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The analysis of Maya Angelou's autobiography, 'I Know Why the Caged Bird Sings', highlights its chronological narration and first-person perspective, allowing readers to experience the author's journey and the societal issues of early 20th century America, particularly racism and sexism. The novel serves both as a personal account of Angelou's life and a broader historical narrative, but also raises concerns regarding the blending of fact and fiction and the impact of explicit content on readers. Despite its potential drawbacks, the work is celebrated as a significant piece of literature.
Banaras HIndu University, 2022
Read the full thesis at https://shodhganga.inflibnet.ac.in:8443/jspui/handle/10603/437207 The research is an attempt to analyze subjectivity and intersectionality in the autobiographical fiction of Maya Angelou. Having situated herself in a complicated socio-cultural milieu of Afro-American community, Angelou presents her being at the intersection/intersectionality of race, gender, and class. The social and cultural institutions of family, education, economy, and politics instruct, motivate, dominate, and finally reshape her idea, knowledge, and objective of life. Therefore, to understand the conditions in which the iconic personality and character are developed or constructed in Angelou's autobiographical works, the study involves the investigation of subjectivity and intersectionality in her autobiographical fiction.
The rationaleof my research paperis to recognizeand scrutinizeelements of desperate survival with reference to American authorslikeMaya Angelou.Extreme anxietycan exist in many forms and Maya Angelou’s life scuffle is a classic example to authenticate this social realism.Maya hadbeen marginalized in many waysand sheas a black woman faced racist stancesalmost her life. She was denied on many occasions of the better prospects which she deserved. As a child, she lived kept travellingbetween different home and faced displacementand later in her teenage years faced the challenges of being a single working mother and she experimented with different roles and did not get fair opportunities to prove herself . As an adult, she had three failed marriages and in her existential subsistenceof self she had to deal with society as a large barrier and with the on-going battlecontinuingwithin herself she realizes of her true roots in America.Later, while working for the black people she realizes and acknowledges the colourbarriersbrings in with it and educates people to come out of that mode and see world with a broader perspective.Keywords
Maya Angelou's novel I Know Why the Caged Bird Sings elucidates on lost but regained Motherhood. It also contains Toni Morrison's maternal standpoint which is interpreted as a site of power. Morrison (qtd. in O'Reilly 2004), believes that preservation, nurturance, cultural bearing, and healing which are figured out as mother's duty all are essential for the empowerment of children. The challenge for Morrison's mothers therefore, is not how to combine motherhood and work, but rather how, in the face of racism and sexism, to best provide the Motherwork both in and outside the home. Morrison believes that what a mother can do is to provide a Homeplace for her children, because it heals many of the wounds inflicted by racist domination. However since the mothers are absent, because they have some social problems as divorce, death, incarceration, drug abuse or as they have to deal with slavery, these responsibilities all are done by Othermothers. Thus the practice of Othermothering, as it developed from West African traditions, became in African American culture a strategy of survival in that it ensured that all children, regardless of whether the biological mother was present or available, would receive the mothering that delivers psychological and physical wellbeing and makes empowerment possible. From the beginning of the novel which it shows Maya's childhood, the sense of loneliness and reclusiveness fulfill her life. She is separated from her mother and has to live with her strict, serious but at the same time kind grandmother. When Maya is dislocated and moves from one place to another place, it is no surprise that she loses her sense of self because she has no real mom to teach her about African American ancient properties and funk. By ancient properties a funk, Morrison refers back to African American values and also a place that a mother must provide for her daughter to preserve her from both racist and sexiest world of white (qtd. in O'Reilly). However,
Reading Research Quarterly, 2010
Feminist critics analyze how women are showed, how the text discussed gender relations and sex differentiation. Maya Angelou is a feminist writer and her work encompassed the struggles and triumphs of a black woman in America. Maya Angelou is one of the poets who use a poem as a media to express her isolation from her environment. Maya Angelou through the poem Phenomenol Woman presents that sexuality of a woman is not directly related to a pretty face. It’s about how a woman feels within herself. This poem celebrates the power of a woman and the speaker is portrayed as a strong and confident woman. Her power, her behavior and her confidence become the inner mystery that makes her to be a phenomenal woman.
Children's Literature Association Quarterly, 1991
2018 UBT International Conference, 2018
A whole portrayal of the most brilliant echoes against the unbearable shown racist feelings on the black population is without any doubt pretty well mirrored in the American novel `I know why the caged bird sings` by Maya Angelou. The sad echoes of extremely loneliness, the feeling of being under evaluated, of being disregarded as human beings, are depicted in a marvelous way in this novel. Maya had not a pleasant childhood at all. She was the sister of Bailey whose parents were divorced. They were sent to St. Louis. From this moment, the very realistic feelings about her life have been shown throughout the whole novel. First of all, the author puts the emphasis on the unbearable oppression of racism so freely shown on the blacks, the humiliation that she has to go through almost all her life, the unpleasant situations that she has to experience. That is why this book is an ode to the cosmopolitan echoes which are hidden in almost every single word of throughout the whole novel. The whole novel is an autobiographical story of Maya`s life. She struggles about one of the worst evils present even nowadays in a great number of countries all around the world. She feels imprisoned inside the metal bars which symbolize her stress, pain, complete dissatisfaction with the idea how bad and harmful can human beings be. Her living in one and only one place, hat is the frequent movement from one place to another also causes her an enormous stress, because she raises her voice against the planned dislocation of the black people from one place to another, thus not having a stable living place. She also writes about her own dissatisfaction of her physical look, beginning with her teeth. Still, this is a wonderful novel which deals with the extremely harmful deformities of a lot of societies in the so called ``our modern world``.
2020
features a Black family in the rural Mississippi of the 1930s and thoughtfully explores this family's interiority in the face of economic depression and racial prejudice. In this second installment of the five-part saga following young Cassie Logan and her family, Taylor presents readers with the sorts of multi-generational and community-situated relationships that contribute to the development of ethical identity. Nine-year-old Cassie narrates a reliably transparent account of ethical decision-making across lines of race, economics, and age. From the beginning of the novel, as an already derelict school starts in late fall for Black children obliged to farming duties, to when the Logan farm is set ablaze in hopes of preventing a lynching of a young man at the novel's end, the critical evaluation of actions, policies, and even political identities is situated pointedly in terms of its child characters, readers, and their hard-earned education in racial injustice. That is, even as the story presents formal educators, business owners, community leaders, and friends as morally compromised by Jim Crow-era white supremacy, Taylor's novel suggests that young people remain indispensable to ethical work, both in theory and in praxis. Cassie and her first-person perspective are squarely placed at the core of this narrative work. As the Great Depression falls more heavily upon the four hundred acres of Logan land than it does the surrounding more than ten-square miles of white-owned plantations, readers experience the world Taylor imagines wholly through Cassie Logan's discerning eyes. As narrator, Cassie is also eavesdropper, overhearer, loyal sister, doting daughter, dutiful granddaughter, good student, budding activist, and adolescent curator of trans-generational histories-roles inseparable from her identity as a young Black woman inhabiting both a geopolitical space at odds with that identity and a family dedicated to affirming it. Early in the 1
2006
This literary study presents an analysis of literary constructs of African American childhood in the 1930s in American children's literature. The purpose for such a study is to determine, identify, and analyse the constructions of African American childhood offered in such books.