Academia.edu no longer supports Internet Explorer.
To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to upgrade your browser.
…
3 pages
1 file
AI-generated Abstract
The Secret River explores the violent and oppressive nature of the colonization of Australia, focusing on the clash between the Aboriginal peoples and English settlers, who were prisoners sent to the new land. The narrative follows William Thornhill, his family, and their struggles for survival and land ownership amidst their conflicting cultures. Through personal reflection, the author highlights the enduring themes of racial superiority, historical perspective, and the ongoing oppression of Indigenous populations, urging readers to acknowledge the often-hidden narratives of colonization.
Atlantis Journal of the Spanish Association For Anglo American Studies, 2013
is a moving account of the disturbing colonial development of Australia. In historical terms, it dramatizes the transformation of the white settler's dream into the worst of all possible nightmares, and brings to the fore the darker side of Australia's past. This article will show how the novel defamiliarizes some of the most important myths of the Australian nation. It will also rely on the ideas put forward by some outstanding ethics and trauma theorists and postcolonial critics in order to analyse The Secret River as a further example of a recurrent phenomenon in contemporary Australian literature, namely, the attempt to spell out the trauma and anxieties of (un)belonging that haunt settler culture as a result of the belated and painful revelation of Aboriginal dispossession and genocide. This article will therefore show that Grenville's novel testifies to the desperate attempt on the part of some non-Indigenous Australians to offer an apology to the Aborigines so that the much longed-for national Reconciliation may some day be possible.
k@ta
The dichotomic concept of space between white and Aboriginal Australians has been widely used in the colonial discourse. Through The Secret River, Grenville dismantles the binary oppositions that serves as the main strategy for colonization. We argue that space as a medium of negotiation is used as her strategy to involve in the national reconciliation movement. Postmemory is employed to explain the strategy of choosing spatial locations that links with Grenville’s intergenerational memories. The analysis reveals that the boundaries created by the settlers upon the disputed land cannot successfully cover the chaotic and heterogenous nature of the Aboriginal Dharug land. Instead, the previous characteristics of the land keep appearing as a form of resistance. During the attempt, the settlers slowly recognize the similar nature of the Dharug’s living space to theirs. The process represents the ongoing understanding between the two parties which signifies the spirit of the national rec...
Mediterranean Journal of Social Sciences, 2015
Literature has the capacity to create forms of history and memory that many historians and critics are not able to recognize. Kate Grenville's The Secret River portrays the history and culture of two nations. Grenville depicts the fiction in the form of history that belongs to her own ancestors. Grenville's novel gives her the chance to do a historical research that is from the history of her ancestors in 1805 to the realities that contemporary historians disclose about Australian settlers. In her historical fiction, Grenville depicts the exile, alienation, failure, success, dream, desire, and lifestyle of her own ancestors. Furthermore, through her novel, Grenville creates the opportunity to write on behalf of her ancestors as frontiers. In this respect, her act of writing in The Secret River is an act of revealing and solving some historical realities and mysteries with the help of the knowledge that she inherited from her own ancestors. The present study aims to explore these realities and in particular the exile and alienation of the white settlers in The Secret River.
Literature has the capacity to create forms of history and memory that many historians and critics are not able to recognize. Kate Grenville's The Secret River portrays the history and culture of two nations. Grenville depicts the fiction in the form of history that belongs to her own ancestors. Grenville's novel gives her the chance to do a historical research that is from the history of her ancestors in 1805 to the realities that contemporary historians disclose about Australian settlers. In her historical fiction, Grenville depicts the exile, alienation, failure, success, dream, desire, and lifestyle of her own ancestors. Furthermore, through her novel, Grenville creates the opportunity to write on behalf of her ancestors as frontiers. In this respect, her act of writing in The Secret River is an act of revealing and solving some historical realities and mysteries with the help of the knowledge that she inherited from her own ancestors. The present study aims to explore these realities and in particular the exile and alienation of the white settlers in The Secret River.
Postcolonial Ghosts, 2019
in A. Riem, MR. Dolce (eds.), Bernard Hickey, A Roving Cultural Ambassador: Essays in His Memory, Forum, Editrice Universitaria Udinese, Udine , 2009
The Palgrave Encyclopedia of Imperialism and Anti-Imperialism, 2020
Settler colonies operate within the larger framework of colonial projects, at times intersecting or overlapping with, at times subverting, other forms of colonisation or empire building. In contrast to other colonisers, settlers superimpose a new social, economic, and ecological order, aiming at the permanent transformation of their new home. 'Settlers come to stay' (Wolfe 2006, p. 388). These four words characterise the central characteristic of a particular colonial formation: the settler colony. It operates within the larger framework of colonial projects, at times intersecting or overlapping with, at times subverting, other forms of colonisation or empire building. In contrast to other colonisers, however, settlers superimpose a new social, economic, and ecological order, aiming at the permanent transformation of their new home. Indigenous populations are therefore to vanish either by assimilation, dislocation, or physical annihilation.
Journal of Australian Studies, 2004
Quaestio Iuris , 2023
Narrative the Globe: The Emergence of World Histories of Architecture, ed. Petra Brouwer, Martin Bressani, & Christopher Drew Armstrong, 2023
Journal of Sport and Social Issues
Encontro Ciência, 2024
Population Space Place , 2024
Russian Text (19th Century) and Antiquity. New Perspectives in Reading 19th-Century Russian Literature. Eds. Kroó, K. and Torop. L’Harmattan, 2008
Revista Quiroga , 2020
IOP Conference Series: Earth and Environmental Science, 2019
Nuclear Physics B, 1993
Safety & Fire Technology, 2024
HAL (Le Centre pour la Communication Scientifique Directe), 2019
Pós: Revista do Programa de Pós-Graduação em Arquitetura e Urbanismo da FAUUSP, 2010
Journal of Statistical Planning and Inference, 2008
‘EMANCIPATING SPECTATOR’ IN LUC TUYMANS’ PAINTINGS (LUC TUYMANS RESİMLERİNDE ‘ÖZGÜRLEŞEN SEYİRCİ’), 2024
Néphrologie & Thérapeutique, 2014