While luminance range
masking limits the editing effects to a range of brightness or luminance,color range
masking uses a color value or a range of color values to make an accurate mask.
No matter what your finishing process, you can always benefit from consistent
masking. It will improve the product quality and speed up the production process.
A special case is that facial expressions of emotion can be accurately identified even when the face is presented under restricted viewing conditions due to short exposure time and/or
masking. For example, emotional faces have a lower perceptual threshold than non-emotional faces (Calvo & Esteves, 2005), can be identified with high accuracy with short presentation durations (e.g., Calvo & Lundqvist, 2008) and are quickly detected amongst distracters (e.g., Ohman, Lundqvist, & Esteves, 2001).
The ETL
Masking Engine complements the high performance “in-place”
masking architecture to offer the best of both approaches.
Masking is applied to the nontest ear if the AC threshold of the test ear is greater than 40 dB above the BC threshold of the nontest ear.
Readers looking for a theoretical approach to masks and
masking will not find it here.
LUN
masking keeps the unit numbers invisible to unauthorized hosts, and is based on the unique WorldWide Name (WWN) that is stamped on Fibre Channel node chip sets.
Whether in warfare, religion, entertainment, crisis, or celebration, masks have always been agents of change, and the traditions of
masking have been predominantly male.
If the traveling salesmen of old had carried
masking tape among their wares, they would have hawked it as: "The miracle tape that will cure all your painting ills and home renovation headaches; plus it's a clamp, a lint brush, a Band-Aid.
Here he looks at how you can bring quality and consistency to your
masking and finishing process
These pieces are first glued, then securely attached with
masking tape to the mask.
Moreover, the same
masking is evident in the painted costume worn by Flora in the Primavera [ILLUSTRATION FOR FIGURE 11 OMITTED], Botticelli's earlier mascherata of Venus and the Spring, dating to about 1478.
Materials included fast setting plaster bandages, plastic face molds, scissors, pans for water, paper towels, newspapers,
masking tape, water soluble paints and articles for adornment, such as beads, feathers and twigs.
