Faking Out the Reader and It All Begins with Characters
By Damon Knight
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About this ebook
Bonus! Two chapbooks on writing from the master.
Faking Out the Reader focuses on using "head fakes" in writing for delightful results.
It All Begins with Characters is a brief masterclass on how to create the best characters.
Both of these were originally published in Pulphouse Publishing's "Writer's Chapbook Series" (#27 and #37, respectively). Both of Damon's contributions to the series are presented here in one volume for your enjoyment and writerly improvement.
Damon Knight
Damon Knight was an American science fiction author, editor, critic and fan. His forte was short stories and he is widely acknowledged as having been a master of the genre. He was a member of the Futurians, an early organization of the most prominent SF writers of the day. He founded the Science Fiction and Fantasy Writers of America, Inc. (SFWA), the primary writers' organization for genre writers, as well as the Milford Writers workshop and co-founded the Clarion Writers Workshop. He edited the notable Orbit anthology series, and received the Hugo and SFWA Grand Master award. The award was later renamed in his honor. He was married to fellow writer Kate Wilhelm.More books from Damon Knight are available at: http://reanimus.com/authors/damonknight
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Faking Out the Reader and It All Begins with Characters - Damon Knight
FAKING OUT THE READER & IT ALL BEGINS WITH CHARACTERS
by
DAMON KNIGHT
Produced by ReAnimus Press
Other books by Damon Knight:
Creating Short Fiction
The Futurians
The Best of Damon Knight
CV
The Observers
A Reasonable World
In Search of Wonder
The World and Thorinn
Hell's Pavement
Beyond the Barrier
Masters of Evolution
A for Anything
The Sun Saboteurs
The Rithian Terror
Mind Switch
The Man in the Tree
Why Do Birds
Humpty Dumpty: An Oval
Far Out
In Deep
Off Center
Turning On
Three Novels
World Without Children and The Earth Quarter
Rule Golden and Other Stories
Better Than One
Late Knight Edition
God's Nose
One Side Laughing: Stories Unlike Other Stories
Turning Points: Essays on the Art of Science Fiction
Charles Fort: Prophet of the Unexplained
Clarion Writers' Handbook
© 2021, 1991 by Damon Knight. All rights reserved.
https://ReAnimus.com/store?author=Damon+Knight
Smashwords Edition License Notes
This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each person. If you're reading this book and did not purchase it, or it was not purchased for your use only, then please purchase your own copy. Thank you for respecting the hard work of this author.
Table of Contents
Publisher's Note
Faking Out the Reader
It All Begins with Characters
About the Author
Publisher’s Note
These two pieces were originally published separately as small chapbooks in the Pulphouse Writer’s Chapbook Series (#27 and #37). We’ve combined them into this one volume to make them more cost-effectively available, for your reading and writing pleasure.
Faking Out the Reader
In football and other team sports, I am told, there is a move called a head fake, meaning that a player by a slight and apparently involuntary movement of the head gives his opponents a cue that he is about to run in one direction, then cuts the other way. I have no personal experience of this, but I do know that something similar takes place in fencing: it is called a feint. (I did a lot of head fencing in my early teens while reading the novels of Raphael Sabatini.)
Now, then: in writing there is a parallel trick that not many people know about. It consists of turning the readers’ unconscious expectations against them and faking them out for fun and profit. Usually the readers’ expectation is that some basic rule of writing will be followed. When the author violates it with deliberate intent, the result is an unexpected delight for the readers.
In each of the following examples, I’ll begin by stating the reader’s expectation in the form of a rule; then I’ll show you how to turn it against them.
Rule 1: Begin at the beginning.
In spite of all the pulp writers who have broken this rule into flinders, we still expect that the reasonable advice of Carrol’s King of Hearts will be followed: Begin at the beginning, and go on till you come to the end: then stop.
For most beginning writers, breaking this rule is instant disaster:
Zing! Another bullet whizzed past his ear.
Whose ear? Where, when? Why should we care? To answer these questions, writers have to jerk the reader back in time, then forward again