Domestic Box Office For Oct 15, 2022
Data as of Nov 12, 14:37 PST
| TD | YD | Release | Daily | %± YD | %± LW | Theaters | Avg | To Date | Days | Distributor |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 1 | Halloween Ends | $13,032,850 | -36% | - | 3,901 | $3,340 | $33,408,345 | 2 | Universal Pictures |
| 2 | 2 | Smile | $5,392,735 | +43% | -27.6% | 3,612 | $1,493 | $67,932,359 | 16 | Paramount Pictures |
| 3 | 3 | Lyle, Lyle, Crocodile | $3,273,668 | +62.6% | -27.8% | 4,350 | $752 | $20,644,731 | 9 | Sony Pictures Releasing |
| 4 | 4 | The Woman King | $1,690,114 | +66.7% | -26.4% | 2,565 | $658 | $58,750,311 | 30 | TriStar Pictures |
| 5 | 5 | Amsterdam | $1,179,802 | +31.3% | -50.1% | 3,005 | $392 | $11,146,373 | 9 | Walt Disney Studios Motion Pictures |
| 6 | 6 | Don't Worry Darling | $931,346 | +25.1% | -33.3% | 2,734 | $340 | $41,894,021 | 23 | Warner Bros. |
| 7 | 7 | Barbarian | $595,543 | +49.4% | -35.5% | 1,805 | $329 | $38,544,828 | 37 | 20th Century Studios |
| 8 | 9 | Terrifier 2 | $425,500 | +70.2% | +19.9% | 700 | $607 | $2,120,500 | 10 | Cinedigm Entertainment Group |
| 9 | 8 | Bros | $385,800 | +34.4% | -55.3% | 2,201 | $175 | $10,588,600 | 16 | Universal Pictures |
| 10 | 10 | Top Gun: Maverick | $318,063 | +57.5% | -8.1% | 902 | $352 | $715,590,572 | 142 | Paramount Pictures |
| 11 | 14 | Minions: The Rise of Gru | $193,415 | +95.2% | -15.7% | 1,215 | $159 | $368,228,820 | 107 | Universal Pictures |
| 12 | 12 | Bullet Train | $189,822 | +61.8% | -32.8% | 604 | $314 | $102,994,030 | 72 | Sony Pictures Releasing |
| 13 | 18 | DC League of Super-Pets | $180,004 | +129.8% | -25% | 881 | $204 | $93,004,217 | 79 | Warner Bros. |
| 14 | 13 | Tár | $130,343 | +16.6% | +145.1% | 36 | $3,620 | $466,955 | 9 | Focus Features |
| 15 | 17 | The Invitation | $130,054 | +42.1% | -30% | 545 | $238 | $24,974,306 | 51 | Sony Pictures Releasing |
| 16 | 16 | See How They Run | $122,871 | +32.7% | -28.5% | 525 | $234 | $9,225,914 | 30 | Walt Disney Studios Motion Pictures |
| 17 | 11 | Triangle of Sadness | $114,445 | -13% | +67.4% | 31 | $3,691 | $566,439 | 9 | Neon |
| 18 | 15 | Till | $83,061 | -13.1% | - | 16 | $5,191 | $178,644 | 2 | United Artists Releasing |
| 19 | 23 | Clerks III | $79,395 | +473.3% | +11,242.1% | - | - | $3,355,055 | 30 | Fathom Events |
| 20 | 19 | The Good House | $72,792 | +29.3% | -50.8% | 385 | $189 | $1,967,622 | 16 | Roadside Attractions |
| 21 | 20 | Pearl | $49,121 | +26% | -56.5% | 263 | $186 | $9,199,638 | 30 | A24 |
| 22 | 21 | Moonage Daydream | $46,557 | +60% | -36.2% | 198 | $235 | $4,004,365 | 30 | Neon |
| 23 | 22 | Where the Crawdads Sing | $16,129 | -5.7% | -43.2% | 133 | $121 | $90,204,131 | 93 | Sony Pictures Releasing |
| 24 | 24 | Running the Bases | $14,710 | +24.8% | -27.1% | 142 | $103 | $1,434,495 | 30 | UP2U Films |
| 25 | 27 | Cuando sea joven | $7,784 | +72.2% | -48% | 34 | $228 | $562,220 | 23 | Pantelion Films |
| 26 | 26 | Lifemark | $5,918 | +2.7% | -44.9% | 58 | $102 | $5,174,577 | 37 | Fathom Events |
| 27 | 29 | Hockeyland | $1,448 | +121.1% | +9.2% | 12 | $120 | $171,129 | 37 | Greenwich Entertainment |
| 28 | 30 | Buried: The 1982 Alpine Meadows Avalanche | $1,349 | +143.1% | +96.1% | 4 | $337 | $70,396 | 23 | Greenwich Entertainment |
| 29 | 31 | Superspreader | $1,000 | +100% | -89.5% | 15 | $66 | $397,500 | 16 | - |
| 30 | 32 | Gigi & Nate | $768 | +61.3% | -67.1% | 11 | $69 | $2,276,767 | 44 | Roadside Attractions |
| 31 | - | Fire of Love | $651 | - | - | 7 | $93 | $1,008,258 | 102 | Neon |
| 32 | 33 | My Imaginary Country | $444 | +37.9% | +62.6% | 2 | $222 | $11,643 | 23 | Icarus Films |
| 33 | 35 | Carnal Knowledge 2022 Re-release | $433 | +127.9% | - | 2 | $216 | $32,116 | 44 | Rialto Distribution |
| 34 | 28 | Relative | $415 | -73.7% | - | 1 | $415 | $18,155 | 130 | Newcity |
| 35 | 34 | 1982 | $281 | +47.1% | -0.7% | 1 | $281 | $43,287 | 128 | Tricycle Logic |
