(Pound, "Canto LXXX" 547) Hugh Kenner explains that this precision virtually creates "a rhyme of a stillness felt with a setting remembered; and the trees, like the Arles graves, are called Elysian"(Kenner, The Pound Era 479).
Cirros L a LXXX, con 42 a 53 osiculos cirrales moderadamente robustos, presentan espina opuesta, pequena y una terminal aguda, moderadamente curva (Fig.
He also mentions Sellaio in The Cantos (New York: New Directions, 1996), canto LXXX. See also Peter Robinson, "Ezra Pound and Italian Art," in Pound's Artists: Ezra Pound and the Visual Arts in London, Paris and Italy (London: Tate Gallery, 1985), 154-155.
There was an imagined moment of reaching from the tomb: Hallam's "Unused example from the grave" would, Tennyson said, "Reach out dead hands to comfort me" (LXXX.15,16).