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Between Gennevilliers and New York, Omar and Emmanuel go to great lengths to prove to each other they're no longer in love.

Seventeen cameras capture the soccer match between Real Madrid and Villareal, played on April 23, 2005, from the perspective of French superstar Zinédine Zidane.

Inspired by the drowning of 23 Chinese undocumented cockle pickers in Morecambe Bay (northwest England). Mazu, goddess of the sea, floats over the tragedy.

Tsai Ming-liang returns with this latest entry in his Walker series, in which his monk acquires an unexpected acolyte in the form of Denis Lavant as he makes his way through the streets of a sun-dappled Marseille.

Film based on the rise of The Red Army Faction, German revolutionary terrorist group founded by Andreas Baader and Ulrike Meinhof.

Iris is 16 and finishing her teenage years in a small provincial town when she meets Jean, a 40-year-old photographer from Paris. Over the course of their meetings, their relationship evolves to an amorous friendship that will turn their lives upside down.

Two filmmakers leave to Macao in an adventure of discovery of a city-labyrinth, multicultural and mysterious, where the memories of the childhood - featured memories by the lived reality in Macao - have a dialog with the memories of the East built by the codes of the cinema and the literature - memories lived on a featured reality-, creating a testimony which tries to raise the veil on the past and the present time. A personal album of physical and emotional geography, structured as an investigation disguised as a thriller, where the puzzle of the history challenges the reality.

A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed with the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.

A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.

Philippe is a singer and in the existence of a singer, there are times when everything accelerates especially when a crazy groupie, neglected parents, a lunar ornithologist and a tough childhood friend strive to complicate the life... How to get out?

Reflecting on the legacy of Haitian revolutionary Toussaint L'Ouverture, follows a collective's process of translating Édouard Glissant's play Monsieur Toussaint from French to Creole.

An American odyssey along the Mississippi River banks which unfolds as a novel counter-history of the politics of the United States from an environmental point of view.

With their smartphone cameras, Parisian taxi drivers document La Base, a gigantic transit hub isolated on the outskirts of Roissy-Charles de Gaulle airport, a rich microcosm of community life, a safe refuge to face the fast-changing world.

In faint light, a body slowly moves, breaking out from total darkness. Then a second body, a woman. Dream or nightmare? Archaic or essential? Desire or struggle? A journey through the night and the light to the confines of sense and vision. They are ghosts - do they really exist? A film like a dream or a nightmare. In the middle of a forest, two naked bodies, those of a man and a woman, perform a very slow and hideous choreography. It looks like an age-old ritual about domination and submission. The male ghost withdraws, but the woman doesnt let him go: she throws herself at him. Philippe Grandrieux, the maker of Sombre (1999) and countless other films, often experimental, shows the ceremonial wrestling in slow motion, with the bodies sometimes seeming no more than a collection of muscles, tendons and pale flesh, as in paintings by Francis Bacon. Apart from being terrifying and violent, the dance occasionally looks sensual.

May, the daughter of a Japanese terrorist, and Adachi, an activist film-maker, tell the story of their lengthy exile in Lebanon. A reflection on the relationship between life, politics and cinema.

Grandrieux pays an homage to Masao Adachi, a Japanese filmmaker with a turbulent past and now a recluse in his homeland, creating a portrait of this man always faithful in its very own way.

A series of 62 photographs taken by Philippe Terrier-Hermann with 25 actors in 6 French regions. Questioning the relationship between cinema, landscapes and representations, it features a song by Edward Barrow.

Shot in Tel-Aviv, this documentary is about Jews who were raised Ultra-Orthodox and then made the choice to become secular.

Like in "Catalogue de Gestes" (1995), the 5-part split-screen video is focusing on the hands of different people showing the gestures of workers, men and women, who are working in a factory in Northern France.

Fanny and Simon flee an industrial area and climb a mountain where they hope to take refuge. Something has happened in the factory in which they worked and the incident has drawn them close to each other. A feeling that is reinforced by their common adventure in the beautiful mountain. After a while, when they feel certain they are not being pursued, a new event occurs: the discovery of a mysterious object that could change the course of their lives...