The Atlantic

The Two Women Who Wrote as ‘Michael Field’

Their poems about the experience of beauty help explain the choice to write as one person.
Source: Illustration by Matteo Giuseppe Pani. Source: Getty.

This is an edition of Time-Travel Thursdays, a journey through The Atlantic’s archives to contextualize the present and surface delightful treasures. Sign up here.

The poetic genius—tortured, solitary—is a familiar figure. Some of the concept’s staying power comes from simple wonder: The best poetry makes us marvel at the human spirit’s ability to use language in such extraordinary or unusual ways, whether it’s “’twas brillig, and” or “” or “.” We tend to be stunned, transported, floored by creativity when we encounter it—which is why the clichés of AI-generated art and poetry still amuse rather than move us.

You’re reading a preview, subscribe to read more.

More from The Atlantic

The Atlantic6 min read
Bird Flu Is a National Embarrassment
Three years ago, when it was trickling into the United States, the bird-flu virus that recently killed a man in Louisiana was, to most Americans, an obscure and distant threat. Now it has spread through all 50 states, affecting more than 100 million
The Atlantic3 min read
When Poets Face Death
This is an edition of Time-Travel Thursdays, a journey through The Atlantic’s archives to contextualize the present and surface delightful treasures. Sign up here. Early-career poetry poses tantalizing questions: How did this poet start off so terrib
The Atlantic4 min read
The Reason The Brutalist Needs to Be So Long
When the writer-director Brady Corbet accepted his second Golden Globe of the night for The Brutalist on Sunday, he uttered a nervy appeal straight down the camera lens: “Final-cut tiebreak goes to the director,” he said. Many filmmakers are familiar

Related Books & Audiobooks