Illustration for the card “Escape to the Wilds”, part of the Cats Are Better Than Dogs Secret Lair Drop
AD: Jameela Wahlgren
A series of pieces inspired by creatures and figures of dark fantasy
Part of a limited edition art book from Black Dragon Press
Cover and black + white interior illustrations for Impossible Creatures by Katherine Rundell
AD: Carol Ly
Cover for UK paperback edition of House of Flame and Shadow by Sarah J Maas
AD: Charlotte Phillips
Full wraparound cover for The Dollmakers by Lynn Buchanan
AD: Richard Aquan
Full wraparound cover and black + white interior illustrations for The 66th Rebirth of Frankie Caridi: Book 1 by Johnny Marciano
AD: Jay Emmanuel
Full wraparound cover illustration for Heavenly Tyrant by Xiran Jay Zhao
AD: Terri Nimmo
Full wraparound cover illustration for Iron Widow by Xiran Jay Zhao
AD: Terri Nimmo
Full wraparound cover and black + white interior illustrations for Into the Oblivion: The 66th Rebirth of Frankie Caridi, Book 2 by Johnny Marciano
AD: Jay Emmanuel
Licensed t-shirt design of Mothra for Cavity Colors
Cover for Farther Than The Moon by Lindsay Lackey
AD: Samira Iravani
Cover illustration for Thornhedge by T. Kingfisher
AD: Peter Lutjen
Interior illustration for The Complete Short Stories by Philip K Dick
AD: Sheri Gee
Full wraparound cover illustration for Meltiar Harbingers by Vlada Medvednikova
AD: Ekaterina Karaulowa
Cover illustration for Terciel & Elinor by Garth Nix
AD: David Curtis
Cover illustration for the collection Communications Breakdown edited by Jonathan Strahan
AD: Susan Buckley
Interior illustration for The Spinners, as a part of The End and Other Beginnings by Veronica Roth
AD: Erin Fitzsimmons
For The Walrus’ 2020 Summer Reading issue
AD: Meredith Holigroski
A tribute to chocobos for the Final Fantasy 30th Anniversary Fanzine
For an article about how clouds of quantum possibility are formed
AD: Kathryn Brazier
Cover for Nature Magazine, Volume 587 Issue 7834, about digital surveillance and facial recognition technology
AD: Wesley Fernandes
The cover of Scientific American’s November 2017 Issue for a feature about recent scientific advancements in our ability to detect consciousness
AD: Michael Mrak
Charm design for the Final Fantasy 30th Anniversary Fanzine
Part of a series about the hidden structure of the universe
AD: Olena Shmahalo
For an article about microbial dark matter
AD: Justine Hirshfeld
For an article on how physicists are using the concept of phase transitions to understand the various behaviour changes of cancer cells
AD: Olena Shmahalo
For the short story “The Destroyer” by Tara Isabella Burton
AD: Irene Gallo
Limited edition fine art poster
Named after the scientific name for red blood cell production and the process by which water moves through plants, this piece is about finding beauty in the biological systems that make us what we are
For the short story “Friends ‘Til The End” by Bethany Neal
AD: Irene Gallo
Poster for the Ontario College of Art and Design’s 99th Annual Graduate Exhibition
For Light Grey Art Lab’s “Animystics” group show
For the short story “ Some Gods of Old El Paso” by Maria Dahvana Headley
AD: Irene Gallo
For an article on the possible lingering side-effects of anesthesia
AD: Michael Mrak
On the idea that technology has made the process of finding information incredibly simple, inhibiting our capacity to become truly knowledgeable
On the idea that our brains may never be able to fully comprehend the complexities of the universe, but knowing our limitations should not hinder exploration or contemplation.
On the topic of how the wide scale proliferation of serotonin-enhancing antidepressants can suppress sexual desire and may inhibit the ability to fall and stay in love.
On the topic of how, despite society’s emphasis on abstract thought, the brain cannot become a mind without a body.