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    The Power of Darkness
    The Power of Darkness
    The Power of Darkness
    Ebook107 pages1 hour

    The Power of Darkness

    By Leo Tolstoy

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    About this ebook

    Powers of Darkness is an incredible literary discovery: In 1900, Icelandic publisher and writer Valdimar Ásmundsson set out to translate Bram Stoker’s world-famous 1897 novel Dracula. Called Makt Myrkranna (literally, “Powers of Darkness”), this Icelandic edition included an original preface written by Stoker himself. Makt Myrkranna was published in Iceland in 1901 but remained undiscovered outside of the country until 1986, when Dracula scholarship was astonished by the discovery of Stoker’s preface to the book. However, no one looked beyond the preface and deeper into Ásmundsson’s story.

    In 2014, literary researcher Hans de Roos dove into the full text of Makt Myrkranna, only to discover that Ásmundsson hadn’t merely translated Dracula but had penned an entirely new version of the story, with all new characters and a totally re-worked plot. The resulting narrative is one that is shorter, punchier, more erotic, and perhaps even more suspenseful than Stoker’s Dracula. Incredibly, Makt Myrkranna has never been translated or even read outside of Iceland until now.

    Powers of Darkness presents the first ever translation into English of Stoker and Ásmundsson’s Makt Myrkranna. With marginal annotations by de Roos providing readers with fascinating historical, cultural, and literary context; a foreword by Dacre Stoker, Bram Stoker’s great-grandnephew and bestselling author; and an afterword by Dracula scholar John Edgar Browning, Powers of Darkness will amaze and entertain legions of fans of Gothic literature, horror, and vampire fiction.
    LanguageEnglish
    Publisheranamsaleem
    Release dateNov 26, 2018
    ISBN9788829562046
    The Power of Darkness
    Author

    Leo Tolstoy

    Leo Tolstoy (1828–1910) was one of the most influential writers in Russian history. Born a Russian aristocrat, Tolstoy had, by the age of twenty-six, become both a nobleman and a soldier. Disenchanted by both lives, he became a writer, producing two of Russian literature’s greatest works: War and Peace and Anna Karenina. Tolstoy was a giant of modern literature and made a profound impact on great twentieth-century figures such as Gandhi and Martin Luther King Jr.

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      Book preview

      The Power of Darkness - Leo Tolstoy

      The Power of Darkness

      Leo Tolstoy

      ACT I

      The Act takes place in autumn in a large village. The Scene represents Peter's roomy hut. Peter is sitting on a wooden bench, mending a horse-collar. Anísya and Akoulína are spinning, and singing a part-song.

      PETER [looking out of the window] The horses have got loose again. If we don't look out they'll be killing the colt. Nikíta! Hey, Nikíta! Is the fellow deaf? [Listens. To the women] Shut up, one can't hear anything.

      NIKÍTA [from outside] What?

      PETER. Drive the horses in.

      NIKÍTA. We'll drive 'em in. All in good time.

      PETER [shaking his head] Ah, these labourers! If I were well, I'd not keep one on no account. There's nothing but bother with 'em. [Rises and sits down again] Nikíta!… It's no good shouting. One of you'd better go. Go, Akoúl, drive 'em in.

      AKOULÍNA. What? The horses?

      PETER. What else?

      AKOULÍNA. All right. [Exit].

      PETER. Ah, but he's a loafer, that lad … no good at all. Won't stir a finger if he can help it.

      ANÍSYA. You're so mighty brisk yourself. When you're not sprawling on the top of the oven you're squatting on the bench. To goad others to work is all you're fit for.

      PETER. If one weren't to goad you on a bit, one'd 4have no roof left over one's head before the year's out. Oh what people!

      ANÍSYA. You go shoving a dozen jobs on to one's shoulders, and then do nothing but scold. It's easy to lie on the oven and give orders.

      PETER [sighing] Oh, if 'twere not for this sickness that's got hold of me, I'd not keep him on another day.

      AKOULÍNA [off the scene] Gee up, gee, woo. [A colt neighs, the stamping of horses' feet and the creaking of the gate are heard].

      PETER. Bragging, that's what he's good at. I'd like to sack him, I would indeed.

      ANÍSYA [mimicking him] Like to sack him. You buckle to yourself, and then talk.

      AKOULÍNA [enters] It's all I could do to drive 'em in. That piebald always will …

      PETER. And where's Nikíta?

      AKOULÍNA. Where's Nikíta? Why, standing out there in the street.

      PETER. What's he standing there for?

      AKOULÍNA. What's he standing there for? He stands there jabbering.

      PETER. One can't get any sense out of her! Who's he jabbering with?

      AKOULÍNA [does not hear] Eh, what?

      Peter waves her off. She sits down to her spinning.

      NAN [running in to her mother] Nikíta's father and mother have come. They're going to take him away. It's true!

      ANÍSYA. Nonsense!

      NAN. Yes. Blest if they're not! [Laughing] I was just going by, and Nikíta, he says, Good-bye, Anna Petróvna, he says, you must come and dance at my wedding. I'm leaving you, he says, and laughs.

      ANÍSYA [to her husband] There now. Much he cares. You see, he wants to leave of himself. Sack him indeed!

      5 PETER. Well, let him go. Just as if I couldn't find somebody else.

      ANÍSYA. And what about the money he's had in advance?

      Nan stands listening at the door for awhile, and then exit.

      PETER [frowning] The money? Well, he can work it off in summer, anyhow.

      ANÍSYA. Well, of course you'll be glad if he goes and you've not got to feed him. It's only me as'll have to work like a horse all the winter. That lass of yours isn't over fond of work either. And you'll be lying up on the oven. I know you.

      PETER. What's the good of wearing out one's tongue before one has the hang of the matter?

      ANÍSYA. The yard's full of cattle. You've not sold the cow, and have kept all the sheep for the winter: feeding and watering 'em alone takes all one's time, and you want to sack the labourer. But I tell you straight, I'm not going to do a man's work! I'll go and lie on the top of the oven same as you, and let everything go to pot! You may do what you like.

      PETER [to Akoulína] Go and see about the feeding, will you? it's time.

      AKOULÍNA. The feeding? All right. [Puts on a coat and takes a rope].

      ANÍSYA. I'm not going to work for you. You go and work yourself. I've had enough of it, so there!

      PETER. That'll do. What are you raving about? Like a sheep with the staggers!

      ANÍSYA. You're a crazy cur, you are! One gets neither work nor pleasure from you. Eating your fill, that's all you do, you palsied cur, you!

      PETER [spits and puts on coat] Faugh! The Lord have mercy! I'd better go myself and see what's up. [Exit].

      ANÍSYA [after him] Scurvy long-nosed devil!

      AKOULÍNA. What are you swearing at dad for?

      6 ANÍSYA. Hold your noise, you idiot!

      AKOULÍNA [going to the door] I know why you're swearing at him. You're an idiot yourself, you bitch. I'm not afraid of you.

      ANÍSYA. What do you mean? [Jumps up and looks round for something to hit her with] Mind, or I'll give you one with the poker.

      AKOULÍNA [opening the door] Bitch! devil! that's what you are! Devil! bitch! bitch! devil! [Runs off].

      ANÍSYA [ponders] Come and dance at my wedding! What new plan is this? Marry? Mind, Nikíta, if that's your intention, I'll go and … No, I can't live without him. I won't let him go.

      NIKÍTA [enters, looks round, and seeing Anísya alone approaches quickly. In a low tone] Here's a go; I'm in a regular fix! That governor of mine wants to take me away,—tells me I'm to come home. Says quite straight I'm to marry and live at home.

      ANÍSYA. Well, go and marry! What's that to me?

      NIKÍTA. Is that it? Why, here am I reckoning how best to consider matters, and just hear her! She tells me to go and marry. Why's that? [Winking] Has she forgotten?

      ANÍSYA. Yes, go and marry! What do I care?

      NIKÍTA. What are you spitting for? Just see, she won't even let me stroke her.… What's the matter?

      ANÍSYA. This! That you want to play me false.… If you do,—why, I don't want you either. So now you know!

      NIKÍTA. That'll do, Anísya. Do you think I'll forget you? Never while I live! I'll not play you false, that's flat. I've been thinking that supposing they do go and make me marry, I'd still come back to you. If only he don't make me live at home.

      ANÍSYA. Much need I'll have of you, once you're married.

      NIKÍTA. There's a go now. How is it possible to go against one's father's will?

      7 ANÍSYA. Yes, I daresay, shove it all on your father. You know it's your own doing. You've long been plotting with that slut of yours, Marína. It's she has put you up to it. She didn't come here for nothing t'other day.

      NIKÍTA. Marína? What's she to me? Much I care about her!… Plenty of them buzzing around.

      ANÍSYA. Then what has made your father come here? It's you have told him to. You've gone and deceived me. [Cries].

      NIKÍTA. Anísya, do you believe in a God or not? I never so much as dreamt of it. I know nothing at all about it. I never even dreamt of it—that's flat! My old dad has got it all out of his own pate.

      ANÍSYA. If you don't wish it yourself who can force you? He can't drive you like an ass.

      NIKÍTA. Well, I reckon it's not possible to go against one's parent. But it's not by my wish.

      ANÍSYA. Don't you budge, that's all about it!

      NIKÍTA. There was a fellow wouldn't budge, and the village elder gave him such a hiding.… That's what it might come to! I've no great wish for that sort of thing. They say it touches one up.…

      ANÍSYA. Shut up with your nonsense. Nikíta, listen to me: if you marry that Marína I don't know what I won't do to myself.… I shall lay hands on myself! I have sinned, I have gone against the law, but I can't go back

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