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The Witch of Portobello
The Witch of Portobello
The Witch of Portobello
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The Witch of Portobello

Rating: 3.5 out of 5 stars

3.5/5

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About this ebook

From one of the world's best loved storytellers, Paulo Coelho, comes a riveting novel tracing the mysterious life and disappearance of Athena dubbed ‘the Witch of Portobello’.

This is the story of Athena, or Sherine, to give her the name she was baptised with. Her life is pieced together through a series of recorded interviews with those people who knew her well or hardly at all – parents, colleagues, teachers, friends, acquaintances, her ex-husband.

The novel unravels Athena's mysterious beginnings, via an orphanage in Romania, to a childhood in Beirut. When war breaks out, her adoptive family move with her to London, where a dramatic turn of events occurs…

Athena, who has been dubbed 'the Witch of Portobello' for her seeming powers of prophecy, disappears dramatically, leaving those who knew her to solve the mystery of her life and abrupt departure.

Like The Alchemist, The Witch of Portobello is the kind of story that will transform the way readers think about love, passion, joy and sacrifice.

LanguageEnglish
Release dateApr 28, 2011
ISBN9780007379934
Author

Paulo Coelho

Paulo Coelho is the author of The Alchemist, he was born in 1947 in the city of Rio de Janeiro, Brazil. Being the author of 30 books that have sold over 320 million copies in 170 countries, he has become one of the most widely read authors in the world today. Paulo Coelho is the recipient of over 115 awards and honours, including the Hans Christian Andersen Award, the Grinzane Cavour Book Award and the Chevalier de l'Ordre National de la Légion d'Honneur, to name a few.

Read more from Paulo Coelho

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Reviews for The Witch of Portobello

Rating: 3.3391698573281454 out of 5 stars
3.5/5

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  • Rating: 3 out of 5 stars
    3/5
    It took me a little while to figure out this novel, but it had me fascinated by the end.
  • Rating: 5 out of 5 stars
    5/5
    Every woman who has had a chance to read this book may imagine herself in the place of athena unintentionally.This is not a novel, it is a journal.
  • Rating: 3 out of 5 stars
    3/5
    The Witch of Portobello is a biography of a woman in search of her identity and destiny... a woman constantly in a state of flux and motion, a whirling dervish on a path of enlightenment/self-destruction. This biography, however, is written as an interview with a number of people who came into contact with her during her journey. The story itself was interesting but the dialogue between Athena and her teachers became rather tedious with all of the new age/godess droning. As the story starts with a discussion about Athena's death, the story picks up momentum as the ending draws near, as the reader is left wondering whether the religious ferver she spawned would ultimately lead to her murder.
  • Rating: 5 out of 5 stars
    5/5
    I completely enjoyed this book. Recommend!!
  • Rating: 3 out of 5 stars
    3/5
    Mother goddess.....feminine spiritualityI started this audio relatively unaware of the themes.To those interested in these philosophies,the book wouldprobably be enjoyable.Simply not my cup of tea.....But, made for a reasonable read
  • Rating: 1 out of 5 stars
    1/5
    Oh dear. Have you ever been in a bookshop with a three-for-two deal, found two books you wanted to read then struggled to find a third? The Witch of Portobello was very much my 'third' book. I'd heard the name Paul Coelho but not really taken much notice and thought this would be a good introduction. The back cover 'blurb' certainly sounded promising. In the event I came away from reading this book with the impression that I hadn't so much read a novel as been preached to about spirituality. Not recommended.
  • Rating: 3 out of 5 stars
    3/5
    This is another airport bookshop read. The blend of philosophy and story was interesting, though I wish there had been more story. Is it possible to write a good moral parable that's also a good story? This wasn't it.
  • Rating: 5 out of 5 stars
    5/5
    Just as Athena struggled with the spaces in her life, I found this book to be all about the spaces between the words, and given that, I don't think any two people will get exactly the same thing from this story. This book is brilliantly written and thoroughly inspirational. I intend to have a high-lighter and bookmarks on hand the next time I read it, and I expect I will read this book many times over the years as a prompt for insight into my own soul.
  • Rating: 3 out of 5 stars
    3/5
    love the first 1/2, towards the end, it got a little too weird for me, however the final scene saved it for me.
  • Rating: 4 out of 5 stars
    4/5
    Not Coelho's best, but interesting enough :)
  • Rating: 3 out of 5 stars
    3/5


    Athena (self named) adopted daughter of a Lebanese family grows up in the united states. From an early age she becomes enchanted w/ spiritual mysticism and allows herself to become one with the spirits of possession; all the while manipulating the powers of the Spirits and everyone around her to do her ego based bidding..... Which of course leads her into stormy relationships and eventually inescapable trouble. Needless to say I didn't like her nor did I have empathy for her.

    Her life story is told from different povs of those who were entangled in her web.

    The book is richly written in a style evocative of the mystical & lush life of a "spiritualist".... A nice piece of literature that I did not care for, but makes me understand why so many others like his writing!
  • Rating: 1 out of 5 stars
    1/5
    This was my first book by Paulo Coelho and I got to say the book was such a dissapointment!! I was constantly waiting for the wow factor as well as something larger than life to happen. Propably the worst book I´ve ever read. Hopefully the Alchemist will be better:)
  • Rating: 5 out of 5 stars
    5/5
    Coelho never ceases to amaze me.
  • Rating: 4 out of 5 stars
    4/5
    Paulo's books just do something to me. Inspiring, entertaining and at times challenging, this book (as most of his do) caused me to see love in a different way. It's something I look forward to in each of his books, and it always happens at some point. Good stuff.
  • Rating: 5 out of 5 stars
    5/5
    The main message in this book is to be true to yourself at all times, no matter what situation you may be presented with. A story of a woman seen through the eyse of those who knew her. Transforming.
  • Rating: 2 out of 5 stars
    2/5
    I normally really enjoy Paulo Coehlo books, but this one I just couldn't get into.
  • Rating: 5 out of 5 stars
    5/5
    Coelho is like an oracle for me...I read all of his books trying to extract the secret messages. I loved this one!!!
  • Rating: 3 out of 5 stars
    3/5
    A clever, fascinating novel
  • Rating: 4 out of 5 stars
    4/5
    The story of a woman trying to find and understand herself, told by the people who knew her. The main message it carries is to be true to yourself at all times no matter what we may encounter.
  • Rating: 3 out of 5 stars
    3/5
    The Witch of Portobello started off strong. I enjoyed the exploration of the feminine side of God and religion and the thought that we all know the answers to our questions deep inside ourselves if we only listen. I like how the main character was described only through the voices of others and their direct quotations of her. Skillfully done. Unfortunately, I found the ending a let down, not from a religious point of view but from a plot fizzle point of view. Still, a good book, but no Aha moments like I had with Coelho's other book, The Alchemist. Three stars.
  • Rating: 1 out of 5 stars
    1/5
    sadly the author lost me during the first CD of the audio version. I was reminded of his book BRIDA. here as well I was not able to connect to the characters or the story. THis is jsut oo unreal for me.
  • Rating: 5 out of 5 stars
    5/5
    Athena is many things to many people, a witch, a mystic, a bank worker, a dancer, a crazy woman, a mother, a gypsy ... The picture of Athena unfolds in this novel, told by the people who knew her, who hated her and loved her. It's a beautiful story, invoking the goddess and ripe with the potential of female power, both spiritual, magical, and mundane.
  • Rating: 3 out of 5 stars
    3/5
    This is another airport bookshop read. The blend of philosophy and story was interesting, though I wish there had been more story. Is it possible to write a good moral parable that's also a good story? This wasn't it.
  • Rating: 4 out of 5 stars
    4/5
    Not completely believable, but the device of telling the story through vignettes by characters who knew the protagonist worked very well.
  • Rating: 5 out of 5 stars
    5/5
    Lovely story about love and mystery. Highly recommended
    Thank you
  • Rating: 4 out of 5 stars
    4/5
    Builds suspense, makes good remakes about life, I highly recommended
  • Rating: 1 out of 5 stars
    1/5
    I have an "okay" and hate relationship with this book. I feel that it is hard to judge a book because of its narrative merit, when it's not much of a narrative to begin with. I did enjoy reading about the topic of the feminine side of God even though sometimes it was annoyingly vague "love will manifest itself how the Mother wants..." The parts I found incredibly boring were parts that I felt I was supposed to care about Athena. Athena was as distant to me as a woman I'm reading about in a newspaper. I had difficulty, therefore, "feeling" what she felt. To compensate, I imagined that the reason Athena was never fleshed out was because she was simply used as a medium, a vessel if you will, of knowledge that Coelho wanted to relay to his reader. He uses Athena and a somewhat, but not really, narrative form in order to accomplish this. So I was able to apply what I learned from the book to my life easier because I replaced Athena with me. In a way. Basically, the whole book was not much more than a motivational book with a spiritual side. I imagine this wasn't Coelho's intention at all, but it helped me pull through the book.

    The book had potential. I liked that Coelho wrote about the many different perspectives from many different characters. What I hated was that they all seemed to be the same perspective. I wanted to read about people who HATED Athena, or thought she was a psycho that needed to be committed. I wanted to read about Andrea being jealous of her, or her boss giving her a hard time. I didn't want the whole book to be so neat and tidy. I wanted to read about what goes on in the minds of real humans and I wanted to see real prejudices and biases. I'm not saying they should be encouraged, but that's real life--and these characters lacked that "realness." Coehlo would have had an excellent way of working through preconceived notions of others to arrive at something deeper and bigger behind the novel. Instead, I felt like I was more told about the "Mother" or else her power was forced on me. The book is either full of lectures or Athena's trances -- trances which I felt were pretty silly.

    All in all, I won't reserve a spot on my shelf to keep The Witch of Portobello.
  • Rating: 3 out of 5 stars
    3/5
    A good and average read. I am not really into Paganism but I still found the book quite interesting to read. Athena is a fascinating character to get to know.

    I like Paulo Coelhos style and I am eager to read "Veronica decides to die" soon.
  • Rating: 3 out of 5 stars
    3/5
    I really liked the book up to the point, where supernatural things started to happen. I think the book would have worked fine without this sort of thing.

    Still, the philosophy about dancing, calligraphy and other disciplines is great. Same goes for the master - apprentice relationships.
    I also liked Athenas independence, which was so agreeable emphasized by the twist with her boyfriend.
  • Rating: 3 out of 5 stars
    3/5
    I think the author meant for this novel to be one of those big, important, spiritual books that changes the lives of the readers. Sadly, it doesn’t.

    It had the potential; a young woman gets in touch with her spiritual self and starts channeling the goddess Hagia Sophia. The back of the book says, in part, that the story will “transform the way readers think about love, passion, joy and sacrifice”. But it misses the mark.

    The Witch, Sherine Khalil (who takes the name Athena), is born to and abandoned by a Gypsy woman. She is then adopted by Christian parents in the Middle East, and eventually brought up partly in England. She gets jobs easily in spite of not being trained for them (including one that makes her very well off). She marries and has a child, then divorces the man. The church won’t allow her to take Holy Communion after her divorce, so she takes up her own spirituality. She stumbles into a group that seeks enlightenment through unrhythmic dance. She develops followers, everyone loves her, even a woman whose lover falls in love with Athena… and she values none of it except the child. She gives up pretty much everything, but it’s not sacrifice if she doesn’t value what she gives up- and it turns out in the end that she doesn’t give up as much as we think. I never get the feeling that she feels passion about much of anything. She just sort of wanders through life. She’s not afraid to try new things, and I admired that, but for the most part I just couldn’t understand her.

    The story is told through “interviews” with the various people in her life- her birth mother, her adoptive parents, her ex-husband, the journalist who falls in love with her, everyone who has been around at the important events of her life. This may be part of the problem with the book; we never get to know
    Athena’s thoughts and feelings directly. In a way, it made me think of the structure of the New Testament- we read a lot about Jesus but we never hear from him directly. Perhaps the author intended to make Athena the daughter of the great Goddess. But if she is, she’s a very stand off-ish deity.

    Coelho is one of those authors that I had heard great things about and so I was quite disappointed. I may still try reading ‘The Alchemist” since that’s supposed to be his best work, but can only give this book three stars.

Book preview

The Witch of Portobello - Paulo Coelho

Heron Ryan, 44, journalist

No one lights a lamp in order to hide it behind the door: the purpose of light is to create more light, to open people’s eyes, to reveal the marvels around.

No one sacrifices the most important thing she possesses: love.

No one places her dreams in the hands of those who might destroy them.

No one, that is, but Athena.

A long time after Athena’s death, her former teacher asked me to go with her to the town of Prestonpans in Scotland. There, taking advantage of certain ancient feudal powers which were due to be abolished the following month, the town had granted official pardons to 81 people – and their cats – who were executed in the sixteenth and seventeenth centuries for practising witchcraft.

According to the official spokeswoman for the Barons Courts of Prestoungrange & Dolphinstoun: ‘Most of those persons condemned…were convicted on the basis of spectral evidence – that is to say, prosecuting witnesses declared that they felt the presence of evil spirits or heard spirit voices.’

There’s no point now in going into all the excesses committed by the Inquisition, with its torture chambers and its bonfires lit by hatred and vengeance; however, on our way to Prestonpans, Edda said several times that there was something about that gesture which she found unacceptable: the town and the 14th Baron of Prestoungrange & Dolphinstoun were ‘granting pardons’ to people who had been brutally executed.

‘Here we are in the twenty-first century, and yet the descendants of the real criminals, those who killed the innocent victims, still feel they have the right to grant pardons. Do you know what I mean, Heron?’

I did. A new witch-hunt is starting to gain ground. This time the weapon isn’t the red-hot iron, but irony and repression. Anyone who happens to discover a gift and dares to speak of their abilities is usually regarded with distrust. Generally speaking, their husband, wife, father or child, or whoever, instead of feeling proud, forbids all mention of the matter, fearful of exposing their family to ridicule.

Before I met Athena, I thought all such gifts were a dishonest way of exploiting people’s despair. My trip to Transylvania to make a documentary on vampires was also a way of proving how easily people are deceived. Certain superstitions, however absurd they may seem, remain in the human imagination and are often used by unscrupulous people. When I visited Dracula’s castle, which has been reconstructed merely to give tourists the feeling that they’re in a special place, I was approached by a government official, who implied that I would receive a ‘significant’ (to use his word) gift when the film was shown on the BBC. In the mind of that official, I was helping to propagate the myth, and thus deserved a generous reward. One of the guides said that the number of visitors increased each year, and that any mention of the place would prove positive, even a programme saying that the castle was a fake, that Vlad Dracula was a historical figure who had nothing to do with the myth, and that it was all merely a product of the wild imaginings of one Irishman (Editor’s note: Bram Stoker), who had never even visited the region.

I knew then that, however rigorous I was with the facts, I was unwittingly collaborating with the lie; even if the idea behind my script was to demythologise the place, people would believe what they wanted to believe; the guide was right, I would simply be helping to generate more publicity. I immediately abandoned the project, even though I’d already spent quite a lot of money on the trip and on my research.

And yet my journey to Transylvania was to have a huge impact on my life, for I met Athena there when she was trying to track down her mother. Destiny – mysterious, implacable Destiny – brought us face to face in the insignificant foyer of a still more insignificant hotel. I was witness to her first conversation with Deidre – or Edda, as she likes to be called. I watched, as if I were a spectator of my own life, as my heart struggled vainly not to allow itself to be seduced by a woman who didn’t belong to my world. I applauded when reason lost the battle, and all I could do was surrender and accept that I was in love.

That love led me to see things I’d never imagined could exist – rituals, materialisations, trances. Believing that I was blinded by love, I doubted everything, but doubt, far from paralysing me, pushed me in the direction of oceans whose very existence I couldn’t admit. It was this same energy which, in difficult times, helped me to confront the cynicism of journalist colleagues and to write about Athena and her work. And since that love remains alive, the energy remains, even though Athena is dead, even though all I want now is to forget what I saw and learned. I could only navigate that world while hand in hand with Athena.

These were her gardens, her rivers, her mountains. Now that she’s gone, I need everything to return as quickly as possible to how it used to be. I’m going to concentrate more on traffic problems, Britain’s foreign policy, on how we administer taxes. I want to go back to thinking that the world of magic is merely a clever trick, that people are superstitious, that anything science cannot explain has no right to exist.

When the meetings in Portobello started to get out of control, we had endless arguments about how she was behaving, although I’m glad now that she didn’t listen to me. If there is any possible consolation in the tragedy of losing someone we love very much, it’s the necessary hope that perhaps it was for the best.

I wake and fall asleep with that certainty; it’s best that Athena left when she did rather than descend into the infernos of this world. She would never have regained her peace of mind after the events that earned her the nickname ‘the witch of Portobello’. The rest of her life would have been a bitter clash between her personal dreams and collective reality. Knowing her as I did, she would have battled on to the end, wasting her energy and her joy on trying to prove something that no one, absolutely no one, was prepared to believe.

Who knows, perhaps she sought death the way a shipwreck victim seeks an island. She must have stood late at night in many a Tube station, waiting for muggers who never came. She must have walked through the most dangerous parts of London in search of a murderer who never appeared, or perhaps tried to provoke the anger of the physically strong, who refused to get angry.

Until, finally, she managed to get herself brutally murdered. But, then, how many of us will be saved the pain of seeing the most important things in our lives disappearing from one moment to the next? I don’t just mean people, but our ideas and dreams too: we might survive a day, a week, a few years, but we’re all condemned to lose. Our body remains alive, yet, sooner or later, our soul will receive the mortal blow. The perfect crime – for we don’t know who murdered our joy, what their motives were or where the guilty parties are to be found.

Are they aware of what they’ve done, those nameless guilty parties? I doubt it, because they, too – the depressed, the arrogant, the impotent and the powerful – are the victims of the reality they created.

They don’t understand and would be incapable of understanding Athena’s world. Yes, that’s the best way to think of it – Athena’s world. I’m finally coming to accept that I was only a temporary inhabitant, there as a favour, like someone who finds himself in a beautiful mansion, eating exquisite food, aware that this is only a party, that the mansion belongs to someone else, that the food was bought by someone else, and that the time will come when the lights will go out, the owners will go to bed, the servants will return to their quarters, the door will close, and he’ll be out in the street again, waiting for a taxi or a bus to restore him to the mediocrity of his everyday life.

I’m going back, or, rather, part of me is going back to that world where only what we can see, touch and explain makes sense. I want to get back to the world of speeding tickets, people arguing with bank cashiers, eternal complaints about the weather, to horror films and Formula 1 racing. This is the universe I’ll have to live with for the rest of my days. I’ll get married, have children, and the past will become a distant memory, which will, in the end, make me ask myself: How could I have been so blind? How could I have been so ingenuous?

I also know that, at night, another part of me will remain wandering in space, in contact with things as real as the pack of cigarettes and the glass of gin before me now. My soul will dance with Athena’s soul; I’ll be with her while I sleep; I’ll wake up sweating and go into the kitchen for a glass of water. I’ll understand that in order to combat ghosts you must use weapons that form no part of reality. Then, following the advice of my grandmother, I’ll place an open pair of scissors on my bedside table to snip off the end of the dream.

The next day, I’ll look at the scissors with a touch of regret, but I must adapt to living in the world again or risk going mad.

Andrea McCain, 32, actress

No one can manipulate anyone else. In any relationship, both parties know what they’re doing, even if one of them complains later on that they were used.’

That’s what Athena used to say, but she herself behaved quite differently, because she used and manipulated me with no consideration for my feelings. And given that we’re talking about magic here, this makes the accusation an even more serious one; after all, she was my teacher, charged with passing on the sacred mysteries, with awakening the unknown force we all possess. When we venture into that unfamiliar sea, we trust blindly in those who guide us, believing that they know more than we do.

Well, I can guarantee that they don’t. Not Athena, not Edda, nor any of the people I came to know through them. She told me she was learning through teaching, and although, at first, I refused to believe this, later I came to think that perhaps it was true. I realised it was one of her many ways of getting us to drop our guard and surrender to her charm.

People who are on a spiritual quest don’t think, they simply want results. They want to feel powerful and superior to the anonymous masses. They want to be special. Athena played with other people’s feelings in a quite terrifying way.

I understand that she once felt a profound admiration for St Thérèse of Lisieux. I have no interest in the Catholic faith, but, from what I’ve heard, Thérèse experienced a kind of mystical and physical union with God. Athena mentioned once that she would like to share a similar fate. Well, in that case, she should have joined a convent and devoted her life to prayer or to the service of the poor. That would have been much more useful to the world and far less dangerous than using music and rituals to induce in people a kind of intoxicated state that brought them into contact with both the best and the worst of themselves.

I sought her out when I was looking for some meaning to my life, although I didn’t say as much at our first meeting. I should have realised from the start that Athena wasn’t very interested in that; she wanted to live, dance, make love, travel, to gather people around her in order to demonstrate how wise she was, to show off her gifts, to provoke the neighbours, to make the most of all that is profane in us – although she always tried to give a spiritual gloss to that search.

Whenever we met, whether it was to perform some magical ceremony or to meet for a drink, I was conscious of her power. It was so strong I could almost touch it. Initially, I was fascinated and wanted to be like her. But one day, in a bar, she started talking about the ‘Third Rite’, which has to do with sexuality. She did this in the presence of my boyfriend. Her excuse was that she was teaching me something. Her real objective, in my opinion, was to seduce the man I loved.

And, of course, she succeeded.

It isn’t good to speak ill of people who have passed from this life onto the astral plane. However, Athena won’t have to account to me, but to all those forces which she turned to her own benefit, rather than channelling them for the good of humanity and for her own spiritual enlightenment.

The worst thing is that if it hadn’t been for her compulsive exhibitionism, everything we began together could have worked out really well. Had she behaved more discreetly, we would now be fulfilling the mission with which we were entrusted. But she couldn’t control herself; she thought she was the mistress of the truth, capable of overcoming all barriers merely by using her powers of seduction.

And the result? I was left alone. And I can’t leave the work half-finished – I’ll have to continue to the end, even though sometimes I feel very weak and often dispirited.

I’m not surprised that her life ended as it did: she was always flirting with danger. They say that extroverts are unhappier than introverts, and have to compensate for this by constantly proving to themselves how happy and contented and at ease with life they are. In her case, at least, this is absolutely true.

Athena was conscious of her own charisma, and she made all those who loved her suffer.

Including me.

Deidre O’Neill, 37, doctor, known as Edda

If a man we don’t know phones us up one day and talks a little, makes no suggestions, says nothing special, but nevertheless pays us the kind of attention we rarely receive, we’re quite capable of going to bed with him that same night, feeling relatively in love. That’s what we women are like, and there’s nothing wrong with that – it’s the nature of the female to open herself to love easily.

It was this same love that opened me up to my first encounter with the Mother when I was nineteen. Athena was the same age the first time she went into a trance while dancing. But that’s the only thing we had in common – the age of our initiation.

In every other aspect, we were totally and profoundly different, especially in the way we dealt with other people. As her teacher, I always did my best to help her in her inner search. As her friend – although I’m not sure my feelings of friendship were reciprocated – I tried to alert her to the fact that the world wasn’t ready for the kind of transformations she wanted to provoke. I remember spending a few sleepless nights before deciding to allow her to act with total freedom and follow the demands of her heart.

Her greatest problem was that she was a woman of the twenty-second century living in the twenty-first, and making no secret of the fact either. Did she pay a price? She certainly did. But she would have paid a still higher price if she had repressed her true exuberant self. She would have been bitter and frustrated, always concerned about ‘what other people might think’, always saying ‘I’ll just sort these things out, then I’ll devote myself to my dream’, always complaining ‘that the conditions are never quite right’.

Everyone’s looking for the perfect teacher, but although their teachings might be divine, teachers are all too human, and that’s something people find hard to accept. Don’t confuse the teacher with the lesson, the ritual with the ecstasy, the transmitter of the symbol with the symbol itself. The Tradition is linked to our encounter with the forces of life and not with the people who bring this about. But we are weak: we ask the Mother to send us guides, and all she sends are signs to the road we need to follow.

Pity those who seek for shepherds, instead of longing for freedom! An encounter with the superior energy is open to anyone, but remains far from those who shift responsibility onto others. Our time on this Earth is sacred, and we should celebrate every moment.

The importance of this has been completely forgotten: even religious holidays have been transformed into opportunities to go to the beach or the park or skiing. There are no more rituals. Ordinary actions can no longer be transformed into manifestations of the sacred. We cook and complain that it’s a waste of time, when we should be pouring our love into making that food. We work and believe it’s a divine curse, when we should be using our skills to bring pleasure and to spread the energy of the Mother.

Athena brought to the surface the immensely rich world we all carry in our souls, without realising that people aren’t yet ready to accept their own powers.

We women, when we’re searching for a meaning to our lives or for the path of knowledge, always identify with one of four classic archetypes.

The Virgin (and I’m not speaking here of a sexual virgin) is the one whose search springs from her complete independence, and everything she learns is the fruit of her ability to face challenges alone.

The Martyr finds her way to self-knowledge through pain, surrender and suffering.

The Saint finds her true reason for living in unconditional love and in her ability to give without asking anything in return.

Finally, the Witch justifies her existence by going in search of complete and limitless pleasure.

Normally, a woman has to choose from one of these traditional feminine archetypes, but Athena was all four at once.

Obviously we can justify her behaviour, alleging that all those who enter a state of trance or ecstasy lose contact with reality. That’s not true: the physical world and the spiritual world are the same thing. We can see the Divine in each speck of dust, but that doesn’t stop us wiping it away with a wet sponge. The Divine doesn’t disappear; it’s transformed into the clean surface.

Athena should have been more careful. When I reflect upon the life and death of my pupil, it seems to me that I had better change the way I behave too.

Lella Zainab, 64, numerologist

A thena? What an interesting name! Let’s see…her Maximum number is nine. Optimistic, sociable, likely to be noticed in a crowd. People might go to her in search of understanding, compassion, generosity, and for precisely that reason she should be careful, because that tendency to popularity could go to her head and she’ll end up losing more than she gains. She should also watch her tongue, because she tends to speak more than common sense dictates.

As for her Minimum number eleven, I sense that she longs for some leadership position. She has an interest in mystical subjects and through these tries to bring harmony to those around her.

However, this is in direct conflict with the number nine, which is the sum of the day, month and year of her birth reduced to a single figure: she’ll always be subject to envy, sadness, introversion and impulsive decisions. She must be careful not to let herself be affected by negative vibrations: excessive ambition, intolerance, abuse of power, extravagance.

Because of that conflict, I suggest she take up some career that doesn’t involve emotional contact with people, like computing or engineering.

Oh, she’s dead? I’m sorry. So what did she do?

What did Athena do? She did a little of everything, but, if I had to summarise her life, I’d say: she was a priestess who understood the forces of nature. Or, rather, she was someone who, by the simple fact of having little to lose or to hope for in life, took greater risks than other people and ended up being transformed into the forces she thought she mastered.

She was a supermarket checkout girl, a bank employee, a property dealer, and in each of these positions she always revealed the priestess within. I lived with her for eight years, and I owed her this: to recover her memory, her identity.

The most difficult thing in collecting together these statements was persuading people to let me use their real names. Some said they didn’t want to be involved in this kind of story; others tried to conceal their opinions and feelings. I explained that my real intention was to help all those involved to understand her better, and that no reader would believe in anonymous statements.

They finally agreed because they all believed that they knew the unique and definitive version of any event, however insignificant. During the recordings, I saw that things are never absolute; they depend on each individual’s perceptions. And the best way to know who we are is often to find out how others see us.

This doesn’t mean that we should do what others expect us to do, but it helps us to understand ourselves better. I owed it to Athena to recover her story, to write her myth.

Samira R. Khalil, 57, housewife, Athena’s mother

Please, don’t call her Athena. Her real name is Sherine. Sherine Khalil, our much-loved, much-wanted daughter, whom both my husband and I wish we had engendered.

Life, however, had other plans – when fate is very generous with us, there is always a well into which all our dreams can tumble.

We lived in Beirut in the days when everyone considered it the most beautiful city in the Middle East. My husband was a successful industrialist, we married for love, we travelled to Europe every year, we had friends, we were invited to all the

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