About this ebook
1659. Mughal India. The imperial court, a place of opulence and excess; music, drugs, eunuchs and harems. Two brothers, whose mother's death inspired the Taj Mahal, are heirs to this Muslim empire. Now they fight ferociously for succession.
Dara, the crown prince, has the love of the people – and of his emperor father – but younger brother Aurangzeb holds a different vision for India's future. Islam inspires poetry in Dara, puritanical rigour in Aurangzeb. Can Jahanara, their beloved sister, assuage Aurangzeb's resolve to seize the Peacock Throne and purge the empire?
Originally performed by Ajoka Theatre, Pakistan, Tanya Ronder's adaptation of Shahid Nadeem's play Dara premiered at the National Theatre, London, in 2015.
Shahid Nadeem
Shahid Nadeem is founder and Executive Director of Ajoka Theatre and also a renowned theatre and television director. He has directed many popular Pakistani TV drama serials and stage plays including Burqavaganza, Hotel Mohenjo Daro, Amrika Chalo/Destination USA and Dara. His telefilm An Act of Terror received a Scottish BAFTA nomination in 2009 and was screened at London’s Asian Film Festival. His documentary on the late Bishop John Joseph, A Sun Sets In, was selected by South Asian Film Festival for worldwide screening. His telefilm Mujahid was screened at the Asia Society, New York, in 2004. He produced documentaries on human rights for Amnesty International in 1991–92. Shahid served on the Pakistan Television Corporation in various capacities including as a producer, general manager, Director of Programmes and Deputy Managing Director. He has been associated with the BBC Urdu Service, with the Pakistani newspapers including The Herald, Newsline and Daily Times, with the Indian magazine, Frontline, and with Zee News. He was born in Sopore, Kashmir. He graduated from the prestigious Government College Lahore and gained his Masters in Applied Psychology from the Punjab University, Lahore. He lives in Lahore, Pakistan, and is married to theatre director Madeeha Gauhar. His daughter Savera and son Nirvaan are well-known actors for Pakistani stage and television.
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Book preview
Dara - Shahid Nadeem
ACT ONE
Scene One
DARA (forty-four), in a thin linen tunic, bangs on a huge door. He is half-wild with hunger and exhaustion. It is early 1659, Mughal India.
WATCHMAN. Who’s there?
DARA. Open up.
WATCHMAN. Announce yourself, sir.
DARA. Fetch your master.
The WATCHMAN opens a hatch in the door, peers out.
WATCHMAN. Your name, sir?
Silence.
I can’t hear, you have to shout through this wood, it’s such a heavy door.
The WATCHMAN speaks to another SERVANT inside.
He won’t give his name.
SERVANT. Why not?
WATCHMAN. I don’t know.
SERVANT (to DARA, through the door). Can you tell us who you are, sir?
DARA. Malik Jiwan will know, I am no foe, fetch him.
SERVANT. We can’t, sir, without your name.
DARA. Open, will you.
WATCHMAN. If we can just take your –
DARA (snaps). I am not giving it to you, get your master!
SIPIHR, a boy of thirteen, joins DARA.
Without the usual pageant, they want my name. I should have given it, they’re not to know it’s all I have.
Almost laughing at the absurdity of his situation.
Pushing me to pass it through some commonplace door.
SIPIHR. Father…
DARA. Even releasing a lock seems beyond me these days.
SIPIHR. Let’s ride on, it’s half a day to Persia…
DARA. I know where we are. We need help.
SIPIHR. Food?
They are both hungry.
DARA. Not just food. Malik has gold to give, Sipihr. We cannot turn up as beggars in Persia, stinking of defeat. They’re friends, yes, but still, we need a rock, a foundation, upon which to build the new army.
SIPIHR. You trust Malik?
DARA. I saved his life, Sipihr.
SIPIHR. But is he trustworthy?
DARA. What are we jeopardising? There is nothing left to take.
SIPIHR. There is you that is left to take.
DARA responds more gently.
DARA. We could all be taken at any moment, whenever Allah sees fit. We have no choice, we have to stop Aurangzeb, Sipihr, or our Empire will petrify. He is a blinkered bigot, a narrower vision of Islam never existed, we will all be driven underground.
MALIK speaks through the door, SIPIHR steps back.
MALIK. Who’s there?
DARA. Malik Jiwan?
MALIK. What do you want?
DARA. A harmonious kingdom, a glass of water…? It’s a difficult question to answer.
The door creaks open.
I know how I must look.
MALIK. Is that Prince Dara?
DARA. Emperor Dara, according to my father, but… he is imprisoned in his own palace. I am Shah Jahan’s Crown Prince.
A sudden movement, SIPIHR emerges from the shadows, MALIK slams the door.
MALIK. Defend!
MALIK’s MEN position themselves, armed, behind the door. DARA shouts to be heard.
DARA. It’s my son, Malik Jiwan, my son, Sipihr!
Slowly the door opens again. DARA ushers SIPIHR forwards.
The bravest of youths… His current garb does not represent his qualities but, which exterior was ever eloquent about the pearl within?
SIPIHR. Greetings, Sir Jiwan.
MALIK. Where are your men?
DARA. All in all we are thirty.
MALIK. Thirty?
DARA. The best thirty, the apostles of loyalty. A month ago we were a thousand times that many but, now, are without military escort.
MALIK. Who drives you to this, Prince Dara?
DARA. My brother, Malik Jiwan.
MALIK. Prince Aurangzeb?
DARA. The same. He has Delhi, and he has Agra Fort surrounded, my father and sister, Jahanara, beyond my care’s reach, inside. He uses my home for his family whilst his fast-swelling army hunts us down, baby brother Murad in tow. Aurangzeb claims no interest in the throne, yet he craves it unreservedly, but our father, the Emperor, still lives so I will not let him have it.
MALIK. You have always been brave, Prince Dara.
DARA. It’s bluster, Malik Jiwan – part grief, part fear, mostly fury. I am gripped with hatred for Aurangzeb as I have never been for anyone.
MALIK. Allah tests you, Prince.
DARA. And I am ready. We need a night or two under your roof before we march through the Bolan Pass to regroup. We might have reached Persia weeks ago if my wife –
He breaks off.
MALIK. Your beloved princess?
SIPIHR steps in to save DARA’s emotion from rising.
SIPIHR. The remainder of our army returned to Lahore with my mother’s body.
MALIK. Allah, may she rest in