Life Begins at Seventy
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About this ebook
Gerald G. Hotchkiss
Gerald G. Hotchkiss is a retired magazine publisher who has written several children's and young adult books including: Emily and the Lost City of Ergup, the first Emily story; Emily In Khara Koto, Zoe and the Pirate Ship Revenge and Claire at the Crocker Farm, all from Sunstone Press; Music Makers, A Guide to Singing in a Chorus also from Sunstone Press; and has illustrated One Hundred Million Wombats. He worked at Life, Look and Newsweek and was publisher of Psychology Today and Science Digest. His last magazine, as publisher, was 50 Plus, a Whitney publication for seniors.
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Life Begins at Seventy - Gerald G. Hotchkiss
Life
Begins
at
Seventy
Gerald G. Hotchkiss
Other books by Gerald G. Hotchkiss
Emily and the Lost City of Ergup
Emily In Khara Koto
Zoe and the Pirate Ship Revenge
Claire at the Crocker Farm
Music Makers, A Guide to Singing in a Chorus
© 2015 by Gerald G. Hotchkiss
All Rights Reserved.
No part of this book may be reproduced in any form or by any electronic or
mechanical means including information storage and retrieval systems
without permission in writing from the publisher, except by a reviewer
who may quote brief passages in a review.
Sunstone books may be purchased for educational, business, or sales promotional use.
For information please write: Special Markets Department, Sunstone Press,
P.O. Box 2321, Santa Fe, New Mexico 87504-2321.
eBook 978-1-61139-336-1
Library of Congress Cataloging-in-Publication Data
Hotchkiss, Gerald G., 1930-
[Essays. Selections]
Life begins at seventy / by Gerald G. Hotchkiss.
pages cm
Summary: Essays about life beyond seventy
-- Provided by publisher.
ISBN 978-1-63293-035-4 (softcover : alk. paper)
1. Civilization, Modern--21st century--Miscellanea. 2. Life--Humor. I. Title.
PS3608.O843A6 2015
814’.6--dc23
2014036243
www.sunstonepress.com
SUNSTONE PRESS / Post Office Box 2321 / Santa Fe, NM 87504-2321 /USA
(505) 988-4418 / orders only (800) 243-5644 / FAX (505) 988-1025
Preface
There is no chronology or order of reading these short essays. You may just open to a page and read on. And should you find a mistake or typo, please be of a generous temperament. In 1631, Barker & Lucas, Charles I’s printers, produced an edition of one thousand copies of the Bible, containing a serious mistake. It left out the word not
in the seventh commandment. In case your Sunday school days are too far gone, it printed Thou Shall Commit Adultery.
If they had not discovered the error, just think of the thousands of marriages that might have been saved.
Confessions: I have never really made the jump from the music I grew up with to rock and roll. It is a disconnect with my children and grandchildren that is truly my fault. No form could continue for more than half a century in order to prove itself. Abstract art falls into the same difficulty. I wonder, is my mind too concrete? Yet I live for the unexplained, the mysteries, the nuances, the shades of meaning in life and art. It is not intended but a fact that many of the titles of these essays are from Broadway. Each great composition has a great lyric behind it. And usually the words came first.
As times goes by, there are too many clocks in my house. When the power goes off, besides the timepieces themselves are those embedded in our refrigerator and stove and telephone, car, you name it, all awaiting a resetting. And my watch has no second hand. No need to see time going by so swiftly.
Where to read: Anywhere, any time, in an armchair or on the throne.
The writer has credentials. For several years I published a magazine called 50 Plus which was renamed New Choices, when the Reader’s Digest bought it. The first was right on, save for those not ready for that second half of their century, the second just plain foolish. It successfully obscured the truth, but it also successfully obscured what it was all about. The Brits, who face life more squarely, started an older aged magazine with a logo taken directly from the road signs of an aged couple crossing a street. It even ran edited versions of the published obituaries of famous people. Ignoring never say ill of the dead, theirs was a more balanced view of the newly departed. I was a mere lad of fifty-four attempting to tell the senior’s story back then; but I am in my eighties now, old enough to know better.
For years, the medical profession separated the mind from the body. Now their brain research has connected the two, as we older folks knew all along. Holding the mind and body together is having a sense of humor. Laughter is cathartic.