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2022
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The fluidity of myth and history in antiquity and the ensuing rapidity with which these notions infiltrated and cross-fertilized one another has repeatedly attracted the scholarly interest. The understanding of myth as a phenomenon imbued with social and historical nuances allows for more than one methodological approaches. Within the wider context of interdisciplinary exchange of ideas, the present volume returns to origins, as it traces and registers the association and interaction between myth and history in various literary genres in Greek and Roman antiquity (i.e. an era when the scientific definitions of and distinctions between myth and history had not yet been perceived as such, let alone fully shaped and implemented), providing original ideas, new interpretations and (re)evaluations of key texts and less well-known passages, close readings, and catholic overviews. The twenty-four chapters of this volume expand from Greek epos to lyric poetry, historiography, dramatic poetry and even beyond, to genres of Roman era and late antiquity. It is the editors’ hope that this volume will appeal to students and academic researchers in the areas of classics, social and political history, archaeology, and even social anthropology. • new perspectives and interpretations of the interactions between myth and history in Greek and Roman antiquity • analysis of Greek and Latin texts of cross-generic array • synchronic and diachronic approach of primary material
Department of Philology, University of Patras (Conference & Cultural Center, Room I 10), 28th June - 1st July, 2019
The complementary and overlapping spheres of Myth and History are part and parcel of the entire ancient Greek and Roman world. Yet, on many occasions it is hard to disentangle one from the other; instead, they are often projected as one, concrete entity. This Conference aspires to delve deep into the intricate notions of Myth and History in both the ancient Greek and the Roman world. In particular, the Conference welcomes papers asking opportune questions, and – hopefully – reaching enlightened answers, leading to a better understanding of intentional or incidental amalgamation of the mythical and the historical parameters, as well as the perception of History at an early stage of its appearance as a science.
Folklore 76: 187–192, 2019
1. Greek Mythographic Tradition (10,000 words) Jordi Pàmias (Universitat Autònoma de Barcelona) The opening chapter of Part Two will address mythographic (and paradoxographic) tradition in ancient Greece, the origins of the genre of mythography, and its evolution. Among individual mythographers discussed will be Hesiod (to whom the Catalogue of Women is ascribed), Acusilaus, Pseudo- Apollodorus (author of the Bibliotheca), Eratosthenes, Parthenius, Antoninus Liberalis, Greek scholiasts. 1. Introduction The first section of this ‘Cambridge History of Mythology and Mythography’ (Part One: Myth) opened with four chapters dealing with Mesopotamian, Egyptian, Anatolian, and Semitic mythologies before turning to Greek myth. This second section (Part Two: Mythography), instead, starts with ‘Greek Mythographic tradition’. Although those ‘high civilizations’ were well acquainted with written sources, Greeks seem to deserve the honour of primacy in the task of recording myths (by writing). A Greek word, mythography appears to be a ‘Greek’ creation. Under which conditions should it be so? To start with, the word ‘mythographer’, unattested before the fourth century BCE, is rarely used in Greek (‘mythography’ is first used by Strabo in the first century CE). In fact, as a genre, delimiting its borders with other literary genres poses a major problem (Calame 2016: 403). In late archaic and classical Greece, those works that we are accustomed to call local history, universal history, ethnography, genealogy, and mythography, overlap at the base. And the Greek themselves did not make a distinction: for them such activities are named with generic terms such as historiē ‘inquiry’ or, simply, logoi ‘accounts’ (Fowler 2001: 96–97). We can thus say that mythography seems to be an ‘exogenous’ category in Greece. However, research conducted in the last decades (and especially the major contributions by Fowler 2000 and 2013) has made it clear that prose writers collected accounts dealing with the past ever since the sixth century BCE. From before the time of Herodotus (fifth century BCE), the ‘father of history’, a burgeoning writing activity was going on in the Greek cities...
This chapter provides an overview of the origins and early development of mythography in late archaic and classical Greece. A particular form of the reception of myth, mythographical collections are one of the results of the rapid spread of alphabetic writing, particularly from the 6th century bce onward. The chapter argues that even though the words mythography and mythographer are not attested until much later, these authors were in possession of a category comparable to our “myth” understood as a type of account that belongs to a heritage from which they are separated by a gap, onto which they can cast an objective gaze. Indeed, writing was a necessary instrument for encouraging a new attitude towards tradition. And the use of written prose had lasting effects. Critical intertextuality, a text that responds dialectically to preexisting texts, is consolidated with the transcription of myths by the early mythographers. Their writings respond to the tradition since they place the canonical texts of ancient poetry on the same level as the opinion of a ordinary private individual, who expresses himself in simple, secular prose. Unlike oral transmission, which is more restricted and more suitable for the elites to be able to exercise control over the spread of information, dissemination in writing guarantees a mass circulation of the text that is less controlled and more “democratic.”
The main, twofold, purpose of Michael Herren's book is established in the third line of the preface. Although written for students, it is not a textbook. On the one hand, The Anatomy of Myth has down-to-earth aspirations: a 170-page book (excluding notes and bibliography), it is intended to be read-and not to be used as a manual for reference. On the other hand, the book is designed as a narrative and, as such, it entertains an ambitious thesis: the extension of pagan Greek methods of myth criticism have had a long-term effect on later readers of religious books. Written in the aftermath of the critical events in Paris in 2015 (p. ix), H. assumes that Greek skepticism and criticism regarding myth has served, and may serve, as an antidote against literalism and religious fundamentalism. (While I was reading and reviewing this book, again, a fundamentalist attack hit the core of Barcelona in August 2017)...
Latin historical writing in late antiquity displays great interest in the history of Italy before Rome. This contrasts with a consistent tendency in classical Roman historiography to distinguish history proper by its focus on events ab urbe condita, after the foundation of the City. Comparison between classical and late antique writings on pre-Roman Italy reveal two more notable features of late antique writing: they work to render the discrepant data of myth internally consistent and place them in chronological order; and they relate those data by formal means that align them with the data of historical inquiry. This effort at mythistory was prompted by the new prestige of sacred narrative, which reached deeper into the past than the foundation of Rome and gave new dignity to the history of non-poliadic peoples. Please be aware that these are uncorrected proofs; for the final text, please refer to the publication.
Structures of Epic Poetry, Reitz and Finkmann (eds.), De Gruyter, 2019
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