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Cadernos do Programa de Pós-Graduação - Direito/UFRGS, 2019
Neste artigo, abordo a teoria da modernidade de Jessé Souza, que, por sua vez, compõe-se internamente de uma teoria da modernidade em geral, uma teoria da modernidade especificamente periférica e uma teoria da relação entre Brasil e modernidade. Para tanto, inicialmente apresento a evolução da base teórica fundamental de Jessé Souza. Em seguida, ofereço uma imagem conceitualmente detalhada daquela teoria da modernidade, destacando a conclusão sobre a relação entre Brasil e modernidade. Por fim, coloco alguns comentários críticos que podem contribuir para o debate e para desenvolvimentos teóricos ulteriores.
1990
A major study of the Divine Comedy, this book offers an original perspective on Dante’s representation of the afterlife. Dr Morgan departs from the conventional critical emphasis on Dante’s place in relation to the learned tradition of such representations by undertaking a thorough examination of the poem in the context of popular beliefs. Her principal sources are thus not the highly literary texts (such as Virgil’s Aeneid or Thomas Aquinas’s Summa Theologiae) which have become a familiar context for the poem, but rather the visions of the other world found in popular writings, painting and sculpture from the centuries leading up to its composition. The view of Dante which emerges from this investigation calls for a radical revision of modern critical opinion concerning the nature of his originality. Published by Cambridge University Press 1990, paperback edition 2007. For reviews please see my website https://www.alisonmorgan.co.uk/AJMPublications.htm.
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