Seattle Radio
4/5
()
About this ebook
John F. Schneider
In this book, radio historian John F. Schneider introduces these and many other fascinating radio people and traces the evolution of what has become today’s mature Puget Sound radio industry.
Related to Seattle Radio
Related ebooks
Sound Business: Newspapers, Radio, and the Politics of New Media Rating: 3 out of 5 stars3/5Theatres of Oakland Rating: 5 out of 5 stars5/5Location Filming in Los Angeles Rating: 5 out of 5 stars5/5Not For Tourists Guide to Seattle 2017 Rating: 0 out of 5 stars0 ratingsPortland's Streetcars Rating: 0 out of 5 stars0 ratingsMount Baker Rating: 0 out of 5 stars0 ratingsThe Portland Area:: 1869-1939 Rating: 0 out of 5 stars0 ratingsIn Old New York Rating: 0 out of 5 stars0 ratingsProhibition Pittsburgh Rating: 0 out of 5 stars0 ratingsPortland Historical Architecture: Downtown, Pearl District, Old Town Rating: 0 out of 5 stars0 ratingsVanishing Phoenix Rating: 0 out of 5 stars0 ratingsDurham Tales: The Morris Street Maple, the Plastic Cow, the Durham Day that Was & More Rating: 4 out of 5 stars4/5Not For Tourists Illustrated Guide to New York City Rating: 4 out of 5 stars4/5Rochester Leaders and Their Legacies Rating: 0 out of 5 stars0 ratingsPortland Rose Festival Rating: 0 out of 5 stars0 ratingsThe Historic Core of Los Angeles Rating: 4 out of 5 stars4/5Historic Houston: How to See It: One Hundred Years and One Hundred Miles of Day Trips Rating: 0 out of 5 stars0 ratingsTwisted Tour Guide: Seattle and Puget Sound Rating: 0 out of 5 stars0 ratingsSan Francisco's Financial District Rating: 5 out of 5 stars5/5The Department of Mad Scientists: How DARPA Is Remaking Our World, from the Internet to Artificial Limbs Rating: 0 out of 5 stars0 ratingsNot For Tourists Guide to San Francisco 2017 Rating: 0 out of 5 stars0 ratingsNot For Tourists Guide to Los Angeles 2022 Rating: 0 out of 5 stars0 ratingsWhite Sands National Monument Rating: 0 out of 5 stars0 ratingsBoston's West End Rating: 0 out of 5 stars0 ratingsRochester Labor and Leisure Rating: 3 out of 5 stars3/5The Pine Barrens of New Jersey Rating: 0 out of 5 stars0 ratingsEast Village Rating: 0 out of 5 stars0 ratingsNot for Tourists Guide to New York City 2025 Rating: 0 out of 5 stars0 ratingsBeyond Hope: An Illustrated History of the Fraser and Cariboo Gold Rush Rating: 0 out of 5 stars0 ratingsOttawa Rating: 5 out of 5 stars5/5
Photography For You
Dune Part One: The Photography Rating: 0 out of 5 stars0 ratingsJust Kids: An Autobiography Rating: 4 out of 5 stars4/5The Chiffon Trenches Rating: 4 out of 5 stars4/5Photography for Beginners: The Ultimate Photography Guide for Mastering DSLR Photography Rating: 4 out of 5 stars4/5The Complete Guide to Fujifilm's X-T5 Rating: 0 out of 5 stars0 ratingsBetty Page Confidential: Featuring Never-Before Seen Photographs Rating: 4 out of 5 stars4/5Zaitoun: Recipes and Stories from the Palestinian Kitchen Rating: 5 out of 5 stars5/5The Complete Portrait Manual: 200+ Tips & Techniques for Shooting the Perfect Photos of People Rating: 4 out of 5 stars4/5Collins Complete Photography Course Rating: 4 out of 5 stars4/5The Heart of the Photograph: 100 Questions for Making Stronger, More Expressive Photographs Rating: 5 out of 5 stars5/5Pride Atlas: 500 Iconic Destinations for Queer Travelers Rating: 5 out of 5 stars5/5See The Light Rating: 0 out of 5 stars0 ratingsStreet Photography Assignments: 75 Reasons to Hit the Streets and Learn Rating: 5 out of 5 stars5/5Bloodbath Nation Rating: 3 out of 5 stars3/5How to Photograph Everything: Simple Techniques for Shooting Spectacular Images Rating: 4 out of 5 stars4/5iPhone Photo Tutorials - English Version Rating: 5 out of 5 stars5/5On Photography Rating: 4 out of 5 stars4/5Book Of Legs Rating: 4 out of 5 stars4/5Travel Photography, 2nd edition: The leading guide to travel and location photography Rating: 3 out of 5 stars3/5The Art of Black and White Photography: Techniques for Creating Superb Images in a Digital Workflow Rating: 4 out of 5 stars4/5Essential Affinity Photo Rating: 0 out of 5 stars0 ratingsMastering Drones - A Beginner's Guide To Start Making Money With Drones Rating: 2 out of 5 stars2/5Photography 101: The Digital Photography Guide for Beginners Rating: 4 out of 5 stars4/5Photographic Composition: Principles of Image Design Rating: 4 out of 5 stars4/5Ghost Image Rating: 4 out of 5 stars4/5The iPhone Photography Book Rating: 5 out of 5 stars5/5Picture Perfect Flash: Using Portable Strobes and Hot Shoe Flash to Master Lighting and Create Extraordinary Portraits Rating: 0 out of 5 stars0 ratingsPortugal: Highlights of Lisbon and Surrounding Areas Rating: 2 out of 5 stars2/5iPhone 11 User Guide: The Simple Manual to Understand Your iPhone 11 with Tips and Tricks Rating: 0 out of 5 stars0 ratings
Reviews for Seattle Radio
2 ratings1 review
- Rating: 4 out of 5 stars4/5I grew up listening to KJR and KING-FM, among other stations in Seattle, so it was neat to read about and see the history of these and other stations. I also learned for the first time that Ivar Haglund (Ivar's Fish & Chips) started out as a folk singer.
Book preview
Seattle Radio - John F. Schneider
www.theradiohistorian.org
INTRODUCTION
Although experimental radio telephone transmissions in Seattle—led by Lee de Forest, William Dubilier, and others—took place as early as 1906, the consumer radio boom did not hit Seattle until the fall of 1921. By 1922, radio was all the rage.
Seattle’s first broadcaster was undoubtedly Vincent Kraft. He started broadcasting from the garage of his Ravenna home over his amateur station, 7XC, in 1919. He played phonograph and piano music through his 10-watt transmitter and single microphone. Other hams and early experimenters encouraged him to do more, and by March 1922, 7XC had been relicensed as KJR.
The city’s second broadcaster was the Seattle Post-Intelligencer’s station KFC, transmitting from the roof of the P-I building at Sixth and Pine Streets. Carl Haymond was the program manager, announcer, engineer, and probably also the janitor. He led performers up the steep iron stairs to the roof and held a megaphone in front of the microphone while they sang or spoke into it.
Louis Wasmer started Seattle’s third station, KHQ, from his motorcycle shop on Thirteenth Avenue N. After increasing power, he sold his old transmitter to the Economy Market, where it went on the air as KZC. Rhodes Brothers Department Store put KDZE on the air in May 1922, and Seattle City Light’s John D. Ross put KTW on the air for the First Presbyterian Church.
In the first two years, all of these stations, plus some latecomers, were required to share time on a single frequency—360 meters (833 kilohertz)—and listeners could only hear one station at a time. A station would broadcast for an hour and then shut down to be replaced by another station, stronger or weaker than the last one. The stations met with the local radio inspector periodically to work out an operating schedule.
Many of these early stations had poor audio quality and suffered continuous technical difficulties, and people soon tired of listening to scratchy broadcasts of phonograph records, so in 1924 the government established a second class of station. Class B stations operated with at least 500 watts and were prohibited from playing phonograph records. They were assigned their own exclusive frequencies and could operate more hours each day. The remaining stations continued to share 360 meters. The Rhodes station—by now known as KFOA—was Seattle’s first Class B station, assigned to the 660-kilohertz frequency. KJR and KTW later upgraded to Class B status as well.
As the decade progressed, many more stations were licensed, creating a glut. With just one channel available for most, there was no room for all to exist simultaneously. Many of these new stations were not serious efforts, only started by companies or individuals wanting to cash in on the radio boom. Many left the air within a year.
Roy Olmstead, Seattle’s biggest bootlegger, started KFQX from his Mount Baker home in 1924. That November, federal prohibition agents raided the home, shut down the radio station, and arrested Olmstead, who was convicted and sent to McNeil Island Federal Penitentiary. KFQX was then leased to Birt Fisher, who ran it as KTCL, but in 1926 Olmstead sold it to KJR’s Vincent Kraft, who planned to take over the station when the lease expired in December. So, Fisher joined forces with the owners of the Fisher Flouring Mills Co. to open a new station, KOMO. Generously financed with a staff of 65 producing 14 hours of live programs a day, KOMO quickly became one of Seattle’s most popular stations; meanwhile, Vincent Kraft took over KTCL and turned it into KXA.
Kraft’s primary station, KJR, had grown into Seattle’s other big radio operation by the late 1920s. Kraft built additional stations in Spokane, Portland, and San Francisco and tied them together in 1926 to create one of the first radio networks. In 1928, he sold his four stations to Adolph F. Linden and Edmund Campbell, directors of Puget Sound Savings & Loan. Soon, the money flowed freely, and KJR became among the most popular and best-financed stations in the Northwest. It had a large program staff with announcers, singers, a dance band, and a symphony orchestra. Linden expanded Kraft’s network and formed the American Broadcasting Company (unrelated to today’s ABC) to distribute his own shows and Columbia’s (CBS) East Coast programs across the Western United States.
It was soon discovered where all of KJR’s money was coming from. Linden and Campbell had been surreptitiously borrowing from their savings and loan association to run the station and finance their Camlin Hotel. When the savings and loan filed for bankruptcy in August 1929, the money stopped abruptly. Network phone lines were shut down for nonpayment, and most of KJR’s staff and musicians departed when their paychecks stopped coming in. Linden and Campbell were charged with defrauding shareholders and depositors out of $2 million, and each was sentenced to 15 years at the Walla Walla State Penitentiary.
In 1931, the National Broadcasting Company (NBC) acquired KJR and its three sister stations. But in a 1933 cost-cutting move, NBC leased KJR to KOMO, its local affiliate, for $1 a year. The Fishers combined KOMO and KJR into a single large operation in the Skinner Building, operating them as Western Washington’s NBC Red and Blue Network affiliates. This continued until 1945, when new FCC regulations forced the Fishers to sell KJR, which they transferred to Birt Fisher. Retaining KOMO, they soon raised its power to 50 kilowatts and built a model broadcast studio center in the Denny Regrade area. In a few years, it would also be the home of KOMO-TV.
Louis Wasmer was another major player in early Seattle radio. Wasmer, Rogan Jones, and others used Seattle as a radio nursery, starting stations in the city and then relocating them to outlying towns with no local radio service. Wasmer moved KHQ to Spokane in 1925, where it became an important broadcaster. Other radio stations departing Seattle included KVOS, moving to Bellingham in 1926, and KXRO, which moved to Aberdeen the next year. KPQ moved to Wenatchee in 1928. KGEA moved to Longview in 1928, where it became KUJ, and then it moved again to Walla Walla in 1931.
In 1928, Wasmer teamed up with his brother-in-law Archie Taft Sr., who owned Piper and Taft Sporting Goods and had developed an interest in radio by selling crystal sets from his store. Together, they bought KFOA, changed the call sign to KOL, and moved it into the Northern Life Insurance Building. KOL became Seattle’s CBS outlet in 1930. In 1937, after losing the CBS affiliation to KIRO, Wasmer, Taft, and Carl Haymond started the Pacific Broadcasting Company, an extension of California’s Mutual-Don Lee Network. They paid the line costs to bring Mutual programs to Seattle and then resold the service to other stations. At one point, it was said that Wasmer and Taft controlled half of all Washington’s radio stations: their own stations KOL, KGY, KGA, KHQ, and KRKO and their network affiliates KXRO, KVOS, KELA, KMO, KPQ, and KIT.
Kraft’s KXA was Seattle’s most important independent broadcaster during the 1930s and 1940s. It signed off every day at local sunset to protect a New York station on the same channel but then returned to the air each evening from 10:00 p.m. to 3:00 a.m. local time. As Seattle’s only late-night station, it achieved its own popularity with its Stay-Up Stan, the All-Night Record Man program.
Moritz Thomsen of the Pacific Coast Biscuit Company, a competitor to Fisher Flouring Mills Co., felt the need to match his competitor’s radio activities, so he put KPCB on the air in 1927. But unlike the Fishers, Thomsen never invested in KPCB, and it operated without much local attention until purchased by Saul Haas in 1935. Haas changed the call letters to KIRO and used his ample political influence to get