Domestic Box Office For Jul 11, 2004
Data as of Nov 14, 17:09 PST
Key:Estimated
| TD | YD | Release | Daily | %± YD | %± LW | Theaters | Avg | To Date | Days | Distributor |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 | Spider-Man 2 | $13,405,357 | -25.2% | -38.9% | 4,166 | $3,217 | $256,438,326 | 12 | Sony Pictures Releasing |
| 2 | 2 | Anchorman: The Legend of Ron Burgundy | $8,057,980 | -16.1% | - | 3,091 | $2,606 | $28,416,365 | 3 | DreamWorks Distribution |
| 3 | 3 | King Arthur | $4,489,018 | -21.9% | - | 3,086 | $1,454 | $23,623,758 | 5 | Walt Disney Studios Motion Pictures |
| 4 | 4 | Fahrenheit 9/11 | $3,452,000 | -18.9% | -27.2% | 2,011 | $1,716 | $80,121,002 | 19 | Lionsgate |
| 5 | 6 | The Notebook | $1,944,000 | -21.4% | +5.9% | 2,288 | $849 | $43,083,691 | 17 | New Line Cinema |
| 6 | 5 | White Chicks | $1,785,018 | -28.3% | -13% | 2,201 | $811 | $56,912,356 | 19 | Sony Pictures Releasing |
| 7 | 7 | Dodgeball: A True Underdog Story | $1,612,606 | -27.1% | -16.6% | 2,444 | $659 | $97,865,599 | 24 | Twentieth Century Fox |
| 8 | 8 | The Terminal | $1,392,028 | -33% | -39.1% | 2,313 | $601 | $65,262,144 | 24 | DreamWorks Distribution |
| 9 | 9 | Shrek 2 | $1,323,760 | -24.5% | -20.4% | 2,142 | $618 | $418,517,158 | 54 | DreamWorks Distribution |
| 10 | 10 | Harry Potter and the Prisoner of Azkaban | $1,316,786 | -16.6% | -23.2% | 2,002 | $657 | $232,795,692 | 38 | Warner Bros. |
| 11 | 11 | Sleepover | $1,017,941 | -28.8% | - | 2,207 | $461 | $4,171,226 | 3 | Metro-Goldwyn-Mayer (MGM) |
| 12 | 12 | Garfield: The Movie | $566,991 | -22.5% | -25.3% | 1,681 | $337 | $67,969,942 | 31 | Twentieth Century Fox |
| 13 | 14 | Two Brothers | $392,770 | -15.1% | -46.2% | 1,267 | $310 | $15,672,875 | 17 | Universal Pictures |
| 14 | 13 | The Clearing | $335,795 | -33.5% | +148.8% | 261 | $1,286 | $1,923,128 | 10 | - |
| 15 | 15 | The Day After Tomorrow | $306,783 | -32.9% | -43.4% | 728 | $421 | $182,109,550 | 45 | Twentieth Century Fox |
| 16 | 16 | The Stepford Wives | $292,793 | -34.1% | -51.4% | 1,033 | $283 | $56,604,531 | 31 | Paramount Pictures |
| 17 | 18 | Napoleon Dynamite | $180,195 | -13.3% | +50.5% | 141 | $1,277 | $2,980,362 | 31 | - |
| 18 | 17 | The Chronicles of Riddick | $158,640 | -27.4% | -56.1% | 520 | $305 | $55,727,340 | 31 | Universal Pictures |
| 19 | 19 | Before Sunset | $139,335 | -31.5% | +125.9% | 63 | $2,211 | $885,542 | 10 | Warner Independent Pictures (WIP) |
| 20 | 20 | De-Lovely | $112,320 | -22.5% | +23.4% | 24 | $4,680 | $851,792 | 10 | United Artists |
| 21 | 21 | Around the World in 80 Days | $110,605 | -15.4% | -63.7% | 318 | $347 | $22,271,008 | 26 | Walt Disney Studios Motion Pictures |
| 22 | 22 | Mean Girls | $92,024 | -27.5% | +206.6% | 311 | $295 | $84,255,348 | 73 | Paramount Pictures |
| 23 | 23 | NASCAR: The IMAX Experience | $71,843 | -34.6% | -19.9% | 55 | $1,306 | $15,047,654 | 122 | Warner Bros. |
| 24 | 24 | Troy | $61,271 | -34.8% | -39.4% | 201 | $304 | $132,195,898 | 59 | Warner Bros. |
| 25 | 25 | Van Helsing | $60,485 | -25% | +19.8% | 252 | $240 | $119,296,995 | 66 | Universal Pictures |
| 26 | 26 | Scooby-Doo 2: Monsters Unleashed | $39,736 | -22.5% | +13.1% | 207 | $191 | $83,542,929 | 108 | Warner Bros. |
| 27 | 27 | Man on Fire | $33,489 | -33.2% | +20.1% | 152 | $220 | $77,393,109 | 82 | Twentieth Century Fox |
| 28 | 28 | Saved! | $30,147 | -19.2% | -38.5% | 105 | $287 | $8,679,756 | 45 | United Artists |
| 29 | 30 | Coffee and Cigarettes | $16,557 | -20% | +35.5% | 47 | $352 | $1,897,501 | 59 | United Artists |
| 30 | 29 | I'll Sleep When I'm Dead | $16,176 | -24.1% | +49.3% | 19 | $851 | $151,328 | 26 | Paramount Classics |
| 31 | 31 | Johnson Family Vacation | $10,619 | -34.6% | -2.6% | 44 | $241 | $31,038,582 | 96 | - |
| 32 | 32 | A Day Without a Mexican | $5,866 | +16.8% | -8.1% | 16 | $366 | $3,216,571 | 59 | Televisa Cine |
| 33 | 33 | Love Me If You Dare | $2,418 | -25.2% | -26.7% | 15 | $161 | $515,447 | 52 | Paramount Classics |
| 34 | 34 | The United States of Leland | $15 | -6.2% | -37.5% | 1 | $15 | $343,816 | 101 | Paramount Classics |
