incarnadine

Szybist, Mary., 2013, Incarnadine. Minneapolis: Graywolf.

Scholarly papers were published, and much of the British press again fell over itself to promote Dawson's claims, which they presented alongside their reports of the incarnadine shambles of the Gallipoli landings.

Hence, only too late does Macbeth come to the Senecan realization that not even "great Neptune's ocean" can "wash this blood" clean from his hand: "No, this my hand will rather / The multitudinous seas incarnadine, / Making the green one red" (II.ii.63-66).

I got hold of the beautiful little book devoted to the eight paintings called The Temptations of Solitude, and, glimpsing the cover, was hurled headlong, even before I'd opened it, into that literally miraculous world in which sturdy angels incarnadine plunge out of lowering skies, the light orange and the sea-coast crimson, where devils emerge from cisterns to catch you by the ankle and lionesses maul barbarians.

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When they finally fell silent, he knew his dreams would be plagued with visions of their inviting arms, their high, pale breasts, their throbbing, incarnadine gills ...

And though Shakespeare used variants of the word 'multitude' in only two plays (Macbeth and Coriolanus), both of which deal with political unrest, the use of the word by the Victorians to describe the various French revolutions does not necessarily mean that the writers are drawing parallels to one or both plays as Poole suggests, even when they deliberately link the words 'multitudinous' and 'incarnadine.'

"The splendid word 'incarnadine,' for example--who can use it without remembering also 'multitudinous seas'?" you sigh (DM 203).

and wide open on the incarnadine, this stained glass.

Most writers regard words as mere wrapping paper, if that, forgettable as soon as uttered or written, but I do envision Gass and me lingering over some pregnant phrase--"The multitudinous seas incarnadine," say--"Making the green one red" at the expense of plot and storyline, although revering forever the tendency of one side of our brains to make a story out of just about everything--a narrative shove, or shove toward narrative, that makes story of all we say or write.

Picture the scene: a clan of the most fearsome warriors the Viking race has to offer sets out from Trelleborg in Eastern Denmark,bristling with bronze-tipped spears that glint incarnadine in the sun rising over the Bering Sea.

(36.) The well-known conversation between Wamba and the swineherd in Walter Scott's Ivanhoe, and that famous Shakespearean phrase, "the multitudinous seas incarnadine" (Macbeth 2: 2), or even William Faulkner's modem novels cause no problem when they are translated into Japanese.

Stories like "Mother Faith," by Lyndell, and "Incarnadine," by Anna, feel almost confessional at times.

The compound adjective "ouer-mounting" ties young Talbot to young Icarus; "Sea of Blood"--a prosy anticipation of the incarnadine seas fifteen years into the future--binds the field of battle to Ovid's Mediterranean.