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    Wee Folk Tales: in Scots
    Wee Folk Tales: in Scots
    Wee Folk Tales: in Scots
    Ebook122 pages1 hour

    Wee Folk Tales: in Scots

    By Donald Smith

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    About this ebook

    These stories are about the wee folk of Scotland, told afresh for everyone including, today's wee people. Collected here are stories from all over Scotland. Many were first published in the nineteenth and twentieth century, but all have been influenced by being told and retold, shaped and reshaped as they pass from storyteller to storyteller.
    Whether you're introducing a wee bairn to these stories for the first time or you're not-so-wee and reading them to yourself, you'll find plenty to love in these charming Scots folk tales.
    LanguageEnglish
    PublisherLuath Press
    Release dateApr 24, 2020
    ISBN9781912387427
    Wee Folk Tales: in Scots
    Author

    Donald Smith

    Donald Smith is a Washington, D.C.-based writer, broadcaster, and radio-TV producer. His articles have appeared in The Atlantic, Esquire, The New York Times Magazine, Rolling Stone, National Geographic, The Washington Post, Los Angeles Times, and Chicago Tribune. He was executive co-producer of Radio Expeditions, the DuPont Award-winning National Geographic-National Public Radio production heard on NPR's Morning Edition. See his website for more information: www.donaldsmith.net.

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      Book preview

      Wee Folk Tales - Donald Smith

      Introduction

      THESE STORIES ARE about the wee folk of Scotland. I am telling them afresh for everyone including today’s wee people. Please though, do not at any price use the ‘f’ word. The wee folk cannot abide the term ‘fairies’ and those little ones are ill to cross. Once they ruled over our land as gods, and flaunted their powers in a time of heroes and sheroes. Moreover they inhabited places where our earliest ancestors dwelled, and maybe still dwell.

      Always say ‘the wee folk’, ‘the little people’, or, even more soothing, ‘the gentle kind’ and ‘the people of peace’. Remember that they can be very helpful or take offence, as these stories show.

      Also, you will discover that the so-called little people come in many shapes and sizes. They may be broonies, selkies, mermaids, elves, gods or giants! We should not stereotype those who come ‘from the other side’ any more than our own kind. The stories keep us right on issues of equality and diversity, amongst much else.

      Such creatures belong to the fertile underworld of our imaginations. They connect us to the earth in a pact of wonder. People who are not told these stories are shaping up to be deprived. I should know, for at one time I was amongst their number.

      The three women who teach us most about these stories, and show us how they should be told, have all passed on, but their voices still live. The first is Nurse Jenny of Hoddom whose folktale artistry was recounted by Charles Kirkpatrick Sharpe in the 19th century, and recorded by Robert Chambers in his Popular Rhymes and Traditions of Scotland for future generations. The second is Hannah Aitken in the 20th century whose book A Forgotten Heritage: Original Folktales of Lowland Scotland first won me to the magic of these stories. Thirdly, Norah Montgomerie, also in the 20th century, working with her husband William, deserves huge credit for recirculating classic versions of these stories, albeit not in their native Scots.

      For more than three decades I have been privileged to listen to traditional storytellers from all over Scotland telling their own versions of these stories, constantly showing that the tales spring from a rich and still enlivening source. I can hear among others the voices of Willie McPhee, Betsy Whyte, Sheila Stewart, Duncan Williamson, Seoras Macpherson, Jess Smith, Tom Muir, Lawrence Tulloch, Stanley Robertson, Ewan McVicar, Senga Munro, David Campbell and a next generation of younger storytellers all casting their spell. Now you have to keep the tales alive as well, by telling them in your own way.

      Why Scots? you may ask. Well, read on. If you cannot figure that out for yourself there is no point me trying to explain. There are also Gaelic versions of many of these tales and they are equally to be celebrated and commended. But for me Scots is the strand of our ‘three-tongued’ Scotland that unites heart, hand and head.

      Many thanks to the audiences who have affirmed the telling of these stories, and to Catriona Lucas and her colleagues at Education Scotland who finally pushed me into writing as I would tell them aloud, in Scots. Many thanks also to Annalisa Salis for her perfectly pitched illustrations and for making connections with stories from her native Sardinia. Please enjoy the wee folk tales and share them in the ways that are natural to you. For as the stories show, whatever thwarts that which is natural cannot give pleasure.

      Donald Smith

      March 2018

      The Wal at the Warld’s End

      THERE WIS a bonnie lassie aince an her faither wis the King. But her mither wis deid an her faither had anither wife who wis noo the Queen. An they had anither dochter. Sae the twa lassies were hauf-sisters.

      Noo the first lassie wis aye cheerie as the day wis lang, smiling an crackin an helpin aabody she fell in wi. But the second lassie wis a moanin minnie, glumphin an girnin at aathing. She ne’er pit her haun oot tae help onybody, fur efter aa wis she no the Princess?

      Her mither the Queen couldna abide the King’s ain dochter. She thocht her ower bonnie when seen aside her ain greetin faced bairn. Sae she grippit the lass an says, ‘Awa wi this flask tae the wal at the warld’s end. Your faither’s nae weill an he needs water frae thon well an nae ither.’

      Sae aff the lassie gangs an by-an-by she comes tae a yett an a wee pony tetherit tae it. Sae she claps the wee pony, an it blinks an ee an says:

      ‘Free me, free me,

      my bonnie lass,

      For I hae been tied

      seiven years an a day.’

      ‘Of course I’ll free you,’ says the lass, an she loosed the rope.

      ‘Noo climb up oan my back, an I’ll tak you tae the daurk wood.’

      Sae up the lassie lowps an aff they gang thegither, clip clop, clippity clop, up the road an ower a muir o thorns an brambles till they cam tae a waa an ahint it the daurk wood whaur the pony bowed its heid.

      The lassie climbs doun noo an sterts intae the wood. Oan an oan she gangs till she finds a clearin an in it a a rickle o stanes an in it the wal.

      Aye but it’s daurk an deep an dank. Hoo kin she fill her flask?

      She’s peerin doun an spies three mossy stanes whan in the blink o an ee the stanes jumpit. They were three wee bauldy heids an they said aathegither:

      ‘Wash us, wash us

      My bonny lass

      An rub us dry

      Wi your linen pinny.’

      ‘Aye, of course, I’ll wash you,’ says the lassie, an she raxed doun tae wipe them clean an buff up their wee heids wi her apron.

      The wee men were three brithers, keepers o the wal, an they raxed up for the lassie’s flask an filled it tae the tap wi clear, sparklin water frae the deeps.

      ‘Wish, brither, whit dae ye wish?’

      ‘I wish if the lassie were bonnie afore she’ll be three times bonnier noo.’

      ‘Wish, brither, whit dae ye wish?’

      ‘I wish ilka time the lassie sheds her hair tae the richt a puckle gowd will faa oot, an when she sheds tae the left a puckle siller.’

      ‘Wish, brither, whit dae ye wish?’

      ‘I wish ilka time the lassie opens her mooth tae speak, rubies an pearls an diamants will tummle oot.’

      An the lassie says thank-you an fareweill, an awa she gangs wi her flask through the wood tae the waa, an up she lowps oan the wee pony an aff they gang clip clop, clippitty clop, ower the muir o thorns an brambles. An she leaves the wee pony at the yett an gangs hame tae gie her faither the water frae the wal at the warld’s end.

      An wis the Queen her stepmither pleased to see her? No a bit o it. So the besom gangs tae her ain dochter, an grippit her an yanks

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