Daddy Boy
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About this ebook
Daddy Boy follows Emerson as they pack into a van with a rag-tag group of storm chasers and drive up and down tornado ally—from Texas to North Dakota—staying in motels and eating at gas stations and hunting down storms like so many white whales.
In heading with them to Texas, we return, too, to the only site of adulthood Emerson has ever known: their childhood. Interspersed throughout this trip are memories of dad—both Emerson’s stepdad, Hank, present and unflinching and extremely Texan; and their biological dad, who they hardly knew. With his cowboy hats and random girlfriends, he always seemed so sweet and lost.
Through these childhood vignettes, coupled with queer theory and weeks spent reading the clouds like oracles, wanting nothing more than to drive straight into the eye of a storm, Emerson frames these probing questions of manhood against the dusty, loaded background of the American West.
Emerson Whitney
Emerson Whitney is a writer and a professor. Their book Heaven, McSweeney’s 2020, was named a ‘best book’ by the AV Club, PAPER, Literary Hub, Refinery29, Ms. Magazine, Chicago Review of Books, the Observer, and the Seattle Times. Heaven was also awarded a Kirkus star and was written about by nonfiction editor at Kirkus, Eric Liebetrau, in a piece called “Queer Memoir Old and New” as a profile of Emerson and Heaven is compared to Alice B. Toklas’ by Gertrude Stein. Heaven also won a silver medal in the Independent Publisher Book Awards and continues to garner praise. Emerson was named a 2020 Now List awardee in literature alongside Ocean Vuong and Danez Smith by Them magazine. Emerson’s writing has appeared in The New Yorker, Los Angeles Review of Books, The Believer, Paris Review and elsewhere.
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Daddy Boy - Emerson Whitney
Clouds on all sides were sucking in on themselves. Hank was driving the car through locusts.
Paintball pelts of yellow streaked everywhere, closing up the windshield. The sound of it was soft like someone sticking Solo cups in chainlink. He was laughing and driving eighty or ninety. Tye, in the front seat, bit his middle finger and played like he was bored. Nobody could see and nobody cared. Hank kept his body relaxed. He drove like he was driving a bus and was about to wave to people. The light glowed through the bugs that were making mud of themselves across the car. The only smell was a grassy one from the insects dying and the five-in-one shampoo that the boys all shared.
There were four of us in the car. I had a Tech Deck in my pocket that I never played with, I just kept it around like a key. I was listening to Nelly on my Discman and Hank was driving through the locusts, laughing, saying, you know they’re trying to eat each other, right?
Hank had won a trip to Orlando by putting a piece of paper into a box by the register at a Tom Thumb in Dallas, that’s where we were driving. I’d won something the same way about a year prior from the same Tom Thumb, it was a holiday stocking that was red and mesh and full of old candy. When my mom wasn’t looking, I’d registered to win and they called our house later and I remember her waving me over to the phone. What did you do? she’d waved. But I’d won. I picture Hank putting the piece of paper in the cardboard box for fun.
Tom Thumb paid for our flight and our hotel, it wasn’t for Disney, just for Orlando itself. Hank wanted to take us, we hadn’t ever been on a trip just the four of us, my two brothers and Hank. It was spring. We rented a red Chevy Blazer at the Orlando airport and drove toward a circular hotel with rooms that opened onto a font of fake indoor plants. I bumped around with Gunner in the backseat. We had a ways to go, along two-lane highways with swamp nearby. It was just a straight road and then the cloud of locusts.
It’s true what Hank said, that they swarm because of turning cannibal. They’re hungry for each other and they’re being eaten at the same time. They’re chasing and running. Each one realizes it like threading tape, like legs getting plied apart. I haven’t seen a locust in so long, but I dream about them often, little desperate streaks on the windshield. I wet my fingers with my tongue.
Hank had such a specific smell, still does. This is probably his hair. He has a lot of shaggy hair. He uses ripped towels after the shower and keeps unhooked appliances all throughout his house from different projects getting worked on everywhere. In the winter, he puts a tree together in the living room and hangs a plastic cranberry wreath on the door. He has a drafting table that takes up nearly the whole floorspace of his bedroom. There’re blueprint papers everywhere. The dog’s tail hits the tubes the papers go in.
He’s always laughing, saying things like, it’s all fun and games until someone loses an eye and then it’s just a game to try and find the eye.
Whenever I visit, I follow him to his jobs. He works endlessly and I go with him to whatever site he’s working on and everyone says we look so much alike. If that’s true, it’s only a coincidence.
This is the guy who gets so angry when I say I don’t know where I’m from. Texas, goddamn it! You motherfucker, you’re from Texas! and he laughs the whole time, saying somehow I’m the only one of his children born in the state, except he wasn’t even there when I was born.
My brothers, Gunner and Tye, look like Hank, the three of them have that hair. They’re bonded. Tye is stylish these days with nice sunglasses. Gunner and I have the same eyebrows and nose, we’re shaped a little more similarly, but he’s still all Hank undeniably. I’m much smaller and my knuckles are a darker color and my face has different kinds of bones. Tye and Gunner play a lot of games together (it used to be Magic Cards, and then some kind of intense video game). I never know what they’re talking about. They’re best friends.
Then: my dad. I used to call him my bio-dad,
but I don’t even know what that means.
Maybe pop
is better.
Like the meaning of it that’s to appear.
I’ve got pictures like this: I’m staring at my mom, and Dad’s face just comes over, hovers near her shoulder, and it’s a surprise—they broke up when I was eighteen months old.
O father
says Etymology Online about the origins of papa.
Whenever we talk about it, my grandma tells me this story about my dad and how she’d buy him chocolate milk and he’d use small medicinal amounts of it in regular milk to make it last until it went bad. She also tells me that my first word was either dad or dog and that he’d dress me up in little pink outfits with black buckle shoes and carry me everywhere. We moved in with my mom’s parents on the East Coast when I was two weeks old because my dad had lost his job in Dallas. He started working the front desk at a gym and would take me to his shift sometimes. He was always bouncing you, she says.
Honestly, I’ve spent most of my life thinking I was missing this. These days, I only know my dad through photos on social media. I have screenshots of the photos saved on my phone. He has puppies on his chest in one and I’ve looked at it and wondered what it would feel like to be near him. He wears a little straw cowboy hat in these photos. We both have short torsos and are sweet-looking I think. He’s little. I want to know what kind of soap his is. I see people sometimes that look like him and want to go up and talk. I remember when I had athlete’s foot a lot as a kid, he’d told me that he’d had that too. We’ve both had ankle injuries on the right side. Both of us will pick up trash if it’s around.
How is it that I feel like it was me who left him? Like I was the one who ended things? Thinking back on it, I imagine experiencing a supreme loss of strength. I imagine it gone.
This is important:
On our way to school or on errands, Hank liked to scream for no reason.
He drove a big black Navigator pickup or sometimes a silver one because the cars came from his job.
We’d go behind the strip mall where the boys got haircuts, the one with Target and the Cici’s Pizza. It was a busy mall but desolate in the back. Hank would be between gigs when we’d do this, or on the way to Home Depot. I’d practice driving for a half hour or two.
Once, while pretending to parallel park back there, I cut somebody off by accident and a guy with blond tips in an open Jeep Wrangler pulled up right to the passenger window to get angry. Hank yelled something about trying to teach his kid to drive and what the fuck man and the guy was like, let’s get out and I’ll show you whatever and motioned to take off his seat belt. Hank was like let me show you something and he turned to this mouth-faced guy, blew him a kiss, and then put his hand on the wheel and his foot on my foot and pressed it down. It was my first time driving us home from the parking lot and it was okay.
When he’d pick me up from school it was always several hours late and I didn’t care. One out of every five times I’d get in the car, I’d put my backpack down between my knees and we’d drive a few blocks and then he’d bloodcurdle scream. There’d be cars all around but no kids anymore. What were we training for? He’d shriek randomly. The scream would start in my head and go through my hands.
Maybe this book is like the back of a wide open mouth.
Am I yelling?
I like this image of an open mouth like made with reckless brush-strokes in a painting, a mouth that’s also a cloud. Its base widening, purple and pregnant. I want to live inside of those changing conditions. No departure, no arrival, just a wide, whipped-up pause.
Here’s the question: how do you live without resolution? I realize I’m all tangled. I want to relate to this tangle without untangling, without setting fire.
I have a small frame, legs that spread out slightly when I sit. I take pictures of myself shirtless from my computer after I shower. I don’t post any of them. I look at the red splotches on my body and massage them. This is the moon to me, this surface. It’s devastating, the link between the hunk that I move around in and my consciousness. What bridge is this? I used to slice at it, I was one of those kids who’d bend a paper clip apart. I’d do it slowly so it wasn’t obvious. I would make a sharp point, sharp enough to scab my tongue if I sucked on it, its pink plastic loosened into sheaths like bark. I’d nod at you while you were talking and stick the pin-end of it into my hand until it left a swelled hole that turned bright orange.
You don’t know me like this.
I haven’t behaved like this for years.
You know me as someone who walks upright and loves people and moves softly through the snow. All of this is true. Still, there’s a residue. I’ve never been at home. I’m looking though.
The plains make a mess of me and still, I come.
I have come.
I wonder what I want in a very loud way, out loud, like why did I come back here? I’m asking it but I’m saying it.
Do you know what I mean by the plains? I drove across the US a few times and, each time, found myself wanting to take pictures of the backs of the gas stations. Hank and Tye and Gunner and I lived across the street from a 7-Eleven. The lights still do something to me. The grass is always waving in the back, bugs make their way up the air machines with their hum, the colors are always simple at the gas station and primary. The flowers are patient and brushed. The black rubber mats come out at night and get washed. A slushie machine rotates. The plains are flat as fuck. It’s dry, sometimes there’s a shallow, but rarely. When I had to go to Y day camp while Mom worked, they’d take us to water world,
which was a field that had cracking grasshoppers and a shade shelter and one small shallow with no water.
When I got older, I’d plow through the plains, sit pants-less in black Fords pulled onto the side of the road, Dopplers going, ugly laptops on the dashboard. I was thirteen and living in tornado chat rooms. I’d wanted to learn more about weather.
I was the only one in the house who used the internet for a long time, and I’d meet random guys on there. One of the guys was the first to suggest that I should stick my finger inside myself. I hadn’t thought of it.
Jared Yates Sexton, author of The Man They Wanted Me To Be: Toxic Masculinity and a Crisis of Our Own Making, writes about the Dallas Cowboys and NASCAR and it’s all so familiar, particularly when he explains that the men in his family who loved the Cowboys and NASCAR also loved Evel Knievel and how all three trade in this sense of rockstar masculinity that comes from acting contrary to principles of self-preservation.
The boys loved Evel Knievel growing up, it was basically Jackass but just one guy and they’d all crowd around the TV while Hank played videos of the guy in his red, white, and blue outfits with that big ’70s collar revving a motorcycle on a ramp that would launch him over a long row of cars. I didn’t want to watch. It wasn’t fun to feel that adrenaline.
Hannah Arendt in On Violence says something about how proximity to death increases our vitality.
I always have to remind myself that the most dangerous thing I ever did was meeting those guys from the chat rooms when I was a teenager. I guess that was my version of thrill.
The internet spreads out like prairie.
I haven’t lied to myself about it this time.
I have always wanted to do