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In 1943, group of Croatian soldiers overtake a strategically important point in western Bosnia with a goal to destroy a group of communist partisans. On the way they met some supernatural phenomena, and the action itself went very badly because the partisans ambushed them. The main character Martin inherits silver cigarette case from a dying soldier. This act connects to the story in 1993 when we meet Martins grandson Tomo. He is one of six soldiers of the Croatian army who have come to the same place in Bosnia to meet the same phenomena and similar fate.

The story of a boy from a home for abandoned children, who tries to find out the truth about his origins.

Sinisa Mesjak is an ambitious politician who gets involved in a scandal. In order to keep him away from the public eye, the government sends him to Trecic, an isolated Croatian island with no telephone or internet signal.

Hassan is a successful journalist who lives in Zagreb. But he is tormented by his past, the wars he went through as a boy and the scars of lost loved ones and years. He returns to his native Beirut, to his Sabra neighborhood, where he unravels the past. While meeting his comrades, and in meetings with his brothers and sisters, he puts together forgotten images of his own past and recalls how as a boy he joined the PLO, fought in the city streets of Beirut and dreamed of how his comrades would celebrate his heroic death. While the camera creeps into the most hidden corners of Shatila, a Palestinian camp in the heart of Beirut that cannot be entered without an armed escort, part of the film crew disappears in Rehab, a part controlled by drug gangs and former ISIL members, and it itself faces all the possible challenges of this turbulent world.

Herzegovina was in the grips of an unusually harsh winter on the snowy morning of January 6, 1985, when sisters Sima and Drazenka decided to take a bus from their home village of Bogdol to nearby Mostar to help their mother Radica paint the windows and clean the hallways of the school she worked at.

A documentary about Goran Ivandic 'Ipe', the drummer of most popular Yugoslav rock band of all time, Sarajevo-based "Bijelo dugme" (White Button). Ivandic's fatal jump from the balcony of hotel Metropol in Belgrade in 1994 sparked much controversy around his fate.

With the arrival of Austro-Hungarians to Bosnia and Herzegovina and by establishing certain elements of a modern European society, Herzegovina has developed an "activity" that has been one of the leading for more than half a century.

Early in the morning Roma family from the periphery of the European metropolis is going to the city dump because a new day for recycling has started.

The Film Is a Part of the Permanent Exhibition of the Krapina Neanderthal Museum, the largest and most significant cultural project in Croatia, in the last few years. The Museum is located on a Husnjakovo hill next to Krapina, near discovery of Krapina prehistoric man, in the world of science known as Homo sapiens neanderthalensis. With many attractive exhibits, an integral part of the permanent exhibition is the film faithful reconstruction of Neanderthal life community that, before the 120-odd one thousand years inhabited cave near Krapina.

From Grain to Painting explores the culture and artistic expression of the Croatian minority in Serbia. The film focuses on straw-girls, who found their medium of choice in straw, using it to create paintings, sculptures and applied art objects. The film depicts the connection between their everyday lives and artistic expression, their specific social and national position.

Tram number 13 goes "everywhere and nowhere", like the Flying Dutchman it wanders the streets of Zagreb. It was involved in the biggest tram accident in Zagreb's history.

It tells about the stopping of Yugoslav National Army tanks in Polog on May 7, 1991, and depicts the events of May 7, 8, and 9, 1991. The complexity of the situation is presented. Through the interview with the actual participants, one can see the full spectrum of problems, conflicts with superiors, with ordinary protesters who, under the great rush of adrenaline, were prepared to give their lives under tank tracks.