Old Christmas
3.5/5
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About this ebook
In this classic nineteenth-century Christmas story, the author of Rip Van Winkle returns to England and experiences a traditional holiday with friends.
First published in Washington Irving’s The Sketch-Book of Geoffrey Crayon, Gent., these personal essays offer reflections on the meaning of Christmas and recount the author’s time spending the holiday at the home of an old schoolmate. Irving vividly describes the charm of his friend’s English country estate, Bracebridge Hall, and the warm welcome he experiences from the entire family.
Through these heartwarming experiences, many old Christmas traditions come to life, from a sumptuous English holiday dinner to the virtues of charity, togetherness, and merriment.Washington Irving
Washington Irving fue un autor, ensayista, biógrafo, historiador y diplomático estadounidense. Realizó estudios de Derecho, pero su vocación se interesaba más por el periodismo y la escritura que por la abogacía. En 1802 comenzó a escribir artículos en periódicos de Nueva York. En 1815 se fue a vivir a Liverpool y allí trabó amistad con importantes hombres de letras: sir Walter Scott y Thomas Moore, entre otros. Escribió algunos ensayos y relatos bajo el seudónimo de Geoffrey Crayon. Considerado el mentor de autores como Nathaniel Hawthorne, el hispanista Henry Wadsworth Longfellow y Edgar Allan Poe, entre su obra destacan los siguientes títulos: Cuentos de la Alhambra, Los buscadores de tesoros, La conquista de Granada, La leyenda de Sleepy Hollow o la biografía George Washington. En 1846, regresó a Sunnyside (EE. UU.), su casa de campo, y allí falleció en 1859.
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Reviews for Old Christmas
32 ratings3 reviews
- Rating: 3 out of 5 stars3/5Quick and interesting read about how Christmas was celebrated in the past.Liked the way it was divided up into the different aspects of Christmas; travelling for the celebration, Christmas Eve, the morning, Christmas dinner.Interesting to see which traditions have continued, perhaps without people knowing exactly why.Very well written, Irving painted a picture so you could easily imagine the scenes he was describing.Would like to know when this was written, I would guess around Victorian era.
- Rating: 4 out of 5 stars4/5A look back to when Christmas was fading as a holiday in pre-Dickins England and American Washington Irving was nostalgic for the old ways of celebrating.
- Rating: 4 out of 5 stars4/5"Old Christmas" is an 1875 collection of Christmas stories first appearing Washington Irving's "Sketch Book" published in 1819-1820. . It is a wondrous thing to read laments about how the modern world had lost some of the Christmas magic. At the same time, Irving captures Christmas essences, like families and food and a general spirit of generosity. BTW bought this book at a library book sale.
Book preview
Old Christmas - Washington Irving
Old Christmas
Washington Irving
Contents
Christmas
The Stage Coach
Christmas Eve
Christmas Day
The Christmas Dinner
Christmas
A man might then behold
At Christmas, in each hall
Good fires to curb the cold,
And meat for great and small.
The neighbours were friendly bidden,
And all had welcome true,
The poor from the gates were not chidden,
When this old cap was new.
Old Song.
There is nothing in England that exercises a more delightful spell over my imagination than the lingerings of the holiday customs and rural games of former times. They recall the pictures my fancy used to draw in the May morning of life, when as yet I only knew the world through books, and believed it to be all that poets had painted it; and they bring with them the flavour of those honest days of yore, in which, perhaps with equal fallacy, I am apt to think the world was more home-bred, social, and joyous than at present. I regret to say that they are daily growing more and more faint, being gradually worn away by time, but still more obliterated by modern fashion. They resemble those picturesque morsels of Gothic architecture which we see crumbling in various parts of the country, partly dilapidated by the waste of ages, and partly lost in the additions and alterations of latter days. Poetry, however, clings with cherishing fondness about the rural game and holiday revel, from which it has derived so many of its themes—as the ivy winds its rich foliage about the Gothic arch and mouldering tower, gratefully repaying their support by clasping together their tottering remains, and, as it were, embalming them in verdure.
Of all the old festivals, however, that of Christmas awakens the strongest and most heartfelt associations. There is a tone of solemn and sacred feeling that blends with our conviviality, and lifts the spirit to a state of hallowed and elevated enjoyment. The services of the church about this season are extremely tender and inspiring. They dwell on the beautiful story of the origin of our faith, and the pastoral scenes that accompanied its announcement. They gradually increase in fervour and pathos during the season of Advent, until they break forth in full jubilee on the morning that brought peace and good-will to men. I do not know a grander effect of music on the moral feelings than to hear the full choir and the pealing organ performing a Christmas anthem in a cathedral, and filling every part of the vast pile with triumphant harmony.
It is a beautiful arrangement, also, derived from days of yore, that this festival, which commemorates the announcement of the religion of peace and love, has been made the season for gathering together of family connections, and drawing closer again those bands of kindred hearts which the cares and pleasures and sorrows of the world are continually operating to cast loose; of calling back the children of a family who have launched forth in life, and wandered widely asunder, once more to assemble about the paternal hearth, that rallying-place of the affections, there to grow young and loving again among the endearing mementoes of childhood.
There is something in the very season of the year that gives a charm to the festivity of Christmas. At other times we derive a great portion of our pleasures from the mere beauties of nature. Our feelings sally forth and dissipate themselves over the sunny landscape, and we live abroad and everywhere.
The song of the bird, the murmur of the stream, the breathing fragrance of spring, the soft voluptuousness of summer, the golden pomp of autumn; earth with its mantle of refreshing green, and heaven with its deep delicious blue and its cloudy magnificence, all fill us with mute but exquisite delight, and we revel in the luxury of mere sensation. But in the depth of winter, when nature lies despoiled of every charm, and wrapped in her shroud of sheeted snow, we turn for our gratifications to moral sources. The dreariness and desolation of the landscape, the short gloomy days and darksome nights, while they circumscribe our wanderings, shut in our feelings also from rambling abroad, and make us more keenly disposed for the pleasures of the social circle. Our thoughts are more concentrated; our friendly sympathies more aroused. We feel more sensibly the charm of each other’s society, and are brought more closely together by dependence on each other for enjoyment. Heart calleth unto heart; and we draw our pleasures from the deep wells of living kindness, which lie in the quiet recesses of our bosoms; and which, when resorted to, furnish forth the pure element of domestic felicity.
The pitchy gloom without makes the heart dilate on entering the room filled with the glow and warmth of the evening fire. The ruddy blaze diffuses an artificial summer and sunshine through the room, and lights up each countenance into a kindlier welcome. Where does the honest face of hospitality expand into a broader and more cordial smile—where is the shy glance of love more sweetly eloquent—than by the winter fireside? and as the hollow blast of wintry wind rushes through the hall, claps the distant door, whistles about