a way that almost all of its possible themes are shadowed or directed through the strict filter of aestheticism. However, it seems that this is only a half-truth, as moral and social issues are also revealed with a fastidious precision. Dorian Gray is constantly troubled by the ghosts of conscience, aging, and alienation, and these ordeals force him into the dark dungeon of paranoia. Hence, the common knowledge concerning Wilde's art is a matter of debate, and this scrutiny essays to lay stress on the assumption that this novel is not solely an aesthetic work but a combination of aestheticism and realism. To accomplish this, the present study aims to delve into the inordinate fear and vulnerability of Dorian Gray's character, which is dominantly ruled by the fading beauty of his soul. The paper will put the novel under the scrutiny of the psychological trauma of narcissism to conclude how social alienation brings about Dorian Gray's mental breakdown.
2015
Using formalism and psychoanalysis theory, this paper intends to analyze the characteristics brought by Dorian Gray in Oscar Wilde’s The Picture of Dorian Gray. The objectives are to describe the characterizations and psychological characteristic of Dorian Gray. This article use formalism and psychoanalytical perspectives or criticism for its theoretical framework. For psychoanalytical theory, the analyst applies the concept of defense mechanism as its specification. The method used is descriptive qualitative. The data for this analysis are taken from the events and dialogues within the novel. The results show that the protagonist character in this novel, Dorian Gray, whose physical appearance was eternal, has several different personalities before and after his mindset changes. Before poisoned by the idea of the glorification of youth, he was an innocent, shy, and frightened pretty boy. After changing, he was easy-swayed person, self-conscious, self-esteem, self-destructive, perfectionist, cruel, coward-hearted person, hypocritical, hedonist, great art tester, and drug addict. Some characteristics are collected through the analysis of Freud’s defense mechanism of repression, sublimation, denial, and projection.
الاستاذ, 2022
This research paper is a study of the aesthetic use of symbols in Oscar Wilde's only novel, The Picture of Dorian Gray (1891) which was published in Lippincott's Monthly Magazine in 1890. The aim of this paper is not to cover all the symbols in the book, but to offer an explanation of the most significant symbols in the work which add depth and beauty to the text, hoping that this study will help the readers to achieve some aesthetic insight into the text of the novel. The novel's focus on sensual love and physical pleasure that undercuts Victorian aesthetics and values of order and rationality brought much criticism and heated arguments on both the book and its rebellious author. The paper begins with an introduction that highlights the social values and the aesthetic concept of the Victorian people. But contrary to their expectations, Wilde used extraordinary ideas and symbols to undermine the Victorian code of values. This conflict led to the discussion of the themes of moral decadence, caste system, corruption, crime, and hypocrisy which were popular in the Victorian era. The study explores Wilde's creative method in dealing with the moral and the social issues of his society in a superb style which distinguishes him from his predecessors. The book's violation of Victorian traditional values helped it achieve the status of a valuable modern aesthetic text. Wilde's nondidactic method creates aesthetic feeling in the reader by using wonderful setting, unusual symbols, extraordinary characters, floral imagery, and sublime figurative language.
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