After 1800, Turner applied his
landscapist skills to paint historical scenes; and he was influenced by the 17th-century painters Nicolas Poussin (1594-1665), and Claude Lorrain (1604/5-1682)--both of whom he particularly admired.
Inherent in the celebrated Dutch
landscapist's privileging of perennials and prairie grasses are the inescapable effects of decomposition.
Alison, a
landscapist by profession, who lives near Dutta, is always ready to meet with the star when she wants to "just chill and relax and have fun".
That is why Italy was and continues to be the birthplace of painters; which explains why, apart from Breughel--not Van der Helle, mind, but the
landscapist (there are two Breughels)--why, apart from Breughel (and Ruisdael too), we in the northern latitudes boast of so few genre painters of the highest order.
He is considered the greatest
landscapist of 19th century America.
Poetry: August Kleinzahler, Sleeping It Off in Rapid City; Juan Felipe Herrera, Half the World in Light; Devin Johnston, Sources; Pierre Martory, with translation by John Ashbery, The
Landscapist; and Brenda Shaughnessy, Human Dark with Sugar.
Russell, 57, is now a
landscapist and is hurrying to get contracts completed before the big day.
painting comes from a later painter, the Yuan
landscapist Ni Zan.
SUYDAM offers a catalog and history of the works of an American
landscapist known for his luminist paintings.
Poelenburgh, an hilariously inept painter of nudes, was amiably allowed to paint them in a similar collaborative venture with Jan Both in The Judgement of Paris (London National Gallery), although Jan Both, primarily a
landscapist, was also a more gifted figurative painter than Poelenburgh.
He also discusses the work of
landscapist Sir John Evelyn of Wotton, farmers, landowners, laborers, the estate management of the Brays of Shere, and literary and artistic inspiration found there.
Other reviews make similar observations: an anonymous New Yorker reviewer says Millhauser "records the imaginative life with the luminous strokes of a
landscapist and the draftsmanship of a mapmaker" (99).
Sullivan Goss--An American Gallery, Santa Barbara, CA--showed several works by Lockwood de Forest, Sr., an American
landscapist who was influenced by the Hudson River School.
He liked three oils in particular, and by the time the exhibition closed had chosen Carson's Men (1913), a luminous painting of fur trappers riding into unknown territory that, one contemporary critic thought, revealed in Russell the "inborn poetic feeling of the true
landscapist."(20)
