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3298 pages, Paperback
First published November 1, 2003
1. "It is better to die helpless and unarmed and as victims rather
than as tyrants."
2. "The purer the suffering, the greater is the progress."
3. "It may be that in the transition state we may make mistakes;
there may be avoidable suffering. These things are preferable to
national emasculation."
4. "We must refuse to wait for the wrong to be righted till the
wrong-doer has been roused to a sense of his iniquity."
5. "One must scrupulously avoid the temptation of a desire for results."
Whether or not to violently defend itself against violence;
Whether or not to violently defend someone else from violence
Whether or not to destroy itself.
Whether or not to help a weaker self destroy itself, to save it from a worse fate.
The Golden Rule is justified only when applied to acts which all parties affected agree will contribute to their conception of goodness, or when the dissenting party is a bona fide dependent of the moral actor. Otherwise it easily becomes the Zealot’s Golden Rule (see Hadrian’s List of Moral Calculus ).
At the Restaran Splendid, it was not yet six, and men sat at a table in the middle of the preordained echoes, saying Sarajevo while a small boy ran back and forth, slapping new echoes down on the tiles which descended all the way to the toilet where the toilet queen and her daughter waited for someone to urinate or defecate and then pay them, and the radio kept talking with an anxious twist of voice like the tightness behind your eyes when you haven’t slept. Then the radio played country music, and the mirror filmed with stale cigarette smoke. It’s only fair to say that I don’t think I would have known from these indications alone that what newscasters call a “tragedy” was going on, which only proves that I am stupid or else that tragedies do not affect anything except themselves, as we all know anyhow — so my point ought to be quite obvious, but novelists and journalists who write about foreboding circumstances too often do what cinema directors do when they instruct the composer to make the musical score sound ominous so that you’ll get it.