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The Rise of the Crooners: Gene Austin, Russ Columbo, Bing Crosby, Nick Lucas, Johnny Marvin and Rudy Vallee (Studies and Documentation in the History of Popular Entertainment) Hardcover – January 1, 2002

5.0 5.0 out of 5 stars 2 ratings

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Bing Crosby, Frank Sinatra, Tony Bennett, and Rudy Vallee―these cultural icons whose fame spanned all the important mass media, also played a vital role in the origin and development of the crooning tradition.

Crooning represented one of the most important musical styles of the twentieth century, intermingling with jazz and fronting the big band craze of the thirties and forties. Crooners spurred the rise of radio as home staple and the Golden Age of film musicals. When commercial television became a viable commodity, crooners anchored perhaps the first TV programming innovation, the variety show. It took the cataclysmic aesthetic and cultural changes ushered in by rock 'n' roll in the 1950s to finally bring crooners down from their pedestal.

The Rise of the Crooners examines the historical trends and events that led to the emergence of the crooning style. Ian Whitcomb, a successful popular music vocalist himself for almost 40 years, provides a personal perspective on this phenomenon. The lives and careers of six pioneers of the style―Bing Crosby, Russ Columbo, Gene Austin, Rudy Vallee, Johnny Marvin, and Nick Lucas―are covered at length. With the exception of one entry devoted to Crosby―possibly the greatest entertainer of the past century―these biographies (appended by lengthy bibliographies and discographies) are more thorough and up-to-date than any treatment in print about these seminal artists.

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In The Rise of the Crooner, music historian Michael R. Pitts and Drank W. Hoffmann...are ably assisted by Dick Carty and Jim Bedoian to present an articulate, scholarly, informative, and engaging historical treatise surveying the trends, fads, events, and personalities that created this popular form of American music and its lasting impact on popular American culture... The Rise of the Crooners...[is] an enthusiastically recommended addition to any personal, professional, academic, or community library American music history collection. ― Wisconsin Bookshelf

About the Author

Michael R. Pitts is the author or co-author of more than 30 books on entertainment. Dr. Frank W. Hoffman is Professor of Library Science at Sam Houston State University, Huntsville, Texas.

Product details

  • Publisher ‏ : ‎ Scarecrow Press (January 1, 2002)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 312 pages
  • ISBN-10 ‏ : ‎ 0810840812
  • ISBN-13 ‏ : ‎ 978-0810840812
  • Item Weight ‏ : ‎ 1.15 pounds
  • Dimensions ‏ : ‎ 5.62 x 0.98 x 8.78 inches
  • Customer Reviews:
    5.0 5.0 out of 5 stars 2 ratings

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5 out of 5 stars
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Reviewed in the United States on January 28, 2016
'The Rise of the Crooners' is no less than a key sourcebook, for those interested in the brief--but ultimately, very influential--period on the American musical spectrum, known as "The Crooner Era". But this book isn't simply about "the crooners" and "crooning"--it presents both the "before," as well as the aftermath of this now largely-forgotten moment in time, when a few shockingly intimate young men snuck their way into the homes of an adoring radio public, in a way that was previously impossible. The writers clearly portray how revolutionary these singers were in their day--when radio and the amplifying mic first attained wide-popularity. Crosby, Columbo & Vallee--along with several other golden-toned vocalists--created a whole new style of intimate, "up-close" singing that caused a sensation--and the sounds of pop vocalists of the 21st century can be directly linked to this era, too. The book is extremely informative and the writing is excellent.The writers have clearly done their homework. I consider this a "go-to" source material, when I'm looking to confirm facts and dates--I trust the scholarship of it that well. Well-done! I only hope there could be a "Part II" someday!
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Reviewed in the United States on September 10, 2002
The authors bring to light the beginning of a style of singing made possible by the introduction of radio and the electric microphone. Separate from the shouting style of singing required by the acoustic horn phonograph and theatres with no amplification, the microphone allowed a more intimate soft style of singing. The book highlights the better known performers Bing Crosby, Rudy Vallee as well as informs on the forgotten performers Art Gillham, Jack Smith, Little Jack Little and others instrumental in developing the intimate crooning style.
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