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Valley of the Lost
Valley of the Lost
Valley of the Lost
Ebook387 pages3 hours

Valley of the Lost

Rating: 3.5 out of 5 stars

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2019 recipient of the Derrick Murdoch award from the Crime Writers of Canada

In the mountain town of Trafalgar, British Columbia, a young woman is found dead of a heroin overdose, her baby lying at her side. While this should be an open-and-shut drug case, restraint marks on the victim suggest that the death might not have been accidental.

As the investigation into the young woman's death and life grows, the case becomes increasingly personal for Probationary Constable Molly Smith and Sergeant John Winters. Only two things are known about the dead woman: her first name is Ashley, and she has a three-month-old baby boy. Who was she? Was this is just a drug deal gone wrong, or is there something more sinister at play? Smith's mother, Lucky, has taken in the lost baby: does he hold the key to solving his mother's murder?

In the meantime, Winters' wife, Eliza, is considering a modeling contract with the same planned resort that seems to be ripping the close-knit community apart. Has the controversial resort development pushed one of the members of this quiet community to murder?

LanguageEnglish
PublisherOpen Road Integrated Media
Release dateSep 30, 2011
ISBN9781615950454
Valley of the Lost
Author

Vicki Delany

Vicki Delany is one of Canada's most prolific and varied crime writers, and a national bestseller in the U.S. She has written more than twenty-five books: from clever cozies to Gothic thrillers, gritty police procedurals to historical fiction, and novellas for adult literacy. Under the name of Eva Gates, she writes the Lighthouse Library cozy series for Penguin Random House. Her latest novel is Elementary, She Read, the first in the Sherlock Holmes Bookshop series from Crooked Lane. Vicki is the past president of the Crime Writers of Canada. Her work has been nominated for the Derringer, the Bony Blithe, the Ontario Library Association Golden Oak, and the Arthur Ellis Awards.

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Rating: 3.660000088 out of 5 stars
3.5/5

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  • Rating: 3 out of 5 stars
    3/5

    Sep 27, 2020

    Not as exotic as it sounds, this is the second book (I think) in a series about a constable in Western Canada by the name of Moonlight (her parents, needless to say, were hippie draft-dodgers who are scandalized that she is a cop!). This one focuses on the young runaways and drug-addicted in the town, and developers who want to capitalize on the landscape. My only complaint is that the tie that binds is sort of from left field.
  • Rating: 4 out of 5 stars
    4/5

    Mar 9, 2019

    Probationary Constable Molly Smith of Trafalgar, a small town in the Kootenays in British Columbia, finds herself accompanying Detective Sergeant John Winters to the center where her Mom volunteers when her mother discovers an abandoned baby and his "mother" murdered nearby. It appears to be a case of a heroin overdose, but those closest to her know she gave up drugs and was unlikely to return to them. The woman used a fake name, making it difficult to notify next of kin, and the two people most likely to know about her past--her roommate and a counselor who recently returned to Trafalgar from Vancouver--are not cooperating with the police. Molly's mother takes the baby home to care for him until the next of kin can be located. The baby disrupts life in the household.

    A controversial development courts Sergeant Winters' wife Eliza to star in an advertisement for the planned resort. Officials launch an investigation into Trafalgar's role in illegal trafficking. The ending provides some hints of what might be to come in the series. This is a solid police procedural on the cozier rather than noir side. I listened to the audio version.
  • Rating: 4 out of 5 stars
    4/5

    Aug 9, 2017

    This is the second book in the Constable Molly Smith series, set in Trafalgar, British Columbia. In this one, Molly's mother finds a baby lying next to a dead woman. She is surprised to discover the baby is still alive. She calls the police and her constable daughter, Molly, along with Detective Sergeant John Winters start their investigation. Initially it looks like the young mother overdosed on heroin, but all evidence points to the fact that she's been off drugs for over a year. When the autopsy reveals she has never given birth, the investigation expands to try and find out who the baby is and who his real parents are.

    At the same time, the tension in Trafalgar is high over a resort that has been proposed by a group of developers. Many in Trafalgar's population are ex-hippies who moved to Trafalgar during the Vietnam war and they oppose any kind of development for the town. We also meet a lot of different characters which helps give the book some real twists and turns. The contrast between the peaceful community of Trafalgar and big money land development, drug trade, and murder make this an intriguing mystery.

    I read the first book of this series last month and liked it enough to buy the second one. It can definitely be read as a stand-alone mystery. I feel like the characters are developing nicely. The strong secondary characters, especially Molly's mother, Lucky, are exceptionally well done. I think this neither a cozy mystery nor a gritty mystery, but a traditional mystery combined with an interesting police procedural. I love the setting of British Columbia and definitely plan to follow up with the next book in the series.
  • Rating: 4 out of 5 stars
    4/5

    Mar 31, 2013

    In the small town of Trafalgar in the hinterland of British Columbia, Canada, ageing hippie Lucky Smith finds the body of a young woman in the woods near the women's support centre where she works. Lying by the body is a crying baby boy. The police, including Lucky's daughter Molly who is a probationary constable, soon realise that the dead woman has hidden her past well and they struggle to piece together what might have happened to the young mother. Some are quick to write the death off to the relapse of a heroin junkie but Sergeant John Winters wonders if there's more to it. As the investigation proceeds Lucky looks after the baby, fighting off a determined social services officer in the process.

    Although the mystery itself unfurls relatively slowly it doesn't matter as there's lots going on and I was quickly drawn into the world the author had created here. As is the way with small towns, many of the people know each other and the author does a great job of introducing the various characters and making the reader care about them by showing snippets of their day-to-day lives. Alongside the Smith family and the engaging lead investigator there are a host of other people who play roles that may not have anything to do with the mystery but are still people you want to know more about. If you'd suggested to me before I read this book that someone could make me even vaguely interested in a character who was an ex-super model I'd have laughed at you but Eliza, John Winters' wife, is a delight as she wrestles with her own career crisis while supporting her husband in his demanding job.

    The book is a combination whodunit and police procedural and offers the best of both. Winters doggedly interviews and re-interviews people who he thinks might know something about the dead girl's past. In this way the various potential suspects are slowly fleshed-out and the pool narrowed down. The resolution is ultimately quite complex but credible within the context of the story and very easy to follow.

    I'm also thrilled to point out that Delany has succeeded in incorporating the political/social commentary into the story via character traits or story threads as authors are supposed to do. Unlike this book and this one, both recent reads, I didn't feel like I was being lectured to like a naughty (or stupid) schoolgirl and so was far more willing to contemplate the important themes being raised in the story.

    This was a thoroughly entertaining book with a whole host of great characters and a multi-faceted plot and I'll be looking for more books by Vicky Delany.

    Audio-book specific comments: The narration is excellent with MacDuffie managing to make it clear which of the many characters is speaking with only minor differences in her tone or inflection. Normally I listen to audio books while doing something else but with this one I sat in my reading chair and listened to the last hour or so just to enjoy being read to.
  • Rating: 4 out of 5 stars
    4/5

    Jan 27, 2013

    First Line: The setting sun had slipped behind the mountains, and in the bottom of the valley, long ago carved out of ancient rock by the swift-moving river, the summer's night was hot and close.

    When Lucky Smith hears a baby cry off in the trees, she goes to see what's wrong. She finds a scared and hungry infant-- and the body of his mother lying close by. Sergeant John Winters of the Trafalgar, British Columbia, police force begins his investigation with the help of Lucky's daughter, Probationary Constable Molly Smith. When the two start checking with the people who knew the dead girl, they learn that this isn't a simple case of drug overdose. Something else is going on, but until they discover the girl's true identity, it's going to be very difficult indeed to find out just what that something is. While they're knocking on doors and asking questions, Lucky Smith has appointed herself the child's foster mother, and Winters' wife Eliza is being courted by a controversial new resort's owners to become the face of the place.

    It had been over a year since I'd read the first book in Vicki Delany's Molly Smith series, and I wondered how quickly I would fall back into the setting and how well I would remember the characters and their backgrounds. I should not have wondered. From the first page, I fell back into Trafalgar as if I'd never left. Never once did I furrow my brow in an attempt to remember a character. As anyone knows who reads a lot of mystery series, this can be a rather rare occurrence. For me to have such excellent recall after a long period of time means one thing: Vicki Delany is an excellent writer who knows how to create memorable characters and settings. (Actually it means two things, the second being that I shouldn't allow so much time to elapse between books in such a good series!)

    I like the fact that John Winters has a good feeling about Molly and takes the time to work with her and to be a mentor. His experience is going to help her make the right choices in the future. Another (very) refreshing fact about Winters is that he can work with Molly and not lust after her which often seems to be obligatory on both page and screen. Actually, he's even more remarkable because he's happily married to a beautiful woman who's been at the very top of the modeling profession. John and Eliza have been able to have such disparate careers and a very close and loving relationship for years.

    Molly is still learning as a police officer, and still grieving for her dead fiance. She doesn't have a car, and she still lives with her parents-- two hippies who came to Canada in the 1970s to evade the draft. (However, I think Molly's living arrangements will be changing soon after reading this book!) Her parents built a successful business and raised two children, but their once close relationship is changing. Molly's dad seems to have mellowed a bit over the years while Molly's mother, Lucky, is every bit the protesting firebrand she was as a teenager. One of the many things that will keep me reading this series is the relationship between Molly's parents.

    I've talked a lot about the characters in this book, and that's because they're so well drawn that I feel as if I know them all. But a mystery cannot be a good mystery unless it has a plot to match the setting and the characters, and Valley of the Lost does. With the reveal of a few early clues, I thought I had figured out the background of the dead girl. I was nowhere close-- and I like that. The plot line involving the resort and its owners had its own surprises, and I love how it ties in with other aspects of the plot.

    If you're a fan of memorable settings, fascinating characters, plots that keep you guessing, and you tell me that you've never read one of Vicki Delany's Molly Smith books, I have only one question for you...

    What are you waiting for? Track these books down and start reading them. You're in for a treat!
  • Rating: 3 out of 5 stars
    3/5

    Jun 11, 2009

    A baby boy is found next to a young woman who has died of a heroin overdose. But who is he, and who was she? Probationary Constable Molly Smith and her aging hippie parents are caught up in the expanding mystery.
  • Rating: 5 out of 5 stars
    5/5

    Feb 7, 2009

    After a long and hectic day at the Trafalgar Women's Support Center Lucky Smith is savouring the peace of the quiet valley town. That's when she hears the soft cry and discovers baby Miller in the bushes alongside his dead mother. The call to police emergency goes to Lucky's daughter Moonlight, Probationary Constable Molly Smith.

    The police autopsy concludes that the dead woman Ashley has died from a heroin overdose, that at some stage, not recently, she had been a regular user, but the restraint marks on her wrists and ankles cast suspicion on the manner of her death.

    Lucky Smith decides to take the baby home with her until his family can be located. This act in itself causes tension in the Smith household. And then Lucky resists attempts by the representative of the Child and Youth Services, a recent arrival in the town, to take him into care.

    VALLEY OF THE LOST suprised me with the complexity of its well teased out plot and interesting characters. It is the second in what the blurb calls "a traditional mystery series" featuring Molly Smith, her boss Sergeant Winters, and the town in the shadow of the glacier, Trafalgar, British Columbia. I actually feel very priveleged to have read this in ARC format.

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Valley of the Lost - Vicki Delany

Valley of the Lost

A Constable Molly Smith Mystery

Vicki Delany

www.VickiDelany.com

Poisoned Pen Press

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Copyright

Copyright © 2008 by Vicki Delany

First E-book Edition 2010

ISBN: 9781615950454 ebook

All rights reserved. No part of this publication may be reproduced, stored in, or introduced into a retrieval system, or transmitted in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise) without the prior written permission of both the copyright owner and the publisher of this book.

The historical characters and events portrayed in this book are inventions of the author or used fictitiously.

Poisoned Pen Press

6962 E. First Ave., Ste. 103

Scottsdale, AZ 85251

www.poisonedpenpress.com

info@poisonedpenpress.com

Contents

Valley of the Lost

Copyright

Contents

Dedication

Acknowledgments

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-one

Chapter Twenty-two

Chapter Twenty-three

Chapter Twenty-four

Chapter Twenty-five

Chapter Twenty-six

Chapter Twenty-seven

Chapter Twenty-eight

Chapter Twenty-nine

Chapter Thirty

Chapter Thirty-one

Chapter Thirty-two

Chapter Thirty-three

Chapter Thirty-four

Chapter Thirty-five

Chapter Thirty-six

Chapter Thirty-seven

Chapter Thirty-eight

More from this Author

Contact Us

Dedication

To my children: Caroline, Julia, and Alex

Acknowledgments

This book was written during my year of living (not very) dangerously. I owe many, many thanks to all the people who made it possible.

To Julia and Ron for the spectacular view of the valley and the glacier that helped to get Smith and Winters back on track. To Jerry & Linda for peace and quiet and the inspiration for Lucky’s garden. To Maya for a home-away-from-home and surroundings full of art in the Casa Del Soul. To Marika for the solitude of Cedarwood Cottage from which I could watch the snow fall. And fall. And fall. To Karen and Bill, at whose home the snow continued to fall and I accomplished two things: I wrote and I shoveled snow. Smith and Winters’ next adventure has to be set in the winter.

Thank you to Alex Delany for the EMT expertise, and to members of the Nelson City Police and the RCMP for ­giving me a peek into their world: Brita Wood, Constables Dino Falcone and Corey Hoy, and Corporal Al Grant. Particular thanks to Detective Paul Burkart who never tired of answering my questions with good humor, and to Constable Janet Scott-Pryke for friendship as well as advice.

As always thanks to my invaluable early readers Karen Wold, Julia Vryheid, and Gail Cargo.

As has been said before, the town of Trafalgar, British ­Columbia, and all the people living there, is nothing other than a product of my imagination.

Chapter One

The setting sun had slipped behind the mountains, and in the bottom of the valley, long ago carved out of ancient rock by the swift-moving river, the summer’s night was hot and close. The scent of cedar and pine, decaying undergrowth, rich earth filled the air, and further up the street a pack of young people, sounding as if they’d already hit the bars, laughed at nothing at all.

Lucy Smith, known to everyone as Lucky, stood at the back door of the Trafalgar Women’s Support Center enjoying a rare moment of peace before walking to her car. It had been a long, hectic day, but a good one, and she was pleased with herself. Today she’d accomplished something. For once, the women seemed to be paying attention to what she’d been trying to teach them.

Lucky drove an ancient Pontiac Firefly. It was parked at the back, in a small gravel clearing chopped out of wild grass and weeds up against the bottom of the mountain. As she unlocked the car door, a soft cry came from the bushes. A cat? Lucky climbed into her car, paying it no further attention. The heat of the day still clung to the worn seats, and as she put the key into the ignition, she rolled down the window to try to catch a bit of a breeze. She was about to turn the key, to start up the engine, when she heard it again.

Definitely not a cat.

It sounded like a baby. How odd.

Lucky reached into the glove compartment and pulled out a flashlight. She flicked the light on as she stepped out of the car, and pointed it into the dense brush beyond the parking area. The thin beam illuminated dead leaves, broken branches, gray and white rocks. A single black sock. A blue can of Kokanee beer shone in the light.

And a small yellow package, lying on the ground about ten yards inside the woods.

Lucky tried to focus; the bundle shifted, and cried out.

She pushed her way through the undergrowth, heedless of branches reaching for her face and scratching at her bare arms. She dropped to her knees, pushing a sharp stone into her flesh. She shifted to get off the rock, and shone her light into the folds of the yellow blanket. A scrunched up white face blinked back at her, trying to shut out the sudden brightness. Tiny fists waved in the air.

Oh, my heavens. You poor thing. Lucky stuffed the flashlight into the elastic waistband of her short, baggy pants and reached for the baby. What are you doing out here all by yourself? She peeled back the blanket. The baby was small, no more than a few months old. He, Lucky guessed it was a he as it was dressed in a blue sleeper, opened his mouth and yelled. He was clean and at first glance appeared to be healthy. His clear eyes were dark blue, his cheeks pink and chubby, his head bald, and his cry lusty.

We’d better get you inside. They call me Lucky, but you’re the lucky one. Good thing I found you, and not a bear or a cougar. Where’s your mom?

Lucky gathered the baby into her arms, and stood up. The flashlight dropped to the ground and rolled over, throwing its light deeper into the woods, touching the edges of a dark shape underneath a large red cedar. With a pounding heart, Lucky scooped the flashlight up. She clutched the baby, now screaming with gusto, to her chest and took a few hesitant steps forward.

A woman lay on her back. Her eyes were open wide, but she wasn’t looking at the branches swaying overhead or the stars barely visible through the thick canopy of branches, leaves, and needles. Shifting the baby in her right arm, Lucky crouched down and touched the base of the woman’s neck. Her skin was cold, and nothing moved under Lucky’s shaking fingers.

***

Constable Molly Smith’s boot slipped in a puddle of vomit. Instinctively her head jerked back to help her keep her balance and the man’s fist connected with her mouth. Her head spun, and she tasted hot sweet blood, but she managed to keep her footing. She ducked in case a second blow was coming. Dave Evans grabbed the man from behind and wrenched his arms back. That’s enough of that.

The man was big, about six foot three with the weight to match, and arms bulging with muscle and tattoos. His hair was long, thin, gray, and greasy. The moment Evans touched him, all the aggression fled. Hey, I’m sorry, buddy. I didn’t mean to hit the lady. It was an accident, right? Can’t we forget all about it?

I don’t think so, Evans said, snapping handcuffs on meaty wrists. You okay, Constable Smith?

She touched her lip. Her fingers came away streaked with blood. No harm done, she said, inwardly seething. Nothing Evans would like more than to think he’d saved her from the big bad guy.

The crowd shifted and, sensing that the fun was over, those at the back began to move away. Flashing blue and red lights washed over them, making it look as though they’d all gathered for a party.

Smith and Evans had been called to the Bishop and the Nun, a cheap faux-English pub on Pine Street. Not even nine o’clock, but on a hot Thursday evening in Trafalgar, British Columbia, the bars were filling up fast and plenty of the patrons had begun the night’s drinking in the middle of the afternoon.

Two men had been thrown out of the bar, told to take their fight outside. When they did a crowd gathered quickly, eager for excitement. At first the fight consisted of nothing other than a lot of obscenities, a bit of pushing and shoving, verbal threats and aggressive posturing. But as the police car rounded the far corner, colored lights flashing and siren on, one of the bystanders had broken away from the crowd, staggered toward the antagonists, and vomited all over the smaller guy’s shoes. He took offense to that, and sent the bewildered drunk to the sidewalk with a strong right hook. One of the man’s friends, or maybe just a stranger happy at the opportunity to instigate a good street brawl, ran forward, and the fight began in earnest.

The police rushed in to break it up. Whereupon Smith slipped and the big man punched her in the face.

Everyone stepped back. Once a police officer was involved, the crowd seemed to think, the fight was no longer harmless fun. Someone helped the vomiter up off the sidewalk, and the tattooed man tried to make his apologies.

Save it for the judge, Evans said.

They stuffed the big man into the back of the car. His original opponent, the guy who’d thrown the first punch, had melted into the long shadows between the buildings the moment the police car came to a halt.

Evans took their prisoner, still expressing his regrets, downstairs to be processed into custody, while Smith went to the women’s washroom to check her face.

A thin line of blood ran from the left corner of her mouth down her chin, making her look like Dracula’s bride after a feast at the castle. She put her hat on the counter and scrubbed the blood off her face. It didn’t look too bad, she thought, studying herself in the mirror, but her lip would be sporting a sizeable lump tomorrow.

She ran her fingers through her short blond hair.

She’d worn her hair long until a few weeks ago, tied into a French braid when she was in uniform.

Graham had liked her hair long; he liked to play with it, wrap it around his fingers, put the ends in his mouth and pretend to chew. She’d kept it long after he’d died, but recently she decided she needed a more professional looking haircut, so she’d ordered the hairdresser to chop it all off.

After which, she’d gone home and cried.

Her radio crackled. 911 call from 317 Cottonwood Street. Lady says she found a body. VSA. Vital signs absent.

Smith put her hat back on her head, and dried her hands on the seat of her pants as she ran out the door.

***

Most of the clients of the Trafalgar Women’s Support Center were young mothers. The center kept stores of supplies for anything a child might need. Lucky had placed the crying baby in a blanket-lined laundry basket, put the kettle on to boil to make up a bottle of formula, and was searching through the storage cupboard for disposable diapers when she heard the siren.

She’d called 911 from her cell phone, unlocked the back door of the center, and carried the baby inside. The face of the woman lying so still in the woods was unmarked, and Lucky had recognized it. Ashley. Lucky couldn’t remember Ashley’s last name, nor the name of the baby. Something old-fashioned, yet trendy at the same time.

Red lights flashed through the narrow front windows. The siren cut off in mid-note.

Lucky picked up the crying baby and went to the door.

Her own baby was climbing the stairs, talking into the radio at her shoulder. One hand rested on the ugly black Glock at her hip, and the other carried a big flashlight. A street light caught the blue stripe running down the uniform pant leg.

Mom? Constable Molly Smith said. Did you call 911?

What I found…It’s…she’s out back. I told them to send an ambulance, but there’s no need. She’s in no hurry, now, poor dear.

Show me what you found.

Have you been in an accident? There’s a cut on your lip.

Never mind me, Mom. Where’s the body?

Lucky led the way through the center, and out the back door. The day had been hot and humid, but welcome night breezes were flowing down off the mountains. A skunk had defended itself while she was inside, leaving its scent on the night air. She pointed into the woods, beyond the edge of the parking lot. Through there. She’s dead. I checked, Moonlight.

Another siren cut the silence of the residential streets.

That’s the ambulance. Go and meet them, Mom. Tell them to follow me. The strong flashlight threw a circle of yellow light toward the woods.

Lucky watched as Moonlight stepped off the grass into the trees. She tried to act tough, but she was a very new police officer, still on probation, and Lucky knew it couldn’t be easy for her coming across dead bodies. Moonlight had never talked about it, but she’d had a hard time dealing with finding Reginald Montgomery last month in a back alley with his head bashed in.

No time to worry about that now. Lucky met the paramedics at the door and sent them out the back. Knowing that more people would soon follow, she left the door open. She changed the baby’s diaper, it was a boy all right, and fixed a bottle. While waiting for the formula to cool, she stood at the back door, bouncing the infant in her arms and watching the activity in the woods. The paramedics hadn’t come rushing out, bearing a laden stretcher, and Lucky knew she’d been right—Ashley was dead.

She was settling down at the kitchen table, baby cradled in one arm, bottle in hand, when John Winters walked through the door. He wore a pair of loose-fitting jeans, colorful shirt, and black jacket. His brown eyes opened fractionally wider and his neatly-trimmed silver mustache twitched as he recognized her.

They’re all out back, Lucky said, with a nod toward the door. The baby latched onto the bottle’s nipple and began sucking for all he was worth.

Were you the one who called us, Lucky?

Yes.

I have to ask you to stay until I’ve had a look round and talked to Molly.

She nodded.

Nice baby, he said.

Isn’t he?

I’ll be back.

Lucky smiled down at the baby. His eyes were closed and he was sucking hard.

***

Sergeant John Winters left Lucky Smith nursing a baby and walked outside. Constable Brad Noseworthy was setting up lights at the point where the mountain met the gravel and grass of the woman’s center. The RCMP had been contacted and Winters knew they were on their way. He’d left Dave Evans on the street, stringing up crime scene tape and telling the neighbors, politely, to mind their own business.

Molly Smith stood to one side, holding a lamp while Noseworthy decided where to place it. He was the Trafalgar City Police’s only qualified crime-scene investigator, but he’d step back when the RCMP forensic team arrived.

Show me what you have, Molly, Winters said.

She handed Noseworthy his lamp and ducked into the trees. About fifteen yards in, a small clearing gleamed under strong white lights as if ready for its Broadway debut. A body lay on the ground. It was on its back, looking up. Winters crouched down. He felt Smith standing behind him.

Move anything, Molly? he asked, his eyes running across the dead woman’s body. She wore a sleeveless red cotton tank-top over a multi-colored skirt, and black ballet-type shoes. The clothes appeared to be undisturbed, the skirt folded across her bare legs as if she’d taken a moment to rest before continuing on her way. She was short, probably not more than five foot one or two, and very, very thin. Colorful beads were woven through the strands of her long dark hair. A red and black tattoo of a dragon curled around her right ankle.

The remains of old scars dotted her bare arms. Beside her, a needle lay in the dry, brown bed of leaves.

Drugs, he said. Did you move anything, Molly?

Nope. Just touched her neck looking for a pulse. She’s getting cold. The paramedics came right after me and checked her out, but they didn’t move her much. Didn’t have to.

Your mother called it in. She found the body?

Yes.

Winters’ right knee cracked as got to his feet.

Recognize her? he asked. It wasn’t a strange question. In a town the size of Trafalgar the police knew almost everyone, particularly the modern-day hippies, like this girl, who hung around Big Eddie’s Coffee Emporium, the corners of Front Street, or the bars on Pine Street.

I think I’ve seen her. Just around town. Never in any trouble, far as I know. Do you, um, have any idea what happened here, John?

I do. But I’m not going to speculate. And neither should you.

Her face tightened and he stifled a grin. Molly Smith had the potential to become a good police officer. But she was sometimes too quick to forget she was very young and very inexperienced. He hadn’t liked her when he’d first met her, mistaking her enthusiasm for ineptitude. She’d proven herself. Once. But she still had a long way to go.

What happened to your face?

Street brawl.

I hope the other guy looks worse.

No. But he’s spending the night in the cells contemplating the error of his ways.

It was fully dark now. Headlights turned into the parking area behind the center. Doors slammed and men spoke and shapes passed in front of the lights.

Corporal Ron Gavin of the RCMP strode over; he and Winters shook hands. The Mountie nodded at Smith. Coroner’s right behind me, he said. Saw her in my rear view mirror.

I’m going inside, Winters said. To talk to the witness. He gestured to Smith to follow him out of the woods. Gavin needed room to work.

Smith pulled off her hat and rubbed at her head. Winters didn’t care much for the new short haircut. It was cut about two or three inches long, all over, and either stood out from her head in spikes or was flattened by the hat. She was pretty, tall and lean and fair, with wide blue eyes and hair the color of summer corn. The new hair style made her look even younger, and more vulnerable, than the neat braid. Like the sort of London street urchin Charles Dickens wrote about.

Is your mother looking after one of her grandkids? Winters asked.

My mother? No. It certainly isn’t mine and to the best of my knowledge my brother hasn’t spawned lately. I assume it belongs to one of the clients. That’s what the center’s for, mostly. They teach new mothers how to care for their babies, and help them access resources and stuff.

But they’re closed. The sign beside the front door had given the hours and an emergency phone number.

Someone left it behind, maybe? Smith said, sounding not too interested.

Don’t make assumptions, Molly. Your mother found a dead woman, and now she’s minding a baby. She seems calm about all of this.

I figured she was busy with the baby.

Has anyone contacted your father?

Not me. Should I?

I think your mother needs some care, Molly. She found a body in the woods and she’s showing as much emotion as if it had been an abandoned shoe.

Smith pulled out her cell phone.

Take Dave’s place on the street, and tell him to come inside and join Mrs. Smith and me.

I’d rather…

Get Dave. He walked away without looking back.

Lucky Smith sat in a big armchair in the main room. The fiery red head, heavily streaked with gray, bent over the child in her arms. A strand had come loose from the clip at the back of her head and caressed the baby’s cheek. At five foot two, Lucky was much shorter, and pudgier, than her tall, thin daughter. You wouldn’t think they were related, at first, until you saw the firm set of the chin, the high cheekbones, the shape of the eyes—Lucky’s green, Molly’s blue.

The Trafalgar Women’s Support Center was located in a heritage house. Still arranged like a home, it had a large living room with comfortable sofa and thread-bare chairs, a kitchen, last remodeled in the 1960s, dining room featuring a scarred wooden table with seating for ten or more, and stairs leading to the second floor. The house was old, wallpaper fading, paint chipping, floorboards lifting and carpet edges curling. A cork board, covered with information from government and social service agencies, filled one wall of the kitchen. Beneath a framed print of sky, lake, and flowers in the high alpine, Lucky cooed softly to the bundle in her arms.

Winters took a seat in the couch opposite her. The springs were none too good and they sagged beneath his weight.

That’s a cute baby, Lucky. Whose is it?

Chapter Two

I can’t believe you missed the whole thing, Meredith. What on Planet Earth were you up to?

Meredith Morgenstern shifted in the hard-backed chair. She endured the stream of abuse and tried to settle her breathing into her chest. One breath after another. One breath.

He’d told her to cover August’s Fourth Thursday. The fourth Thursday of every month in spring and summer, the stores along Front Street put on a street festival. Musicians, wandering buskers, street-side food stalls. Her cell phone had conked out somewhere between interviewing a clown on stilts, and a lady selling homemade jam and chutney. She hadn’t heard the order to get to Cottonwood Street and check out the police activity converging on the area.

Only once she’d gotten home and plugged her phone into the charger, did she get the message. By the time she arrived at Cottonwood Street only Constable Dave Evans, as handsome as ever, was there. He’d told her to go home.

She gave him her card, as if he didn’t know who she was, and suggested they have a coffee some time when he was off duty. He’d put the card into his pocket and said he’d think about it. Arrogant prick.

Meredith knew better than to relate all that to Joe Gessling, her editor. A newspaper legend in his own mind, Joe held firm to the belief that he could do no wrong. So she cranked out a smile and said They kept it under the radar, Joe. You know how it is sometimes.

Sure do, he said.

Meredith doubted that he had any idea at all of how it was. His grandfather had started the paper; his father kept it going, year after year, without making the slightest change. A few months ago, Gessling Père collapsed onto his desk while pouring over copy, victim of a massive heart attack. He survived, but barely, and Joe had been brought back from a paper in Picton, Ontario. Wherever that might be. Joe talked long and loud about his ideas to bring the Gazette into the 21st century. Whatever that meant. He’d already tried to introduce more color and a lifestyle section. The idea had failed when it turned out that there wasn’t enough lifestyle in town to gather advertising revenue.

That might change once the Grizzly Resort began building. Word around town said the resort partners had the huge advertising budget necessary to attract investors as well as persuade the citizens of Trafalgar that the resort would be good for their town.

In Meredith’s opinion, the latter was a long shot indeed. The citizens of Trafalgar were legendary for their opposition to anything that smelled of corporate money or government interference. But the resort promised top-of-the-line boutiques, quality restaurants, high-flying clientele, and Meredith was all for it.

I want tomorrow’s paper to have the full story, Joe said. Front page, at least half the page, devoted to this. We don’t get enough unusual deaths in Trafalgar, so I want to squeeze this one for all it’s worth.

Meredith registered her boss’ idea of ‘enough’ deaths. But it wasn’t her place to suggest that he pretend to have some sympathy.

You got it. She got to her feet and turned toward the welcome sight of the door.

You’re pals with Constable Smith, I hear.

Truth be told, in school Meredith Morgenstern and Moonlight Smith had hated each other. They’d been bitter enemies, facing off across the gym floor or into the mirrors in the girls’ bathroom. Recent events had done nothing to reconcile the newspaper reporter and the police officer.

Yeah, Meredith said. We go back a long way.

Great. Squeeze that for all you’re worth, will you. He turned toward his computer monitor. He shook the mouse and the Star Wars screensaver disappeared.

All Meredith wanted in life was to land a real job at a real newspaper and get the hell out of this hick town.

Half the front page. Tomorrow, he said. Or I’ll know the reason why.

***

What the hell happened to you?

Andy Smith paused in the act of pouring himself a cup of coffee and stared at his daughter.

Please, Dad. Don’t make a fuss. I had an argument with a doorknob.

Lucky looked up from the stove. The edges of the blue plastic spatula she held in her right hand had partially melted years ago. I’ve heard that one before, she said. From the women down at the shelter. Almost every one of them, when they first arrive.

You mean someone hit her, Andy said. Is that it, someone hit you?

Smith dropped into a chair. She’d dared to sneak a look at herself in the mirror

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