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5 pages, Kindle Edition
First published April 13, 2010
Or would you prefer to show me further through this so strange house, or you could take my name and send it to me, for although my heart has followed all my days something I cannot name, I am tired of the jumping and I do not know which way to go, Madam, and I am not even sure that I am not tired beyond the endurance of man rat, if you will and have taken leave of sanity.
Oh, I do so love abstract stories. They are not nonsensical so much that their depth can only be truly reached by the creator himself. I find familiarity in them, like the trains of thoughts that I am at times gripped to release from my own cranium. I get restless, distracted, hazy—until the time I can finally reach a writing instrument and burble out the trapped words—trapped and knocking.
And then, almost without warning, he would be jumping at the same old door and it wouldn't give: they had changed it on him, making life no longer supportable under the elms in the elm shade, under the maples in the maple shade.
The purpose of this story is not for you to fully understand it. Or, there is no purpose to this story at all. I guess, it's up to you. For me, at least, I got out of it a feeling. A... camaraderie, of sorts. It's comforting to know that well-established and well-loved writers can go off on tangents and make absolutely no sense (or too much sense, just hidden), too. There was a sadness. There was a longing. There was a sense of resigned hopelessness.
I liked it.
You wouldn't want me, standing here, to tell you, would you, about my friend the poet deceased who said, "My heart has followed all my days something I cannot name"? It had the circle on it. And like many poets, although few so beloved, he is gone.
(Read it here.)