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The Once and Future King Mass Market Paperback – June 1, 1987

4.5 out of 5 stars 4,689 ratings

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T. H. White’s masterful retelling of the saga of King Arthur is a fantasy classic as legendary as Excalibur and Camelot, and a poignant story of adventure, romance, and magic that has enchanted readers for generations.
 
Once upon a time, a young boy called “Wart” was tutored by a magician named Merlyn in preparation for a future he couldn’t possibly imagine. A future in which he would ally himself with the greatest knights, love a legendary queen and unite a country dedicated to chivalrous values. A future that would see him crowned and known for all time as Arthur, King of the Britons.
 
During Arthur’s reign, the kingdom of Camelot was founded to cast enlightenment on the Dark Ages, while the knights of the Round Table embarked on many a noble quest. But Merlyn foresaw the treachery that awaited his liege: the forbidden love between Queen Guenever and Lancelot, the wicked plots of Arthur’s half-sister Morgause and the hatred she fostered in Mordred that would bring an end to the king’s dreams for Britain—and to the king himself.

“[The Once and Future King] mingles wisdom, wonderful, laugh-out-loud humor and deep sorrow—while telling one of the great tales of the Western world.”Guy Gavriel Kay
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Editorial Reviews

Review

“A fierce and damaged man, T. H. White wrote about fierce and damaged people—and children, and animals—with a brilliant, painful innocence that has no equal in literature. He is so good at hurt and shame—how did he also manage to be so funny? I have laughed at his great Arthurian novel and cried over it and loved it all my life.”—Ursula K. Le Guin
 
“Certain books offer pleasures so rich and enduring, they become part of what defines us.
The Once and Future King is like that for me. It manages—by some miracle—to be about its own time, and a distant, legendary time, and about today. It mingles wisdom, wonderful, laugh-out-loud humor and deep sorrow—while telling one of the great tales of the Western world. I envy the reader coming to it for the first time.”—Guy Gavriel Kay
 
“White took hold of the ultimate English epic and recast it in modern literary language, sacrificing none of its grandeur or its strangeness in the process, and adding in all the humor and passion that we expect from a novel. What was once as stiff and two-dimensional as a medieval tapestry becomes rich and real and devastatingly sad.”—Lev Grossman
 
“Touching, profound, funny and tragic.”—
Los Angeles Times
 
“Richly imagined and unfailingly eloquent and entertaining, its appeal is timeless and universal. If a reader reads only one Arthurian tale, let this be it.”—
Booklist
 
The Once and Future King is full of insights, scenes and flourishes that are really quite astonishing.”—The Guardian (U.K.)

About the Author

T. H. White is the author of the classic Arthurian fantasy The Once and Future King, among other works.

Product details

  • Publisher ‏ : ‎ Ace Books; Reprint edition (June 1, 1987)
  • Language ‏ : ‎ English
  • Mass Market Paperback ‏ : ‎ 639 pages
  • ISBN-10 ‏ : ‎ 0441627404
  • ISBN-13 ‏ : ‎ 978-0441627400
  • Lexile measure ‏ : ‎ 1080L
  • Item Weight ‏ : ‎ 10.4 ounces
  • Dimensions ‏ : ‎ 4.12 x 1.31 x 6.75 inches
  • Customer Reviews:
    4.5 out of 5 stars 4,689 ratings

About the author

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T. H. White
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Terence Hanbury "Tim" White (29 May 1906 – 17 January 1964) was an English author best known for his sequence of Arthurian novels, The Once and Future King, first published together in 1958. One of his most memorable stories is the first of that series, The Sword in the Stone, published as a stand-alone book in 1938.

Bio from Wikipedia, the free encyclopedia. Photo by Burns Library, Boston College. [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons.

Customer reviews

4.5 out of 5 stars
4,689 global ratings

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Customers say

Customers find this book to be a highly-original retelling of the Arthurian saga filled with adventure, with well-developed characters and inside looks into their thoughts. Moreover, the story takes readers through a roller coaster of emotions and features dozens of rich philosophical elements. However, the readability receives mixed feedback - while the prose is well done, some find it challenging to understand at times. Additionally, the pacing is mixed, with some saying it starts well while others find it dull, and the print size is criticized for being too small.

AI-generated from the text of customer reviews

162 customers mention "Story quality"147 positive15 negative

Customers appreciate the book's story quality, describing it as a highly-original retelling of the Arthurian saga filled with adventure.

"...This is a pretty complete look at the Arthur legend. Most complete including the La Morte D'Arthur (don't make me look up the French spelling okay.)..." Read more

"...500 pp; and White has amassed an enormous trove about medieval life, legends, lore, falconry, armor, art, architecture and vocabulary...." Read more

"...Though both tales are mythological, White's story feels real and gets us deep down in the bowels of our conscience, our morality and our fears...." Read more

"The Once and Future King provides an excellent perspective into the world of Arthur, the King of England...." Read more

86 customers mention "Philosophy"86 positive0 negative

Customers appreciate the philosophical depth of the book, with dozens of rich and relevant points that provide fresh insights. One customer notes how it documents universal human struggles with eternal concepts, while another highlights its effectiveness in explaining the medieval mindset.

"...Merlyn, Narnia, and Middle Earth are undeniable, all are well cherished by their followers and all resulted in significant film adaptations...." Read more

"...perhaps not enough for 500 pp; and White has amassed an enormous trove about medieval life, legends, lore, falconry, armor, art, architecture and..." Read more

"...I've read it three times. Its pages are full of wisdom, humor, mysticism and hard life, an unbeatable combination...." Read more

"...This is the form in which I am most familiar with all the parts...." Read more

66 customers mention "Humor"62 positive4 negative

Customers enjoy the book's humor, finding it laugh-out-loud funny and mixed with comedy.

"...the humor is kind of an odd addition at first, it is sometimes laugh-out-loud funny. This is a pretty complete look at the Arthur legend...." Read more

"...are that the book is very well written, contains a number of remarkably wonderful sentences, though perhaps not enough for 500 pp; and White has..." Read more

"...I've read it three times. Its pages are full of wisdom, humor, mysticism and hard life, an unbeatable combination...." Read more

"Read and reread countless times. This book entertains and engages, provokes, inspires...." Read more

35 customers mention "Heartwarming story"35 positive0 negative

Customers appreciate the heartwarming story of the book, which takes readers through a roller coaster of emotions and features a complex narrative of love, with one customer noting its profound exploration of the human spirit.

"...Eventually, it provokes compassion, allowing us to become more forgiving of ourselves and others. Not a bad way to live in the world...." Read more

"...It is a complex story of love, passion, happiness, hatred, envy, lust, and friendship...." Read more

"...Beautifully written, a love story that makes the Hollywood versions a pale diversion...." Read more

"...It is a double love story-the love of Lancelot for his king and for the woman who won his heart, Guenever-the wife of the king...." Read more

30 customers mention "Character development"26 positive4 negative

Customers appreciate the character development in the book, noting that the characters are well-developed with inside looks into their thoughts, and one customer highlights the nuanced portrayal of Lancelot.

"...for White's fantastic prose style but also for his insight into all aspects of human character and the workings of society...." Read more

"...There was a lot to like about the book. The author was imaginative and, at times, the writing and characters came alive...." Read more

"...First, this is the story of King Arthur. All the characters are present: Gweniviere, Lancelot, Merlin, the Knights of the Round Table, the sword in..." Read more

"...The reader is given an inside look into each characters' thoughts, and how these compel their actions...." Read more

112 customers mention "Readability"65 positive47 negative

Customers have mixed opinions about the book's readability, with some finding the prose well done and wonderfully legible, while others report that it takes a bit to read and the writing style challenges their vocabulary.

"...I have read five or six books on the legend. I like this best. Well-written...." Read more

"...The writing style definitely challenged my vocabulary and ability to follow transitions from author speaking to characters...." Read more

"...Regardless of his intent, the work is one of the great pieces of modern English prose putting him in the rare company of T.E. Lawrence, C.S. Lewis,..." Read more

"...The book is over-long, if one can criticize a classic such as this: so much detail; and those tiresome animal stories at the beginning would turn..." Read more

53 customers mention "Pacing"25 positive28 negative

Customers have mixed opinions about the pacing of the book, with some saying it started out well while others find it very dull for the most part.

"...like a children's story of the four books, and it is very, very dull for the most part--though King Pellinore and his Questing Beast are delightful...." Read more

"...This first quarter is delightful!..." Read more

"...those that told about battle preparations, were extremely long and dull and I was tempted to skip them...." Read more

"...I am not finished and will update. Even so the book does flow in reading. Download a sample and see what you think." Read more

37 customers mention "Print size"5 positive32 negative

Customers find the print size of the book too small, particularly noting that it is too small for 7-year-olds.

"...Second, this book is long. It is divided into four parts. The first two parts were more familiar (maybe) and were a little easier to read...." Read more

"...The book is over-long, if one can criticize a classic such as this: so much detail; and those tiresome animal stories at the beginning would turn..." Read more

"...It is a "pocket" sized book with tiny print...." Read more

"...The type is small and blurry. I will probably keep it for myself? I may return it...." Read more

Torn cover
3 out of 5 stars
Torn cover
The book was torn and looked like it had crust and grease marks all over it... thrown into a box with more damaged book. It was sad.Ordered a replacement and it's great I just wish they would seal the brand new books they sell like they used too
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Top reviews from the United States

  • Reviewed in the United States on January 9, 2017
    Why do I think that the bad reviews come mostly from school kids who don't want to tackle this book?
    While the humor is kind of an odd addition at first, it is sometimes laugh-out-loud funny. This is a pretty complete look at the Arthur legend. Most complete including the La Morte D'Arthur (don't make me look up the French spelling okay.) I have read five or six books on the legend. I like this best. Well-written. If you don't want to tackle something that is not the Hobbit or Lord of the Rings (read them too and love them)--don't. This author made no attempt to copy them so I am a little unsure why people thought this book would be similar. White took his time and added some humor to a legend that is based on the lopping off of heads and cleaving skulls without much let up. Character development was not present in most of the legend-based books I have read on this subject.
    Assigned this in school? If you would rather be reading Conan the Barbarian (yes, I read them too) nothing anyone can say will make this Conan or a superhero. Classics are sometimes a little tedious to modern readers. Then again, there aren't that many classics being written anymore.
    Wait until you have to report on War and Peace, a wonderful book by the way, but again, a tad tedious at times.
    You know, building tension in a story is really an art. Tolkien did it in his visit to the Elves. Not much happened there, but on the outside of that Idyllic paradise, lurked a real danger we couldn't ignore. The book had to move forward from that place. That said, men and women, real or imagined, go through hell for lovers or greed or honor.
    28 people found this helpful
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  • Reviewed in the United States on March 12, 2014
    The popularity of the film and the play, Camelot, were due in some part its association with President John F. Kennedy’s brief 1,000 days in office which came to be called Camelot by many, a time in American history of lost hope and ideals. It was also a story the late president was very fond of. Of course it had much more to do with the enduring fascination with the legends of King Arthur which had found new form in the very popular retelling of the tale by T.H. White, The Once and Future King, which proved to be the immediate inspiration for the play and film, as well as a Walt Disney animated feature, The Sword in the Stone (1963). White was born in British India, died in Greece and spent his most creative period in self-imposed exile from his native Britain in Ireland to somehow get away from a world on the verge of war which he so despised. His condemnation of war took form in his interpretation of tales found in the work he most admired Sir Thomas Mallory’s Le Morte d’Arthur (1485), and of course Mallory himself appears at the end of White’s work as well as the play and film as young Tom of Warwick who Arthur orders to avoid the coming battle and go back to England and live to tell the tales of Camelot and the Round Table. White’s work initially took the form of several books: The Sword in the Stone, The Queen of Air and Darkness, The Ill-Made Knight, The Candle in the Wind, and later The Book of Merlyn, the first four of which were incorporated into The Once and Future King in 1939 and 1940. He clearly intended for the entire work to be reedited and include The Book of Merlyn as a final chapter but it never quite happened and the latter work remained unpublished until 1977. It is this last work that was most pointed in its denials and incriminations of war and the limits of humanity, man is joined in the practice of organized warfare against its own kind only by the lowly ant. Regardless of his intent, the work is one of the great pieces of modern English prose putting him in the rare company of T.E. Lawrence, C.S. Lewis, and J.R.R. Tolkien. The language is so rich much of it found its way into the play and the film as did a good deal of his wit and humor.
    There is a certain irony in the fact that perhaps the three most influential authors of modern fantasy lived about the same time an in the same area. Indeed, two of them were colleagues and friends, T.H. White died in 1964, and C.S. Lewis passed in 1963 to be followed by J.R.R. Tolkien in 1973. And all called England home. The impact of the tales of Arthur and Merlyn, Narnia, and Middle Earth are undeniable, all are well cherished by their followers and all resulted in significant film adaptations. Indeed, thanks to Peter Jackson in far off New Zealand no less than six epic films have been created to relate the tales of Middle Earth. Lewis and Tolkien lectured at Oxford University and regularly met in local pubs with pipes in hand. White was more of a solitary and quite troubled individual whose personal grappling with the immorality of war caused him to find some kind of refuge in neutral Ireland. All three were products of their time the turbulent first half of the twentieth century and the two World Wars. And all three proved masters of their craft. Aside from the common thread of fantasy in general, all three were singularly affected by the legends of Arthur and Camelot, principally from Mallory who is not only referred to constantly in White but actually takes the stage as a very important character to end The Once and Future King, young Tom of Warwick.
    100 people found this helpful
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  • Reviewed in the United States on April 20, 2015
    I got this because recent publicity for H is for Hawk kept referring to T H White's book on hawking. So I realized I had never read his classic The Once and Future King though I have read most of the classics and have run into the title many times. It turns out to be very strange book. I wonder how many people have actually read it lately. Strange should mean original, and it is, which is good, but it's strange in other not good ways. It begins as a kind of boys's book, with adventures, knights, animals, and a kind of bildungsroman about King Arthur's boyhood and education. No present day boy would be interested in it though. Too strange and unfocussed. King was written well into the 20th century though, the age of psychological realism, so it soon becomes a psychological novel about the Arthurian characters. (Tolkien showed that this could be easily avoided.) White is an uneven psychologist at best though, and while the idea of psychoanalysing mythological characters is interesting, this turns out to be beyond his talents. Not that anyone else could manage it either, except Homer. There are along the way tongue in cheek or comedic takes on Arthurian legends, some successful..Then it becomes a kind of philosophical treatise on ethics, the development of laws and constitutions, and politics, including even Nazism. Even those few readers who are interested in these topics would find nothing new, interesting or carefully thought out about White's ideas on these subjects, or even logical consistency. His strengths are that the book is very well written, contains a number of remarkably wonderful sentences, though perhaps not enough for 500 pp; and White has amassed an enormous trove about medieval life, legends, lore, falconry, armor, art, architecture and vocabulary. based but not limited to Malory's Morte d'Arthur, a true masterpiece. (Read it first.) The weakness besides the above is sadism. White according to what I read was a confessed sadist, and he shows himself sadistic to his characters and to his reader. for example, when a story has a tragic or bad ending, a reader will accept this if it seems inevitable, if the character has tragic flaws which lead to it. or even if the sad ending is seen somehow as an example of life's unpredictable cruelty. In this case, the downfall is encompassed by characters acting out of character. Arthur and Guinevere, who have been astute politicians throughout, canny psychologists, active and strong willed, and who hold all the political and armed power, allow themselves to be implausibly overcome by the villain, even though they and everyone else, including the tormented reader, see multiple possible ways to avoid this fate. To reader who is not masochistic will find this infuriating, in fact distasteful.. Oddly enough the villain IS defeated and the ending does not have to be seen as tragic at all. And yet White rubs out nose in a manufactured sad conclusion. It's a big book requiring a big review. A curdled classic.
    40 people found this helpful
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Top reviews from other countries

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  • Kez
    5.0 out of 5 stars A classic tale of King Arthur
    Reviewed in the United Kingdom on June 27, 2021
    The once and Future King, published in 1958, is a rework of four previously published books by White, The Sword in the Stone (1938), The Witch in the Wood (1939), The Ill-Made Knight (1940) and The Candle in the Wind (1958). He uses these titles for the four sections of The Once and Future King. After White’s death a final book called The Book of Merlyn, written 1941, was published. Some parts of this had been incorporated into previous books by White, mainly The Sword in the Stone. This final book has since been added to end of this volume.

    The first part, The Sword in the Stone, is probably the most famous due to it being made into a movie by Disney studios. Also it isn’t too far removed from that movie. It covers Arthur’s early years, in which he is known as The Wart and is under the tutelage of Merlyn. Just like the movie Wart is turned into a fish and a bird amongst other creatures by Merlyn and just like the movie there is a lot of slapstick comedy. White even manages to squeeze Robin Hood and his Merry men into his version of the Arthurian legend! On the whole this first part is a delightful if somewhat juvenile read. I enjoyed it despite the liberties taken with the legend I knew and grew up with. I liked the way White portrays the world that Wart grows up in as idyllic, beautiful summers of sun and blue skies and winters of deep crisp even snow. It’s a stark contrast to what will come later. Wart even asks Merlyn ‘Why do people not think, when they are grown up, as I do when I am young?’

    At the start of the second part, The Witch in the Wood, the change is apparent as we see Wart now as a young inexperienced King Arthur trying to grapple with the realities of the grown up world, including wars. There are some interesting points made here on that subject, especially when you consider when the book was published, 1939, the outbreak of World War II. The humour however is still there as it descends into pantomime farce at times, but the story has darker periods. Episodes involving cats and unicorns are particularly gruesome.

    It is here and in particular the introduction of Lancelot that the stories from Le Morte D’Arthur also become clearer, although White still tweaks them and he quotes Malory a few times during his retelling. I also loved the way he compares situations in Arthur’s world with contemporary times, or as it was in his case, 1930’s and 40’s. It does give the book a bit of a dated feel but in a charming way.

    By the third part of the book the humour as all but disappeared. This part deals with Lancelot, and White portrays him in an understanding and sympathetic way, especially concerning his relationship with Guenever. I think the complex character of Lancelot is T.H. White’s greatest achievement in The Once and Future King. This version of him is totally different from the Malory Lancelot. The Ill Made Knight is my favourite part in this book and Lancelot my favourite character.

    The Candle in the Wind is the final part of The Once and Future King. This last part deals with the final days of Arthur. It’s the saddest part of the story. In it White contemplates Arthur’s New England and his achievements. As he does all through the book he again compares it with the contemporary world (i.e. the world of the 1930,s and 40’s). By the time this final book was published in 1958, White had lived through a World War, this is apparent in Arthur’s final assessment of his achievements and his dream of Camelot.

    Endings are always a bone of contention. They never please everyone and it’s probably the area where people are most critical. It all depends whether the story ended the way you wanted it to. The ending of The Once and Future King is no different. It also has the added burden of living up to Malory’s Arthur as well as the version of Arthur we all have in our heads. The ending of White’s book is different to Malory but still holds some of its principles. I liked it. There is a passage with a page boy at the end, which I will not reveal as it would be a major spoiler, that I particularly loved, it was a nice touch.

    This edition of The Once and Future King doesn’t end there though. Included here is The Book of Merlyn, a book as I have mentioned, that was published after White’s death and includes passages already included in The Once and Future King.

    White's intentions were to find an antidote for war, something he felt was a major theme in Malory's Le Morte d'Arthur. He had wrestled with this idea all through the Second World War. In fact he had retreated to Ireland to avoid it, not wanting to be a coward or a hero. ‘It is generally the trustful and optimistic people who can afford to retreat. The loveless and faithless ones are compelled by their pessimism to attack.’ The book was rejected when he sent it for publication in 1941 because it was anti war, it was later published in 1977.

    The Book of Merlin, although interesting, adds little to The Once and Future King. It is really more of an essay than a story. It is also heavy going. The condensed version of this book which was incorporated into The Sword and the Stone for me was enough on the subject. It made its point without losing the story (and the reader). The only real point of interest as far as Arthur’s story goes comes at the end when White offers an explanation of the fates of Arthur, Guenever and Lancelot. It might have been better to tack this last bit at the end of The Candle in the Wind (although without it I think the book is fine).

    Despite The Book of Merlin I loved The Once and Future King. I found White’s retelling of the Arthurian legend masterful, it’s an enduring classic. His use of comedy offsets the later personal doom of Arthur and I loved his portrayal of all the major characters, especially Lancelot. In The Once and Future King T.H. White has produced a work of grandeur and charm worthy of its subject.
  • douay frederic
    5.0 out of 5 stars No your usual sword & sorcery
    Reviewed in France on September 22, 2015
    There should be a warning sign on this book : this is not your usual, tolkien-like, fantasy, but something much weirder, and don't get me wrong, the genuinely weird is always a good thing in my book. TH White's writing is so indiosyncratic that it is futile to describe, you just enjoy it or not. The plot follows Malory's, but the tone keeps on changing, from the tragic to the comic to the didactic. Sometimes it reads like something straight up from some Monty Python's sketch, sometimes it read like an history lesson, an history quite unlike the one you were taught in school. Highly recommended for the open-minded reader.
  • JOHN A. KENNEDY
    5.0 out of 5 stars Awesome
    Reviewed in Canada on November 5, 2024
    Awesome
  • Antonella
    5.0 out of 5 stars Capolavoro
    Reviewed in Italy on April 11, 2017
    Ho acquistato il libro in inglese perchè purtroppo in Italia l'edizione tradotta è ormai fuori catalogo. Se devo giudicare il contenuto, quest'opera è un capolavoro del ciclo bretone (re Artù, Merlino, Tavola Rotonda, Lancillotto e Ginevra, Morgana, etc...) perchè oltre alla materia solenne contiene anche l'impronta meravigliosa e poliedrica di un ARTISTA di grande livello. Contiene 4 volumi: la spada nella roccia + la regina dell'aria e delle tenebre + il cavaliere malfatto + candela nel vento. L'ultimo volume ("book of Merlyn") è venduto separatamente.
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  • Deb M
    5.0 out of 5 stars Classic Arthurian novel
    Reviewed in Australia on September 27, 2024
    After reading this decades ago, and thinking it about time to re-read this arguably greatest of all Arthurian novels, I was pleased to see it available on Amazon. Wonderfully written, when I read it the first time as a teenager, it sparked a lifelong interest in Arthurian legends. I will relish every page.