Jakey's Fork - A River's Journey
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About this ebook
"There is no other place like it in the country."
High in the Rockies, Richard Little begins his latest collection of stories from the road. Rivers, blue traceries on a map, are pathways of history. What are their legacies? Hang out with Butch Cassidy, Sitting Bull, Teddy Roosevelt, and others to find out … and consider legacies we might leave to others. (122 pages)
Retired attorney and lobbyist Little has lived in the Pacific Northwest for over forty years. His work has been published in the Seattle Times, the Seattle Post-Intelligencer, the Santa Fe Writers Project, Cirque Literary Journal, and Clover, A Literary Rag. He has also published a collection of short stories, "Postcards from the Road." Check out ariversjourney.com and his blog, "The Write Stuff," at http://pepys2000.blogspot.com.
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Jakey's Fork - A River's Journey - Richard Little
Let us go then, you and I,
When the evening is spread out against the sky . . .
Let us go and make our visit.
—T. S. Eliot, The Love Song of J. Alfred Prufrock*
Author’s Note
Fred Nietzsche—Tours
Frederick Nietzsche (1844–1900) is perhaps the last person one would seek out for travel advice before setting off on vacation. Sort of like dropping into Marquis de Sade Dentistry
about a toothache.
It turns out, however, that before Nietzsche penned the page-turners for which we popped NoDoz in college, Thus Spoke Zarathustra and Beyond Good and Evil, that before he let the world know that God was dead, and while he doodled away on The Birth of Tragedy, Herr Fred wrote an essay in 1872 called On the Uses and Disadvantages of History for Life.
According to Alain de Botton’s excellent The Art of Travel, Nietzsche argued that collecting facts in a quasi-scientific way was a sterile pursuit. The real challenge should be to use facts to enhance life. Quoting Goethe, he said, I hate everything that merely instructs me without augmenting or directly invigorating my activity.
Nietzsche advised folks not to collect a hundred plant species or count the stones in the Piazza San Marco, but to ponder cultures, which in the past [were] able to expand the concept ‘man’ and make it more beautiful.
In that way, a traveler would have the happiness of knowing that he is not wholly accidental or arbitrary but grown out of a past as its heir, flower and fruit . . .
This idea resonates with me, not for the high art of existentialist philosophy, but rather for an expanded
search for places to explore. To wit, not learning the precise depth in feet of the Grand Canyon but instead considering how John Wesley Powell might have felt rounding a bend and seeing not rapids ahead but open water. How were the bare facts of his journey enhanced as he managed, rowing with his one good arm, to conquer the mighty Colorado? Not so much how long Sandro Botticelli took to paint one of his exquisite Madonnas. Rather, while he dabbed away at his canvas next to a row of messy paint pots by his easel, what might have gone through his head as he decided on just the right touch for Mary’s cheek? What thoughts might have momentarily distracted him while gazing out the studio window in Medici’s Florence?
My hope is that road trips, foreign and domestic, will be journeys where I’ll find the sense of a place, not just the place. Of course, it’s valuable to do research, to learn what the books say about a destination. But when there in person, I’ll try to under-intellectualize it, to sit, look, listen . . . and absorb. How does the history or geography or geology feel? What are the legacies we see in front of us? What might be ours?
Don’t be misled, however. No, I can’t quite picture the otherwise dour Deutschlander, smiling and sipping schnapps on a cruise up the Rhine, nor envision him leading choruses of Der fröhliche Wanderer
on weekend treks into the Black Forest. But I will shamelessly use the reference to sneak in the theme of the stories that follow in this collection, namely rivers.
Prologue
Union Pass, Wyoming
There is no other place like it in the country.
Standing on top of the world beneath an impossibly blue sky in the Wind River Range in Wyoming, my wife Cherie and I let it sink in. At Union Pass, 9,212 feet above sea level, a person with a strong arm and good aim could throw a rock in each of three directions, and each missile would splash down in a stream, a tributary of one of the three major river systems in the West: The Columbia, the Colorado, and the Mississippi-Missouri. Water from one large meadow in the Rockies, running to three points of the compass? How does that happen?
Union Pass was known to mountain men and trappers who explored the valley of the Wind River in the early 1800s—John Colter, Jim Bridger, and others. They used it as a route through the Rockies, following the paths of the Native American tribes—Shoshone, Arapaho, Sioux, Blackfoot, and Cheyenne—that for many centuries knew of Union Pass and its significance. They called it the Land of Many Rivers.
Chilly and zipped up in jackets despite the heat in the valley below, we had the place to ourselves. To the south, Union Peak rose another twenty-three hundred feet, and mountain crests sketched the horizon in every direction. The big sky spread out forever as we stood and contemplated the significance of the place and our insignificant presence within it.
From this unique spot on the continent, we chose one of the three fledgling watercourses, a little creek called Jakey’s Fork, and followed where it led—out of the meadow, through forests and past fields, past valleys and towns—to learn about its journey. Beginning high above the tree line, we planned to track the small stream from its trickle seeping out of a marshy pond until hundreds of miles later its successor would meet a massive river of history, the mighty Missouri. A cupful of the clear water running past our feet would one day, amazingly, find the Mississippi and then the Gulf of Mexico.
I’ve enjoyed a lifelong fascination with rivers. Streams, creeks, rivers—they are the why of this adventure. My dad and I used to camp along the Carson River in the Sierra Nevadas of California. He wanted to teach me how to fish; I was content to watch the water race by. Also back in the day, a childhood friend and I spent hours trying to snag crawdads out of the creek behind my grandmother’s cabin in the Santa Cruz Mountains. Our blue, wrinkled, and numb fingers got pinched by the angry critters before they scooted back to safety in the rocks.
Our house where I grew up in Sacramento was about a half mile from the American River. Lush rows of green hops separated our street from a levee. I have teenage memories of escaping into the tangle of weeping willows and riparian brush along the river, the experience enhanced by the company of a pretty neighbor girl who lived down the street. We’d sit and talk. (That’s all! She already had a boyfriend, sad to say.) The landscape buzzed while the full, brown river rolled by. Formative stuff.
While I was still in high school, my dad gave me a copy of Across the Wide Missouri, for which the great Bernard DeVoto won the Pulitzer Prize for History in 1948. Tales of the opening and exploration of the American West captivated me. I still have the book.
Rivers, their legacies—their present and past, their blue traceries across maps, their ancestral power to shape the planet, and their biological and ecological importance—are reasons enough to be enchanted. Rivers as well are paths that carried history: They marked trade routes and migrations. Think Nile, Tigris and Euphrates, Danube, and Yangtze.
Images and metaphors of rivers have infused our culture for millennia. In the sixth century, BCE,, the philosopher Heraclitus famously dipped his foot in a river, then declared it a different river when he did it again a moment later. The only constant is change, he taught.
Today, the Wild and Scenic Rivers Act is a landmark to the importance of preserving unaltered rivers. Sponsored by a fine senator from Idaho, Frank Church, and signed by President Lynden Johnson in 1968, the act now saves for posterity all or part of nearly thirteen thousand rivers.
Wallace Stegner, chronicler par excellence of the American West, had this to say about a trip down the San Juan River, a tributary of the Colorado:
I gave my heart to the mountains the minute I stood beside this river with its spray in my face and watched it thunder into foam, smooth to green glass over sunken rocks, shatter to foam again. I was fascinated by how it sped by and yet was always there; its roar shook both the earth and me.
An image such as this is what Virginia Woolf might have dubbed a moment of being.
Thus it was that Cherie and I set off eastward out of the Rocky Mountains in the early summer of 2016. With only a few specific destinations in mind, we’d take the time to pull over, unpack lunch, and sit beside a simple, moving body of water—to watch persistent, wet molecules defy river rocks and conquer