SHOELACES
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About this ebook
Jim Stricklan
Jim Stricklan is an acclaimed performing-songwriter, music publisher, and TAB pioneer, living in Texas with his wife Leslie. As a radio broadcaster, he has served listeners in Denver, Houston, Shreveport, and Austin for over thirty years. Jim has written over 400 songs and released more than thirty albums.
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SHOELACES - Jim Stricklan
Photography
Kelly Zant - cover and credits photos
Leslie Stricklan - color photos
Alan McClinton - b/w photos
Book Design
Michelle Rahbar - Mothership Arts
Poems, prose and short stories by
Jim Stricklan © 2024
Published Online by BookBaby.com
ISBN # 979-8-35097-265-8
Also on bookbaby.com:
50 Years of Making Music
by Jim Stricklan
Contents
Poetry & Prose
A Way With Words
Millenium Ragtime Drivel
Art of Song
Shoelaces
Awakening
Nest of the Recluse
Mustang Sally
Garden Dream
Radio Romance and the 22-inning Stretch
Observations
Squirrel and High Wire
Thoughts about UNlearning
Short Stories
A Clay Hill Christmas
A Solo Journey West
The Boy Who Flew
The Platinum Kid
A Way With Words
Some say I have a way with words,
though songs of mine are seldom heard
on center stage or righteous radio;
The fickle masses sniff and sample
trend tycoons’ latest example—
all the rage of cable video;
Die-cast divas pout and scream
in soft drink ads, sex is the thing—
the bawdier the better for the show;
Rappers chant moronic venom,
country rockers split their denim—
metal makes the deaf statistics grow;
Add the Elvis imitators,
platinum lip-synch masturbators,
countless cover bands with fans in tow;
That’s why the music industry
has little room for folks like me—
who stll believe in melody, you know.
I couldn’t get the time of day
In NYC or hip L.A.—
No way, no gimmick, no deal, and no dough;
Nashville with its in-house clique,
is bland enough to make you sick—
they manufacture dreams on music row;
So where does music fit in this?
close to the bottom of the list—
but you may have a way with words, who knows?
Jim Stricklan © 1990
Millenium Ragtime Drivel
Dragonfly fixation, vexing—
Diving, blasting away my polar regions,
suggesting I slip slide back into
Summer’s sultry Southern dreamscape…
where distant Belles beckoned, floating,
gowns softly scraping patina hardwood floors,
ice tingling glass hopes of a mint julep sunrise.
Hazy, lazy creepy crawlin’ urban critters,
slitherin’ over rock, under moss, gasping
nitrogen and air—obvious kin from the gene pool.
Scratching, itching, bitching, stint of poison ivy,
shedding old skin, grin and bear protocol.
Dig this crazy groove—
fold the sheets and swing the cat,
rattle of the tender, aging bones—
making music in some cosmic crucible,
the awkward body wagon—soul to soul,
taken, shaken, not stirred.
Fumbling fingers of eight, thumbs X two,
strum along, my whiskey voice like rusting
Velcro—wonder of fleeting wonders.
Roaming hooves beat eternal time—
of scattered buffalo, antique moving mirrors
of our past lives, loves…
Forever’s antiquity—ever rebirthing paradox.
Life and death, such inseparable, endless yarn.
Steel guitars are turning me on, like Texas chili
on a gray day, where lovers sleep like spoons.
Morton’s up there jamming with Hendrix,
Coy paints the clouds. So we too rock on.
Tackle calls in the cue, fill our scripts.
Pray for Peace. Cry for Love. Sing for Food.
Recount our Votes—or not.
Run alongside Emus out on Clayhill Road,
We seek to balance checkbooks, meals, hues,
Christmas cheer and dead Beatle blues.
Cattle guard memories of prairie paupers wink
at me through this computer fog, and whisper,
"I’ll get