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    The Divine Spark
    The Divine Spark
    The Divine Spark
    Ebook158 pages2 hours

    The Divine Spark

    By Steve Morris

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    About this ebook

    Can the ancient model of Celtic Christianity really have any relevance to our charismatic, evangelical churches?

    Celtic Christianity was always on the margins of society, so looking at how those Christians lived out their faith can bring real insight into how we model church today. From slowing down in a busy world, reconnecting with God through appreciating nature, caring for the planet, to finding God's presence through mindfulness and practising whole-life discipleship, there are treasures to be found that are surprisingly modern and relevant to the world we live in today.

    Discover how the Celtic tradition can revitalise and reconnect us in our daily walk with God.

    Content Benefits:

    Rediscovering some of the lessons from the Celtic tradition can revitalise and reconnect us in our daily walk with God and actually help us find meaningful ways to help us engage with others and show them Christ.

    - Taps into the renewed wonder in creation created since lockdown.
    - Helps articulate a Christian response to environmental issues and climate change.
    - Uncovers a way to slow down, appreciate nature, and be more mindful and more present.
    - Reconnects us to the beauty of nature and points to the Creator God.
    - Provides practical guidance to introduce elements of Celtic Spirituality into church services.
    - Written in an engaging, anecdotal style that is accessible to all.
    - Introduces the reader to the beauty of Celtic poetry, prayers and writings.
    - The second book in The Rediscovering the Heart of Faith, Life and Everything series
    - Ideal for anyone wanting to create a more reflective space in their charismatic services.
    - Publisher - Authentic Media
    LanguageEnglish
    PublisherAuthentic Media
    Release dateOct 9, 2020
    ISBN9781788931786
    The Divine Spark

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      Book preview

      The Divine Spark - Steve Morris

      Cathedral

      1

      Edinburgh Thoughts

      I love the Edinburgh Fringe. I go most summers. The city is full of people off to see different shows and different genres. In fact, it is so packed that often you get stuck in a huge queue of people on the way somewhere. It is a place where artists reign, where the creative imagination is in the driving seat.

      As such, it offers an interesting way of seeing the world upside-down. The normal rules don’t apply. This is what it would be like if artists ruled the world.

      One evening, on the way back from a show, a nice young person handed me a little card that said ‘Jesus loves you, come and find out more’. I followed an arrow and found myself in a room up two flights of stairs, in a building down a side street.

      There was a worship band playing classic evangelical songs and about 15 folk watching. It may, of course, have filled up and swelled with people later on, but it seemed to me that this was an alternative to the Fringe – with all its ribaldry, irreverence and drinking. It was a way of perhaps bringing Jesus into the Fringe. But I felt forlorn and wondered why this was so. The thought was gnawing away at me that Jesus was already at the Fringe, but it was hard to put my finger on why I felt a bit desolate. Perhaps it was because I couldn’t but notice that there were so many thousands of people apparently able to ignore the lure of finding out more about Jesus.

      I wonder what our Celtic forebears would have made of this evangelism tactic? If they could beam up or down 1,500 years what would they do? How would they be in contact with the world around them?

      Of course, before we go much further, we need to be clear about our terms. Celtic Christianity really refers to ways of thinking of and doing Christianity and church that were common in the Celtic-speaking world of the early Middle Ages. The whole area is not without controversy and I hope not to get too deep into this. Perhaps, what we can say at the moment is that Celtic Christianity is about some of the traditions of the British and Irish and ways of doing church and faith that were very distinctive. As we continue, the differences and distinctiveness will make themselves known – but we need always to have the humility to know that, at this distance, much of what we suppose is conjecture.

      Ian Bradley, in his wonderful book The Celtic Way,1 points out that the Celtic Christians had a particular theology that emphasised that all people had the divine spark within them. They wanted to liberate that spark in people rather than impose a new creed on them.

      For them, the pagan religion was not a threat that had to be got rid of – it was not a heresy. Instead, it was itself a stirring, a wanting, a yearning even. It was a reaching out to God. Rather than tear down the existing standing stones and the like, the Celtic Christians looked to ‘baptise’ them, to incorporate them into Christian worship. They walked alongside their fellow spiritual travellers and looked for what was good about what was already happening.

      This, of course, was quite the opposite of the other Christian presence I encountered in Edinburgh – a fellow on the Royal Mile bellowing out propositional truth about our dear Lord. He was there every day, on a footstall next to a big white cross, plastered with Bible verses. He’s there every year and each year I find it sad. Perhaps the only time fringe-goers get to even think about God involves feeling anger and dismay at religion delivered through a megaphone. I am sure that he does more harm than good.

      Could the ancients have a little clue for us moderns about how to help people to want to ‘come and see’?

      I wonder if our Celtic forebears had managed to time-travel to Edinburgh whether, rather than trying to bend the reality that people were experiencing they would be blessing what was good in it and walking alongside them – fellow humans in the image of a good God? They might have celebrated the glorious creativity of the event and seen God in it or applauded the bold questioning of a society where social justice is needed more than ever. They might have sung and danced with musicians. They might have stopped to pat one of the lovely dogs walking by and revel in the glory of creation and the gift to us of our animal friends. They might have had a glass or two of wonderful Scotch and enjoyed for a moment the chance to sit and sup and be with friends old and new.

      And had they done this, perhaps the people might have wondered why these folk seemed so peaceful and full of joy. They might have marvelled in their tales of adventure and pilgrimage and wondered whether they were called to a fresh start as well. It is no accident that Celtic missionaries and saints by and large avoided getting killed by those to whom they took the good news. They knew the terrors of evil and they knew the fragility of life, but they began from a theology that stressed the essential goodness of creation and were optimistic about human nature, the power of hospitality and friendship.

      The Fringe is well-named. It began as a festival for those acts that couldn’t get a look-in at the official show. The Celtic Christians were also fringe people who didn’t fit in with the mainstream (although for a few centuries they defined the Christian faith in some of the old outposts of the Roman Empire). These days, Celtic Christianity again feels very on the fringe. But this ancient tradition and spirituality can help the modern Church – not by replacing what we have, but by helping us to think about some things anew and to deepen our spiritual connection with God.

      But perhaps it isn’t only the Celtic spirituality that is on the fringe. We certainly live in a post-Christian age. The faith has been, and will continue to be, pushed to the margins. We need to learn to live more from the edge of things. We are not first port of call, although we are still a voice calling into the lives of others. But perhaps we can learn from our forebears who themselves were at the margins and were able to have a huge impact on culture from the fringe of these islands. Speaking from the margins is an opportunity to do differently.

      How would it be if we ‘baptised’ the much that is good about modern life? If we showed just how much we understood the sense of seeking that is behind so much of what our society thinks about and does, then we might find a new connection with people.

      I write this book as an evangelical, a leader of a Church of England charismatic/evangelical church in London. I love being an evangelical and I am very optimistic about both the church and the spiritual space that I and so many others inhabit. I hope that this book celebrates all that is good about Church, and if I fail in this at any point I apologise and put it down to overenthusiasm. I have sometimes commented on blind-spots in my own spiritual tradition, but only gently and only as a reminder to myself, mainly, to think again every so often.

      This is no academic treatise. There are some excellent and detailed books out there on Celtic Christianity. I am not a lifelong follower of the Celtic way. But I have become interested in how connecting with Celtic Christianity can play a part in growing a church like ours and revitalising some areas of our ministry and worship. I have done it not to throw out what is strong about our spirituality. Instead, I want to add to what we already have.

      I have also become fascinated by the way that some of the beautiful poems and prayers of the Celtic Christians, collected more than a century ago by a small group of amateur ethnographers, have a way of speaking very strongly to modern Christians and other seekers on the pilgrim way.

      I came to the Cross, the dew still wet upon it, and knelt down. I cried ‘O my dear Lord, wilt Thou not spell me the secret of Thy Passion, or thy brave out-during of death and pain?’ At which he whispered gently, ‘Beloved go and live thy life in the spirit of My dying, in righteousness and love, then truly shalt thou share My victory and taste my peace.’2

      This kind of illuminated jewel of a poem-prayer has the ability to jerk us awake in our spiritual search. The use of the personal pronoun allows us to inhabit it. We find the Cross covered in dew – perhaps the tears of nature herself. At the Cross is a pilgrim who has come there, by we know not which way. Like many of us they may have stumbled upon this site of terror and redemption almost by accident.

      We kneel with the poet and are fellow pilgrims, asking the great question that so many of us have. We suddenly think anew of the suffering of Christ and his bravery. And in that moment the Christ tenderly whispers to us his counsel and words of hope. The Celtic poetry and prayers speak loudly to us because they are spoken softly with a different timbre to much that we hear in the world. In a noisy room the quiet voice sometimes stands out. That’s one of those paradoxes.

      This is a poem that is rooted and earthy and offers a sharp and perhaps fresh picture of Christ and the way he speaks to us. It reassures us that we are beloved of the King of Kings, and in a regular church context, it can create a sense of awe in its beauty and rustic finesse.

      It also helps us to see Jesus in our context, our locale. We begin to experience a localised Jesus – a good counterbalance to the Lord who bestrides the universe.

      This will not replace what we have, but as an offering to the modern church it is invaluable, and many folk have no idea that these riches still exist. And the sense of the sheer and abiding closeness of God is a real tonic to us weary disciples, worn down by mass capitalism and consumerism and terrified by the horrors of pandemics and all that goes with them.

      2

      In the Beginning . . .

      Early days

      As a boy I would read J. R. R. Tolkien’s The Lord of the Rings over and over again. Every summer holiday I would break up from school and breathe again – ready to start the great quest with Gandalf, Frodo Baggins and the gang. This magical experience was repeated each year until well into my teens. And as I got older the film version by Peter Jackson relit the fires of interest and awe.

      I loved to be in the world of Middle Earth. I was immersed in its deeper magic. It wasn’t just the story that

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