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Gardens of Water
Gardens of Water
Gardens of Water
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Gardens of Water

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Turkey, 1999. A devastating earthquake brings Istanbul crumbling to the ground, ripping apart the fragile stability of Sinan's world. His family home becomes a makeshift tent in a camp run by Western missionaries whom he stubbornly distrusts, and he soon finds himself struggling to protect his family's honour and values. As he becomes a helpless witness to his daughter's dangerous infatuation with a young American, Sinan takes a series of drastic decisions with unforeseeable consequences. Cultures clash, political and religious tensions mount, and Sinan's actions spiral into a powerful and heartbreaking conclusion.
LanguageEnglish
Release dateJun 1, 2011
ISBN9781408818169
Gardens of Water
Author

Alan Drew

Alan Drew graduated from the Iowa Writers' Workshop in 2004. His short fiction has appeared in Glimmer Train and elsewhere. He lived in Turkey for three years, and was there at the time of the 1999 earthquake. He lives and teaches in Cincinnati, USA.

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Reviews for Gardens of Water

Rating: 3.778169014084507 out of 5 stars
4/5

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  • Rating: 5 out of 5 stars
    5/5
    Sinan, his wife Nilufer, 15-year-old daughter Irem, and 9-year-old son Ismail live in a small town outside of Istanbul. They live in an apartment building, and Sinan co-owns a small grocery store with his brother-in-law. As the book opens, the family is preparing for the coming-of-age celebration of Ismail where he will be circumcised, and life is good. Well, Irem is not content and is restless and feels that her parents love Ismail more than her, and she is somewhat correct, in that the Muslim culture does not value women as much as they value men. In an act of rebellion, Irem has befriended Dylan, a 17-year-old American boy who lives with his parents in the apartment above them. His parents are what I would call missionaries with money. After the celebration is over and everyone is asleep, a massive earthquake strikes the area devastating the town. What follows is the disintegration of two families. This is an amazing story with a close-up look at how the American and Muslim cultures clash. The ending was one shock after another that, literally, made me cry and took my breath away. Excellent book; definitely one of my favorites of the year.
  • Rating: 5 out of 5 stars
    5/5
    I really enjoyed this book, it was a quick engaging read, and it gave me things to think about once I had finished it. The author made the characters all understandable - though some could have been developed in a more compelling way. It's always interesting once you read a book, and then the issues that it brings up seem to be all over the new -- issues regarding the PKK, the Kurds and much more are more noticeable now that I've finished it.
  • Rating: 4 out of 5 stars
    4/5
    enjoyed the writing, the author made me feel as if I was there. The characters were believable and shows that there's a bit of good in all of us and a bit of bad too. Young love with teens of different cultures. I liked the ending, there was no solid resolution and reminds me that we will live with the outcomes of our choices for the rest of our lives.
  • Rating: 4 out of 5 stars
    4/5
    This book was very well-written. The author provided a fair and even view point for each character - leading the reader to have sympathy for all involved whether they agreed or disagreed. It was a very different perspective on a multitude of relationships: father-daughter, mother-daughter, husband-wife, brother-sister, boyfriend-girlfriend, etc. Each relationship had its own level of balance and it was very interesting to see how the other relationships can throw off that balance.
  • Rating: 3 out of 5 stars
    3/5
    This 2008 novel by an American who taught in Turkey is laid at the time of the 1999 Izmit earthquake, and has as its characters a Kurdish family living in he area of the earthquake and an American family trying to help the eartquake victims. But the 17-year-old son of the American family gets entangled with the 15-year-old daughter of the Kurdish family, to the horror of her parents. It is a classic problem, reminding me, I suppose illogically, of the unforgettable novel of A. J. Cronin, Hatter's Castle, which I read 19 oct 1946. I could not help but be struck by the readiness of the Moslem parents to hate those who did not conform to their moral code, deplorable as their daughter's lapse was.
  • Rating: 4 out of 5 stars
    4/5
    This book begins on the outskirts of Istanbul in 1999 just before a devastating earthquake strikes the area. Two families live in the same apartment building an American family Marucs and his wife and son Dylan, and a Kurdish family with two children Irem and Ismael. The lives of these two families become greatly intertwined when the American's wife dies trying to keep Ishmael safe as the earthquakes strikes. Irem on the other hand is becoming involved with the son Dylan much to the disapproval of her family. She wants more of a life that her mother has, and feels that she is not as important, and not loved as much by her father as Ishmael the son is. After the earthquake the family end up in a refugee camp where they must rely on missionaries who are Christian, and keen to impart their Christian beliefs to those in the camp. So in this book there is tension on many levels, between parents and children, between the Kurdish and American family, between the Muslims and the Christians, and within Irem herself as she is torn between the life her mother has and wanting something more but not being ready to throw away what she has. The characters and their struggles were very real to me. I enjoyed the book. It is not a feel good happy book but a real story that gave you a lot to think about This is a quote from the book that I really liked. It reminds me a bit of the Prophet on children “Our children are not ours. That is our mistake. We think they are. It seems so for awhile – but they aren’t. They never were.”
  • Rating: 5 out of 5 stars
    5/5
    I loved this book. It was given to me at a library workshop. I am so glad I read it before putting into the collection. The author uses the love between two teens to highlight the struggle between Muslim and Christian cultures. Although it is a tragic tale, he shows how there can be friendship and tolerance between different cultures.
  • Rating: 4 out of 5 stars
    4/5
    Like many good books, this is a complex story with many layers and ideas. Although there were characters on all sides of these lines, they were all sympathetic and their points of view were valid and made sense. Sinan is caught between his inclinations, his fears, his faith, and the place he holds in society. In the end I think that is what I gleaned from this novel - that no one can just "be". There are always these outside pressure to be something else, to comply, to see the world from someone else's view. There is tragedy in this novel and also something approaching grace.
  • Rating: 4 out of 5 stars
    4/5
    A really interesting story about a Muslim family coping with life in the aftermath of an earthquake while still dealing with the lingering effects of Sadam Hussein and the PUK fallouts. On top of that they struggle with an influx of do-good American Christians who want to help the physical needs of the people but also slip in some spiritual help. For a people used to their traditions and customs, the "new" way of the Americans and their culture is mind-boggling.

    The book reminds people of the unseen reprecussions evangelism can have, but also highlights what hardships befall a town devasted by a natural disaster. This is a complex novel, because family dynamics also play a huge role in the story and the characters' interactions. There's a lot here to digest. A great story.
  • Rating: 4 out of 5 stars
    4/5
    It seems that there has been a flux of popular fiction recently centered on various Middle Eastern countries & their customs. And while I enjoy learning about them for the most part, I feel like I can read only so many of them. Fortunately, this one didn't disappoint me. If you're looking for an uplifting, happy story, this might not be the one for you. Rather, it deals with tragedy on many levels while interweaving two distinct peoples & religions in a very believable storyline. I felt Irem was a very believable character, wanting desperately to gain some independence but yet not quite ready to leave the comforts of family, something I think many teenage girls worldwide must feel, regardless of culture or upbringing. The novel goes back & forth, with Irem's point of view alternated with that of her father, Sinan, and while the relationship between the two of them is somewhat subtle, Alan Drew does a good job of bringing it full circle near the end. I found the last portion of this book especially engaging, albeit disturbing. Overall, this was an excellent debut novel & one which I would recommend.
  • Rating: 4 out of 5 stars
    4/5
    This is an adult book, but two of the main characters are teens, a Muslim girl and an American boy, who develop a relationship during a disastrous earthquake and the difficult time afterwards. A reviewer called it kind of a Turkish Romeo and Juliet with Kurds and Americans- definitely something teens might be interested in reading. It was well written and a fun way to learn about another culture.
  • Rating: 4 out of 5 stars
    4/5
    This book was an excellent character study of the family dynamic in an Islamic, Middle Eastern country. I loved the daughter's struggle between following in her mother's footsteps and allowing the independent woman inside of her to surface. Mr. Drew paints a lush picture of Turkey and has a flair for providing detail without going overboard. I recommend this book to anyone with an interest in the relationship between family members or the role of women in Islamic societies. I learned some things about Muslims that I did not know before.
  • Rating: 5 out of 5 stars
    5/5
    In many ways Gardens of Water reminded me of A Fine Balance. Alan Drew creates such a sense of place in this book that a felt like I was watching a newsreel. I also came to deeply care for the characters, especially Sinan Basioglu, his daughter Irem and the American Marcus. Sinan tries his best to provide for his family and protect them from all the dangers of being a hated minority. Despite his best efforts their lives are reduced to rubble. There is unimaginable loss, humiliation, fear and misunderstanding even among those whom Sinan loves. (I found the portrayal of the missionaries especially sad, but true)
  • Rating: 5 out of 5 stars
    5/5
    "Gardens of Water" provided a vehicle for seeing the gray area between differing views. Alan Drew brings a rare realism to the people and events of this novel. He looks at the edge between points of view and helps us see the sides from all directions. There are no absolutes about anything in this novel. Drew examines conflicts between filial duty and youth using the vehicle of religious beliefs without using fundamentalist extremes. There are refreshing and surprising perspectives driving the characters, and while in the depths of the book one is hopeful that history won't repeat itself. I highly recommend it for it's complex and layered honesty presented in a situation that fortunately few of us have had to endure.
  • Rating: 3 out of 5 stars
    3/5
    Good parents are always trying to do what they think is best for their children and Sinan, a Muslim Kurd living near Istanbul with his family, is no different. This thoughtful debut novel takes place in 1999 just prior to a devastating earthquake that serves to bring Sinan’s family and the American family of Marcus Hamm together. While Sinan is focusing his attention on the right-of-passage of his son Ismail’s circumcision, his teenaged daughter, Irem, is beginning to flirt with Dylan Hamm, who lives upstairs. Sinan is not a fundamentalist, and, in fact criticizes some basic fundamentalist values and traditions, but he is decidedly conservative and demands submission from his wife and daughter. When the earthquake strikes and Ismail is saved by virtue of Dylan’s mother, the families become uncomfortably intertwined. As Irem feels more neglected and more secondary she gravitates more toward the lure of Dylan and his modern ways. The story provokes many discussion points as it contrasts the traditions and values of Sinan’s Kurdish culture with the good, but proselytizing, intensions of the missionary groups who quickly come to the aid of the citizens in need. The story also carefully considers the cultural bias against the Kurds from their own countrymen. The author lived in Istanbul during the Marmara earthquake and shows sensitivity toward both sides of the story. He is also able to create vivid pictures of the landscape as well as thoughtfully describing the inner feelings of his characters.
  • Rating: 4 out of 5 stars
    4/5
    A good book, well written with great prose. Very difficult subject material, but well-worth the take on the differentiation of Kurdish culture with the rest of the world.
  • Rating: 4 out of 5 stars
    4/5
    After a powerful earthquake destroys her family's apartment building, Irem finds her life changing drastically. Her life in the apartment was one of confinement, but in a world without walls she is free to pursue her own desires. Her father, Sinan is extremely displeased to learn that his daughter has been seen in the company of an American boy whose father is helping out with the aid work. Though Sinan is indebted to this American family for saving the life of his son during the earthquake, he still harbors deep hatred for the American interference in his country.

    Torn between the stifling confines of her traditional duties and the charms and excitement of her new relationship, Irem is alone in this new world of possibility. As the days go by, it seems there are no good options left for her. A heart-rending and intimate examination of two very different families and the challenges they face when cultures clash.
  • Rating: 3 out of 5 stars
    3/5
    This audiobook tells the tale of a Kurdish family headed by Sinan. Sinan is trying to stick to the traditional Kurdish values and beliefs he was raised with, but the realities of his changing society make that difficult. Especially when his 15 year old daughter Irem becomes interested in the American teenager living in their apartment building. Sinan becomes even more conflicted when an earthquake strikes and places him and his family is a position of dependence--even indebtedness--to the Americans. He fears getting close to the Americans and yet they seem to only want to help. Can these two families from different cultures live together in peace or will their differences rip them apart?
    This story is a sad commentary on what can happen because of misunderstanding upon misunderstanding. The audio production was good and the narrator did a good job bringing the middle eastern setting to life in the way he pronounced the words and such. If you like fiction that deals unflinchingly with contemporary issues than this would be a could choice for you. No happy ending is garanteed though.
  • Rating: 3 out of 5 stars
    3/5
    The story is based in Turkey and told through the eyes Sinnan, a father and a Kurd, a persecuted group of peoples in the Middle East. It's about misconceptions but the scale that it's on is so sad. Combined with the ways of life of a Kurd wrecks havoc on a family.

    I had a hard time connecting to the main character Sinnan. After thinking on it maybe I wasn't supposed to. His world view is so different from mine.

    It wasn't compelling enough. I could see what the author was trying to get across but it wasn't a good story as I think it could have been.
  • Rating: 4 out of 5 stars
    4/5
    In the aftermath of an earthquake that virtually destroyed their village, two families' lives become increasingly and dangerously intertwined. Irem, the daughter of a hard-working, poor and proud father is attracted to Dylan, the disaffected son of an American rescue worker. This relationship challenges the values of her family and community and the author beautifully describes Irem's conflicted feelings as well as her family's reactions. The author Alen Drew lived and worked in Turkey in 1999 and arrived there just four days before a devastating earthquake, and much of this book's setting was inspired by that period in his life.
    I really enjoyed this book and found the characters well-drawn and completely believable. It's hard for us overfed and well-housed Americans to imagine how people live normally in this part of the world, let alone survive after this sort of disaster. Yet, not only do they survive, they maintain as much as possible their dignity and pride which, as we learn in the book, is not based on material goods or property. So not only was this a great read, but it gave me a lot to think about. It would be an excellent book club selection.
  • Rating: 4 out of 5 stars
    4/5
    Gardens of Water--Alan Drew

    My suggestion: Don’t bother with plot summaries or opinions, just read it for yourself and if you’re in a book group—make it a group read.

    Gardens of Water has a lot for everyone, and gives insight into the culture clash within Muslim families in a way that’s different. The Kurdish family (father, mother, 15-yr old daughter, 9-yr-old son) has been displaced to Turkey in the late 1990s. For the first time I feel some understanding of the Muslim male viewpoint, usually portrayed in a rather simplistic almost inscrutable, cold way. The father is old-fashioned strict but not a fundamentalist, a step toward middle-of-the road; I saw him as equivalent to first-generation European immigrants to the US: one foot in the old world and not quite sure how to raise their children, who are being exposed to values and situations they never faced.

    You can read plot summaries anywhere, so I’ll just concentrate on my reactions.
    This fine book doesn't take the easy road of pat answers; many of the characters experience true inner conflict on several issues and both sides of the several issues seem to get fair treatment. The best part for me was gaining some small understanding of the thought process and crescendo of emotions in people (American and Kurd) whose beliefs are so different from mine. It also provides some insight into the effects of the situation in Iraq during Hussein’s rule and the general area, but on a personal level. The writing is straightforward--none of the look at me I'm writing stuff--and the issues are quite accessible. In some ways, it’s a kinder, gentler Kite Runner or Thousand Splendid Suns. Some have compared elements of the story to Romeo and Juliet, which I would have found off-putting. For me, the story was much a culture clash within the families and internal to the various people. But because it’s told in an even-handed way, you get to explore your own feelings through each character. These folks have some tough issues to face and I found it quite moving. It’s the type of book you hate to have end because you won’t spend time with these people any more.

    Good for Random House for recognizing what’s likely to be an extremely popular AND worthwhile book.
  • Rating: 4 out of 5 stars
    4/5
    An excellent and complex novel about loss. A muslim family of Kurds in Turkey copes with an earthquake. Their fate is intricately connected with their American neighbors. The author examines in detail the muslim religion and how the Kurdish family copes with the changes in their life. The treatment of women and their subjugation under Islamic law and the Kurdish tradition is at the core of the family’s story.

    Extremely well written, the author takes some risks with his storytelling. I don’t want to reveal any plot-spoilers, but there are two narrators, and one of them undergoes a life-changing experience that is rare in a novel. But the author pulls it off with skill and sensitivity.

    The treatment of the religion of Islam is powerful and complex. The comfort it gives the sufferers of the earthquake is clearly described, yet I couldn’t help but be saddened by the barbaric and backwards aspects of the religion: the treatment of women, the honor killings, the resignation to fate and the lack of hope.

    Yet the novel is not anti-muslim, or anti-Turkish or Kurdish. It is well balanced and surprisingly realistic in it’s treatment of all the many religions and cultures present in Turkey.

    Highly recommended.
  • Rating: 4 out of 5 stars
    4/5
    A terrific debut novel about a conservative Kurdish family in transition in Turkey -- geographic transition, due first to military instability and then an earthquake; and cultural transition, initially sandwiched between Islamic fundamentalists and secularists, then among Western (American) Christians.

    Alan Drew develops sympathetic and true characters, and his writing style, sprinkling of foreign-language terms, and evocative settings immerse the reader in 1999 Turkey (on a par with Khaled Hosseini's style). Short chapters and alternating viewpoints (a father and his 15-year-old daughter) keep the story moving, though at a leisurely pace until the final 75 pages.

    This novel entertained and informed me, but it also did the best thing a book can do: it inspired me to learn more -- outside of the story -- by seeking and exploring additional sources on my own. Highly recommended!
  • Rating: 4 out of 5 stars
    4/5
    This novel was a maddening read for me. On the one hand it is a fine piece of writing craftsmanship, deftly interweaving multiple themes, characters, and conflicts. On the other hand, it often fails at the points where it attempts to be real, or accurate, leaving the question in my mind as to whether readers who don't have the cultural, religious, and geographic background in which the novel is set are in some way deceived, or even confirmed in their prejudices.

    This work is a blend of true geographical settings, historical events, and hot cultural controversies such as Muslim-Christian relations, Kurdish-Turkish relations, pro- and anti-Americanism, tradition and modernity, changing gender roles, and others, combined with a fictional plot in which the author attempts to get inside the heads of Kurdish and American players who are caught in and live these controversies. The reader must allow the author novelistic license. But if it is the author's intent at the same time to be historically, geographically, and culturally accurate--which seems to be the case here--then this book needs some serious editing.

    Here are a few areas that seem deficient. The Turkish words and phrases used by the author are sometimes correct and sometimes glaringly wrong or inconsistent. He needed to have someone correct his Turkish usages, if it was his intention to be accurate. The tent city near where much of the novel takes place is some distance from Istanbul. One could not simply hop on public transport in the days following the earthquake, or even today, and arrive in the old parts of Istanbul in a few minutes. Turkey drives on the right. One cannot look down from the Bosphorus bridge to the water by driving in the far left lane, no matter which direction you go over the bridge. A real clanger: Muslims in Turkey are not buried in coffins. A Muslim girl raised traditionally would never speak of "walking down the aisle" as a way of describing a wedding.

    Points like these are bothersome not simply as a matter of pedantry but because they lead me to question how well the author has understood traditional viewpoints in Turkey. He works hard to reveal the self-consciousness and mentalities of a traditional family. But if he hasn't got the external facts right, how accurate is he with these deeper matters? Is this novel really a helpful guide to the way that Kurdish people in Turkey think, or the way American expatriate Christians in Turkey think? Too often it struck me that the attempt to explain, for instance, the thoughts of a traditionally raised Kurdish young woman ends up being a back-handed critique of her life from a modern secular point of view. And so the reader who is unknowing is not helped.

    The handling of description, characterization, plot, tensions, the personal within the political, and other aspects is masterful, and the author is to be commended for this achievement. The book is an undeniable page-turner and a satisfying read from many aspects. But whether it enlightens us -- as it seems to want to do -- regarding the real-life issues with which we must deal in this world is questionable.
  • Rating: 5 out of 5 stars
    5/5
    It has been nine years since the deadly Turkish earthquake of 1999, and yet the upheavals described in Gardens of Water echo throughout the news of today. Sinan, a Kurdish refugee shopkeeper working to establish a life in Turkey, fights to keep Turkey's liberal secular influences from affecting his family. But then the earthquake strikes, and the Turkish influences are joined with even more Western influences in the form of an American family who gives shelter and aid to Sinan and his wife and children.

    One of those children, his teenaged daughter Irem, has already felt the temptations of the West as personified by Dylan, the American family's son. Thrown together in a post-earthquake refugee camp, Dylan and Irem test boundaries for both of their families. Irem is forbidden to see Dylan, confined to the family tent. "She was stained with rumors because of a kiss. But it wasn't a stupid kiss; it was everything; it was what she wanted most, the only thing that made her happy. And the walls of the tent were crowding in and her mother wouldn't shut up and she thought she would explode."

    Questions of honor arise... the honor of women, the honor of Kurds, the honor of Muslims, the honor of good and decent individuals caught up in a chaos beyond their control. The clash of cultures leads to tragedy, though it is a tragedy accompanied by understanding.

    The resonance of current events comes with the subtle examination of the Turkish-Kurdish conflict, and a more explicit description of the good intentions of American Christians and the road they pave. Sinan's father fell victim to Turkish oppression, but Sinan must acknowledge that his father provoked the oppressor. The American missionaries provide a rapid response to the disaster, bringing in desperately needed housing, food, and water, but their insistence on proselytizing and conversion brings about suspicion and even retaliation from both devout and militant Muslims in the camps. Author Alan Drew may not have set out to draw parallels, but he does draw all the difficulties faced by all of the characters with balance and care, never preaching, and understanding the conflicts he limns so well results in a deeper understanding of the conflicts we face now.

    The complexities of the issues are served well by Drew's talent for storytelling, and his command of language is masterful. Early on, Sinan "watched the streak of black water beyond the rooftops, and the city lights strewn around the bay like a necklace. The tea-black sky floated above him, punctured with only three stars, just three tiny pinpricks. At night in the village there were more stars than night sky, more world out there staring back than there were people in the whole of this city, probably more than there were people in all of the world's cities." The transitions between plot development and thought processes, between exterior event and interior monologues, are seamless, descriptions are lyrical yet never self-conscious or forced. If there were "little darlings," he either killed them all or wove them in so skillfully that the language is never a distraction from the story but rather lifts it up and carries it along. "Gardens of Water," with its masterful blending of fiction and historical fact, is one of the finest stories told in recent years.
  • Rating: 4 out of 5 stars
    4/5
    Sometimes, obvious flaws in things like characterization can be overlooked because of how well the book is written overall. Such is the case here. It wasn't until I was nearly at the end of the book, when things were clearly winding down, that I realized that most of the major characters had not been fully developed, nor were their motivations always totally clear.

    But perhaps in this book the individual characters were stand-ins for the eternal conflicts of East vs. West and one generation against another. Both are realistically drawn as Irem struggles with herself against the traditions with which she's been raised, but is unable to completely break away from them. Her mother struggles to reconcile the choices she’s made, and her desire to raise her daughter in the same way she was raised, with the evident changes in the world around her and the greater opportunities Irem could take advantage of. Sinan, Irem’s father, struggles to support his family and to maintain the religious traditions that are important to him. None of the characters ever fully resolves their struggles, which is perhaps very realistic, although in some cases their own actions or events outside their control inadvertently lead to a resolution.

    Drew portrays these struggles very well. Indeed, in some places he demonstrates a rare gift for the ability to paint a scene. One scene in particular that deserves special mention is the scene where Sinan takes his son to visit the holiest mosque in Istanbul. There, while trying to teach his son how to pray, Sinan must deal with the distraction of Western tourists who are touring the mosque. This scene is so vividly rendered that the reader can’t escape the implications of the potential dangers to Sinan’s faith and way of life inherent in the encroachment of Westerners.
  • Rating: 5 out of 5 stars
    5/5
    I just finished this early review book and found it a captivating and moving read. The story surrounds a Kurdish family who has to live in refugee tents after their neighborhood is destroyed by an earthquake in the 90s. The book provides details of the family's interactions with each other and their interactions with the American workers trying to help them.

    It's hard trying not to give too much detail while writing a review on this one. I find it will read better without knowing where it is going. Overall, this book had me picking sides between a traditional, want the best for his family, Kurdish father and the possibility of young love winning out.

    The characters were very real and understandable, even when they did things that the reader may not agree with. The author did a wonderful job writing not only from a female point of view but also as a completely different nationality. You can tell he spent the couple of years he had in Turkey observing the people around him. The writing flowed nicely and kept me wanting more.

    This was a thought provoking work and will lead to interesting discussion. It's a nice ride that seems to speed to an end.
  • Rating: 3 out of 5 stars
    3/5
    Sinan and his family are left homeless after a massive earthquake hits Turkey. His young son Ismail is initially thought to have died, but is found alive in the rubble. Their neighbors, an American family, were not so lucky, losing Sarah, wife to Marcus and mother of Dylan. Then Marcus and Dylan join an American relief corp running a camp and convince Sinan and family to live in the camp. Dylan and Sinan's daughter Irem become close; their illicit love is a source of family conflict and exacerbates an existing conflict between Sinan and Marcus.

    Perhaps my tastes have evolved since a friend passed this book on to me. It had some promising elements but on the whole just didn't work. Dylan in particular: having lived all of his 17 years in Turkey, he was still very American (jeans, personal music player, tattoos & piercings) and prone to cultural gaffes. It also struck me as odd that Marcus and Dylan, bereaved and newly homeless themselves, would become relief workers. Wouldn't they need support as much as any Turkish family? Or does their nationality afford them some special status, uniquely able to rise above personal tragedy and help those "less fortunate"?

    The novel was also very dry, and didn't generate the emotion it should have given a number of tragic plot elements.
  • Rating: 4 out of 5 stars
    4/5
    Audio review.

    Powerful and beautifully written story of two families – one Kurdish, the other American -- and two faiths – Christianity and Islam – set in Istanbul, Turkey where East meets West, just after the devastating earthquake of 1999. The great themes of this novel are loss and betrayal, the collision between an agricultural tribal society with a technological urban society, and the manifestations and curses of faith and ideology – and honor.

    Drew hasn’t written a small novel but a great one that tackles the major issues warring with each other throughout the Middle East and violently raised by terrorists abroad from their homelands and within them. Besides its literary fineness, it is also an example of the kind of literature that is so worthwhile it should be read by everyone.

    Heartbreaking to read a story that so well highlights the gulf that exists between the lives and world of those who embrace the 20th C. in contrast to those who cling to a century far back in time. This is a tragic story that illustrates clearly that being simple, honest, moral but blinded by religion and tradition is not better than being worldly, sly, secular and skeptical of monotheism. Sorry, but some ideas are better than others, and some cultures are more civilized – and definitely better – especially if you happen to be born a woman.

    Islam is not disrespected in this book but it is certainly depicted more unfavorably than in Rabih Alameddine's, "The Hakawati," But that could be the difference between the Islam of the urban Egyptian vs. the Islam of the village Kurd.
  • Rating: 4 out of 5 stars
    4/5
    Seven years ago, Sinan, his wife Nilüfer, his daughter Irem, and his son Ismail moved from their village in Southeast Turkey to the larger city of Gölcük to avoid the dangers of war. Sinan and his family are Kurds and have continued to live as devout Muslims in Gölcük, but when an earthquake hits, they must move into a refugee camp run by Americans, and Irem begins to resist her father’s restrictions. The tensions between Islam and Christianity, traditional and modern, father and daughter play out as the family attempts to piece their lives back together.

    Overall, I enjoyed this book. Drew tells a compelling story. The plot moves along quickly. The details about the context, the war, and the earthquake are nicely integrated with the story. And the two primary characters Sinan and Irem are complex and well-detailed. Neither is the hero, neither is the villain. They are simply a father and a daughter struggling to understand each other and to figure out how to live in a complex world.

    My one complaint is that the other characters in the book were not as complex as Sinan and Irem. Both Ismail and Nilüfer are integral to the story, yet each is somewhat one-dimensional.

    But overall, this is an excellent debut novel.

Book preview

Gardens of Water - Alan Drew

Chapter 1

In the rush of bodies to board the ferry leaving İstanbul for Gölcük, Sinan lost his son.

Five minutes earlier İsmail had been tugging Sinan in the opposite direction, back toward the city, deep into the labyrinth of arcades and electronics stores of the Sirkeci neighborhood. Sinan suspected it was for the exact purpose of missing the ferry home and delaying the pain of the circumcision ceremony that evening. The boy stomped across the bricks in his white circumcision costume, one hand squeezing Sinan’s fingers and the other hoisting his tasseled staff in the air like a pasha leading a parade. Sinan let himself be pulled for a while, but the horn had already sounded, and, even though he, too, wanted to delay the ceremony, they couldn’t miss that ferry.

When they had reached Reşadiye Avenue, Sinan pulled İsmail into the street just as the traffic broke, Sinan’s shoulders rocking back and forth in an awkward dance on his bad foot. He finally pushed İsmail through the metal gate to the ferry dock just in time for them to join the throng of men and women leaving work for the day. They ran from the shade of the dock back out into the searing summer sun, Sinan leading İsmail this time through a sea of elbows, shoulders, and damp backs. They climbed the thin plank of wood used as a bridge from dock to boat, the green water beneath them churning with translucent jellyfish, and they entered the smoky cabin, where İsmail dropped his staff. He let go of Sinan’s hand, and before Sinan could grab his son’s arm, the boy disappeared, swallowed by the wave of bodies.

Now Sinan shoved through the crowd to get to the boy, but his foot made it difficult. He pushed against the stomachs of men smoking cigarettes, turning sideways to make himself thinner. "Affedersiniz, he said to each person he touched, in a voice barely concealing his rising panic. Excuse me." But the more he struggled forward, the more he was shoved backward by the jostling mob, and soon he was forced all the way to the other side of the ferry, his back leaning against a rusty chain that kept him from tumbling into the Bosporus.

Allah, Allah, he said out loud. A man standing next to him glanced in his direction.

Too many men, the man said. He lit a cigarette, the smoke flying away from his face. Too many men, not enough city.

My boy’s lost, Sinan said.

The man turned around. He was taller than Sinan and he was able to see over the heads of the crowd.

Where? the man said.

At the entrance.

The man stood on his toes and yelled across the cabin in a voice so powerful it silenced the crowd.

"Erkek çocuk nerede?"

That started a chorus of echoes. Where’s the boy? strangers called, their voices rising above the sound of the engine straining to pull away from the dock. Where’s the boy? Where’s the boy? they yelled into the wind, as the ferry nosed its white hull out into the blue water. "İsmail! Sinan called, joining his voice to the chorus. The men yelled İsmail" too, and a pandemonium of concern radiated out through the cabin.

Then thirty feet away, rising above the heads of hundreds of people, came his son. At first İsmail seemed to be floating under his own power, a princely ghost taken flight in the sea-whipped wind, but as he drew nearer, Sinan saw the shoulders on which İsmail rested. The man elbowed through the parting crowd, a cigarette burning in his mouth, his large, hairy hands wrapped around the boy’s stomach. İsmail’s white teeth gleamed against his skin and his black eyes shone in the afternoon light. The staff was clasped in his fist, and for a moment he seemed to be a king raised high above the people of İstanbul.

"Teşekkür ederim," Sinan said when the stranger handed him his son.

"Birşey değil."

When the ferry docked in their suburb of Gölcük three hours later, İsmail wouldn’t let go of the railing. Sinan touched the top of İsmail’s head, and reminded him of the gifts he would receive after the ceremony. He tickled İsmail’s armpits and tugged on his earlobe, which didn’t earn him the usual dimpled smile, much less a loosening of the boy’s white-knuckled grip. A few women, shuffling toward the exit, smiled in sympathy. The man who had carried İsmail on his shoulders slid a one-million-lira note into the pocket of the boy’s white satin vest.

What’s your name? the man said.

"İsmail."

"İsmail what?" the man said.

"İsmail Başioğlu."

That’s a fine name. A strong man’s name. The man winked at Sinan. Can’t stay a boy forever, he said.

Sinan thought the man was scolding him for İsmail’s age—nine, at least a year too old for the sünnet—but the man’s smile betrayed nothing but generosity.

When the deck was cleared of people, Sinan touched his son’s hand and felt the boy’s fingers stiffen. We have to go, he said.

Behind İsmail, the sun collapsed in red bands along the horizon.

Sinan knelt beside İsmail and put his hands on the boy’s shoulders. "It will hurt, but that pain will pass and God will know you’re willing to endure pain for him. A man has to endure pain, İsmail. But it will pass."

İsmail looked at the ground, his long eyelashes pressed against his cheeks.

Baklava soaked in honey afterward? Two, maybe?

Finally, the boy smiled.

They had left home that morning, just as sunlight broke above the bay, and took the three ferries the length of the Gulf of İzmit into İstanbul. Sinan hadn’t been to İstanbul since they had first arrived in the city from Yeşilli, their village in the Southeast, seven years ago, but it had been İsmail’s special request to be paraded around the city on the day of his circumcision. Sinan hated İstanbul—too many people, too much cement, too little sky—but İsmail was fascinated by it. Even after a full day of stomping around the city that caused Sinan’s foot to ache, his son’s fascination rubbed off on Sinan.

People had been kinder than he had expected. A woman in a pastry shop had offered the boy a slice of chocolate cake laced with pistachio nuts, a bite of which İsmail promptly dropped on the white satin of his pasha’s costume, soiling the garment that had cost Sinan a week’s earnings. A taxi driver gave them a free ride up to Topkapi Palace, where, like sultans of another age, they gazed out over the shimmering waters of the Bosporus. They marveled at Boğaziçi Bridge, standing like a huge metal suture between the hills of Asia and Europe. They counted the boats crisscrossing the Sea of Marmara—massive tankers that shoved the water aside, lumbering car ferries leaning into the current, driftwood-sized fishing spits—and settled on the number forty-six. As they passed the fish houses in Kumkapı neighborhood, the musicians at one of the tourist restaurants left their table and followed İsmail down the street, blowing their reed flutes to announce his passing.

Nilüfer and İrem had stayed home to cook the food for the party tonight. If they had still lived in Yeşilli, Sinan’s aunts and uncles and cousins would have helped, and the whole family would have paraded İsmail through the unpaved streets. Sinan kept the memories of his own sünnet celebration to himself; he didn’t want his son to know what he was missing. But the images had flashed in his mind throughout the day—his father hoisting him onto their best horse, his mother walking beside him, one hand resting on his knee, and the horse’s belly swaying against her own pregnant bulge. It was one of his last memories of her, and even though her face had been white and she wouldn’t smile, he hadn’t thought to tell his father to get her home. Three days later, his father would leave Sinan with his aunt while he drove his mother to the good hospital in Diyarbakır. She was bleeding, his aunt told Sinan. The doctors would make her better and he would have a little sister or brother when they came home. Only his father came back.

Now the call to sunset prayer echoed from dozens of speakers, the amplified voices ricocheting off the cement walls of apartment buildings. Sinan was nervous, too, and a knot the size of an apricot had hardened inside his stomach. The walk home took them past the fishmonger’s, and Sinan gave İsmail money to buy the fish heads and severed tails for the street cats. Eren Bey, the fish seller, wrapped the remains in paper and handed them to İsmail.

Wait, Eren Bey said, holding up one bloody finger. From a fernlined basket filled with his best palamut, he grabbed the largest fish, wrapped it up with a sprig of oregano, and dropped it into İsmail’s hands. Fish will make you a strong man. He flexed his bicep and slapped the bump of muscle. All the women in the world will kiss your feet.

Eren winked and İsmail smiled.

Please, Sinan said, he’s just a boy.

"Efendim, the fish seller said, his hands held out as if he were mildly insulted, just a joke."

They stopped at the rotting wooden konak where the street cats lived, but the cats were not there. İsmail threw the fish parts through the broken window anyway, a gift for their return. They took maghrib prayer at mosque, and Sinan listened as İsmail stumbled through the Arabic. Afterward, they climbed the hill that led to their apartment, and the bright lights of the amusement park below spun against the darkening sky. Sinan promised, as always, to take İsmail there someday for a ride on the Ferris wheel.

By the time they reached their apartment, the knot in Sinan’s stomach had grown to the size of a small apple. He massaged the spot with his fingertips and it rolled around inside his stomach. He wondered, briefly, if he could delay the ceremony one more year. But people were already coming, the sünnetci was already scheduled, and he would have to make his son suffer the pain tonight.

Go on and see Ahmet, Sinan said to İsmail. He knew his brother-in-law would spoil the boy, treat him like a child one last time before İsmail had to bear the burden of trying to be a man. I’ll come and get you at the grocery later.

Sinan climbed the curving staircase of his apartment building. American music blasted down the stairwell and rattled the metal railing. He hated their apartment. From the outside it looked nice: the cement walls were painted yellow and the stairway to the front door was made of mediocre marble that shined when the apartment manager bothered to polish it. But inside you could hear a man whisper through the plywood doors, the plaster walls were chipped, and on stormy afternoons, when the rain rolled across the bay as though the sea had stood up and formed a wall, the wind slipped through the cracks in the mortar and deposited saltwater and cement dust in the corners of the living room.

In the kitchen, Nilüfer was covered in sweat and a dusting of flour. Little balls of dough stuck to her fingertips.

Sinan. She smiled. "Canim," she said, and purposely pressed her doughy hands to his face.

Stop that, Nilüfer, he said, but he let her smear the dough across his cheeks.

She kissed him once on each doughy cheek. Sinan tucked a stray strand of hair beneath her head scarf.

How long has this been going on? he asked, motioning with his head toward the music blasting through the ceiling.

She shrugged. Forty-five minutes? She looked behind Sinan. "Where’s İsmail?"

With Ahmet.

Well, go get him. I need to get him ready. She squeezed loaves of bread he had brought from the grocery that morning. This bread is too hard. You need a new bread man, she said. She walked into the kitchen. "The yogurt is runny. This heat is ruining it all. The börek won’t rise, the peppers are like rubber."

Nilüfer, it will be fine, he said. I’ll go to the store and get more bread. Stop worrying.

She leaned a fist on a hip and blew air through her teeth. As though you don’t worry.

He touched his stomach and made a face.

She waved her hand at him. See.

He laughed. All right, all right.

He looked around the corner to where his daughter sat watching television and made sure İrem could not see them before touching Nilüfer’s hips and kissing her on the lips—a long kiss, the kind he usually gave her only in their bedroom.

Quit with that, she said, but her hands rested on his chest. She slapped him on the shoulder and whispered, We don’t need any more children.

What’s this? Sinan said. Some sort of pastry sat in a circular tray on the kitchen table. It wasn’t a Turkish dish.

Pecan pie, Nilüfer said with an astonished lifting of her eyebrows. Sarah Hanim brought it down for the party. She glanced toward the ceiling.

The American’s wife? he said. Pecans?

An American family occupied the sixth floor, the one directly above them. They spent only the summers here, just sitting around, drinking wine on the terrace, and listening to jazz music, as far as Sinan could tell.

Her name’s Sarah, Nilüfer said, glaring at him. Sarah Roberts, and she’s nice.

Maybe, then, she could teach her son some manners. He pointed to the throbbing ceiling.

We should have invited them. I feel bad.

You should be helping your mother, Sinan said to his daughter, sticking his head around the corner into the living room.

Baba, I’ve been working all day. She didn’t look at him when she spoke. He didn’t know what it was about fifteen-year-old girls, but he had never known a child so rude to her parents.

He glanced at the television. It was an American show dubbed in Turkish, and the actors’ mouths stopped moving before the lines were finished being said. A scantily dressed blond girl killed monsters with a stake.

He watched the show for a minute, enough to determine that it dealt with the devil and sex.

I don’t want you watching this. It’s not moral.

Baba, Buffy kills the vampires, the evil ones. What’s more moral than that?

He snapped off the television.

Baba!

Get yourself ready for tonight, he said. It’s your brother’s special night.

İrem ran down the hallway. "İsmail, İsmail, İsmail, she said, always İsmail." She slammed the door to the room she shared with her brother and the music upstairs stopped.

Sinan let out a frustrated breath of air. How are we raising our children? he called toward the kitchen.

You could say hello to her first, Nilüfer said, popping her head around the corner of the kitchen.

So she could ignore me and stare at this stupid box?

Sinan, it’s only a television show. He heard the oven door squeak open. She’s been working hard since this morning. Be nice.

He switched on the television again and watched for a minute, turning his head to the side to consider it. There was killing and there was kissing, enough for him. He shut it off.

I’m going to invite them, Nilüfer said, standing in the hallway now.

No. It was bad enough they lived above him, but he didn’t want the Americans inside his house, especially on this day.

Sinan, Nilüfer said. It’s wrong. They’re our neighbors.

He shook his head, but she was already coming toward him with a smile on her face.

Chapter 2

İrem slammed the door and the music stopped. His room was directly above hers, just a few feet away. If she stood on her bed, she could touch the ceiling and feel the beat of his music running through her fingers and down her arm. It was wrong, she knew, but she did so sometimes when İsmail wasn’t around, and she discovered that she only felt guilty for a few minutes afterward. Once, when she heard the muffled strains of his voice talking on the phone, she stood on her dresser and pressed her ear against the ceiling. She imagined he was talking to someone in New York City or Los Angeles. She couldn’t understand what he said, but she imagined he was whispering in her ear, and that night she had dreams about him, embarrassing dreams she would never tell anyone, not even her friend Dilek.

She heard his footsteps creaking across the ceiling, the squeaking of his window opening, and she knew he was waiting for her. She had been cleaning all day, though, and she smelled of disinfectant. Her face was smeared with flour and she didn’t want him to see her like this.

A cloud of smoke blew across her windowpane, followed by a tapping on the outside wall of the apartment.

She was wearing rags, her blouse was frayed at the cuffs, and her head scarf was the worst thing you could imagine—green-and-orange-paisley swirls with bleach spots in places. She only wore it inside, when no one but her family would see her. She pressed her nose to her armpits and was embarrassed by her own smell.

Another cloud of smoke blew across the windowpane, followed by a cluster of bubbles floating in the air like orbs of oil-swirled color.

She laughed, forgot her appearance, and scrambled across her bed toward the window.

What are you doing? she whispered, sticking her head out the window.

A stream of bubbles splattered in her face, stinging her eyes.

Stop, she said. Allah, Allah. She ducked back inside to rub the soap out of her eyes and remembered that she was unpresentable. She leaned against the windowsill but wouldn’t put her head outside again. I’ve been cleaning all day. I look terrible.

I won’t look, he said. Here.

His hand suddenly appeared at the top of the window frame, a cigarette burning between his long fingers.

When she leaned out the window to grab the cigarette, his chest hung over the ledge but his head was turned away. She laughed, took the cigarette from his fingers, and admired the tattoos etched over the veins of his forearms. She put the cigarette to her lips and tasted the wetness on the filter. She didn’t inhale—she didn’t really like to smoke, even after a month of these window-to-window visits—but she simply held it there, her tongue picking up the flavor of nicotine and boy.

More bubbles floated down, lazy, breeze-blown.

What are you doing?

I’m bored, he said. There’s nothing to do out here. Shit, how can you stand it?

She cringed at the curse word, but he was American, and it wasn’t as rude for them as it was for a Turk.

I can’t stand it, she wanted to say, but instead she held the cigarette to her mouth and inhaled this time.

She sometimes passed him in the stairwell or watched him walking on the street, his legs moving to the beat of a song on his headphones, but in those places she had to ignore him. There were too many neighbors watching, eyes looking through peepholes, faces behind lacy curtains.

"I miss İstanbul, he said. Beyoğlu, especially. The action’s there."

She listened to him and tried to imagine Beyoğlu. She had seen it on television—the three-story clubs, the women dressed in tank tops with their bra straps showing, the men with their black hair slicked back and shining. It was only three hours by ferry to İstanbul, but it seemed as far away as America.

I miss my friends from school, he said.

She stared at his hand and forearm, but the rest of him was cut off from her vision by the metal window frame and the cinder-block walls. She stared at the ceiling and imagined his feet, his legs, his whole body just on the other side of that cement and wood.

Hey, he said. Don’t get greedy. His hand dangled outside the window again.

She took one last drag, leaned out to hand it to him, and was startled when she found him staring down at her.

Gotcha, he said.

She dove back through the window, embarrassed and shocked, but she could never get really mad at him.

You don’t look so bad, he said.

Shut up.

No, no, he said. I mean it. He laughed. I’m sorry. It’s kind of nice seeing you, like, normal, you know? When I see you outside it’s like you’re not you.

Not me?

I don’t know, he said. "It’s like you’re too formal or something, too perfect and proper. Right now you seem like—you seem like you. She heard him blow out a breath. I don’t know, he said. Forget it. You just look nice is what I’m trying to say."

She stuck her head out the window and tried to watch him without being seen. His hand disappeared, followed by a puff of smoke, and then it returned. There were long blue veins running up his forearms and they made the muscles look strong.

I saw your brother this afternoon, he said.

She looked away, up toward the square of blue sky between apartment rooftops. A flock of birds, a large gray cloud of them, flew out toward the hills.

He gets treated like a sultan, she said, biting her thumbnail now and looking at the floor. Money, clothes, this dinner.

"Guy deserves a few gifts if they’re going to do that, he said. That’s gotta hurt."

She felt her face go red. She had thought about that part of a man’s body before, but it was never talked about, and her excitement suddenly mixed with a strange distaste.

Aren’t they supposed to do that in a hospital now? he said.

It’s expensive.

Man, you can put metal rods through my ears, stab bamboo shoots under my nails, but don’t mess around with—wait. He flicked the cigarette butt into the air and disappeared.

She jumped back from the window and sat down on her bed, her heart thumping against her ribs. She heard his footsteps above mix with other footsteps, heard a quiet voice and his louder reply. It was silent then for a few moments, and she waited, holding her breath as long as she could before becoming dizzy.

The ceiling creaked softly.

"İrem," he whispered down.

She sat still and listened to the hallway outside her own door, suddenly aware that her parents, too, could walk in and discover them.

"İrem," he said, louder this time.

Shh, she said, her head out the window now. Quiet. My father would kill you if he discovered this.

He smiled his crooked smile.

No. I mean it.

We’ve been invited down to your apartment, he said.

What? Tonight?

Uh-huh.

Allah, Allah! she whispered to herself.

Hah, he laughed sarcastically. I can’t wait to meet you.

Chapter 3

Sinan headed down the stairs to collect İsmail and to borrow more groceries from his own store’s inventory. Nilüfer needed fresh bread, not the day-old stuff he had brought this morning, bulgur wheat, and dried mint. Not only did he have the pain in his stomach, but his chest hurt now. The cost of the food would break him. It was too hot out. People wouldn’t come and the night would be a failure. Nilüfer would cry about her baby becoming a man.

He passed the Gypsy camp on the way to his bakkal, where a filthy boy and his little sister unloaded a donkey cart of cardboard they had scavenged from the trash that morning. Sinan and his family were lucky, he reminded himself. As hard as life was for a Kurd, it was harder on a Roma. If he didn’t say anything, no one bothered him about being Kurdish. But everyone hated the Gypsies. They were rootless people—from Romania or Egypt or India; no one knew. Even Sinan, who had good reason to identify with their itinerant life, fought his disdain for people who made homes out of his garbage.

On Flower Street, a woman lowered a basket from the fifth-floor window of her kitchen, and left it dangling a few inches above the street. A boy from Sunrise Grocery, one of Sinan’s competitors, took the money out of the basket and filled it with pide, cheese, and a container of honey. The woman tugged on the rope and the container rose like a spider on a single thread. This apartment was closer to Sinan’s bakkal than it was to Sunrise, and he made a mental note to have a sale next week to keep the street’s business.

He found İsmail and Ahmet sitting on wooden crates in front of the grocery, both of them chewing on large chunks of sweet helva. When they saw him coming, İsmail and Ahmet pretended to hide the candy behind their backs. Sinan laughed, and immediately the tightness in his chest eased.

Sweets before dinner? Sinan said. Your mother won’t be happy.

Don’t tell your mother, Ahmet said, winking at İsmail.

İsmail laughed and took another bite of the candy.

Sinan hugged his brother-in-law and kissed him on each cheek, and he could smell the alcohol on Ahmet’s breath.

"Just a little raki, he would say on the days Sinan reproached him for it. If I’m going to spend my life in this grocery, I’m going to live a little doing it. God understands."

God is disappointed, Sinan would say, and leave it at that because, despite himself, he loved the man.

Sinan owed Ahmet his life. When things got bad in the village, when men were being taken away by the Turkish paramilitaries and it seemed only a matter of time before he, too, disappeared, it was Ahmet who sent them the bus tickets to Gölcük, Ahmet who gave them money for the first month’s rent on the apartment. He also made Sinan a partner in the grocery, changing the bakkal’s name from Ahmet’s Grocery to Brothers’ Grocery. There was, he knew, room enough in God’s Paradise for such goodness.

"Teşekkürler, Ahmet," Sinan said.

No problem, my brother. Ahmet took Sinan by the arm. You’re limping. You need ice on that foot.

I’m fine.

You’ll be dancing tonight.

Sinan just looked at him and raised an eyebrow. Ahmet put one hand in the air and rolled around on his ankles. He laughed and slapped Sinan on the back.

Your wife says to bring bread with you.

I know.

She called earlier, Ahmet said. She wasn’t happy. Better do what my sister says, my brother.

I will, Sinan laughed. But the house is filled with food.

I’ve seen it! Ahmet said. "Börek to the ceiling. A river of olive oil down your hallway."

With a pat on the rear end, Sinan sent İsmail home to get cleaned up. "Finish that helva before you get there."

Together he and Ahmet entered the grocery, a one-room, concrete-floor shop lined with shelves of canned tomato puree, canned fruit, canned beans, and canned soda. Ahmet reached behind the counter and held up the front page of the Milliyet.

They locked Öcalan up on Dog Island today, he said.

I saw, Sinan said. If all the buildings were gone, and they had a clear sight to the sea, they would be able to see the island on which the prison was built. In Ottoman times, the island was where they took the rabid street dogs to let them rip one another to pieces. That’s what Öcalan was to the nationalist Turks, a Kurdish separatist dog. He’ll rot there until everyone forgets and then they’ll hang him.

Ahmet lit a cigarette. They say the war is over.

That’s what they say.

Ahmet looked at Sinan, blew smoke to the ceiling, and picked a strand of tobacco from between his teeth. Sinan said nothing and avoided his eyes while he gathered Nilüfer’s groceries. He always said he’d return to Kurdistan if the civil war was finished, but now he didn’t know. He always thought they’d win and the Kurds would have their own country. A man can accept a life of poverty if it’s in his own country, if it’s his own doing, but not if it’s caused by others.

Ahmet folded up the newspaper and tossed it aside. Check the receipts, he said. I can’t do the math. Without you I’d run this place into the ground.

Slow day? Sinan asked, sorting through the strips of paper.

You’re our best customer, Ahmet said, taking a sip from his coffee cup. Too hot to shop, he said. Tomorrow will be better.

The motor to the cooler hummed loudly and Sinan slapped the casing to quiet it. Behind the fogged glass, the goat’s cheese and garlic sausage lay sweating in the heat.

"Inşallah," Sinan said, fingering the few bills in the drawer beneath the calculator.

God willing, they’ll shut down the Carrefour, Ahmet said. The French superstore had been built on the other side of the highway in what used to be an empty lot dotted with grazing goats. Their grocery had been losing business ever since. Fatmah Hanim told me they sell Florida oranges there, he said, turning up his lips in disgust. They make them without seeds.

Must taste like piss, Sinan said. Fruit without seeds!

It was as close to cursing as Sinan got, and the stunned look on Ahmet’s face gave way to laughter.

Like a man without testicles, Ahmet said. Fruit without seeds! Allah, Allah. He reached beneath the counter and took a very large drink from the

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