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330 pages, Hardcover
First published August 14, 2012
Oh. My. Gawd. I love this so much.![]()
People like you must create. If you don't create, Bernadette, you will become a menace to society.
One of the main reasons I don't like leaving the house is because I might find myself face to face with a Canadian.Meanwhile the pressures mount from all sides until suddenly *poof* Bernadette disappears.
Hello, can I help you with something? If not, please step aside because I'm about to kick the shit out of life.In short - abso-freaking-lutely hilarious.
'That's right,' she told the girls. 'You are bored. And I'm going to let you in on a little secret about life. You think it's boring now? Well, it only gets more boring. The sooner you learn it's on you to make life interesting, the better off you'll be.'My favorite part? The ongoing battle with Audrey - the snooty next door neighbor.
Phil Stutz, my guy. And when I say my guy, I mean, the guy who gave me the idea for WHERE'D YOU GO, BERNADETTE. He's the one who told me, after whining on the phone to him for an hour about how much I hated my new city of Seattle, "Maria, you're a writer. Writers must write. If you don't write you'll be a menace to society." - from Semple’s FB pagesBernadette is anti-social, somewhat agoraphobic. Instead of going out to shop, she has an Indian on-line concierge, Manjula, whom she asks to take care of all sorts of things, adding in to her orders diatribes about diverse things, most particularly the unspeakableness of The Emerald City and of the locals. She refers to them as gnats, seeing them as annoying but not worth the effort of swatting. She has had her name and her husband’s taken off the e-mail list for the private school their daughter attends. The other parents are not amused. Her anti-Seattle rants, however, are hilarious.
I always get inspiration from my own life and just from the emotions and the microtransactions of my life. The books of my life are very much snapshots of my person I was at the time. I remember when I was writing Where’d You Go, Bernadette, I really hated Seattle and I was just like trashing Seattle, and I was letting out all this fire about I’m gonna put the hurt on these people who don’t like me. I’ll show them. And it was all just really toxic and horrible. But at the same time I knew it was funny and I was making a comedy. But in the course of writing the book, I started to like Seattle, and I was like, wait, wait. I need to hate you for the purposes of the book. I can hate you later. And so now I love Seattle. – from the BEA interviewIt may be that it manifested in the book. I found that the LOL rate declined as one went along.
Anything I write I ask myself: Is it true, is it entertaining? My way of looking at the world is that if it is true, it is funny and it is dark. No matter how dark it is, I just think it is funny. I can’t help it. I’ll see something awful on the street and I’ll come home and say to my boyfriend, “I just saw the funniest thing on the street.” It’s a stance. It’s the way I was born, or the way I was damaged. You pick one. (Laughs.) – from USA interview
“Their class was studying China, and the debate was going to be pro and con Chinese occupation of Tibet. Have you ever heard of such a thing? Galer Street is so ridiculous that is goes beyond PC and turns back in on itself to the point where fourth graders are actually having to debate the advantages of China’s genocide of the Tibetan people, not the mention the equally devastating cultural genocide.
“What you’ve heard about the rain: it’s all true. So you’d think it would become part of the fabric, especially among the lifers. But every time it rains, and you have to interact with someone, here’s what they’ll say” “Can you believe the weather?” And you want to say “Actually, I can believe the weather. What I can’t believe is that I’m actually having a conversation about the weather.”