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The Palm
Beach Story (1942)
In Preston Sturges' fast-paced 'comedy-of-errors'
classic screwball comedy - about the threatened relationship between
a married couple with the frustrated wife seeking divorce; also it
provided an amusing look at life among billionaires in Palm Beach,
Florida:
- the frenzied opening credits marriage sequence,
set in 1937, was accompanied by the William
Tell Overture - it was a deliberately puzzling, freeze-frame montage of confusing,
mystifying marital vignettes without dialogue (unexplained until
film's end, when it was revealed that both fiancee-protagonists
were identical twins, and each married the wrong person!)
Confusing Opening Title Marriage Sequence
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- five years later in 1942, the film officially
opened with the end of a couple's five-year
marriage; the financially-strapped couple,
who were living in an apartment on Park Avenue in NYC, were delinquent
in their payments; the conflicting partners were introduced:
frustrated wife Gerry (Claudette Colbert), a scatter-brained and
fortune-seeking female, and her beleaguered husband - poor, unsuccessful
struggling inventor and visionary architect Tom Jeffers (Joel McCrea)
- their financial straits were temporarily reprieved
when hard-of-hearing, love-smitten "Wienie King" (Robert
Dudley), a bothersome, rich prospective apartment renter-tenant from
Texas in the "sausage business" generously gave Gerry $700 dollars (covering her rent
and other bills and expenses, now making her "debt-free");
he theorized charitably: "Someday you'll wake up and find everything
behind you. Gives you quite a turn. Makes you sorry for a few of
the things you didn't do while you still could"
- Gerry - who dreaded being in debt the next month
and was "tired of being broke," explained to her husband Tom that she was
contemplating breaking up with him after their five-year marriage;
she was planning to move out and walk out on him - she theorized
that she could make him happy by becoming an "adventuress"
- finding a new, wealthy husband (pre-approved and in his
"good graces") who might help him realize his ambitions and
offer a business partnership to support him: "To know that I could
get you someplace without doing any harm either. You have no idea what
a long-legged gal can do without doing anything. And instead of that,
I have to watch you stamping around proudly, like Sitting Bull in a
new blanket, breathing through your nose while we both starve to death"
Gerry's and Tom's Dress Unzipping and Romantic
Kissing
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- upon their return home after
dinner - when both were a little tipsy, they became romantic; Gerry
matter-of-factly stated: "You know we don't love each other anymore.
We're just habits, bad habits...And
when love's gone, there's nothing left but admiration and respect";
when she was unable to unzip the back of her dress, he assisted
and had her sit on his lap - and their love and fondness for each
other was rekindled as he reminded her: "You don't think this
is a little intimate, do you? Doesn't mean anything to you anymore
to sit on my lap, huh?...What if I kiss you there?...Or there?"
- she shuddered under the spell of his passionate
kisses on her back, but denied any effect: "It's nothing";
however, she succumbed as he wrapped his arms around her, and pulled
her to himself on the couch; when he asked: "That doesn't
mean anything to you anymore, huh?", she breathlessly replied: "Almost
nothing" (as her toes curled forward!); she allowed herself to be limply carried
upstairs to their bedroom - their kissing was a prelude to lovemaking
- the next morning, Gerry left a goodbye note enroute
to a divorce: "Darling, Just because you got me soused last
night doesn't alter the logic of the situation. Good bye, Good luck.
I love you. Gerry"
- runaway wife Gerry, on her way to obtain a divorce, was
on a southbound train to Florida; there were many
madcap and raucous scenes when she came across the tipsy
Ale & Quail Club - an unruly group of
aging sportsmen and millionaires; on the train in the sleeping berth
area, she met the wacky character of crackpot billionaire J.D. Hackensacker
III (Rudy Vallee); later, she had breakfast with him, and he bought
her hundreds of dollars worth of extravagant clothes and accessories
in a store; they transferred to his yacht, named The Erl King,
for the rest of the trip from Jacksonville to Palm Beach
- with her beauty, ingenuity, luck and appealing charms,
Gerry's intention was to live the 'good life' in Florida and obtain
monetary support; she told Hackensacker that she needed the cash
to 'pay off' her husband, who demanded an alleged payment of $99,000
before granting a divorce - her real intention was to help her struggling
husband's failing career
- there were many examples of Hackensacker's pithy,
funny one liners: "Chivalry
is not only dead, it's decomposed!" and "That's one of
the tragedies of this life - that the men who are most in need of
a beating up are always enormous!"
- when they arrived at the West
Palm Beach dock, Hackensacker was greeted by his eccentric,
carefree, man-crazy, oversexed, fast-talking oddball heiress sister
Princess/Countess Centimillia (known as "Maude")
(Mary Astor) - the five-time-married Princess Centimillia had been
divorced three times: "She was annulled twice"; she called
her brother Snoodles, who resided in her Palm Beach mansion; she
also flaunted her kept-man companion Toto (Sig Arno)
- taking advantage of complicated
mistaken identities, Tom pursued Gerry to West Palm Beach, Florida,
where on the dock, she deceptively claimed that he was her brother
Captain McGlue; the Princess immediately fell for Tom (Gerry claimed
he was not married but "entirely free") and she
invited both of them to stay at her mansion;
Gerry was immediately worried that Tom might ruin Hackensacker's
offer to pay $99,000 for her divorce, and to also bankroll his fanciful
plan of a "suspended airport" for $100,000 -- (Gerry to
Tom: "You're going to get your airport if I have to build it
for you myself - after I'm married")
- Hackensacker made elaborate efforts
to romantically serenade Gerry on her balcony by singing "Goodnight
Sweetheart" - with the backing of an orchestra, while Tom was
amorously seducing Gerry in his bedroom, without his knowledge; Gerry
joked to Tom: "I hope you realize this is costing us millions"
"Goodnight Sweetheart" Serenade Sequence
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Hackensacker Serenading Gerry
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Tom Unzipping Gerry's Dress
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Tom's Amorous Seduction of Gerry
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- Gerry announced to Hackensacker that she had decided
to return (with McGlue) to her husband back in NYC; even so, Hackensacker
promised to keep his promise as a benefactor to finance McGlue's
airport for $100,000; but then Gerry revealed the entire masquerade:
"He isn't exactly my brother...He's my husband!"; Hackensacker
continued to insist on financing the Jeffers' airport as a good business
decision
- in the aftermath - due to the lucky coincidence (or
weak plot contrivance) that both Tom and Gerry were identical twins,
there was a return to the wedding altar sequence in the prologue;
Centimillia married Tom's identical twin brother, and Gerry's identical
twin sister married Hackensacker; Tom and Gerry stood by on the left
as Best Man and Bridesmaid; a caption appeared: "and they lived
happily ever after, or did they?"
Ending: Double Marriage of Identical Twins
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Gerry Jeffers (Claudette Colbert)
Tom Jeffers (Joel McCrea)
"Wienie King" (Robert Dudley)
Gerry's Good-bye Note to Tom
On the Southbound Train - The Ale & Quail Club Singing
"Sweet Adaline" to Gerry
On the Train: Gerry Meeting J.D. Hackensacker III (Rudy
Vallee)
Having Breakfast with Hackensacker
In an Extravagant Clothing Store
On Hackensacker's Yacht, the Erl King
Princess/Countess Centimillia ("Maude") (Mary
Astor)
On the Dock - Introducing Tom to Maude as Her 'Brother'
Captain McGlue
Flirtatious "Maude" with Tom
End of the Masquerade - Tom Was Gerry's Husband!
Another Bombshell: The Existence of Both a Twin Brother
and a Twin Sister!
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