Seven years ago, spinner and weaver Linda Davis of Richlands, North Carolina, saw her chance at a barnful of Angora wool "on the hoof" when her son Sean first entered 4-H.
Instead of cozily sized, determinedly modernist paintings selected by one curator, the second act, chosen by a squadron led by now former Whitneyite Lisa Phillips, includes everything from a barnful of canvases by the AbExers short-shrifted in Part I to the last word in installation.