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    I Fucked You in My Spaceship (NHB Modern Plays)
    I Fucked You in My Spaceship (NHB Modern Plays)
    I Fucked You in My Spaceship (NHB Modern Plays)
    Ebook138 pages36 minutes

    I Fucked You in My Spaceship (NHB Modern Plays)

    By Louis Emmitt-Stern

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    About this ebook

    Two couples each invite a stranger into their homes with the hope of sparking new life. Instead, they find themselves threatened by alienation, abduction and invasion...
    Louis Emmitt-Stern's play I Fucked You in My Spaceship is a razor-sharp comedy-drama about sex and relationships. It was premiered at VAULT Festival, London, in 2023.
    LanguageEnglish
    PublisherNick Hern Books
    Release dateFeb 2, 2023
    ISBN9781788506601
    I Fucked You in My Spaceship (NHB Modern Plays)
    Author

    Louis Emmitt-Stern

    Louis Emmitt-Stern is a writer and director from Gibraltar based in London. His plays include: I Fucked You in My Spaceship (VAULT Festival, London, 2023); and Slippery (winner of the Tony Craze Award 2021).

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      Book preview

      I Fucked You in My Spaceship (NHB Modern Plays) - Louis Emmitt-Stern

      Louis Emmitt-Stern

      I FUCKED YOU

      IN MY SPACESHIP

      NICK HERN BOOKS

      London

      www.nickhernbooks.co.uk

      Contents

      Welcome to VAULT

      Original Production

      Characters

      Note on Text

      I Fucked You in My Spaceship

      About the Author

      Performing Rights

      Welcome to VAULT Festival

      Hoo boy! What does one even begin to write here? I don’t know. Better writers than I have articulated the myriad emotions and effects of the last three years. Words seem inadequate. But this is a volume celebrating words and writing and writers so I’m going to give it a red hot go.

      It’s been rough, hey team? It’s been rough for the arts. Even more so for theatre and live performance. Even even more so for fringe and independent theatre. And even even even more so for emerging artists. If anything has been made clear these last few years, it is that there is a dearth of quality and financially sustainable opportunities for early career artists to make work and spaces to make that work in. When those few opportunities are taken away, everyone loses. Artists lose the opportunity to experiment and take risks. Audiences lose the opportunity to engage with exciting and radical work from a multiplicity of voices. And our industry loses the opportunity to grow, progress, be challenged and changed by these voices. It’s a long road to recovery with lots of listening and learning required. I really hope we’re up for it.

      VAULT Festival has not been immune to the decimation of these last years. From the early cancellation in 2020, to deciding not to mount a 2021 Festival, and then the devastating decision to cancel a completely programmed Festival for 2022, this has been a truly difficult time for our artists and our team. Throughout this time it has been made clear to me over and over what a vital part of the live performance ecology VAULT Festival is. How important it is that we are here, providing quality opportunities in the most sustainable way possible for artists and audiences. That we are listening and growing and provoking. Providing space for artists to challenge and disrupt, to ask of an industry on its knees… ‘What if?’

      The writers included in this, our sixth Plays from VAULT anthology, have all used their work to ask ‘What if?’ These are plays of importance, of playfulness, of risk, of freneticism and pathos and joy and anger and hope. Plays from artists across backgrounds, and styles and forms. I am so very proud of all of them.

      These plays represent a mere fraction of the scope of work at VAULT Festival 2023. From stand-up comedy to late-night cabaret, from improvisation to live art and experimental installation, from linear narrative drama to absurdist immersive work, and genres I couldn’t even have imagined, VAULT Festival will tear back into the world with a scream. A scream of rage and catharsis. Of fear and hope. A scream of defiance. Our artists, both in this volume and beyond, are here. They are ready. They are fearless. They are disrupting. Because what we did yesterday is not sufficient for tomorrow. And

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