Journal of Religion & Film
Volume 20
Issue 2 April 2016
Article 1
2-20-2016
Sundance 2016: Celebrating the Diversity of
Independent Cinema
Rubina Ramji
Cape Breton University, ruby_ramji@cbu.ca
Recommended Citation
Ramji, Rubina (2016) "Sundance 2016: Celebrating the Diversity of Independent Cinema," Journal of Religion & Film: Vol. 20 : Iss. 2 ,
Article 1.
Available at: https://digitalcommons.unomaha.edu/jrf/vol20/iss2/1
This Sundance Film Festival Review is brought to you for free and open
access by DigitalCommons@UNO. It has been accepted for inclusion in
Journal of Religion & Film by an authorized editor of
DigitalCommons@UNO. For more information, please contact
unodigitalcommons@unomaha.edu.
Sundance 2016: Celebrating the Diversity of Independent Cinema
Abstract
Introduction to the Sundance Film Festival 2016.
Author Notes
Rubina (Ruby) Ramji is an Associate Professor in the Department of Philosophy and Religious Studies at
Cape Breton University. After serving as a Chair of the Religion, Film and Visual Culture Group for the
American Academy of Religion and then on the steering committee, Rubina continues to serve on the
Executive Committee for the Canadian Society for the Study of Religion as President and is the Film Editor of
the Journal of Religion and Film. Her research activities focus on the areas of religion, media and identity,
religion in Canada, and religion and immigration.
This sundance film festival review is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol20/iss2/1
Ramji: Sundance 2016: Celebrating the Diversity of Independent Cinema
Sundance 2016: Celebrating the Diversity of Independent Cinema
Sundance Report by Rubina Ramji
Reviewers: William L. Blizek, Rubina Ramji and Kanani Fong
Photographer: Monica Blizek
Arriving in Park City for SFF2016
Courtesy of Rubina Ramji
Park City, UT January 21, 2016
By far, the 2016 Sundance Film Festival program was amazing in comparison to the past
few years. It celebrated storytelling. This year’s film line-up had brilliant world premieres of
dramatic films, groundbreaking international documentaries and enticing shorts. The program
itself was packed full of interesting panel discussions, installations, and music events. The New
Frontier Initiative of Sundance focused heavily on virtual reality and creative technology. Even
though past years have included impressive events, this year seemed to be filled with so many that
we were only able to attend a fraction of them. The best part about this year’s film schedule is that
we, the film reviewers, were able to see so many excellent screenings from around the world.
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Journal of Religion & Film, Vol. 20 [2016], Iss. 2, Art. 1
One of the highlight panels this year focused on actors who, even though they come with
a large status, explained why they found independent films worthy of their time. High profile
actors, including Viggo Mortensen, Bryce Dallas Howard, Diane Ladd, Rebecca Hall, John
Krasinski and Thomas Middleditch, gathered at Sundance TV Headquarters to discuss why they
chose to be part of independent films. Viggo Mortensen worked in a small art house theatre and
got to see old and foreign films that wouldn’t necessarily make it to big screens. He found that he
related to such characters and wanted to know how it was done: this led to his career in acting,
appearing first in small roles in Witness (1985) and Crimson Tide (1995). They were all attracted
to roles where the characters they played were memorable and inspirational.
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Ramji: Sundance 2016: Celebrating the Diversity of Independent Cinema
John Krasinski and Viggo Mortensen, Sundance TV Indie Film Panel
Courtesy of Monica Blizek
Park City, UT January 2016
Countering this panel was another bringing together independent filmmakers: John Carney
(known for On the Edge [2001] and Once [2007]), Liz Garbus (directed and produced Bobby
Fischer Against the World [2011]), Diego Luna (directed and produced Cesar Chávez [2014]),
James Schamus (co-wrote Eat Drink Man Woman [1994] and directed Indignation [2016]), Whit
Stillman (directed and produced Metropolitan [1990]) and Christine Vachon (produced Boys Don’t
Cry [1999]).
The films that these actors, writers, directors and producers create are what make Sundance
what it is – they have created a space where one can also find fresh perspectives and new voices.
Sundance provides a forum for a new generation of filmmakers, and their stories are captivating.
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We hope that you will find the same sense of admiration in the stories we watched on screen –
stories we wish to share with you through our reviews.
Rubina Ramji and Elijah Wood
Park City received multiple snowfalls, making it seem like a winter wonderland, filled with
sightings of stars, colorful Sundance banners and thousands of avid film viewers. Even though
there were many film stars to be seen in the streets (for instance Elijah Wood, Ellen Page, Daniel
Radcliffe, Casey Affleck and Danny DeVito), the Journal of Religion & Film was here to watch
movies, and that’s what we did!
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Ramji: Sundance 2016: Celebrating the Diversity of Independent Cinema
Journal of Religion and Film Swag
This year, we found that the films varied widely in theme – some had to with overcoming
religious, societal and cultural pressures (Sonita, Agnus Dei, The Lobster, Naz & Maalik, Captain
Fantastic); others focused on personal relationships within religious contexts (Sand Storm; Halal
Love); while still others examined the hard choices we face in life and how we handle them (Holy
Hell, Viva, Under the Shadow, Embrace the Serpent); and, as always, the dark underbelly of
humanity was explored (The Lure, Equity, How to Let Go of the World). Regardless of the various
topics explored in these films, they all seemed to transcend the standard storytelling formula –
young protagonists became heroes, religion was often more harmful than helpful, and many of the
movies left viewers feeling afraid for the future. We found that most, if not all, the movies we
screened this year will be of interest to our readers as they provide a diverse commentary on
religion and spiritual ideals.
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Elizabeth Moss in The Free World
James Purefoy in Equity
Courtesy of Monica Blizek
Park City, UT January 2016
When given a few moments reprieve from watching films, the reviewers were able to attend
a few social events celebrating independent film festivals. We attended the Louisiana International
Film Fest’s fourth annual celebration of culture, talent, food and Mardi Gras Parade at Sundance.
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Ramji: Sundance 2016: Celebrating the Diversity of Independent Cinema
Rubina Ramji and William Blizek at the Louisiana Film Fest and Mardi Gras Parade
123 feature-length films were selected for the Sundance Film Festival competition and 72
shorts. In total, 12,793 films were submitted. Along with films screened at the Festival, there were
additional feature-length films in the Spotlight, Park City at Midnight, New Frontier, Sundance
Kids, Premieres and Documentary Premieres sections. The Sundance Film Festival has truly come
to represent diversity, in its storytellers and the stories they screen.
While we were not able to review all the films at Sundance for our readers (there just aren’t
enough of us to watch them all!), we were able to review enough films for our readers that the
annual visit to Park City was well worth the effort. Of the films we reviewed, these outstanding
films won the following awards:
Sand Storm, from Israel, won the World Cinema Grand Jury Prize: Dramatic competition.
Sonita won the World Cinema Grand Jury Prize: Documentary competition and the
Audience Award for World Cinema Documentary.
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Between Land and Sea, from Colombia, won the Audience Award: World Cinema
Dramatic competition. As well, Vicky Hernandéz and Manolo Cruz, in Between Sea and
Land, won the World Cinema Dramatic Special Jury Award for Acting.
Embrace the Serpent, by Colombian director Ciro Guerra, won the Alfred P. Sloan Feature
Film Prize.
Trapped won the U.S. Documentary Special Jury Award for Social Impact Filmmaking.
The Lure, from Poland, won the World Cinema Dramatic Special Jury Award for Unique
Vision and Design.
As always, we would like to thank everyone in the Sundance Press Office. Because the
Festival is so large, we would simply not be able to keep up without their help. We appreciate all
that you do. And, thanks to the many volunteers who show up every year to help us make our way
through the maze of venues and schedules and people.
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